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ITV

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FY2018 Annual Report · ITV
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8

ITV plc Annual Report and Accounts
for the year ended 31 December 2018

 
 
 
 
 
 
 
 
 
 
 
 
Welcome to the 2018 Annual Report

We are an integrated producer  
broadcaster, creating, owning  
and distributing high-quality  
content on multiple platforms.  
This is so much More than TV  
as we have known it.

4 
ITV at a Glance

18
Market Review

28 
Key Performance  
Indicators

32 
Operating and 
Performance Review

6 
Chairman’s 
Statement

8 
Chief Executive’s 
Report

24 
Our Strategy

1

Strengthen
Integrated broadcaster 
producer

2

Grow
UK and global 
production

3

Create
Direct to 
consumer

26 
Our Business Model

46 
Finance 
Review

54 
Risks and 
Uncertainties

 Contents

2018 Highlights 
2
ITV at a Glance 
4
Chairman’s Statement 
6
Chief Executive’s Report 
8
14
Investor Proposition 
Non-Financial Information Statement  15
16
Corporate Responsibility Strategy 
18
Market Review 
24
Our Strategy 
26
Our Business Model 
28
Key Performance Indicators 
32
Operating and Performance Review 
44
Alternative Performance Measures 
46
Finance Review 
54
Risks and Uncertainties 

Governance

Chairman’s Governance Statement 
Board of Directors 
Management Board 
Corporate Governance 
Audit and Risk Committee Report 
Remuneration Report 
Directors’ Report 

Financial 
Statements

Financial Statements  
Independent Auditor’s Report 
Primary Statements 
ITV plc Company Financial 
Statements 

Additional 
Information

Glossary 

Key 

   Read more content  
within this report

   Read more  
content online

64
66
68
70
80
92
109

117
118
125

189

204

Strategic Report 
The Strategic Report explains in detail how we have performed this year and sets  
out a fair review of the business, a balanced and comprehensive analysis of our 
performance, the use of key performance indicators to explain the progress we have 
made, a description of the principal risks and uncertainties facing the Company, and 
an indication of potential future developments. The Strategic Report is prepared  
in line with the relevant provisions of the Companies Act 2006 and the Company  
has had regard to the guidance issued by the Financial Reporting Council. It is 
intended to provide shareholders with a better understanding of the Company,  
of its position in the markets within which it operates, and of its prospects. In setting 
out the Company’s main risks and uncertainties, an indication of potential future 
developments, and in other content, this report and accounts contains statements 
that are based on knowledge and information available at the date of preparation  
of the Strategic Report, and what are believed to be reasonable judgements, and 
therefore cannot be considered as indications of likelihood or certainty. A wide range 
of factors may cause the actual outcomes and results to differ materially from those 
contained within, or implied by, these various forward-looking statements. None of 
these statements should be construed as a profit forecast.

1

Key financial highlights

Group external revenue1 

Non-advertising revenue2 

Contents

Strategic Report

£3,211m
(+3%)
(2017: £3,130m)

Adjusted EBITA3 

£810m 
(-4%)
(2017: £842m)

Adjusted EPS 

15.4p 
(-4%)
(2017: 16.0p)

£1,971m
(+5%)
(2017: £1,874m)

Statutory EBITA 

£785m 
(-3%)
(2017: £810m)

Statutory EPS 

11.7p 
(+15%)
(2017: 10.2p)

Dividend per share p (ordinary)

Leverage4

8.0p
(+3%)
(2017: 7.8p)

1.1x 

(2017: 1.0x)

Corporate website
We maintain a corporate website at www.itvplc.com containing  
our financial results and a wide range of information of interest  
to institutional and private investors.

Notes
Alternative Performance Measures: We use both statutory and adjusted 
measures in our Strategic Report, the latter of which, in management’s view, 
reflects the underlying performance of the business and provides a more 
meaningful comparison of how the business is managed and measured 
day-to-day. A full reconciliation between our reported and adjusted results 
is provided in our Alternative Performance Measures section on pages 44  
and 45. Our KPIs are set out on pages 28 to 31.
1. 

 The Strategic Report also refers to total revenue, which includes all  
ITV revenue, both internal and external.
 Non-advertising revenue includes all ITV revenue, both internal and 
external, excluding total advertising revenue.
 EBITA before exceptional items has been adjusted to reflect the  
inclusion of production tax credits (‘adjusted EBITA’). 

2. 

3. 

4.    Leverage is reported net debt to adjusted EBITDA.

GovernanceFinancial StatementsAdditional informationStrategic ReportStrategic Report

2018 Highlights

ITV delivered another strong 
operating performance in 2018 
with fantastic viewing on-screen 
and online, and 3% revenue 
growth in an uncertain economic 
and political environment.

In 2018  

98%

of all commercial 
audiences over 
5 million were  
on ITV

23%

increase in  
long-form  
video requests

36.1%

share of 
commercial 
impacts for the  
ITV Family, up 5% 

8.5m

paying 
relationships in 
Direct to Consumer

2 

ITV plc   Annual Report and Accounts 2018

+11%

increase in  
ITV2’s 16–34s 
share of 
commercial 
impacts

56%

of ITV Studios 
revenue now 
generated from 
outside the UK

26.6m

viewers for 
England’s semi-
final match at peak

249

new commissions 

& 210

recommissions

 2018 highlights

  I’m a Celebrity...Get Me Out of Here!  
had its most watched series ever, averaging 
11.8 million viewers and 45% share. It was also the 
biggest show on TV in 2018 (excluding sport).

  Britain’s Got Talent was the second most 
watched programme on ITV in 2018 (excluding 
sport). In June 2018, the 12th series was won  
by comedian Lee Ridley, also known by the 
stage name of Lost Voice Guy.

  Gordon, Gino and Fred:  

Road Trip brought in an average 
audience of 5.1 million viewers 
and a 23% share across its three 
episodes in September 2018. 

  Coronation Street remains the most watched 

soap in the UK. It averaged 7.5 million viewers in 
2018 with a 35% share, up slightly year-on-year. 

  Dancing on Ice successfully returned  
to our screens in January 2018 for its tenth 
series, after a four-year break. The series 
averaged 6.2 million viewers and a 28% 
share, making it the fourth largest 
entertainment show on ITV in 2018. 

3

  Torvill & Dean  
was a one-off drama 
broadcast on ITV on 
Christmas Day attracting 
4.7 million viewers.

  Unforgotten  

returned to ITV for its third 
series. It is produced  
by Mainstreet Pictures,  
part of ITV Studios UK 
portfolio. Unforgotten 
averaged 6.1 million 
viewers and a 24%  
share, up in share on  
the second series. 

GovernanceFinancial StatementsAdditional informationStrategic ReportStrategic Report

ITV at a Glance

ITV, as an integrated producer broadcaster (IPB), creates, owns and distributes 
high-quality content on multiple platforms globally. We also continue to 
diversify our business through the opportunities presented from consumers’ 
willingness to pay for great content and to engage with ITV as a trusted brand.

Broadcast  
& Online 
We operate the largest 
family of commercial 
channels in the UK and 
deliver our content 
through linear television 
broadcasting and on 
demand via the ITV Hub. 

ITV broadcasts a wide variety of 
content on its family of free-to-air 
channels and the ITV Hub. Our 
investment in programming is primarily 
funded by television and online 
advertising revenue. We sell all of our 
key demographics across 13 regional 
licences and more targeted advertising 
on the ITV Hub. ITV grew total viewing 
across its channels and platforms by 
3% year-on-year in 2018. 

Direct to Consumer
ITV generates revenue directly from 
consumers through subscription 
video on demand (SVOD) on the ITV 
Hub+, competitions, live events, 
gaming apps, merchandise and pay 
per view events, driving value from 
consumers’ increasing willingness  
to engage with brands.

The ITV family of channels attracted a total share of viewing  
(SOV) of 23.2% in 2018 up 7% year-on-year, the largest audience  
of any UK commercial broadcaster. Our main channel is the largest 
commercial channel in the UK, delivering 98% of all commercial 
audiences over five million.

Our free-to-air digital channels provide more targeted 
demographics for advertisers, such as 16–34s, ABC1s, Men,  
and Housepersons with Children, and consist of ITV2 and ITV3,  
the two largest digital channels in the UK, ITV4, ITVBe, and  
CITV. ITV2 is the most watched digital channel for 16-34s and 
16-24s. It is also ahead of Channel 4, Channel 5 and BBC Two  
for 16-24s. We also have high definition (HD) versions of our  
digital channels available on pay platforms.

In addition to linear broadcast, ITV delivers its content across 
multiple platforms. This is either through our over-the-top  
(OTT) service the ITV Hub, available on 28 platforms including  
ITV’s website (itv.com), pay providers such as Virgin and Sky,  
and through direct content deals with services such as Amazon, 
Apple and Netflix.

We are in the concluding phase of talks with the BBC to establish 
a strategic partnership to bring BritBox, a new SVOD service,  
to UK audiences. BritBox UK will provide an unrivalled collection  
of British boxsets and original series all in one place. 

ITV already has the ITV Hub+ which is a SVOD service where 
subscribers have access to ad-free content, the ability to  
download catch up content and EU portability. 

Our joint venture with the BBC, BritBox US, provides an ad-free  
SVOD service in the US and Canada offering the most comprehensive 
collection of British content available in these countries. BritBox  
US subscribers continue to grow steadily, exceeding 500k in 2018.  
We also hold an equity stake in a British content SVOD service, 
Cirkus, in the Nordics, Germany, Austria and Switzerland.

23.2%

9.2%

28m

£81m

share of viewing for the ITV 
Family in 2018 (2017: 21.7%)

share of commercial impacts  
for 16–34s on ITV2 (2017: 8.3%)

registered users on  
the ITV Hub (2017: 21m)

Direct to Consumer revenue 
in 2018 (2017: £65m)

4 

ITV plc   Annual Report and Accounts 2018

 
 
 
 
ITV Studios
We have built significant 
scale in key creative 
markets around the  
world, creating and 
producing programmes  
and formats that return  
and travel, namely drama, 
entertainment and factual.  

ITV Studios creates and produces 
content in the UK and internationally 
across 12 countries, while our 
distribution business, Global 
Entertainment, and the distribution 
arm of Talpa, Talpa Global, sell finished 
programmes and formats worldwide. 

 ITV at a glance

ITV total revenue (inc. internal revenue)

ITV adjusted EBITA

 Broadcast & Online

  £2,096m

 ITV Studios 

  £1,670m 

 Broadcast & Online

  £555m

 ITV Studios 

  £255m 

ITV Studios UK

ITV Studios UK is the largest commercial producer in the UK. 
We produce programming across a diverse range of genres 
such as drama, entertainment and factual entertainment  
for ITV’s own channels, as well as for other UK broadcasters 
such as the BBC, Channel 4, Channel 5 and Sky.

ITV America

ITV Studios  
Rest of World

ITV America is underpinned by the production of unscripted 
content. However, we have been growing our presence in  
the scripted content market, using our strong cash flows  
to produce high-profile dramas with the potential to travel  
and build international appeal. We sell to over 30 broadcasters 
and platform owners across the US.

ITV Studios also operates in the Netherlands (through Talpa 
Media), Germany, France, Italy, Australia, the Nordics, and  
the Middle East. Talpa produces and distributes entertainment 
formats while the other businesses increasingly produce 
scripted content, as well as unscripted content, for local 
broadcasters in these regions and OTT platforms. This content 
is either created locally or are formats that have been created 
elsewhere by ITV, primarily the UK and Talpa.

Global 
Entertainment

Global Entertainment, ITV’s distribution business, owns  
the rights to ITV programmes and formats and acquires 
third-party content, distributing this to other broadcasters 
and platforms internationally. Within this business, we also 
finance productions for ITV and third parties to acquire  
global distribution rights.

8,900+ hrs

of original content produced  
and delivered in 2018  
(2017: 8,400+ hours)

50+ labels

in 12 different countries supplying  
over 200 channels or platforms

57 ITV formats

sold in 2018 
(2017: 62 ITV formats)

5

GovernanceFinancial StatementsAdditional informationStrategic ReportStrategic Report

Chairman’s Statement

Sir Peter Bazalgette
Chairman

We live in an era of 
increased scrutiny and 
governance for public 
companies. Quite 
rightly people ask, 
what are we for?

Dividend per share p (ordinary)
8.0p

8
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0
8

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2
7

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0
6

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4

5
3

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6
2

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6
1

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11

12

13

14

15

16

17

18

3%
YoY

+0.2p
increase
in 2018

2018 saw ITV demonstrate its resilience in 
a testing year for UK plc. ITV’s share price 
has not reflected the many achievements 
we report on here, affected as it is by 
political and economic uncertainty in the 
UK. But beyond that Carolyn McCall, a year 
in as Chief Executive, hit the ground running 
with her strategy – furthering our creative 
culture, modernising our advertising 
offering, developing more direct 
relationships with our consumers and 
establishing a data-led business to drive  
our growing online services. All of this 
addresses the structural challenges of  
this digital era and converts them into 
opportunities. She reports on ‘More than  
TV’ later.

We live in an era of increased scrutiny and 
governance for public companies. Quite 
rightly people ask, what are we for?  
A good way of answering this is to look to 
our stakeholders. Who are they and have 
we delivered for them? ITV has five broad 
groups with which we connect: 

Customers
First, we deliver compelling programmes 
and entertainment to our viewers and 
consumers in the UK and around the world. 
For the third year running we have increased 
our share of viewing, with hit dramas, 
entertainment and sport which strike  
an emotional and cultural chord with our 
mass audience. This is underpinned not  
just by BARB viewing figures, but also by 
a careful qualitative research dialogue.  
And increasingly we’ll be building 
relationships directly with consumers. 

ITV has always partnered with brands, to 
whom we offer demonstrably effective  
and safe advertising and sponsorship 
opportunities. These are increasingly 
informed by enhanced data insights. But  
our major customers also include broadcasters 
and platform owners in the UK and 
internationally via our growing production 
company, ITV Studios. They rely on our 
quality content to drive their own viewers, 
subscribers and revenues. 

6 

ITV plc   Annual Report and Accounts 2018

 Chairman’s Statement

Eat them to 
defeat them
is ITV’s bold new 
advertising 
campaign inspiring 
people to eat better. 

Shareholders
We remain very focused on delivering value 
to our shareholders and Carolyn’s clear 
strategic plan – More than TV – will do 
this. We consult our major shareholders 
regularly. This included a Capital Markets 
Day in September, 2018.

We’ve been explaining how we’re 
strengthening ITV to ensure it’s well 
positioned to address the opportunities and 
challenges of the digital media landscape. 
Reflecting our solid operating performance 
in 2018 and the Board’s confidence in the 
business with its strong cashflows, we’re 
proposing an 8p dividend, up 3%.

Citizens
As the largest commercial broadcaster in 
the UK, ITV reaches millions of people on 
a daily basis through our channels and 
online services. Our huge and varied output 
reflects society and our significant reach 
gives us the opportunity to enrich the 
national conversation. This has included 
inspiring people to eat better with the 
ground breaking campaign for vegetables 
– Eat them to defeat them, motivating 
children to take more exercise with 
The Daily Mile, encouraging the nation to 
preserve and plant native trees through 
The Queen’s Green Planet campaign 
or raising awareness of health issues, 
such as mental health with Project 84. 

As a Public Service Broadcaster we also 
have an important role to deliver properly 
resourced, trusted and impartial national 
and regional news and current affairs. 
This is critical to democracy, more so than 
ever in this internet era of rumour and 
paranoia. And we’re investors in Britain’s 
growing creative economy, with our 
substantial production bases in Manchester, 
Leeds and London, our network of regional 
newsrooms and our training programmes 
for the next generation of talent. In short, 
we’re investors in civil society – we make 
content with a public purpose.

Legislators and Regulators
A key principle of post-war Britain has been 
the free and universal provision of the 
highest quality public service television, 
enabling everyone to participate in the 
life of the UK, regardless of means or 
geographical location. This is a fundamental 
part of bringing the UK together which is 
more important than ever. Of course we 
deliver our legal and regulatory obligations 
but we deliver much more civic value than 
this, as I have outlined. We do all this with 
no public funding and continue to work 
closely with politicians, policymakers 
and regulators, not least to sustain the 
commercial freedoms that enable us 
to continue playing this role.

Colleagues
At the heart of ITV and its success is our 
strong creative and commercial talent. 
We run our business in a way that nurtures 
an engaged and inclusive workforce. 
This means attracting people from all  
social and cultural backgrounds to work  
with us, enabling everyone to be their best. 
And via our network of ‘Ambassadors’ we 
maintain a close conversation with our 
6,000 colleagues globally. 

We strive to ensure that our workforce 
reflects the diverse make up of modern 
society. This is reflected in our gender 
balance with around 50% of our workforce 
being female and almost half of our 
workforce outside London. And our 
workforce is also increasingly outside  
the UK. We now have four network groups 
actively supporting diversity – ITV Embrace 
is our BAME network; ITV Balance is our 
work-life network; ITV Pride serves as our 
LGBT+ network; and The Women’s Network. 
We were also pleased to be singled out by 
the most recent Hampton Alexander report 
as the sixth best performer in the FTSE 100 
for gender diversity in our combined 
Management Board and direct reports  
team and the fourteenth best performer  
at Board level. 

  Butterfly was a three-part drama 
broadcast on ITV in 2018, and brought in  
an average audience of 3.7 million viewers 
and an average share of 15%.

At the end of 2018 Ian Griffiths retired as  
our Chief Operating Officer and Chief 
Financial Officer after more than a decade 
of excellent service and leadership. We 
thank him and wish him well in the future. 
And we welcome Chris Kennedy as Ian’s 
successor, with his wealth of FTSE 100, 
media and direct to consumer experience. 

I’m pleased to report the arrival of two new 
recruits to our plc Board: Duncan Painter is 
a serving FTSE 250 chief executive and  
has a critical knowledge of data-led 
enterprises, particularly in the field of 
entertainment and advertising. Edward 
Bonham Carter joins as Senior Independent 
Director, in which role he’ll deploy his 
lifetime’s expertise in the financial sector, 
both as an executive and as a shareholder. 

Finally I’d like to thank all our ITV colleagues 
for their sterling contributions in a year of 
change. One thing doesn’t change, of course: 
we all still want compelling entertainment, 
we all like to be told great stories. And at ITV 
we believe we have a good story to tell. 

Sir Peter Bazalgette
Chairman

7

GovernanceFinancial StatementsAdditional informationStrategic ReportStrategic Report

Chief Executive’s Report

ITV has delivered a strong operational performance in 2018 with very 
good on-screen and online viewing and good growth in ITV Studios. 

Carolyn McCall
Chief Executive

The economic and 
political environment 
has rarely been less 
certain but we are 
delivering in the areas 
of the business which 
are under our control 
and building an 
increasingly resilient 
business for the future.

 Horse Racing continued to perform well 

on ITV main channel and ITV4, attracting 
valuable male audiences.

ITV has delivered a strong operational 
performance in 2018, with very good 
on-screen and online viewing and good 
growth in ITV Studios.

the strategy. Reflecting these strong cash 
flows and the Board’s confidence in the 
business, it has proposed a dividend of 8p, 
up 3%, as we’ve already committed to.

We are very focused on executing our 
strategy to create a stronger, structurally 
sound business, building on this good 
operating performance. The economic and 
political environment has rarely been less 
certain but we are delivering in the areas  
of the business which are under our control. 
We will report progress in each area of the 
strategy. We have a solid balance sheet  
and good access to liquidity which gives  
us the flexibility and capacity to invest to 
strengthen the business, and deliver  
returns to shareholders. 

2018 Financial highlights
Total revenues were up 3%, driven by 5% 
growth in our non-advertising revenues but 
profits were down primarily as a result of 
the higher programme budget with the 
Football World Cup. Our cash generation 
remains strong at 88% and our leverage  
is 1.1x net debt to adjusted EBITDA which 
provides good flexibility as we implement 

Broadcast & Online delivered 1% growth  
in total advertising, with strong growth in 
VOD, up 36% more than offsetting the 
decline in spot revenues. Our Direct to 
Consumer revenues have grown 25%  
and are a growth opportunity albeit from  
a low base. In total, Broadcast & Online 
revenues were up 1% with adjusted EBITA 
down 7% to £555 million. 

ITV Studios delivered 6% growth in total 
revenue with organic revenues up 4% and 
our portfolio of acquisitions continuing  
to perform well. The UK was broadly flat 
while international revenues continue to 
grow with the growth in the rest of world 
more than offsetting the decline in ITV 
America which was impacted by the timing 
of deliveries. International revenues now 
make up 56% of our total studios revenues, 
up 2 percentage points on last year. Total 
adjusted EBITA was £255 million up 5% at a 
15% margin – firmly within our target range. 

8 

ITV plc   Annual Report and Accounts 2018

 Chief Executive’s Report

More than TV

ITV’s vision is to be... More than TV.

•  The pre-eminent integrated 

producer broadcaster for viewers 
and brands in the UK

•  A world-class creative force in  

global content production

•  A scaled and leading Direct to 

Consumer business with strong 
consumer relationships

•  A lean and agile organisation 
capable of perpetual change

•  A future facing, modern and digital 
brand that is relevant and valuable 
to all viewers and brands

•  A sustainable, cash generative and 
growing business delivering value 
for shareholders

  Queer Eye is produced by ITV America 

for Netflix and achieved critical acclaim  
in 2018, winning three Emmys. 

Data analytics 
and technology

1

Strengthen
Integrated producer 
broadcaster 

Reposition ITV 
as a modern and 
digital brand

2

Grow
UK and global
production

3

Create
Direct to
consumer

Lean and agile 
organisation

   Read more about our 
strategy on page 24

Our vision and strategy
In 2018 we launched our new strategy and 
vision in response to the changes we are 
seeing within the media market. 

There is no doubt that the pace of change  
is rapid and our strategy will continue to 
evolve but our priorities are clear.

There has been a lot of commentary about 
changes in viewer behaviours. Viewers in  
the UK watch 192 minutes of TV per day.  
This is down 5% on the previous year, 
understandable given the profusion of 
content and the choice of how people 
can watch TV. Over 70% of all viewing 
remains live despite this.

Against this backdrop ITV’s viewing 
performance was very strong. Our total 
viewing was up, with total linear viewing  
up 2% as well as significant growth in  
Hub viewing, up 32%; we continue to be  
the home of quality mass commercial 
audiences with 98% of audiences over 
5 million, and our share of viewing up for  
the third year running.

16 to 34’s are clearly watching TV differently– 
but deliver them content that they want  
and they watch it – Love Island is not the only 
example of this. ITV main channel’s volume 
of 16 to 34’s viewing was up 2% year on year 
and ITV Family volume was down only 2% 
against a market down 13%. TV and 
specifically ITV remains the only place to  
get a scaled, quality young audience.

And of course, we are driving significant 
young audiences on the ITV Hub. Total 
registered users have grown again and 79% 
of all 16 to 34’s in the UK are registered on 
the ITV Hub. Simulcast requests are showing 
strong growth up 34%, as viewers and 
particularly young viewers use devices to 
watch TV. Our average monthly active users 
across all demographics have increased  
64% following compulsory registration on 
connected TVs in 2018 – meaning we are 
reaching our users more often which is very 
important from an advertiser’s perspective.

9

GovernanceFinancial StatementsAdditional informationStrategic ReportStrategic Report

Chief Executive’s Report
continued

So, there is clearly a great deal of change  
in viewing and advertising trends which we 
keep under constant focus. Our strategy is 
designed to address the challenges and  
the opportunities that they present. 

Integrated producer broadcaster (IPB)
Our plans for the IPB have five key 
components and I will briefly illustrate how 
we are doing against each of them and our 
priorities for 2019. Much of what we have 
done so far is building the foundations for 
what we will deliver in 2019. 

We have clear measures of success in our 
KPI’s and we are on track to deliver the 
targets and strategic ambitions which we 
set out. A highlight for 2018 has been our 
viewing performance with a strong 
performance right across the schedule – 
from Daytime, to our dramas, sport and  
big entertainment programmes. And it’s  
this great schedule and the continuous 
improvement in the ITV Hub which has 
driven the strong online metrics in terms  
of viewing, users and revenue.

1. Repositioning ITV and driving 
light viewers
The first part of our IPB strategy and 
investment is to reposition ITV, drive more 
light viewers and increase reach. As we  
have highlighted before, ITV has a brand 
perception challenge – people love our 
content but don’t necessarily associate 
it with ITV.

We started developing this last year and  
in January we evolved the ITV and ITV Hub 
brands, giving them a more modern and 
creative position. We have a new brand 
identity for the main channel including 
idents and on-screen presentation. We are 
now developing consistent off-air marketing 
across multiple media channels which has 
helped to successfully launch a range of key 
shows in 2019 such as Cleaning Up, Man Hunt 
and Vera helping our share of viewing and 
volume of viewing to grow so far this year. 
And there is more relevant communication 
to come in 2019 around our drama launches 
and of course the Rugby World Cup.

Although early, we are already seeing an 
improvement in brand consideration for 
light viewers up nine percentage points in 
January year on year. 

  Timewasters produced by Big Talk 
Productions, part of ITV Studios UK, was 
recommissioned for a second series in  
2018 following success on ITV2 in 2017. 
Timewasters will return to our screens 
in 2019.

  The Chase produced by Potato, part  

of ITV Studios UK, for ITV main channel 
maintained its status as one of ITV’s best 
ever gameshows delivering its highest ever 
annual average in 2018 of 3.3 million.

Despite 2018 being affected by economic 
and political uncertainty, we increased our 
total advertising revenue after two years of 
decline with VOD revenues offsetting the 
decline in spot revenues. This is because 
ITV’s overall proposition remains strong. 
ITV gives immediate reach and scale that 
cannot be achieved anywhere else. It also 
provides a safe, trusted and transparent 
environment in which to advertise and 
generates the highest return on investment 
of any media. 

The make up of TV advertisers is changing 
as new categories and markets are being 
disrupted by insurgent brands. Some 
categories are growing rapidly. Telecoms, 
Entertainment and Leisure and the 
Government are spending more. The key 
standout are the online brands which  
grew their spend by 10%.

However, the well publicised issues with  
the high street, retail and FMCG companies 
have put their budgets under pressure and 
they are spending less and have generally 
reduced spend across all media. 

10 

ITV plc   Annual Report and Accounts 2018

2. Enhanced development  
and distribution of the Hub
The second component of our IPB 
investment is the ITV Hub which has shown 
very strong growth in viewing and revenues 
in 2018 with a continuous improvement in 
content, experience and distribution. We 
have delivered seamless live streaming at 
large scale with adverts inserted, and we 
have enhanced the boxset experience, 
introduced next episode sign posting, 
implemented cross platform resume and 
trialled recommendations on iOS. 

In 2019 we will continue to enhance the 
viewer experience and start to really  
bridge the gap between ourselves and 
others in the market. This year you will  
see us roll out a newly designed ITV Hub 
which will create personalised experiences 
for all our 28 million registered users  
with programme recommendations and 
prompts for new series, develop features 
that drive engagement – such as video 
promos and resume play across all 
platforms and make the experience 
consistent across all devices.

3. Technology to support data  
and advertising proposition
Our third area of investment in the IPB is our 
technology capabilities and platforms. We 
have already strengthened our skills in key 
areas and will continue to do so through 2019.  
We are innovating and developing our core 
technology. In 2019, we will increasingly 
invest in technology and platforms to 
deliver the specific priorities of our  
strategy: including enhancing and evolving 
our underlying Online Video Platform for 
the Hub; the launch of SVOD; developing  
a programmatic AdTech platform and the  
use of technology to automate  
operational processes.

4. Data capabilities
Technology will also enable our focus on 
data. We have significantly strengthened 
our data capabilities and have established  
a centre of data excellence covering the full 
range of data and insight. This includes data 
science, analytics and research, so we can 
understand, predict and affect behaviours 
across all ITV touchpoints – viewing, the 
Hub, advertisers and direct to consumer. 

  The Voice UK returned in January 2018 

with new judge, Olly Murs. The series 
averaged 0.9 million viewers aged 16-34, 
with an average audience share for the 
demographic of 33%.

 Chief Executive’s Report

We are just at the start of the process and 
are now increasingly collecting data across 
linear viewing, online viewing and every 
touchpoint we have with users. We are 
beginning to unify it by matching this  
across datasets and then enriching it with 
third party data and automated tagging 
generated by AI algorithms. All the while 
protecting the privacy of our users, as well 
as the security, quality and consistency of 
our data. 

5. Advertising capabilities
We have restructured our commercial team, 
built a new client strategy team and invested 
in our creative partnerships team to provide 
original, engaging and brand defining 
marketing campaigns and build deeper 
partnerships with our advertisers.  
The John Lewis Christmas piano ad 
campaign or Suzuki featuring Take That  
are great examples. 

Delivering scaled addressable advertising 
around our premium VOD is a priority.  
We have made good progress in 2018.

We have significantly increased our 
addressable advertising inventory. At the 
end of 2017 only around 10% of our VOD 
inventory was addressable and today it is 
around 75%. However, this is currently  
a very manual process. We are very focused 
on creating an ad tech solution in 2019 to 
create a fully automated and data driven 
system and we are having positive 
discussions with third parties about how  
we deliver this in the most efficient way.

This will deliver the best of both worlds for 
advertisers – mass simultaneous reach on 
our linear channels and more tailor made 
and addressable targeting at scale on the 
ITV Hub. 

ITV Studios
Our second major strategic focus is Studios. 
Our aim here is to be a leading creative force 
in global content. ITV Studios is now a scaled 
business delivering good growth at a stable 
margin and our plan for organic growth 
requires only modest investment over the 
next three years. 

Demand for great content has never been 
stronger – so this continues to be a real 
growth opportunity. And we are well on 
track to deliver the targets we set out with 
good revenue growth at a 15% margin and  
a 5% increase in total production hours. 

11

GovernanceFinancial StatementsAdditional informationStrategic ReportStrategic Report

Chief Executive’s Report
continued

We’ve seen good growth in our all key genres 
with particularly strong growth in scripted. 
The business is predominantly unscripted in 
terms of scale but scripted, especially driven 
by demand from the OTT platforms, is likely 
to be an area of higher growth over the 
medium term. 

We are seeing increasing demand from  
OTT platforms internationally for original 
long-form content and secondary rights. 
In 2018 we produced and jointly 
commissioned a number of scripted and 
unscripted programmes with OTT platforms 
including Queer Eye for Netflix and in 2019, 
we have an original commission, Cowboy 
Bebop, for Netflix.

A key strength of ITV Studios is its large 
portfolio of successful formats that return 
and travel which we are strengthening each 
year, for example in 2018 with The Voice 
Senior from Talpa and Britain’s Brightest 
Family from the UK. And increasingly we  
are also producing them locally, therefore 
capturing the full margin, including 
The Voice and Love Island in seven countries, 
with Love Island also being produced in the 
US in 2019 for CBS. 

As we look to 2019, we are clear on our 
priorities. Key to our success is attracting  
and retaining great talent. We will invest in 
building our creative talent – collaborating 
with innovative and entrepreneurial creatives 
with minimal risks and attractive returns as 
we have successfully done historically.

We are also very focused on maximising the 
value of our formats and IP internationally. 
There are exciting opportunities to licence 
our brands and library content and drive 
value through merchandising using our 
significant capabilities across our network  
of labels and our global relationships. 

We see good opportunities for European 
scripted content, with strong demand from 
broadcasters and OTT platforms for local 
content with global appeal. We have 
strengthened our portfolio in this area with 
our acquisitions of Tetra and Cattleya in 
2017, both of which are set to have another 
strong year in 2019.

We have a strong pipeline of new and 
returning shows and we have already secured 
£100 million more revenue than this time last 
year which gives us the confidence that we will 
deliver good revenue growth again in 2019. 

Direct to Consumer
Our third area of future growth is all about 
the consumer and we have now created 
a direct to consumer business. We are making 
good progress – our revenues were up 25%  
to £81 million and we now have 8.5m paying 
relationships which are up 27% on last year.

This has been driven by good growth in  
our competition portal, live events such  
as Ninja Warrior Aqua Park and our pay  
per view boxing events. 

Our existing SVOD and pay propositions 
ITV Hub+, BritBox in the US and Canada,  
and Cirkus in the Nordics, Germany,  
Austria and Switzerland are performing  
well and demonstrate our ability to 
compete in this market. 

We are in the concluding phase of talks with 
the BBC to establish a strategic partnership 
to bring BritBox, our exciting new SVOD 
proposition to UK audiences. This will 
provide an unrivalled collection of British 
boxsets and original series all in one place. 

SVOD is an important part of our strategy  
and we see it as a real opportunity in the UK.  
The UK Pay TV market is worth £6.3 billion,  
with a further £1.3 billion generated by OTT 
subscription. And ITV has less than 1% of the 
total pay TV market. Subscriptions are growing 
at pace, up 20% to 12 million households  
and more households are taking multiple 
subscriptions – those 12 million households 
now have 17 million OTT subscriptions. 

  Britain’s Brightest Family produced by 
Gameface Productions, part of ITV Studios 
UK, was new to ITV in 2018 with Anne 
Hegerty, star of The Chase and I’m a 
Celebrity... Get Me Out of Here!, as host. 

Our most recent tranche of research shows 
that four million households are likely or 
very likely to subscribe to a or another  
SVOD service in the next three months. 
Despite the number of streaming services, 
there is a clear gap for quality British 
content and desire for British content is 
high, with research showing that 43% of all 
online homes are interested in subscribing 
to a new SVOD service which features British 
content and this increases to over 50% in 
Netflix homes.

Our SVOD team is in place and we are 
working round the clock to launch later this 
year. We have agreed a joint vision for the 
service and we are now working on a formal 
agreement. BBC and ITV anticipate that 
other partners will be added to BritBox and 
both will speak to regulators and the wider 
industry about their proposals. ITV’s net 
investment in BritBox UK will be up to 
£25 million in 2019, rising to around 
£40 million in 2020 and expected to decline 
thereafter. We will be disciplined and ensure 
we deliver a return on this investment that 
creates value for shareholders.

12 

ITV plc   Annual Report and Accounts 2018

Investments and cost savings
In order to ensure that ITV has a strong  
and sustainable future, we have set out  
our essential £40 million investment 
programme for 2019 which catches us up 
on technology, data, capability and user 
experience. As previously announced, this 
will increase to £60 million by 2021. These 
will partly be offset by £15 million of cost 
savings which will be delivered in 2019, 
increasing to a run rate of £35-40 million 
by 2021. 

Colleagues
I want ITV to be an open and inclusive place 
to work at all times. We have a number of 
strong, active networks which Peter has 
already described. We are working with 
these networks and with others in the 
industry such as the Creative Diversity 

Network to improve diversity at ITV. BAME 
representation is an area of focus going 
forward, particularly at senior level. 

I enjoy meeting our people across ITV – in 
our Manchester and Leeds operations, in our 
regional news rooms across the UK and, of 
course, our studios across the world – and 
listening to their views. That is something 
I will continue to do going forward.

Regulation
In 2018 the Government announced the 
Second Chapter in its Obesity strategy.  
As part of that there will be a consultation 
on the possibility of introducing a 9pm 
watershed on TV advertising of HFSS 
products and similar protection for children 
viewing adverts online. The government  
has committed to explore options to ensure 

  Cleaning Up starring Sheridan Smith 
launched on ITV in January 2019 with over 
six million viewers.

  Emmerdale Experiences from our 
Direct to Consumer business offers fans  
the opportunity to visit the Emmerdale 
Village and enjoy the studio experience.

 Chief Executive’s Report

that any restrictions are proportionate. We 
are fully engaged in this process and believe 
that there is a strong, evidence based, case 
for alternatives to a pre-9pm ban. 

The Company continues to keep the 
potential implications of Brexit under 
review. Workstreams are in place across  
the business to identify, manage and 
mitigate the impact across advertising, 
broadcast licensing, tax, data, copyright and 
IP. The most significant risk is the likely 
impact on the wider advertising market. 

Outlook
We are very clear on what we need to do 
and it requires a relentless focus on delivery 
of our strategy, More than TV. 

We have started the year with good 
on-screen and online viewing. Economic  
and political uncertainty continues to 
impact the demand for advertising as  
we expected, with total advertising  
forecast to be down 3% to 4% over the  
first four months. 

The first half of the year will also be 
impacted by tough advertising 
comparatives particularly in June against 
the World Cup last year, the investments  
we are making and the timing of ITV Studios 
deliveries being weighted to the second half.

We have a solid balance sheet which 
enables us to make the right decisions to 
build a future facing and robust business 
and deliver returns to shareholders. We 
remain very focused on delivering in the 
areas we can control and actively mitigating 
factors outside the Company’s control.

A defining attribute of ITV is its talent 
– whether that’s on-screen or off-screen, 
in the many areas that support our  
fantastic programmes – from advertising  
to technology, production to finance, 
marketing to Direct to Consumer.  
2018 has been a particularly busy year  
and I would like to say a huge thank you 
to all our people. It is their drive and love 
for what they do that will ensure our  
future success.

Carolyn McCall
Chief Executive

13

GovernanceFinancial StatementsAdditional informationStrategic ReportStrategic Report

Investor Proposition

ITV has a clear strategy – More than TV – which is already 
making significant progress in growing and strengthening 
ITV creatively and commercially.

A strong platform 
for delivery

Unique market 
position

Highly cash  
generative

ITV is an increasingly global and 
diversified business and no longer 
reliant on UK advertising, with more 
than half of ITV total revenue coming 
from non-advertising. 

However, the market is clearly 
changing and we have developed 
a vision and strategy ‘More than TV’  
to build upon ITV’s unique and winning 
combination of creativity and 
commercial strength. We have clear 
priorities and initiatives which we 
believe will deliver growth and 
strengthen ITV to ensure that it is  
well positioned to address the 
opportunities and challenges of 
a competitive media landscape. 
We will strengthen our high margin 
integrated producer broadcaster (IPB), 
continue to grow our stable margin 
Studios business and create a new 
scaled and profitable Direct to 
Consumer business. 

We have delivered a good operational 
performance in 2018, despite the 
current economic and political 
uncertainty, which means we are 
executing the strategy from a position 
of strength. 

As an IPB, ITV is in a unique position to 
create and own world-class content, 
broadcast it on one of the biggest 
marketing platforms in the UK and 
distribute it globally through its 
international network. 

The current market uncertainty 
impacts the advertising market and 
ITV is sensitive to this. However,  
our on-screen and online viewing 
performance is strong and we 
continue to deliver unrivalled audience 
scale and reach and creative marketing 
solutions for advertisers as well as 
more targeted demographics on the 
ITV Hub. With trusted and engaging 
brands ITV is well positioned to create 
value by developing and nurturing 
direct relationships with our viewers, 
where people want to spend money on 
a range of content and experiences. 

ITV Studios is a strong and scaled 
international production business, 
creating, owning and managing rights 
and we will continue to grow in key 
creative markets, driving value from 
the strong demand for quality content. 

This is the next exciting chapter in  
ITV’s story. We will compete where  
we can win – domestically where we 
intend to lead in broadcasting and on 
demand, and globally as a world-class 
Studios business. 

We believe that with our ‘More than 
TV’ strategy we will continue to be 
a highly cash generative business and 
our disciplined approach to cash, costs 
and capital gives us a solid balance 
sheet and enables us to continue to 
invest across the business in line with 
our strategic priorities. 

Attractive investment 
opportunities

We have highlighted a number of 
investment opportunities across the 
business, to strengthen and grow  
the business. A key part of this 
investment is in data, analytics and 
technology which we will embed right 
across the business to help drive our 
strategy. These investments will partly 
be funded by cost savings as we become 
a more lean and agile organisation. 

Compelling 
shareholder returns

Reflecting the Board’s confidence 
in the business and the strategy as 
well as the continued strong cash 
generation, the Board has committed 
to pay at least an 8.0p dividend per 
year over the period of investment in 
2018 and 2019. Over the medium term 
the Board expects the dividend will 
grow broadly in line with earnings. 

52%

of total revenue is from  
non-advertising revenue 
streams (2017: 51%)

88%

8.0p

profit to cash conversion 
(2017: 91%)

full year dividend proposed  
by the Board (2017: 7.8p)

14 

ITV plc   Annual Report and Accounts 2018

Non-Financial Information Statement

 Non-financial information statement

We aim to comply with the non-financial reporting requirements contained in Sections 414CA and 414CB of the Companies Act 2006.  
The table below, and the information it refers to, is intended to help stakeholders understand our position on key non-financial matters. 

Reporting requirement

Policies and standards which govern our approach

Risk management and additional information

Environmental 
matters

•  Albert certification
•  Greenhouse Gas Emissions

Corporate Responsibility Strategy, page 16
Directors’ Report, page 109

Colleagues

•  Code of Conduct 
•  Equal Opportunities Policy
•  Health and Safety Policy Statement
•  Whistleblowing Policy
•  Diversity and Inclusion Policy

Directors’ Report, page 109

Human rights

•  Modern Slavery Statement
•  Privacy and Data Protection Policy
• 

Information Security Policy

Audit and Risk Committee Report, page 80

Directors’ Report, page 109

Social matters

•  Corporate Responsibility Strategy

Corporate Responsibility Strategy, page 16

Anti-corruption 
and anti-bribery

•  Anti-Bribery and Corruption Policy 
•  Code of Conduct
•  Sanctions Policy
•  Tax Strategy

Directors’ Report, page 109

Finance Review, page 46

Policy embedding, due diligence and outcomes

Risks and Uncertainties, page 54

Finance Review, page 46

Directors’ Report, page 109

Corporate Responsibility Strategy, page 16

Audit and Risk Committee Report, page 80

Description of principal risks and impact of business activity

Risks and Uncertainties, page 54

Description of the business model

At a Glance, page 4, Business model, page 26

Non-financial key performance indicators

Operating and Performance Review, page 32

Key Performance Indicators, page 28

15

GovernanceFinancial StatementsAdditional informationStrategic ReportStrategic Report

Corporate Responsibility Strategy

Using the power of ITV to shape culture for good.

As the largest commercial 
broadcaster in the UK and  
a growing international 
business, ITV reaches 
millions of people on a daily 
basis through our 
programmes and channels. 
The huge variety of our 
output and the relationship 
we can build with our 
audiences give us the 
opportunity not just to 
reflect society, but also  
to shape culture for good.

ITV has two main platforms for creating 
positive social impact. First and foremost, 
through our programmes: we influence 
and inspire audiences. Secondly, through 
how ITV runs as an organisation: enabling 
an inclusive and diverse network of people 
and reducing our environmental impact. 

In 2018 we delivered powerful initiatives 
across these platforms, just some of which 
are in the following summaries. We have 
also been refining our global Corporate 
Responsibility (CR) strategy for 2019 and 
beyond; the resulting goals and social 
cause will be announced later in the year. 
The CR Board, which is accountable for  
the implementation of the CR strategy, 
reports through the Management Board 
to the Board. 

Looking ahead: The new strategy

Changing culture in the  
UK and wider world 

Through our programmes
Every week, our programmes reach around 
40 million viewers in the UK. That gives us 
the opportunity to shape society, start 
conversations and encourage action on  
the things that matter. 

We create change through our programmes 
in a number of ways. Highlights in 2018 
include inspiring people to eat better and 
move more with the ITV Feel Good 
campaign; encouraging the nation to 
preserve and plant native trees through  
the Queen’s Green Planet campaign and 
contributing to promoting diversity,  
by casting disabled actors in key roles  
in our soaps. 

On the following page we showcase the 
Project 84 campaign – which aimed to  
get men talking about their mental health 
and help prevent male suicide. 

In 2019, ITV will launch its new Social 
Purpose strategy, a critical part of ITV being 
More Than TV: entertaining millions, 
growing brands, and shaping culture. 

After extensive stakeholder engagement 
through 2018 among senior management 
and more widely among colleagues, our  
new Social Purpose strategy sets out how 
we actively contribute to shaping culture: 
influencing wider culture through our 
audiences, and changing our internal  
culture within ITV, through our colleagues 
and partners. 

Our three focus areas:

1. Looking after our health
We want to support people to feel 
good, through actively encouraging 
better physical health, and nurturing 
our mental health

40m

viewers reached weekly through 
our programmes 

2. Reducing our impact on the 
planet, while increasing our impact 
on audiences
We want to reduce our greenhouse 
gas emissions, limit our waste, and 
source responsibly from our suppliers

3. Fostering creativity through 
diversity
We want to increase social mobility, 
while also improving and promoting 
better representation across gender, 
ethnicity, age, sexuality and disability. 

Gender split

Board of Directors

6
60%
Male
(2017: 66.7%)

4
40%
Female
(2017: 33.3%)

16 

ITV plc   Annual Report and Accounts 2018

Senior Management1

95

57.9%

Male

69

42.1%

Female

All colleagues2

2,927

47.7%

Male

3,209

52.3%

Female

(2017: 57.1%)

(2017: 42.9%)

(2017: 47.3%)

(2017: 52.7%)

1. 

 A colleague who is a member of the senior leadership team or 

2.   Colleague gender/gender identity split is based  

Management Board.

on total headcount at 31 December 2018.

 Corporate Responsibility Strategy

Changing culture in the  

UK and wider world 

Changing culture within ITV

Project 84
Every week in the UK, 84 men take their 
own lives. In March 2018, ITV partnered 
with the Campaign Against Living 
Miserably (CALM) and Harry’s Razors  
to draw attention to this tragic but 
little-discussed issue. Replica statues  
of 84 real men who took their lives 
were installed on ITV’s South Bank 
offices in London. Launched on  
This Morning and supported by 
extensive media and social media 
coverage, the campaign reached over 
22 million people, received a mention  
in Prime Minister’s Questions, and  
most importantly, encouraged public 
action. CALM’s online petition to 
demand government action was  
signed by 290,000 people and in 
October 2018, a new minister for 
suicide was announced. 

Through our people
Our people are the driving force of ITV. We 
run our business in a way that nurtures an 
engaged and inclusive workforce. This means 
attracting people from all social and cultural 
backgrounds to work at and with ITV, 
enabling everyone to be their best at work, 
and empowering our people to give back to 
communities and causes important to them. 

Through our actions
ITV is a responsible and transparent 
business. Reducing our environmental 
impact is an increasing focus as we  
seek to go beyond legislative and  
regulatory requirements.

ITV’s Employee Network 
Groups
At ITV we’re proud of the diversity of 
our workforce. Our employee network 
groups are an important way of 
actively supporting that diversity.  
In 2018 all four network groups were 
live for the first time. Embrace, our 
BAME network, Balance, our work-life 
network, ITV Pride, our LGBT+ network, 
and The Women’s Network supported 
colleagues throughout 2018 with  
a vibrant calendar of events, talks,  
and workshops taking place across  
our UK hub sites in London, Leeds  
and Manchester and shown on our 
intranet for international colleagues  
to view. 

Improving the impact  
of production
Reducing the environmental impact  
of our productions is an important 
workstream at ITV that has been 
driven through the Productions Green 
Team. The team has been instrumental 
in encouraging action within all 
production genres. As a result, in 2018 
for the first time our World Cup and 
Royal Ascot coverage achieved albert 
certification. Likewise, ITV Creative, 
ITV’s in-house creative agency, became 
the first UK agency to be awarded 
certification. albert certification, 
administered by BAFTA, rewards 
productions that implement 
sustainable production techniques. 

Senior Management1

95
57.9%
Male
(2017: 57.1%)

69
42.1%
Female
(2017: 42.9%)

All colleagues2

2,927
47.7%
Male
(2017: 47.3%)

3,209
52.3%
Female
(2017: 52.7%)

ITV will be publishing its second 
gender pay gap report ahead of  
the April 2019 deadline, and will  
also be voluntarily publishing its 
ethnicity pay gap for the first time.

1. 

 A colleague who is a member of the senior leadership team or 
Management Board.

2.   Colleague gender/gender identity split is based  

on total headcount at 31 December 2018.

17

Gender split

Board of Directors

6

60%

Male

4

40%

Female

(2017: 66.7%)

(2017: 33.3%)

GovernanceFinancial StatementsAdditional informationStrategic ReportStrategic Report

Market Review

The market environment in which we operate is dynamic. It is changing and evolving rapidly, 
becoming increasingly competitive. Consolidation of media and telecoms companies, the 
increasing influence of technology and data, growing consumer demands and the evolution  
in the way viewers consume media, bring both challenges and exciting opportunities.

Key market trends 

Broadcast television, online  
and direct to consumer

Global demand for content continues to grow with the 
proliferation of channels, platforms and new entrants, with 
particularly strong demand for high-quality global and local 
scripted content, as well as unscripted formats that travel with 
a strong track record. We estimate that the global content 
market is growing at around 4-5% per annum, with some 
genres such as scripted rising faster than others.

A key driver of this change over recent years has been the 
evolution in the delivery and availability of content with a 
substantial increase in the number of ways to consume 
content. Viewers are able to choose from a variety of 
platforms, both free and pay to watch live, catch up and box 
set content. This has led to the rapid growth of viewing on 
mobile devices and via connected TVs. However, linear 
television viewing remains resilient as the most popular way to 
consume content for all demographics. 

The growth in demand for content can be further attributed 
to a number of factors, including: a larger international pay 
television market; the consolidation of pay providers with 
content companies and distributors; convergence in the 
television market, where telecoms and new media companies 
are competing with traditional media companies for content 
and viewers; online players such as Netflix and Amazon 
investing heavily in new original and local content; and online 
advertising-driven platforms such as Google and Facebook 
creating a new market for short form and digital content.

With the proliferation of channels and platforms looking for 
brand defining content, we have seen an increase in viewer 
expectations which has driven an increase in the cost of some 
content, particularly scripted. As a result, deficit financing and 
co-productions or partnerships have become increasingly 
important in financing productions in the UK and US, where 
distributors are often funding the difference between what 
the content buyer is paying for the original broadcast and the 
cost of production in return for distribution rights.

192

linear television viewing minutes per day, down 5% on 2017

4–5%

estimate growth in content market 

20%

UK SVOD growth year-on-year

18 

ITV plc   Annual Report and Accounts 2018

Changes in viewing habits

Long-form content viewing

 Live (including simulcast) 

  Timeshifted (PVR) 
up to 28 days 

  VOD: Broadcaster catch up 

 VOD: Other 

71%

13%

4%

12%

Source: 2018 BARB/Thinkbox data

The number of ways for viewers 
to engage with content has 
expanded and offers increased 
flexibility, which has impacted 
viewing habits globally. With this 
we have seen a marked increase 
in viewing on over-the-top (OTT) 
platforms, via non-TV devices 
(such as smartphones, games 
consoles and tablets) and TV 
VOD. This evolution is not 
uniform across demographics, 
with younger viewers spending 
proportionally more time 
consuming video content on 
non-TV devices and TV VOD, 
whilst older demographics 
spend comparatively more time 
engaging with linear television. 

the ITV Hub and the ITV Hub+, 
the subscription version of  
the ITV Hub, both of which have 
shown strong growth in the last 
few years.

An important part of our Direct to 
Consumer strategy is the launch  
of a domestic SVOD proposition. 
We are in the concluding phase 
of talks with the BBC to establish 
a strategic partnership to bring 
BritBox to the UK, offering an 
unrivalled collection of British 
boxsets and original series all in 
one place. This is in addition to 
our existing SVOD propositions, 
BritBox US in the US and Canada, 
and an equity stake in Cirkus.

In the UK linear viewing remains 
the most popular form of media 
entertainment by a significant 
margin. However, online viewing, 
while currently only a small share 
of total viewing, has grown 
rapidly, particularly via OTT 
services such as Netflix and 
Amazon, which have seen strong 
growth over the last few years.

It is our ambition to maximise our 
volume of total viewing across 
our linear and online platforms 
and develop SVOD. We continue 
to invest in ITV’s online offering, 

TV viewing, and in particular 
free-to-air TV and public service 
broadcaster viewing, is more 
resilient in the UK than in other 
markets, because per capita,  
we have a higher spend on local, 
original content than most other 
developed markets; and the 
existence of the BBC, with whom 
we have to compete for viewers 
but not revenue. That in turn 
gives us a platform from which to 
launch SVOD services using similar, 
indigenous content that connects 
to viewers in a way that US series, 
with very few exceptions, do not.

Broadcast television, online  

and direct to consumer

Linear television viewing

SOV by broadcaster

 ITV Family 

 BBC Family 

 Channel 4 Family 

 Five Family 

 Sky Family 

 Other 

23.2%

30.7%

10.2%

6.3%

6.6%

23.0%

Key metrics

+3%

growth ITV total  
viewing in 2018

98%

of commercial  
audiences >5m

Source: BARB

Linear television is offered 
through both free-to-air and 
pay services in the UK.  
Free-to-air television is delivered 
through services including 
Freeview, YouView and Freesat, 
while linear pay television is 
delivered through operators 
such as Sky, BT, Virgin and 
TalkTalk. The market dynamics 
of the pay market are changing 
as established pay television 
providers face increasing 
competition from BT and  
OTT providers Netflix and 
Amazon. The platform mix 
between free-to-air and linear 
pay television has remained 
relatively constant for a number 
of years. In 2018 the mix was 
54% free-to-air and 46%  
linear pay. Including SVOD 
services, the platform mix in  
the UK is 36% free-to-air and 
64% paid viewing. 

The UK average linear television 
viewing in 2018 was 192 minutes 
per person per day, down from 
203 minutes in 2017. ITV has 
countered this trend showing 
a growth in the hours of live 
linear television viewing 
year-on-year, up 2%. 

The average for 16–34s was 
106 minutes per day which 
declined by 13% (2017: 
123 minutes). In contrast  
across the ITV main channel  
the average number of minutes 
increased for 16–34s by 2%  
and across the ITV family of 
channels decreased only 2%, 
and as such ITV saw a 13% share 
growth for this demographic 
year-on-year (Source: BARB). 

Younger viewers are more 
skewed to watching content 
outside of the traditional 
seven-day measurement 
window and often on non-TV 
devices. The data presented  
in this report is for the seven-
day window measured by BARB. 
Since October 2018, BARB has 
published a joint-industry, audited 
measure of linear and online 
viewing combined across all 
devices, which includes viewing  
on TVs, PCs, tablets and 
smartphones, providing a  
more comprehensive measure 
of viewing for a 28-day 
measurement window. This is 
currently only available on a 
programme by programme basis 
and is not available to calculate 
aggregate channel or broadcaster 
viewing volume or share.

While it is clear that younger 
viewers do watch less linear 
television than other 
demographics, if the right 
content is delivered, they will 
watch it either via linear 
television or online. Love Island 
on ITV2 was an example of this 
in 2018, with an average of 
2.0 million 16–34s viewers with 
a 46.2% share across the series. 
On linear, I’m a Celebrity… Get 
Me Out of Here! achieved an 
average of 3.0 million 16-34s 
viewers, which was its biggest 
audience ever for this 
demographic. The series 
launched with 3.8 million 16-34s 
viewers, which was the second 
biggest audience of 2018 for  
this age-group, beaten only  
by the England World Cup 
semi-final, also on ITV.

ITV competes for linear viewers 
with the BBC and commercial 
broadcasters including Channel 4, 
Sky and Channel 5. ITV and BBC 
One continue to be the only 
channels consistently able to 
deliver mass audiences as well 
as targeted demographics, and 
in 2018, ITV delivered 98% of  
all commercial audiences over 
five million viewers and 96% 
over three million.

 Market Review

16–34’s

most popular channel  
in 2018 was ITV

+32% 

growth in online  
viewing  in 2018

In 2018, the ITV family of 
channels achieved the highest 
SOV in ten years, increasing  
their SOV to 23.2% (2017: 21.7%), 
with the main channel up 9%  
to 16.9% (2017: 15.5%), 
compared with BBC One,  
down 2%, driven by consistently 
strong performances across 
the daytime schedule, growth 
in key entertainment shows, 
unmissable drama, and 
outstanding audiences for  
the 2018 Football World Cup. 

19

GovernanceFinancial StatementsAdditional informationStrategic ReportStrategic Report

Market Review
continued

Broadcast television, online  
and direct to consumer

Online viewing

Advertising revenue

Television’s share of the advertising market

 Television 

 Press 

 Radio 

 Cinema 

 Outdoor 

 Internet 

23.7%

11.5%

3.3%

1.2%

5.4% 

54.9%

Source: Advertising Association January 2019

Online viewing includes catch  
up viewing of broadcaster 
content via the television set  
or non-TV devices, and video on 
demand (VOD) delivery of other 
long-form content such as box 
sets and movies via platforms 
such as Sky, Netflix and Amazon.

While online viewing has grown 
rapidly, and continues to do so, 
it still accounts for only a small 
proportion of total viewing time.  
In the UK, we estimate 71% of  
all viewing of legal long-form 
content is live (excluding online 
simulcast viewing) (2017: 75%), 
with a further 13% timeshifted 
via a Personal Video Recorder 
(PVR) and watched within 
28 days of the original  
broadcast date (2017: 13%).

Of the estimated 16% of content 
viewed on demand (2017: 13%), 
4% is catch up viewing of 
broadcaster content via the 
television set or to non-TV 
devices (2017: 4%). The 
remaining 12% of content  
is other VOD viewing, where 
viewing of box sets via services 
such as Sky, Netflix and Amazon 
is replacing viewing of DVDs 
(2017: 8%). In the UK, in viewing 
share terms, Netflix would 
represent the third biggest 
channel behind BBC One  
and ITV.

This is growing quickly, driven  
by accessibility of these services 
on smartphones, tablets and 
connected televisions, providing 
flexibility in viewing and 
adaptability to changing 
lifestyles, facilitating viewers  
to watch content whenever  
and wherever they want.

In 2018 viewing on the ITV Hub 
has grown 32% year-on-year. 

ITV generates advertising 
revenue through linear 
television, online VOD and 
sponsorship, competing  
with both other commercial 
broadcasters and increasingly 
alternative advertising media 
for its advertising revenues. 
ITV’s total advertising revenue  
in 2018 is £1,795 million, up  
1% year-on-year. As an integrated 
producer broadcaster, cash from 
these revenue streams funds the 
broadcast of our content in the 
UK and content creation globally.

In the UK, television advertising 
(including spot, online VOD, 
sponsorship and other television 
revenues) continues to hold a 
significant share of the overall 
advertising market with a 23.7% 
share in 2018 (2017: 25.5%).  
The decrease year-on-year  
can be attributed to the  
ongoing political and economic 
uncertainty in the UK around 
Brexit with advertisers reducing 
spend on television as they try  
to manage margins. 

The make up of television 
advertisers is changing as new 
markets are being disrupted  
by insurgent brands. Some 
categories have grown rapidly, 
the stand out being the online 
brands. The well publicised issues 
with the high street and FMCG 
companies have put them under 
pressure and as a result they are 
spending less and have largely 
reduced spend across all media.

While online advertising has 
grown rapidly, concerns remain 
as to what some online 
advertising delivers, especially 
when compared with television 
in terms of both investment 
return and potential reputational 
risk. Some forms of online 
advertising have no trusted 
measurement system, the 
adverts may not be seen by  
a human, the adverts may be  
off screen or viewed without 
sound, and the content around 
the advertising may not be 
appropriate for that brand or 
socially responsible. The ITV Hub 
delivers the key demographics 
and growing volumes in a 
high-quality, trusted and 
measured environment for 
online advertisers.

20 

ITV plc   Annual Report and Accounts 2018

 Market Review

Broadcast television, online  

and direct to consumer

Advertising revenue

Subscription video-on-demand (SVOD)

Television’s share of the advertising market

 Television 

 Press 

 Radio 

 Cinema 

 Outdoor 

 Internet 

23.7%

11.5%

3.3%

1.2%

5.4% 

54.9%

Source: Advertising Association January 2019

Source: 2018 BARB/Thinkbox data

41% of homes in the UK have an  
SVOD service, up from 30% in 2017

Other Direct  
to Consumer

8.5m

Paying Direct  
to Consumer 
relationships,  
up 27% on 2017

With no uniformity in the 
definitions used by broadcasters, 
the UK television advertising 
market is extremely difficult to 
measure, and therefore it is not 
possible to give ITV’s share of 
total advertising. 

Online advertising can deliver  
a more targeted advertising 
proposition and ITV is making 
good progress on developing  
a scaled, programmatic 
addressable advertising 
proposition on the ITV Hub. 

ITV also earns revenue from 
various third parties, including 
Sky and Virgin, through the 
licensing of channels and 
content, including our HD  
digital channels (ITV2 HD,  
ITV3 HD and ITV4 HD) and  
catch up VOD.

Increasingly homes are 
supplementing their free and 
pay television with other forms 
of paid content including  
SVOD services such as Netflix 
and Amazon, or by purchasing 
additional channels through 
‘no-contract’ providers such  
as NowTV. Many households 
have multiple subscriptions to 
paid content, and we expect  
this to increase. Around 41% of 
homes in the UK have an SVOD 
service, up from 30% in 2017, 
and this is growing at a steady 
rate (Source: BARB). 

We are in the concluding phase 
of talks with the BBC to 
establish a strategic partnership 
to bring BritBox, our exciting 
new SVOD proposition, to UK 
audeinces. This will provide an 
unrivalled collection of British 
boxsets and original series all  
in one place. Research has 
demonstrated there is high 
demand and a willingness to pay 
for an additional service. ITV is 
well positioned to deliver this.

Our existing SVOD propositions 
include ITV Hub+ in the UK, 
BritBox US in the US and  
Canada, and Cirkus in the 
Nordics, Germany, Austria and 
Switzerland, demonstrating our 
ability and ambition to compete 
in this market internationally. 

Consumers are increasingly 
willing to pay to engage with 
great brands, content and 
intellectual property (IP), 
whether that is through 
competitions, live events, 
gaming, merchandise or  
pay per view. 

ITV Hub+ offers the content 
available on the ITV Hub  
ad-free, available for download 
and with EU portability.  
The number of subscribers, 
including subscribers via 
Amazon, has more than tripled 
year-on-year. 

BritBox US, our joint venture 
with the BBC launched in 2017, 
provides an ad-free SVOD 
service offering the most 
comprehensive collection  
of British content available in 
the US and Canada. Subscribers 
have continued to grow steadily, 
exceeding 500k in 2018. 

Developing deeper and  
broader insights about our 
customers and viewers is 
increasingly possible and more 
valuable with the greater use  
of data analytics.

Generating revenue directly 
from consumers, while small,  
is not new for ITV, however,  
it presents an area of great 
potential growth with our 
fantastic brands and loyal 
viewers. Vital to this growth  
is making data analytics  
a key competency across the 
organisation. To support this  
we are investing in technology 
platforms to collect, process, 
store, and analyse these data 
sets, as well as investing in 
people to turn that data  
into insight. 

21

GovernanceFinancial StatementsAdditional informationStrategic ReportStrategic Report

Market Review
continued

Global content 

Scripted

UK
In the UK, we see higher demand and 
stronger viewing figures for domestically 
produced content over imported series. 
Original, high-quality scripted content is 
central to our strategy and essential for  
the growth of broadcasters and OTT 
players, with its the ability to drive  
viewing and grow brands. 

We are a major producer of scripted content 
delivering some of the most unmissable 
scripted content in 2018 both on and off  
ITV including Bodyguard, Trauma, Poldark, 
Unforgotten, and Vera. 

The deficit on high-cost productions is 
covered through global and secondary  
sales, with our strategy of making content 
available in different territories, on different 
broadcasters or OTT platforms and at 
different times, either exclusively or 
non-exclusively, in order to maximise  
overall revenues. As a distributor as well  
as a producer, ITV is in a strong position  
to deficit finance its own productions and 
therefore produce high-quality content  
and retain the rights to it as well as acquiring 
rights for third-party productions.

  Poldark is produced by Mammoth 
Screen (part of ITV Studios UK) for the  
BBC. 2018 saw the show return for a  
fourth series, and it has been sold in over 
150 countries.

US
The US dominates global production and  
is the largest content market in the world. 
This represents a significant opportunity  
for ITV, with a strong, and evolving,  
presence in the region.

As with the UK, the market continues to see 
a significant increase in demand for drama, 
particularly US drama. Original scripted 
content is essential for broadcasters and 
OTT platforms to drive viewing and attract 
subscribers. Drama is brand defining, and is 
used as a tool for differentiation and 
prominence in an increasingly competitive 
global environment. The rise of Netflix  
and Amazon, which are investing heavily  
in signature high-quality original scripted 
content, has significantly increased 
competition in the market.

Leveraging our network relationships and 
international distribution network, we have 
expanded our US scripted business and are 
developing a portfolio of returning drama. 
We are taking advantage of the increased 
demand from OTT platforms and other 
viewing windows around the world. Our 
2019 scripted pipeline includes the delivery 
of Snowpiercer to TNT and the remainder  
of series five of Good Witch to Hallmark.

In recent years in the US, we have invested  
in backing talent and intellectual property 
(IP), rather than large scale acquisitions.  
This allows us to attract and collaborate 
with innovative and entrepreneurial 
creatives, with minimal risks, and attractive 
returns. For example, in 2017 we took  
a 45% stake in Blumhouse Television, the  
TV division of the company founded by 
prodigious film producer Jason Blum, which 
in 2018, produced Into the Dark for Hulu,  
and co-produced The Purge for USA 
Network and Sharp Objects for HBO.

Rest of World
In Europe, we have seen the resurgence in 
demand for local scripted content, with 
acquired US content not performing as  
well as it has done historically on broadcast 
channels. The OTT platforms also drive 
growth across Europe for local scripted 
content, with the platforms tailoring their 
proposition on a regional basis to 
differentiate the offerings and attract 
subscribers. There is now also global 
demand for high-quality, foreign language 
scripted content on both broadcast and  
OTT platforms resulting in a broadening 
market for European content. 

Over the last few years we have invested  
to strengthen our position in the European 
market through our 2017 acquisitions of 
Tetra Media Studio in France and Cattleya  
in Italy. These acquisitions produce both 
long-running and new, critically acclaimed 
foreign-language dramas for free-to-air,  
pay and OTT platforms locally and 
internationally. Examples include Profilage 
and Balthazar from Tetra Media Studio, and 
Suburra and Zero Zero Zero from Cattleya.  
A review of the risk of a change to legislation 
or regulation on our European operations  
as a result of Brexit is included on page 57.

  Profilage is produced by Tetra Media 
Studio for TF1 in France. The ninth series 
delivered in January 2019. 

22 

ITV plc   Annual Report and Accounts 2018

Global content 

 Market Review

Unscripted

UK
While not growing as quickly as scripted 
content, demand for unscripted content 
remains strong as networks continue to 
require lower-cost, high-volume popular 
series. The UK remains the dominant 
producer and exporter of unique  
unscripted formats. 

ITV is the largest commercial production 
company for unscripted content in the  
UK. The large independent production 
companies, such as Endemol Shine Group 
and Fremantle, continue to be ITV Studios’ 
main competitors in non-scripted content.

2018 saw the successful return of Dancing 
on Ice with the title having been rested  
for a number of years. Dancing on Ice was 
recommissioned and returned to ITV in 
January 2019. 

Returning series, including Love Island,  
I’m a Celebrity... Get Me Out of Here! and 
The Chase achieved record-breaking 
audiences in 2018, and continue to go  
from strength to strength, and provide  
the very strong track record to then  
sell the formats internationally.

US
The US remains a strong and vast market  
for unscripted content, with continued 
demand from broadcasters for proven 
successful programming and new 
entertainment formats. There is growing 
pressure in the US cable market with 
significant external competition. OTT 
platforms have also started to supplement 
their catalogue with unscripted titles,  
which provides a lower-cost alternative  
to expensive scripted titles, and to appeal  
to new audiences, or supplement the 
viewing of existing subscribers. 

ITV America is one of the largest producers 
of unscripted content in the US with over 
450 hours of original content produced in 
2018. Having focused our US acquisitions  
on the unscripted genre and grown 
organically, the business has developed  
a foundation of formats such as Real 
Housewives, Marriage Bootcamp, Four 
Weddings, The First 48, Alone, Mama June 
and Forged in Fire. 2018 also saw the 
delivery of three-time Emmy winning Queer 
Eye and Girl Incarcerated to Netflix. Queer 
Eye will return in 2019 to Netflix for a third 
series. New in 2019 from ITV America is the 
hit ITV format, Love Island, for CBS.

Rest of World
Demand remains strong across all major 
territories for unscripted content as, 
consistent with the UK and US, networks 
require lower-cost alternatives to  
scripted content. The market demands  
a combination of proven global formats,  
as well as the development and production 
of local original ideas. Demand is not 
growing as fast as for scripted content.

ITV has a presence in what we consider  
to be the most attractive TV production 
markets, leveraging our international 
formats and local creative expertise to  
grow our overall business. 

International production of Love Island 
tripled in 2018, with shows on air in 
Germany, Australia, Norway, Sweden, 
Finland and Denmark. I’m a Celebrity...  
Get Me Out of Here!, further to the hugely 
successful UK version, is produced in 
Germany and Australia, and a new  
version has been commissioned by TF1  
in France. The show is the number one 
entertainment show in Germany and is  
on air for its 13th run, and a fifth season 
launched on Network Ten in Australia  
in January 2019.

  Love Island was the most watched show  
on any digital channel in 2018 with the best 
performing series yet with an average of  
4.0 million viewers and a share of 17%.  
In 2019 Love Island will be produced by ITV  
for CBS in the US.

23

GovernanceFinancial StatementsAdditional informationStrategic ReportStrategic Report

Our Strategy

In 2018 we undertook a strategic refresh to help us highlight the opportunities for ITV and  
also the challenges we need to address. It was very much a refresh as ITV is a strong business, 
no longer solely reliant on advertising. However the market is changing and to reflect this  
we have developed a clear vision and initiatives to drive growth. 

ITV’s vision is to be…  
More than TV

ITV strategy

The pre-eminent integrated producer 
broadcaster for viewers and brands in 
the UK

To deliver our strategy we  
need to do three things 
extremely well:

A world class creative force in global 
content production

A scaled and leading Direct 
to Consumer business with 
strong consumer relationships 

A lean and agile organisation capable 
of perpetual change

A future facing, modern and digital 
brand that is relevant and valuable  
to all viewers and brands

A sustainable, cash generative and 
growing business delivering value 
for shareholders

Our vision is ‘More than TV’, building upon 
ITV’s unique and winning combination of 
creativity and commercial strength driven  
by investment in data and technology.

ITV will be More than TV – it will be  
a structurally sound integrated producer 
broadcaster where our ambition is to 
maximise total viewing and increase total 
advertising revenue; it will be a growing  
and profitable global content business, 
which drives returns; and it will create  
value by developing and nurturing strong 
direct consumer relationships, capturing  
the increasing willingness of consumers  
to pay for content and experiences with  
a really trusted brand.

We will focus on three key areas:
•  Strengthening the integrated  

producer broadcaster

•  Growing UK and global production, and
•  Creating a scaled Direct to  

Consumer business

•  Communicate and market 
ourselves effectively and 
innovatively to engage 
across our platforms and 
gain more light viewers.

•  Be a lean and agile 

organisation with a culture 
that can constantly adapt  
to change.

•  Ensure that we embed data, 
analytics and technology 
right across our business.

Data analytics 
and technology

1

Strengthen
Integrated producer 
broadcaster 

Reposition ITV 
as a modern and 
digital brand

2

Grow
UK and global
production

3

Create
Direct to
consumer

Lean and agile 
organisation

Key Performance Indicators – Targets and Strategic Ambitions

Description

KPI

ITV Group

Total non-advertising revenue

Grow by at least 5% CAGR

Target – over 3 years to 2021

Cost savings

Profit to cash conversion

1    Strengthen
 Integrated 
producer 
broadcaster

Online revenue growth

Online viewing

ITV Hub registered users

Brand consideration

Total advertising revenue

Total ITV viewing

ITV Family SOV

Deliver £35 to £40 million  
run-rate of cost savings by 2021

Maintain at around 85%

Target – over 3 years to 2021

Double-digital growth per annum

Double-digital growth per annum

Increase to 30 million

Increase to 60%

Strategic ambition – over 3 years to 2021

To grow total advertising in a flat  
NAR market

To maintain total viewing

Above 21%

Target – over 3 years to 2021

2    Grow

 UK and global 
production

Total Studios revenue growth

Grow by at least 5% average CAGR

Studios adjusted EBITA margin

Maintain at 14% to 16%

Total production hours

Grow to 10,000 hours

These are not independent silos. They work 
together – reinforcing each other, creating 
synergies and delivering value. 

3     Create

 Direct to 
Consumer

Direct to Consumer revenue  
(excluding BritBox SVOD revenue)

Paying product relationships  
(excluding BritBox SVOD subscribers)

24 

ITV plc   Annual Report and Accounts 2018

Target – over 3 years to 2021

Grow to at least £100 million

Grow to 10 million

 
 
 
ITV strategy

 Our Strategy

1

Strengthen
Integrated producer 
broadcaster 

2 

Grow 
UK and global 
production 

3

Create
Direct to Consumer 

We’ll strengthen our core UK Integrated 
Producer Broadcaster (IPB) business to ensure 
that we can address the opportunities and 
challenges of structural change and provide 
a strong, branded and data rich relationship 
with our viewers and advertisers.

Our aim is to be a leading creative force in 
global content production. 

The core drivers of this business are creative 
talent, creating and effectively monetising 
hits, and being disciplined and efficient. 

There are five key components to our IPB 
strategy; repositioning ITV and driving light 
viewers; enhancing the development and 
distribution of the Hub; investing in data, 
analytics, insight and technology so we 
understand and serve our viewers better; 
supporting our advertisers better, building 
our addressable advertising capabilities, 
driving effectiveness and expanding our 
portfolio of data driven marketing 
solutions; and working more closely with 
Studios, maximising the value of our 
investment in content.

We are focused on developing more hits.  
In order to do this we need to keep 
attracting and retaining leading talent,  
and nurturing the right creative and 
commercial environment to do this.  
We will also consider selective value 
creating acquisitions and talent deals 
in both scripted and unscripted to obtain 
creative talent and IP. 

We have eliminated the option of doing  
any scaled US scripted acquisitions for  
the foreseeable future. 

The expanded reach, engagement and 
insight into viewers, allied to new online 
functionality and enhanced data analytics 
will serve to grow the number of consumer 
relationships we can monetise while  
also enhancing the average revenue  
per relationship.

We are in the concluding phase of talks  
with the BBC to establish a strategic 
partnership to bring BritBox, our exciting 
new SVOD proposition to UK audiences.  
This will provide an unrivalled collection  
of British boxsets and original series  
all in one place. Our research has  
shown willingness to subscribe to  
a new SVOD service, and a strong  
appetite for quality British content  
– and we are very well positioned to  
deliver this. 

2018 key performance indicators

2018 key performance indicators

2018 key performance indicators

£1,795m (2017: £1,781m)

Total advertising revenue 

+36% (2017: +14%)

Online revenue growth

17.1bn hrs (2017: 16.6bn hrs)

Total ITV viewing

23.2% (2017: 21.7%)

ITV Family SOV

446m hrs (2017: 337m hrs)

Online viewing

£1,670m, up 6% 

(2017: £1,579m)
Total Studios revenue growth

15% (2017: 15%)

Studios adjusted EBITA margin

8,900+ (2017: 8,468)

Total production hours

£1,971m (2017: £1,874m)

Total non-advertising revenues

£81m (2017: £65m)

Direct to Consumer revenue

8.5m (2017: 6.7m)

Paying product relationships

£1,971m (2017: £1,874m)

Total non-advertising revenues

28m (2017: 21m)

ITV Hub registered users

59% (2017: 58%)

Brand consideration

ITV Group

   KPI definitions and historic performance 
can be found on pages 21 to 31 

15.4p

(2017: 16.0p)
Adjusted EPS

£1,971m

(2017: £1,874m)
Total non-advertising 
revenues

On track 
to deliver 
£15 million cost savings  
in 2019

88%

(2017: 91%)
Profit to cash 
conversion

25

GovernanceFinancial StatementsAdditional informationStrategic ReportStrategic Report

Our Business Model

Our vision is ‘More than TV’. We will use our creativity and commercial expertise to strengthen 
the integrated producer broadcaster, grow the UK and global content business, and create 
value in developing and enhancing direct consumer relationships. We are confident that  
our vision and strategy is the right long-term plan for ITV in a dynamic market environment. 

Our strategy is to 
strengthen, diversify 
and grow the 
business, creating 
a robust, future-
facing ITV.

Data analytics 
and technology

1

Strengthen
Integrated producer 
broadcaster 

Reposition ITV 
as a modern and 
digital brand

2

Grow
UK and global
production

3

Create
Direct to
consumer

Lean and agile 
organisation

Competitive advantage

Delivering 
unrivalled 
commercial 
audiences
The scale of our 
channels and 
the significant 
investment we 
make in quality 
content give ITV 
unique scale and 
reach across the  
key demographics 
on our main 
channel and more 
targeted audiences 
on our family of 
channels and the 
ITV Hub.

World-class 
content
At the core of ITV 
is our focus on 
creativity and 
content, whether 
selling our unique 
content around the 
world or investing  
in third-party 
content to 
broadcast across 
multiple platforms. 
Internationally 
we have built 
production and 
distribution scale  
in key global 
creative markets 
through organic 
growth, selective 
acquisitions and 
talent deals.

Global 
distribution
ITV has built 
relationships 
globally with major 
networks, platform 
owners and local 
broadcasters, and 
owns the rights to  
a diverse portfolio 
of shows, 
particularly drama 
and entertainment, 
for international 
distribution.

Intellectual 
property 
ITV has developed 
and acquired  
shows that are 
hugely popular. 
Owning this 
intellectual 
property allows  
us to monetise  
it internationally 
through 
programme and 
format sales  
and also 
commercially in  
the development  
of interactive 
experiences,  
games, apps and  
consumer products.

65%

Our channels reach  
over 65% of the UK 
population each week

£1bn

We invest over £1bn  
annually in content  
for our UK family 
of channels

40,000+

hours of television  
and film content in the 
Global Entertainment 
catalogue

Our strategic assets

Our strategic assets underpin ITV’s competitive advantage

Creating and owning 
the rights to quality 
content and  
intellectual property

Our strong, trusted 
brand, products 
and culture

Our talented 
commercial and 
creative people

26 

ITV plc   Annual Report and Accounts 2018

 Our Business Model

Our diversified revenue streams

Creating value for…

By developing and managing the rights to content, ITV is able to 
maximise the value of its programme brands across a range of 
revenue streams, making ITV a more balanced business and  
enabling it to drive value from different revenue models.

Advertising
Our family of channels and the ITV Hub drive significant advertising 
revenues from the ability to deliver both mass audiences and more 
targeted demographics to advertisers. This funds our investment  
in the programme budget.

Commercial partnerships
We work with advertisers and advertising agencies to provide 
unique and innovative commercial partnerships and sponsorship 
opportunities that extend beyond pure spot advertising.

Direct to Consumer
We monetise our consumer interactions through competitions, live 
events, merchandising, pay per view, and SVOD. In the UK we currently 
generate SVOD revenue through the ITV Hub+, and we have agreed 
a joint vision for BritBox UK with the BBC and are now working  
on a formal agreement. Internationally we deliver SVOD revenues 
through our joint venture with the BBC, BritBox US, in the US and 
Canada and Cirkus in the Nordics, Germany, Austria and Switzerland. 

Pay
We earn pay revenue from platforms in the UK by licensing our HD 
channels and our online VOD services. 

Original production
We produce original content commissions for broadcasters and platform 
owners internationally from our production bases in the UK, the US, the 
Netherlands, Germany, France, Italy, Australia, the Nordics and the Middle East.

Distribution 
We own the rights to a significant catalogue of programmes and 
formats that we sell and license to broadcasters and platform  
owners internationally. The strong global demand for content 
provides a significant opportunity for us.

5%

growth in non-advertising revenue

Advertisers
Through delivering 
unique scale and breadth 
of demographics as 
well as more targeted 
opportunities and new 
innovative ways of engaging 
with consumers around 
quality programme brands

Audiences
Through a varied, high-
quality programming 
schedule, which they 
can watch and engage with 
on a variety of platforms

Broadcasters  
and platform owners
Through delivering  
quality programming  
that they can then 
monetise through  
their own business models

Customers
Through our Direct to 
Consumer business  
we drive engagement  
and interaction with our 
much loved brands

Shareholders
Through a track record of 
creating shareholder value 
and delivering significant 
shareholder returns

Our people
Through investing in and 
developing our talent 
and creating a culture 
that nurtures them to 
become both commercial 
and creative

27

GovernanceFinancial StatementsAdditional informationStrategic ReportStrategic Report

Key Performance Indicators

In 2018 we redefined our KPIs to align our performance and accountability to our strategic 
priorities. As we implement our strategy our KPIs may evolve to ensure they remain  
appropriate to our business and our priorities. We have set targets or strategic ambitions  
for our KPIs for three years to 2021 where it is appropriate to do so.

ITV Group

Adjusted EPS1

Definition
Adjusted EPS represents 
the adjusted profit for the 
year attributable to equity 
shareholders. Adjusted 
profit is defined as profit 
for the year attributable  
to equity shareholders 
after adding back 
exceptional items and 
including high-end 
production tax credits. 
Further adjustments  
include amortisation and 
impairment of assets, net 
financing costs and the  
tax effects relating to  
these items. It reflects the 
business performance of 
the Group in a consistent 
manner and in line with  
how the business is 
managed and measured  
on a day-to-day basis.

Performance
Adjusted EPS decreased by 
4% from 16.0p to 15.4p. This 
was predominantly due to 
higher programme costs  
as a result of the Football 
World Cup which more than 
offset the good adjusted 
EBITA growth in ITV Studios.

Total non-advertising 
revenues

Cost savings

Profit to cash 
conversion 

Total advertising 

Online revenue 

Total ITV viewing2

ITV Family SOV

Definition
Total non-advertising 
revenue is total ITV revenue 
(including internal revenue) 
excluding advertising 
revenue from net 
advertising revenue (NAR), 
VOD and sponsorship. This 
is an important measure  
as we continue to rebalance 
the business away from our 
reliance on advertising. 

Performance
Non-advertising revenue 
increased by 5% in 2018 
driven by growth in our  
ITV Studios and Direct to 
Consumer businesses.  
We delivered 6% growth  
in ITV Studios total revenue 
to £1,670 million and 25% 
growth in Direct to 
Consumer revenues  
to £81 million. 

Definition
Cost savings are permanent 
savings to the business. 
Managing our cost base  
is key as we aim to run our 
business as efficiently as 
possible and fund 
investments in line with  
our strategic priorities.

Performance
No cost saving target was set 
for 2018 but we continued  
to focus on running the 
business efficiently. 

We are on track to deliver 
£15 million of cost savings 
in 2019 as previously 
announced as part of ITV’s 
£35 million to £40 million 
target by 2021. 

Definition
This is our measure of  
our effectiveness of cash 
generation used for 
working capital 
management. It is 
calculated as our adjusted 
cash flow as a proportion  
of adjusted EBITA. Adjusted 
cash flow, which reflects 
the cash generation of  
our underlying business, is 
calculated on our statutory 
cash generated from 
operations and adjusted  
for exceptional items, net 
of capex on property, plant 
and equipment (excluding 
capex relating to the 
project to redevelop the 
South Bank site) and 
intangible assets, and 
including the cash impact 
of high end production  
tax credits.

Performance
Profit to cash remains high 
at 88% (2017: 91%). 

In the period we saw an 
increase in working capital 
which was primarily due to 
an increase in stock.

Target
3 years to 2021

Target
3 years to 2021

Target
3 years to 2021

Strategic ambition

Strategic ambition

Strategic ambition

Grow by at least 5% CAGR

Deliver £35–£40 million 
run-rate of savings by 2021

Maintain at around 85%

To grow total advertising 

Double digit growth  

in a flat NAR market

per annum

To maintain total viewing2

Above 21%

2018
15.4p

.

5
6
1

.

0
7
1

2018
£1,971m

.

0
6
1

.

4
5
1

4%

decline in 2018

1
7
9
1

,

4
7
8
1

,

5%

growth in 2018

7
8
6
1

,

2
2
5
1

,

*2016 and 2015 
not fully restated 
for IFRS15

2018

88%

7
9

1
9

1
9

8
8

2018

£1,795m

3

5

8

,

1

3

3

8

,

1

1

8

7

,

1

5

9

7

,

1

1%

growth in 2018

2018

17.1bn hours

2018

23.2%

7

.

6

1

9

.

6

1

6

.

6

1

1

.

7

1

3%

growth in 2018

2

.

1

2

3

.

1

2

7

.

1

2

2

.

3

2

7%

growth in 2018

15

16

17

18

15

16

17

18

15

16

17

18

15

16

17

18

15

16

17

18

15

16

17

18

15

16

17

18

1.  A full reconciliation between our adjusted and statutory results is provided in the APMS.

28 

ITV plc   Annual Report and Accounts 2018

1  Strengthen

Integrated producer broadcaster

revenue

Definition

growth

Definition

Total advertising revenue 

measures all our advertising 

Online revenues are 

advertising revenues  

revenues and includes 

ITV Family NAR (spot 

revenue), VOD, sponsorship 

and other advertising 

revenues.

Performance

Total advertising revenue 

grew 1% to £1,795 million 

in a challenging market, 

with online revenue  

growth of 36% more than 

offsetting the decline in 

spot revenues.

from VOD via the ITV Hub. 

With the investment in  

the ITV Hub and the 

significant growth of 

viewing on the ITV Hub 

these are now a material 

part of our advertising 

measure of our success.

Performance

Online revenue continued 

to grow strongly, up 36%  

in 2018, as we delivered 

Definition

Keeping our viewing 

healthy is vital for our 

advertising proposition. 

Total ITV viewing is the 

total number of hours 

spent watching ITV 

channels live and recorded 

within 28 days and VOD 

viewing via the ITV Hub  

Performance

On-screen and online 

viewing performed strongly 

with total ITV viewing up 

revenues and an important 

and third-party platforms. 

significant growth in online 

growth in both linear and 

in 2018 to 23.2%. Our  

3% to 17.1 billion hours with 

ITV Family SOV grew 7% 

viewing, up 32%. 

online viewing. 

Definition

Keeping our free-to-air 

proposition strong and  

our audiences healthy is 

vital for the Broadcast & 

Online business, and ITV 

Family SOV helps measure 

this. ITV Family SOV is the 

total viewing audience  

over the year achieved by 

ITV’s family of channels  

as a proportion of total 

television viewing, including 

the BBC Family.

Performance

ITV Family SOV is now the 

highest it has been for ten 

years. Within this, the ITV 

main channel was up 9% 

to 16.9% and the digital 

channels were up 2% in  

the year mainly across ITV2 

and ITV3, up 5% and 10% 

respectively. ITV2 was the 

most watched digital 

channel for 16-34s, growing 

10% to a SOV of 6.0% for 

the target demographic. 

External source: BARB/AdvantEdge

External source: BARB, Crocus, 

comScore Data Analystics and 

third-party platforms

Target

3 years to 2021

2018

36%

2

4

6

3

0

2

4

1

 Key Performance Indicators

Adjusted EPS1

Total non-advertising 

Cost savings

Profit to cash 

conversion 

Total advertising 
revenue

Online revenue 
growth

Total ITV viewing2

ITV Family SOV

1  Strengthen

Integrated producer broadcaster

Definition
Total advertising revenue 
measures all our advertising 
revenues and includes 
ITV Family NAR (spot 
revenue), VOD, sponsorship 
and other advertising 
revenues.

Performance
Total advertising revenue 
grew 1% to £1,795 million 
in a challenging market, 
with online revenue  
growth of 36% more than 
offsetting the decline in 
spot revenues.

Definition
Online revenues are 
advertising revenues  
from VOD via the ITV Hub. 
With the investment in  
the ITV Hub and the 
significant growth of 
viewing on the ITV Hub 
these are now a material 
part of our advertising 
revenues and an important 
measure of our success.

Performance
Online revenue continued 
to grow strongly, up 36%  
in 2018, as we delivered 
significant growth in online 
viewing, up 32%. 

Definition
Keeping our viewing 
healthy is vital for our 
advertising proposition. 
Total ITV viewing is the 
total number of hours 
spent watching ITV 
channels live and recorded 
within 28 days and VOD 
viewing via the ITV Hub  
and third-party platforms. 

Performance
On-screen and online 
viewing performed strongly 
with total ITV viewing up 
3% to 17.1 billion hours with 
growth in both linear and 
online viewing. 

External source: BARB, Crocus, 
comScore Data Analystics and 
third-party platforms

Definition
Keeping our free-to-air 
proposition strong and  
our audiences healthy is 
vital for the Broadcast & 
Online business, and ITV 
Family SOV helps measure 
this. ITV Family SOV is the 
total viewing audience  
over the year achieved by 
ITV’s family of channels  
as a proportion of total 
television viewing, including 
the BBC Family.

Performance
ITV Family SOV grew 7% 
in 2018 to 23.2%. Our  
ITV Family SOV is now the 
highest it has been for ten 
years. Within this, the ITV 
main channel was up 9% 
to 16.9% and the digital 
channels were up 2% in  
the year mainly across ITV2 
and ITV3, up 5% and 10% 
respectively. ITV2 was the 
most watched digital 
channel for 16-34s, growing 
10% to a SOV of 6.0% for 
the target demographic. 

External source: BARB/AdvantEdge

ITV Group

Definition

Adjusted EPS represents 

the adjusted profit for the 

year attributable to equity 

shareholders. Adjusted 

profit is defined as profit 

for the year attributable  

to equity shareholders 

after adding back 

exceptional items and 

including high-end 

production tax credits. 

Further adjustments  

include amortisation and 

impairment of assets, net 

financing costs and the  

tax effects relating to  

these items. It reflects the 

business performance of 

the Group in a consistent 

manner and in line with  

how the business is 

managed and measured  

on a day-to-day basis.

Performance

Adjusted EPS decreased by 

4% from 16.0p to 15.4p. This 

was predominantly due to 

higher programme costs  

as a result of the Football 

World Cup which more than 

offset the good adjusted 

EBITA growth in ITV Studios.

Definition

Definition

Cost savings are permanent 

This is our measure of  

revenues

Definition

Total non-advertising 

revenue is total ITV revenue 

(including internal revenue) 

excluding advertising 

revenue from net 

advertising revenue (NAR), 

VOD and sponsorship. This 

is an important measure  

as we continue to rebalance 

the business away from our 

Performance

Non-advertising revenue 

increased by 5% in 2018 

driven by growth in our  

ITV Studios and Direct to 

Consumer businesses.  

We delivered 6% growth  

growth in Direct to 

Consumer revenues  

to £81 million. 

savings to the business. 

Managing our cost base  

is key as we aim to run our 

business as efficiently as 

possible and fund 

investments in line with  

our strategic priorities.

Performance

to focus on running the 

business efficiently. 

We are on track to deliver 

£15 million of cost savings 

in 2019 as previously 

reliance on advertising. 

No cost saving target was set 

our underlying business, is 

for 2018 but we continued  

calculated on our statutory 

in ITV Studios total revenue 

£35 million to £40 million 

to £1,670 million and 25% 

target by 2021. 

announced as part of ITV’s 

project to redevelop the 

our effectiveness of cash 

generation used for 

working capital 

management. It is 

calculated as our adjusted 

cash flow as a proportion  

of adjusted EBITA. Adjusted 

cash flow, which reflects 

the cash generation of  

cash generated from 

operations and adjusted  

for exceptional items, net 

of capex on property, plant 

and equipment (excluding 

capex relating to the 

South Bank site) and 

intangible assets, and 

including the cash impact 

of high end production  

tax credits.

Performance

Profit to cash remains high 

at 88% (2017: 91%). 

In the period we saw an 

increase in working capital 

which was primarily due to 

an increase in stock.

Target

3 years to 2021

Target

3 years to 2021

Target

3 years to 2021

Grow by at least 5% CAGR

Deliver £35–£40 million 

Maintain at around 85%

run-rate of savings by 2021

Strategic ambition

Target
3 years to 2021

To grow total advertising 
in a flat NAR market

Double digit growth  
per annum

Strategic ambition

Strategic ambition

To maintain total viewing2

Above 21%

2018

15.4p

5

.

6

1

0

.

7

1

0

.

6

1

4

.

5

1

4%

decline in 2018

5%

1

7

9

,

1

4

7

8

,

1

growth in 2018

2018

£1,971m

7

8

6

,

1

2

2

5

,

1

2018

88%

7

9

1

9

1

9

8

8

2018
£1,795m

3
5
8
1

,

3
3
8
1

,

1
8
7
1

,

5
9
7
1

,

1%

growth in 2018

2018
36%

2
4

6
3

0
2

4
1

2018
17.1bn hours

2018
23.2%

.

7
6
1

.

9
6
1

.

6
6
1

.

1
7
1

3%

growth in 2018

.

2
1
2

.

3
1
2

.

7
1
2

2

.

3
2

7%

growth in 2018

15

16

17

18

15

16

17

18

15

16

17

18

15

16

17

18

15

16

17

18

15

16

17

18

15

16

17

18

2.  Maintain total viewing compared to average for 2015 – 2018.

29

GovernanceFinancial StatementsAdditional informationStrategic ReportStrategic Report

Key Performance Indicators
continued

1  Strengthen

Integrated producer broadcaster

2  Grow

UK and global production

3  Create 

Direct to Consumer

Online viewing

Definition
Long-form online viewing  
is an important indicator  
of our online success as it 
measures how long viewers 
are spending online. It is 
calculated as the total 
number of hours ITV VOD 
content is viewed on  
owned and operated 
ad-funded platforms and 
ITV Hub+ viewing.

Performance
The ITV Hub and ITV Hub+, 
the online home for our 
family of channels and 
content, is growing rapidly, 
driven by viewers’ appetite 
for our content on catch up, 
VOD and simulcast. Online 
viewing was up 32% in 2018, 
driven by viewing on mobile 
devices, connected TVs and 
streaming media players. 

External source: Crocus and 
comScore Data Analytics

Target
3 years to 2021

Double digit growth  
per annum

2018
446m hours

6
4
4

32%

growth in 2018

7
3
3

0
4
2

0
7
1

ITV Hub registered 
users

Definition
A registered user is an 
individual viewer who has 
signed up to the ITV Hub 
who has been active in  
the last three years.  
The size of our viewer 
online reach is key for our 
advertising proposition. 

Performance
The ITV Hub grew the 
number of registered users 
29% to 28 million in 2018. 
This growth is driven by  
the great content and good 
user experience, supported 
and enhanced by a process 
of continued improvement 
and investment. 

The ITV Hub helps ITV  
reach valuable younger 
audiences, who are 
increasingly using the  
ITV Hub for simulcast as 
well as catch up. 79% of  
the UK’s 16-34 year olds are 
registered on the ITV Hub. 
Simulcast requests were  
up 34% year-on-year. 

Brand consideration

Total Studios  
revenue growth

Definition
Total Studios revenue 
measures the scale and 
success of our global 
studios business. It includes 
revenues from programmes 
sold to the ITV Network, 
which as an integrated 
producer broadcaster  
are an important part  
of our business.

Performance
ITV Studios total revenue 
grew 6% to £1,670 million, 
including an unfavourable 
currency impact of 
£11 million. Revenue  
growth was driven by  
Rest of World and Global 
Entertainment, as we 
continue to build our 
capabilities in key  
creative markets. 

Total organic revenue, 
which excludes our 2017 
acquisitions and is adjusted 
for currency, was up 4%.

Definition
UK public perception of  
the ITV brand as measured 
by YouGov. Our brand 
perception is very 
important as we look to 
attract light viewers  
to ITV and build a Direct  
to Consumer business.

Performance
A new measure for ITV’s 
spontaneous brand 
consideration was 
introduced in 2016 and in 
2018 we achieved the best 
ever at 58.9%, growing a 
percentage point among all 
adults and two percentage 
points among light viewers.

External source: YouGov

Target
3 years to 2021

Increase to 30 million

Target
3 years to 2021

Target
3 years to 2021

Increase to 60% for  
all adults

Grow by at least 5% 
average CAGR

Target

3 years to 2021

Target 

3 years to 2021

Maintain at 14% to 16%

Grow to 10,000

Target

3 years to 2021

Grow to at least  

£100 million

Target

3 years to 2021

Grow to 10 million

Total production 

Direct to Consumer 

hours

Definition

revenue

Definition

This is the key profitability 

Total hours of programming 

Direct to Consumer revenue 

We aim to grow ITV’s Direct 

production and distribution 

measures the number of 

activities, and further varies 

hours produced across all 

produced is an important 

measure of the scale and 

success of our global 

studios business. It 

genres and geographies for 

ITV and other broadcasters 

and platform owners.

Performance

There was good growth  

in the number of hours of 

programming produced by 

ITV Studios in 2018, up 5% 

to over 8,900 hours. 

Studios adjusted 

EBITA margin1

Definition

measure used across  

the Studios business.  

The profile of adjusted 

EBITA margin differs for 

with each production due 

to genre and maturity. 

Adjusted earnings before 

interest, tax and 

amortisation (EBITA) is 

calculated by adding back 

exceptional items and 

including high-end 

production tax credits. 

It reflects the underlying 

performance of the 

business and provides  

a more meaningful 

comparison of how the 

business is managed and 

measured on a day-to-day 

basis. Calculated based on 

total Studios revenue.

Performance

ITV Studios adjusted EBITA 

margin was 15%, consistent 

with prior year and with  

our target. 

Paying product 

relationships

Definition

to Consumer revenues 

through increasing the 

number of people who  

pay for an ITV product as 

well as increasing spend  

per customer. This KPI 

measures the total number 

of paying relationships we 

have with consumers. 

Performance

Paying product 

relationships grew 27%  

to 8.5 million in 2018, on 

track to deliver the target 

ten million relations by 

2021. The target excludes 

relationships from any new 

UK SVOD proposition.

The number of 

relationships grew across 

all revenue streams;  

ITV Hub+ subscribers, 

competition entrants,  

live event attendees, 

product sales, gaming 

purchases, and pay per  

view event customers. 

is a key measure of the 

success of our strategy.  

It measures revenue 

generated directly from 

relationships with  

a customer through  

the purchase of goods  

and services, and entry  

into competitions.

Performance

Direct to Consumer revenue 

grew 25% to £81 million  

in 2018, on track to achieve 

the £100 million revenue  

by 2021 as set out in the 

strategy. The target 

excludes revenue from any 

new UK SVOD proposition.

Growth was driven by 

interactive with the  

success of daytime 

competitions, an increase  

in subscriptions to ITV Hub+, 

the subscription ad-free 

version of the ITV Hub, and 

pay per view boxing events. 

2018

15%

7

1

7

1

5

1

5

1

2018

8,917 hours

2018

£81m

2018

8.5m

8

6

4

,

8

2

0

8

,

7

7

9

0

,

7

5%

7

1

9

,

8

growth in 2018

1

8

25%

5

6

growth in 2018

8

5

8

5

5

.

8

27%

7

.

6

growth in 2018

a

/

n

15

a

/

n

16

17

18

2018
58.9%

.

3
6
5

.

1
8
5

.

9
8
5

.

6
7
2

29%

growth in 2018

2018
27.6m

.

3
1
2

.

9
6
1

.

7
2
1

2018
£1,670m

0
7
6
1

,

9
7
5
1

,

6%

growth in 2018

5
9
3
1

,

7
3
2
1

,

*2016 and 2015 
not restated for 
IFRS15

16

17

18

15

16

17

18

15

16

17

18

15

16

17

18

15

16

17

18

15

16

17

18

15

16

17

18

a
/
n

15

30 

ITV plc   Annual Report and Accounts 2018

Online viewing

ITV Hub registered 

Brand consideration

Studios adjusted 
EBITA margin1

Total production 
hours

Direct to Consumer 
revenue

Paying product 
relationships

 Key Performance Indicators

3  Create 

Direct to Consumer

Definition
This is the key profitability 
measure used across  
the Studios business.  
The profile of adjusted 
EBITA margin differs for 
production and distribution 
activities, and further varies 
with each production due 
to genre and maturity. 
Adjusted earnings before 
interest, tax and 
amortisation (EBITA) is 
calculated by adding back 
exceptional items and 
including high-end 
production tax credits. 
It reflects the underlying 
performance of the 
business and provides  
a more meaningful 
comparison of how the 
business is managed and 
measured on a day-to-day 
basis. Calculated based on 
total Studios revenue.

Performance
ITV Studios adjusted EBITA 
margin was 15%, consistent 
with prior year and with  
our target. 

Definition
Total hours of programming 
produced is an important 
measure of the scale and 
success of our global 
studios business. It 
measures the number of 
hours produced across all 
genres and geographies for 
ITV and other broadcasters 
and platform owners.

Performance
There was good growth  
in the number of hours of 
programming produced by 
ITV Studios in 2018, up 5% 
to over 8,900 hours. 

Definition
Direct to Consumer revenue 
is a key measure of the 
success of our strategy.  
It measures revenue 
generated directly from 
relationships with  
a customer through  
the purchase of goods  
and services, and entry  
into competitions.

Performance
Direct to Consumer revenue 
grew 25% to £81 million  
in 2018, on track to achieve 
the £100 million revenue  
by 2021 as set out in the 
strategy. The target 
excludes revenue from any 
new UK SVOD proposition.

Growth was driven by 
interactive with the  
success of daytime 
competitions, an increase  
in subscriptions to ITV Hub+, 
the subscription ad-free 
version of the ITV Hub, and 
pay per view boxing events. 

Definition
We aim to grow ITV’s Direct 
to Consumer revenues 
through increasing the 
number of people who  
pay for an ITV product as 
well as increasing spend  
per customer. This KPI 
measures the total number 
of paying relationships we 
have with consumers. 

Performance
Paying product 
relationships grew 27%  
to 8.5 million in 2018, on 
track to deliver the target 
ten million relations by 
2021. The target excludes 
relationships from any new 
UK SVOD proposition.

The number of 
relationships grew across 
all revenue streams;  
ITV Hub+ subscribers, 
competition entrants,  
live event attendees, 
product sales, gaming 
purchases, and pay per  
view event customers. 

Target
3 years to 2021

Target 
3 years to 2021

Maintain at 14% to 16%

Grow to 10,000

Target
3 years to 2021

Grow to at least  
£100 million

Target
3 years to 2021

Grow to 10 million

2018
15%

7
1

7
1

5
1

5
1

2018
8,917 hours

2018
£81m

2018
8.5m

7
1
9
8

,

8
6
4
8

,

5%

growth in 2018

2
0
8
7

,

7
9
0
7

,

1
8

25%

5
6

growth in 2018

8
5

8
5

.

5
8

27%

.

7
6

growth in 2018

15

16

17

18

15

16

17

18

16

17

18

15

16

17

18

15

16

17

18

15

16

17

18

15

16

17

18

1.  A full reconciliation between our adjusted and statutory results is provided in the APMs.

a
/
n

15

a
/
n

16

17

18

31

1  Strengthen

Integrated producer broadcaster

users

Definition

Definition

Long-form online viewing  

A registered user is an 

is an important indicator  

of our online success as it 

individual viewer who has 

signed up to the ITV Hub 

measures how long viewers 

who has been active in  

ad-funded platforms and 

Performance

ITV Hub+ viewing.

are spending online. It is 

calculated as the total 

number of hours ITV VOD 

content is viewed on  

owned and operated 

Performance

The ITV Hub and ITV Hub+, 

the online home for our 

family of channels and 

content, is growing rapidly, 

driven by viewers’ appetite 

the last three years.  

The size of our viewer 

online reach is key for our 

advertising proposition. 

The ITV Hub grew the 

number of registered users 

29% to 28 million in 2018. 

This growth is driven by  

user experience, supported 

and enhanced by a process 

of continued improvement 

for our content on catch up, 

and investment. 

VOD and simulcast. Online 

viewing was up 32% in 2018, 

The ITV Hub helps ITV  

driven by viewing on mobile 

reach valuable younger 

devices, connected TVs and 

audiences, who are 

streaming media players. 

increasingly using the  

ITV Hub for simulcast as 

well as catch up. 79% of  

the UK’s 16-34 year olds are 

registered on the ITV Hub. 

Simulcast requests were  

up 34% year-on-year. 

Definition

UK public perception of  

the ITV brand as measured 

by YouGov. Our brand 

perception is very 

important as we look to 

attract light viewers  

to ITV and build a Direct  

to Consumer business.

Performance

A new measure for ITV’s 

spontaneous brand 

consideration was 

introduced in 2016 and in 

ever at 58.9%, growing a 

percentage point among all 

adults and two percentage 

points among light viewers.

the great content and good 

2018 we achieved the best 

External source: Crocus and 

comScore Data Analytics

Target

3 years to 2021

per annum

2018

446m hours

7

3

3

0

4

2

0

7

1

External source: YouGov

Target

3 years to 2021

Target

3 years to 2021

Double digit growth  

Increase to 30 million

Increase to 60% for  

6

4

4

32%

growth in 2018

6

.

7

2

29%

growth in 2018

3

.

6

5

1

.

8

5

9

.

8

5

2018

27.6m

3

.

1

2

9

.

6

1

7

.

2

1

all adults

2018

58.9%

a

/

n

15

2  Grow

UK and global production

Total Studios  

revenue growth

Definition

Total Studios revenue 

measures the scale and 

success of our global 

studios business. It includes 

revenues from programmes 

sold to the ITV Network, 

which as an integrated 

producer broadcaster  

are an important part  

of our business.

Performance

ITV Studios total revenue 

grew 6% to £1,670 million, 

including an unfavourable 

currency impact of 

£11 million. Revenue  

growth was driven by  

Rest of World and Global 

Entertainment, as we 

continue to build our 

capabilities in key  

creative markets. 

Total organic revenue, 

which excludes our 2017 

acquisitions and is adjusted 

for currency, was up 4%.

Target

3 years to 2021

Grow by at least 5% 

average CAGR

2018

£1,670m

5

9

3

,

1

7

3

2

,

1

6%

0

7

6

,

1

9

7

5

,

1

growth in 2018

GovernanceFinancial StatementsAdditional informationStrategic ReportStrategic Report

Operating and Performance Review

ITV has continued to deliver a strong operating performance in 
2018 with fantastic viewing figures both on-screen and online.

Adjusted EPS

15.4p

(2017: 16.0p)

11.7p

(2017: 10.2p)

£927m

(2017: £912m)

8.0p

(2017: 7.8p)

Key highlights

Group external revenue

Total advertising revenue

Total non-advertising revenue

Adjusted EBITA

Statutory EPS

Net debt

Dividend per share (ordinary)

£3,211m

(2017: £3,130m)

£1,795m

(2017: £1,781m)

£1,971m

(2017: £1,874m)

£810m

(2017: £842m)

Overview
ITV has delivered a strong operating 
performance in an uncertain economic 
and political environment. In 2018 
we launched our new strategy with  
clear priorities and initiatives which  
we believe, following investment, will 
deliver growth in the medium term  
and strengthen ITV, ensuring it is well 
positioned to address the opportunities 
and challenges of an increasingly 
competitive media landscape. 

On-screen, our ITV Family SOV has  
again grown, increasing for the third 
consecutive year up 7% to 23.2% with 
strength across the schedule and 
outstanding contributions from the 
World Cup, I’m a Celebrity… Get Me  
Out of Here! and drama. The ITV Hub 
continues to deliver strong viewing,  
up 32%. Total ITV viewing combining  
ITV channels live, recorded and VOD, 
increased by 3% year-on-year. 

Total advertising revenue grew 1%, 
outperforming expectations, with online 
revenue growth of 36% more than 
offsetting the decline in spot advertising. 
Direct to Consumer revenues increased  
25% to £81 million driven by competitions, 
ITV Hub+ subscription growth and pay  
per view events. ITV Studios total revenue 
increased 6% driven by Rest of World  
and Global Entertainment, including  
the £11 million unfavourable impact  
of currency. We have a strong creative  
pipeline of high-quality programmes, 
particularly drama and entertainment,  
and we continue to perform well across  
the key genres that return and travel.

We measure performance through a range 
of metrics, particularly through our 
alternative performance measures and  
KPIs, as well as statutory results, all of  
which are set out in this report. 

Total ITV revenue increased 3% to 
£3,766 million (2017: £3,655 million),  
with external revenue up 3% at 
£3,211 million (2017: £3,130 million).  
Total non-advertising revenue grew 5%  
to £1,971 million (2017: £1,874 million),  
now accounting for 52% of total revenue. 

Adjusted EBITA declined 4% to £810 million 
(2017: £842 million) and adjusted EPS 
declined 4% to 15.4p (2017: 16.0p) with the 
5% growth in ITV Studios adjusted EBITA 
offset by the 7% decline in Broadcast & 
Online adjusted EBITA. Broadcast & Online 
total revenue grew 1% year-on-year, 
however, EBITA was impacted by investment 
in the schedule for the World Cup and the 
closure of Encore. 

Adjusted financing costs remain broadly flat 
year-on-year at £36 million and our adjusted 
tax rate remained unchanged at 19%. 

32 

ITV plc   Annual Report and Accounts 2018

 Operating and Performance Review

G
o
v
e
r
n
a
n
c
e

i

F
n
a
n
c
a

i

l

Key highlights

Group external revenue

Total advertising revenue

Total non-advertising revenue

Adjusted EBITA

£3,211m

(2017: £3,130m)

£1,795m

(2017: £1,781m)

£1,971m

(2017: £1,874m)

£810m

(2017: £842m)

Adjusted EPS

15.4p

(2017: 16.0p)

Statutory EPS

Net debt

Dividend per share (ordinary)

11.7p

(2017: 10.2p)

£927m

(2017: £912m)

8.0p

(2017: 7.8p)

Statutory profit before tax grew by 13% 
to £567 million (2017: £500 million) and 
statutory EPS increased by 15% to 11.7p 
(2017: 10.2p) primarily due to a reduction 
in operating exceptional items and lower 
amortisation and impairment on acquired 
assets, which is explained in further detail 
in the Finance Review. 

Statutory financing costs were £43 million 
over the period which was down year-on-
year (2017: £50 million) and our reported  
tax rate remains unchanged at 17%.

We have a solid balance sheet, healthy 
liquidity, and the business continues to be 
highly cash generative. Our profit to cash 
conversion remains high at 88% and we  
ended the year with net debt of £927 million  
(2017: £912 million) after the effect of 
dividend payments of £315 million and 
pension contributions of £82 million. 1.1x net 
debt to adjusted EBITDA provides headroom 
against our investment grade rating. 

This allows us to continue to invest in 
growing a more robust business with  
the implementation of our strategy,  
whilst continuing to deliver sustainable 
returns to our shareholders. 

Reflecting the Board’s confidence in the 
business and its strategy, as well as the 
continued strong cash generation, it has 
proposed a full year dividend of 8.0p,  
up 3% year-on-year (2017: 7.8p). This is in  
line with the Board’s intention to pay at 
least an 8.0p dividend per year in 2018  
and 2019. The Board expects that over  
the medium term the dividend will grow 
broadly in line with earnings. 

ITV is More than TV. We are a business built 
on hugely talented, creative and passionate 
people. We are focused on strengthening 
the integrated producer broadcaster, 
growing our UK and global content and 
distribution business, and developing 
and nurturing strong direct consumer 

relationships. We have a clear vision, 
priorities and initiatives for how we can 
compete in a changing environment. 
Implementing the strategy and creating 
value requires a relentless focus on 
delivery. We are clear about what we 
need to do and how we will measure 
success, and ITV is strong on delivery.

The Company continues to keep the 
potential implications of Brexit under 
review. Workstreams are in place across 
the business to identify, manage and 
mitigate the impact across advertising, 
broadcast licensing, tax, data, copyright 
and IP. The most significant risk is the 
likely impact on the wider advertising 
market. Further detail is included in  
the Risks and Uncertainties section  
on page 56.

S
t
a
t
e
m
e
n
t
s

A
d
d
i
t
i
o
n
a

l

i

n
f
o
r
m
a
t
i
o
n

33

Strategic Report 
 
Strategic Report

Operating and Performance Review
continued

Broadcast  
& Online

The media market environment in which  
we operate is dynamic. It is changing and 
evolving rapidly, becoming increasingly 
competitive. Our Broadcast & Online 
business is constantly adapting, and 
therefore well positioned to address  
the challenges and capitalise on the 
significant opportunities presented by  
the changing environment. 

ITV, through our family of free-to-air 
channels and platforms, offers unique 
audience scale and reach, as well as more 
targeted demographics demanded by 
advertisers. The ITV Hub and ITV Hub+,  
the online home for our family of channels 
and content, is growing rapidly, driven by 
viewers’ appetite for our content on catch 
up, VOD and simulcast. Through our Direct 
to Consumer business we are increasingly 
engaging with our audiences who have  
a growing willingness to pay to engage  
with our brands, content and IP, whether 
that is through SVOD, competitions,  
voting, live events, gaming, merchandise  
or pay per view. Data and technology are  
key to evolving operations and driving 
revenue growth.

Twelve months to 31 December 

Total advertising revenue
Direct to Consumer
SDN
Other revenue
Broadcast non-advertising 

revenue

Total Broadcast & Online 

revenue*

Network schedule costs
Variable costs
Broadcast infrastructure and 

overheads

Total Broadcast & Online 

adjusted EBITA

Adjusted EBITA margin

2018
£m

1,795
81
73
147

301

2,096
(1,055)
(123)

2017
£m

1,781
65
70
160

295

2,076
(1,025)
(104)

(363)

(348)

555
26%

599
29%

Change
£m

Change
%

14
16
3
(13)

6

20
(30)
(19)

(15)

(44)

1
25
4
(8)

2

1
(3)
(18)

(4)

(7)

* 

 IFRS 15 ‘Revenue from Contracts with Customers’ was effective from 1 January 2018. 2017 comparatives have been 
restated. Please see Section 1 of the Notes to the accounts for further details.

Financial Performance
Broadcast & Online total revenue was up  
1% in the year at £2,096 million (2017: 
£2,076 million). We delivered a 1% growth  
in total advertising revenue, with VOD 
revenue up 36%, more than offsetting  
the decline in NAR, which is impacted by 
political and economic uncertainty with  
the lack of confidence meaning some 
corporations are not investing in spot 
advertising. Direct to Consumer revenue 
grew 25% to £81 million (2017: £65 million), 
on track to achieve the targeted £100 
million revenue by 2021 as set out in the 

strategy. Growth was driven by interactive 
with the success of daytime competitions, 
an increase in ITV Hub+ subscriptions, and 
pay per view boxing events. 

Spot and VOD advertising categories have 
shown different trends in spend across  
the year. On a combined basis advertising 
categories such as Retail, FMCG, and  
Airlines, Travel and Holidays continued  
to see declines in advertising spend due  
to the uncertain economic outlook, leading 
advertisers to reduce spend in order to 
maintain margins. Within Retail, we have seen 

  Emmerdale performed strongly in 2018, 

with an average of 6.4 million viewers and  
a 33% share, increasing half a share point  
on 2017. 

  Girlfriends arrived on our screens in  

January 2018 for a new six-part series.

34 

ITV plc   Annual Report and Accounts 2018

 Operating and Performance Review

  Good Morning Britain had a strong 
performance throughout 2018 and the  
show continues to see share gains and has 
done so every year since launch back in 2014.

  Who Wants to be a Millionaire?  

returned after a four year break with new  
host, Jeremy Clarkson. The 2018 series 
averaged 4.9 million viewers and 22% share. 

spending decline from both supermarkets 
and the high street. Entertainment & Leisure 
was up, particularly around the World Cup, 
telecommunication grew with spend around 
product launches and Government spending 
increased with both national and regional 
campaigns. Digital disrupter brands continue 
to spend heavily on television, up 10% on 
2017, to build brand awareness and having 
witnessed the immediate response from 
customers to spot advertising. 

Total costs were up 4%, around half of  
this driven by higher schedule costs, up 
£30 million to £1,055 million, with coverage 
of the Football World Cup. Variable costs 
increased with the significant growth in 
online impacting bandwidth costs and  
rights payments, and investment in the 
ITV Hub, ITV Hub+ and ITV Box Office  
(our pay per view channel used in 2018  
to show boxing matches). Broadcast 
infrastructure and overhead costs  
increased with foreign exchange movements 
on our euro denominated transmission 
contracts and higher property costs from 
our new London offices. 

Viewing 
On-screen, we performed strongly with 
total ITV viewing up 3% to 17.1 billion  
hours with growth in both linear and  
online viewing, and SOV up for the third 
consecutive year. 

ITV Family SOV grew 7% to 23.2% with  
a strong performance across the schedule. 
This level of growth is the biggest in ITV’s 

recent history and never before has ITV 
delivered three years of consecutive share 
growth. Our ITV Family SOV is now the 
highest it has been for ten years. Main 
channel SOV grew 9% to 16.9%, showing  
the most growth of all broadcast channels. 
The main channel was the biggest channel 
for 16-34s for the first time since 2004  
with SOV for the demographic up 18% 
year-on-year to 15.7%.

Within digital channels, ITV2 was the most 
watched digital channel for the 16-34s  
for the second year in a row, growing 10%  
to a SOV of 6.0% for the demographic.  
For the second time ever at year end for  
16-34s and 16-24s, ITV2 is ahead of E4.  
It is also ahead of Channel 4, Channel 5  
and BBC Two for 16-24s.

Daytime shows grew their audiences, 
including The Chase, Good Morning  
Britain – with its highest share ever, and 
This Morning and Lorraine – both achieving 
their highest share in five years. Our soaps, 
Coronation Street and Emmerdale, have 
enjoyed success in 2018 with both holding  
a steady audience volume and managing  
to increase share year-on-year, maintaining 
their position as the UK’s two largest soaps. 
We launched the sixth weekly episode of 
Coronation Street in September 2017,  
which has further strengthened its 
performance. We successfully aired a range 
of new dramas including Innocent,  
Trauma, Girlfriends and Butterfly; new 
entertainment shows, including Britain’s 
Brightest Family; and successful factual, 

including Gino, Gordon and Fred: Road Trip 
and The Queen’s Green Planet. We continue 
to drive significant audiences with our 
returning brands such as Vera – which 
had its most successful series to date, 
Unforgotten, Endeavour, The Durrells,  
Ant & Dec’s Saturday Night Takeaway, 
Britain’s Got Talent, The Voice UK,  
The Real Full Monty and I’m a Celebrity…  
Get Me Out of Here! – with its most  
watched series ever averaging 11.8 million 
viewers and 45% share, achieving the 
accolade as the biggest show on TV in  
2018 outside of some Football World Cup 
matches. Our news programming continues 
to perform well with positive share growth 
across all programmes against a picture  
of falling news audiences across our 
competition. Our sporting schedule had  
an outstanding year with the Football  
World Cup, the Six Nations Rugby 
Championship, the Tour de France, and 
horse racing. ITV’s coverage of England’s 
semi-final against Croatia hit a peak of 
26.6 million viewers. The match average  
of 24.3 million was bigger than the 
audiences for the Olympic Opening and 
Closing ceremonies in 2012. While overall 
our schedule is performing strongly, not  
all of our programmes performed as well  
as we had hoped, for example Change  
Your Tune, Our Shirley Valentine Summer, 
and The Big Audition, will not return. 

35

GovernanceFinancial StatementsAdditional informationStrategic ReportStrategic Report

Operating and Performance Review
continued

ITV commercial audiences

8
3 9
9

9
5 9
9

9
9

6
9

8
9

6
9

2018
96%
98%

15

16

17

18

Over 3 million

Over 5 million

We continue to target the demographics 
most highly demanded by advertisers – 
particularly young and male audiences – 
through our digital channels and online, 
and have seen a strong performance in 
our target demographics on ITV2, ITV4  
and the ITV Hub.

On ITV2, Love Island was the most watched 
programme on any digital channel in 2018 
with the best performing series yet with an 
average of 4.0 million viewers and a share 
of 17.0%. It was up on series three by two 
million viewers and +6.4 share points.  
For 16-34s it averaged 2.0 million viewers 
with a 46.2% share. Together with Ibiza 
Weekender, Celebrity Juice, Family Guy, 
American Dad and I’m a Celebrity… Extra 
Camp, the performance of Love Island 
helped ITV2 to achieve a SOV of 6.0% and 
SOCI of 9.2% for the 16-34s demographic,  
up 10% and 11% respectively. ITV3’s viewing 
performance improved in the period due  
to the strong slate of dramas such as 
Midsomer Murders, Vera, Lewis, Poirot  
and Endeavour. Following the closure  
of ITV Encore at the end of April 2018 the 
content has moved back to ITV3, adding  
to the strength of the schedule. ABC1 adults 
SOV and SOCI on ITV3 up 11% and 10% 
respectively. Male SOCI on ITV4 was 
marginally up year-on-year with the 
continued strength of the sport schedule, 
including horse racing, the French Open 
tennis, and the Tour de France.

36 

ITV plc   Annual Report and Accounts 2018

ITV Hub
The ITV Hub, the online home for all of  
our channels and content, continues to  
grow rapidly. This is driven by our viewers’ 
appetite to watch our content whenever 
and wherever they want, be it catch up or, 
increasingly, simulcast. The ITV Hub is 
available on 28 platforms and is pre-
installed on over 90% of all connected 
televisions sold in the UK. 

Long-form video requests are up 23% 
and online viewing, which measures how 
long viewers are spending online, was up 
32% driven by viewing on mobile devices, 
connected TV and streaming media players. 
The ITV Hub now has 28 million registered 
users (2017: 21 million). This growth is driven 
by the great content and good user 
experience, supported and enhanced by  
a process of continued improvement  
and investment, including a revamp of  
the home pages on website and mobile 
devices to present a wider variety of content 
to viewers and the soft introduction of 
personalised content suggestions to 
connected TVs and iOS, which will be 
amplified in 2019.

The ITV Hub helps ITV reach valuable 
younger audiences – around 79% of the  
UK’s 16-34 year olds are registered.  
Younger viewers increasingly use the 
ITV Hub for simulcast viewing, as well as 
catch up, with programmes such as the 
World Cup delivering record viewing with 
0.9 million simulcast viewers for England’s 
semi-final against Croatia. Love Island 
achieved an average of 0.3 million viewers 
via simulcast per episode, which is greater 
than linear audiences on most digital 
channels. Simulcast requests were up  
34% year-on-year driven by great content 
and supported by the increasing robustness 
of the platform.

Growth in ITV Hub allows us to collect  
more data. We are consolidating and 
unifying data from across the business  
to drive our ambitions.

  Innocent was ITV’s best performing  

new drama of 2018 and the third best 
performing new drama on TV, averaging  
7.0 million viewers and a 29% share. 

 Operating and Performance Review

engaging in programme and podcast 
sponsorship, brand licences, instore 
branding, exclusive product lines and 
merchandise, and product placement. 

Responsive to a changing media 
environment
Linear television viewing remains resilient 
despite significant changes in the 
availability and delivery of content.  
On average the number of minutes of 
television viewers watched per day in  
2018 was 192 minutes, down 5% from 
203 minutes in 2017. ITV has countered  
this trend showing growth in the hours  
of linear television viewing. The majority  
of viewing remains live at over 70% as 
television continues to have the power  
to bring audiences together. 

VOD viewing continues to grow rapidly  
while PVR (recorded) viewing has remained 
relatively constant over the last few years at 
around 13%. Younger viewers are watching 
less linear television than they used to, but 
through delivering great content such as  
the World Cup, The Voice UK, Love Island,  
I’m a Celebrity… Get Me Out of Here! and 
Saturday Night Takeaway, ITV Family SOV  
for 16-34s has increased by 13% to 23.9% 
and accounted for 77 of the top 100 shows 
for this demographic in 2018. Television still 
reaches 85% of young people each week 
and remains their dominant choice of media.

Increasingly homes are supplementing their 
free, pay television and advertising video on 
demand (AVOD) platforms with SVOD 

  Endeavour returned for another 
successful series in 2018, averaging  
6.0 million viewers and a 22% share. 

37

Strong advertising proposition 
While political and economic uncertainty 
has led advertisers to reduce their current 
spend in order to maintain margins, 
television remains one of the most efficient 
and effective mediums for advertisers 
to achieve mass simultaneous reach. 
As viewing and advertising becomes  
more fragmented, the scale and reach of 
advertising that television, and particularly 
ITV, delivers becomes increasingly valuable. 
We provide a safe, trusted and transparent 
environment in which to advertise, and 
television generates the highest return  
on investment of any media.

SOV provides an overall measure of viewing 
performance, however, because advertisers 
are buying scale and breadth of audiences, 
SOV is not necessarily a direct indicator of 
advertising performance. ITV offers scale, 
delivering 98% of all commercial audiences 
over five million and 96% of all commercial 
audiences over three million in 2018. 

Online advertising is growing rapidly and  
we have seen double digital growth in our 
VOD advertising on the ITV Hub, which 
delivers more targeted demographics  
in a high-quality, trusted and measured 
environment for online advertisers. Online 
advertising can deliver a more targeted 
advertising proposition and ITV is making 
good progress on developing a scaled, 
programmatic addressable advertising 
proposition on the ITV Hub. This will enable 
our Commercial business to offer our  
clients the best of both worlds with mass 
audiences and addressable advertising. 

ITV aims to maximise further the value of  
its airtime and drive new revenue streams 
through sponsorship, brand extension and 
creative collaboration. ITV utilises the core 
assets of its strong brand and reputation, 
unique commercial relationships and quality 
production capability to deliver a wide 
variety of innovative marketing solutions. 
To enhance our offering to advertisers and 
fulfill the full potential we have scaled up 
the creative solutions team to provide 
original, engaging and brand-defining 
marketing propositions. John Lewis  
engaged ITV to launch their 2018 Christmas 
campaign with our creative solutions team 
devising a piano-themed teaser campaign 
to build anticipation for the full-length 
advert featuring Elton John. In 2018 we 
attracted an unprecedented number of 
commercial partners for Love Island, 

Our SVOD & pay offerings
ITV is well positioned to take advantage 
of the opportunities that arise from the 
changes we are seeing in digital media 
and consumer behaviour.

32

ITV managed YouTube 
channels – driving significant 
growth in viewer engagement

GovernanceFinancial StatementsAdditional informationStrategic ReportStrategic Report

Operating and Performance Review
continued

services. SVOD has seen strong growth  
in the UK over the last few years with 
approximately 41% of UK householders 
subscribing to at least one of Netflix, 
Amazon or NowTV. As a creator, owner  
and distributor of sought after content,  
ITV is well positioned to take advantage  
of the opportunities from the changes  
we are seeing in the media environment  
and consumer behaviour.

Direct to Consumer 
Direct to Consumer generates revenue 
directly from the customer, and includes 
SVOD, competitions, live events and pay  
per view events. In 2018, total revenue has 
grown 25% to £81 million (2017: £65 million). 

We are in the concluding phase of talks with 
the BBC to establish a strategic partnership 
to bring BritBox, an exciting new SVOD service, 
to UK audiences. This will provide an 
unrivalled collection of British boxsets and 
original series. Research has demonstrated 
there is high demand for British content  
and ITV is well positioned to deliver this. 
Research has also shown the willingness  
to pay for an additional service by those 
who already subscribe to an SVOD platform.  
See Chief Executive’s Report for more details.

Our existing SVOD propositions include  
ITV Hub+ in the UK, BritBox US in the US  
and Canada, and Cirkus in the Nordics, 
Germany, Austria and Switzerland, 
demonstrates our ability and ambition to 
compete in this market internationally. 

ITV Hub+ offers an ad-free subscription 
version of the ITV Hub with content 
download capability and EU portability. 
While it remains relatively small, the 
number of subscribers has more than tripled 
in 2018 to 265,000. The subscriber growth 
has been driven by increased marketing, 
great content, and viewer recognition of  
the benefits offered. The number of 
subscribers is seasonal, with a 2018 peak  
of over 350,000 subscribers in July due to 
Love Island and the Football World Cup,  
and viewers’ demand for content when 
overseas. In 2018 we introduced a free trial 
to the ITV Hub+ allowing viewers to sample 
the ad-free content service prior to a paid 
commitment, and enabled EU portability. 

Our joint venture with the BBC, BritBox US, 
provides an ad-free SVOD service offering 
the most comprehensive collection of 
British content available in the US and 
Canada. Subscribers have continued to  
grow steadily, exceeding 500,000 in 2018. 
We will continue to explore opportunities 
for BritBox US on other platforms and in 
other territories internationally.

Elsewhere in Direct to Consumer our 
competitions have performed well across 
the schedule with continued growth, and 
development of the competition portal. 
Programme related app downloads have 
been strong, encouraging viewer 
engagement. App downloads have both 
benefited from, and contributed to, the 
growth in linear viewing. The Love Island  

  This Morning Live has another successful 

year with over 30,000 attendees.

  The Ninja Warrior UK Aqua Park launched 

in May 2018. 

38 

ITV plc   Annual Report and Accounts 2018

app saw over two million downloads, and 
over ten million votes cast via the app.  
The Love Island game was downloaded over 
four million times. We hosted a number of 
live events throughout 2018 based around 
our key brands, including the Coronation 
Street tour; Emmerdale village tour and 
studio experience which showcases the 
process of creating an episode; the Ninja 
Warrior UK aqua park; Love Island Live, 
offering passionate fans the opportunity  
to meet the Islanders; and This Morning Live, 
a shopping and lifestyle festival. These 
events build relationships directly with our 
viewers. In 2018 we ran a number of trial pay 
per view boxing events on ITV Box Office. 
Although low margin, we see a further 
opportunity for this, and in December 2018 
we announced the agreement signed with 
Haymon Sports Ltd, which grants us the 
rights to a number of future bouts.

SDN
SDN generates revenue by licencing 
multiplex capacity to broadcast channels, 
radio stations and data providers on  
digital terrestrial television or Freeview.  
Currently, the SDN platform utilises the 
radio spectrum licenced to it to provide 
capacity for 16 broadcast channels and  
a number of data and radio services.  
SDN customers include ITV and third parties, 
with external revenue (non-ITV) growing  
4% in the period. SDN’s multiplex licence 
expires in 2022. We are fully engaged with 
both Government and Ofcom in relation  
to the possible renewal or extension of  
the licence.

Other revenue 
Other revenue includes revenue from 
platforms, such as Sky and Virgin, and 
third-party commissions, e.g. for services  
we provide to STV. This is down year-on-year 
due to the closure of Encore at the end  
of April 2018. ITV continues to license its 
channels and content across multiple 
platforms, including our HD digital channels 
and catch up VOD on Sky and Virgin Media 
set top boxes and all our live channels  
and catch up VOD across their connected 
platforms. In 2018 we signed a new deal 
with Virgin Media providing Virgin TV 
customers with an enhanced viewing 
experience across all of ITV’s channels 
and services. 

 Operating and Performance Review

ITV Studios 

ITV Studios is a scaled business delivering 
growth at a stable margin. Growing UK  
and global production is central to  
ITV’s strategy as an integrated producer 
broadcaster and our aim is to be a leading 
creative force in global content production. 
As ITV creates and owns more content, 
our channels in the UK provide a platform 
to showcase our programmes before 
distributing them across multiple  
platforms in the UK and internationally.

Financial Performance
ITV Studios total revenue grew 6% to 
£1,670 million (2017: £1,579 million), driven 
by Studios Rest of World (RoW) and Global 
Entertainment, which more than offset the 
decline in ITV America. This performance 
includes an unfavourable currency impact  
of £11 million. Revenue grew across each 
genre: scripted; unscripted; and core ITV  
and other. Total organic revenue, which 
excludes our 2017 acquisitions and adjusts 
for currency, was up 4%. Revenue growth 
was driven by a significant increase in hours 
delivered, up 5% to over 8,900 hours. 

Twelve months to 31 December 

Studios UK
ITV America
Studios RoW
Global Entertainment
Total ITV Studios revenue*
Total ITV Studios costs
Total ITV Studios adjusted 

EBITA**

ITV Studios adjusted EBITA margin

2018
£m

695
245
516
214
1,670
(1,415)

255
15%

2017
£m

692
310
390
187
1,579
(1,336)

243
15%

Change
£m

Change
%

3
(65)
126
27
91
(79)

12

-
(21)
32
14
6
(6)

5

* 

 IFRS 15 ‘Revenue from Contracts with Customers’ was effective from 1 January 2018. 2017 comparatives have been 
restated. Please see Section 1 of the Notes to the accounts for further details.

**  Includes the benefit of production tax credits.

Twelve months to 31 December 

Sales from ITV Studios  
to Broadcast & Online

External revenue
Total ITV Studios revenue

Twelve months to 31 December 

Scripted
Unscripted
Core ITV* and Other
Total ITV Studios revenue

2018
£m

551
1,119
1,670

2018
£m

380
997
293
1,670

2017
£m

523
1,056
1,579

2017
£m

347
963
269
1,579

Change
£m

Change
%

28
63
91

5
6
6

Change
£m

Change
%

33
34
24
91

10
4
9
6

*  Core ITV includes the soaps and daytime shows produced by ITV for the ITV main channel

  Vera had its best performing series ever  

in 2018, averaging 8.4 million viewers and  
a 30% share. It was up by over 1.0 million 
viewers on the previous series, including 
0.7 million ABC1 Adults. 

  Balthazar produced by Beaubourg,  
part of Tetra Media Studio, for TF1 was  
one of the most watched programmes  
in France in 2018. 

39

GovernanceFinancial StatementsAdditional informationStrategic ReportStrategic Report

Operating and Performance Review
continued

Reflecting our growth in key global production 
markets, 56% of Studios revenue was 
generated outside of the UK (2017: 54%).  
ITV is the number one commercial  
producer in the UK and a leading producer  
in Europe and the US. As our Studios 
business grows internationally, foreign 
currency movements could have a larger 
impact on our results. 

Adjusted EBITA was up 5% year-on-year  
at £255 million. Adjusted EBITA margin  
was stable at 15%. Foreign exchange had  
an unfavourable £1 million impact on 
Studios adjusted EBITA.

Growing demand for content
The strong global demand for content from 
broadcasters and platform owners provides 
significant opportunity for ITV Studios.  
We estimate that the global content market 
is growing at around 4-5% per annum, with 
some genres, such as drama, growing more 
rapidly. A key driver of this change over 
recent years has been the evolution in the 
delivery and availability of content with  
a substantial increase in the number of  
ways to consume content. To capitalise on 
this growth, we continue to develop, own 
and manage rights in genres that return  
and travel internationally, namely drama, 
entertainment and factual entertainment, 
and we have built a healthy pipeline of new 
and returning programmes, which we will 
continue to nurture and develop.

Building scale in key creative markets 
ITV Studios has three production divisions – 
Studios UK, ITV America and Studios  
Rest of World (RoW), with RoW achieving 
significant growth year-on-year. Across  
the divisions ITV Studios produced over 
8,900 hours of programming compared  
to around 8,400 in 2017, and secured  
249 new commissions and 210 recommissions 
in the year. Overall a strong performance, 
however, performance in different 
territories is impacted by phasing, with  
the risk managed through the portfolio.

The US and UK are the dominant creative 
markets, with the US the largest exporter  
of scripted content globally and the UK  
the world leader in exported formats.  
Over the last few years we have built scale  
in these key markets, both organically and 
through acquisitions, and we now have  
a significant portfolio of successful series 
and formats. In recent years in the US,  
we have invested in backing talent and IP, 
rather than large scale acquisitions. This 
allows us to attract and collaborate with 
innovative and entrepreneurial creatives, 
with minimal risks and attractive returns. 
In 2017 we took a 45% stake in Blumhouse 
Television, the TV division of the company 
founded by prodigious film producer Jason 
Blum, which in 2018, produced Into the Dark 
for Hulu, and co-produced The Purge for 
USA Network and Sharp Objects for HBO. 
Previous investments include a 75% stake in 

40 

ITV plc   Annual Report and Accounts 2018

Tomorrow Studios with Marty Adelstein, 
with delivery across 2018 and 2019 of 
original commission Cowboy Bebop to 
Netflix, and co-production Snowpiercer  
for TNT in the US and Netflix internationally. 
We also acquired a 49% stake in Circle of 
Confusion, which is building its development 
slate, including the co-development of 
Thirteen with Amazon Studios in 2019. 
Europe is a growing creative market, with 
particular demand for foreign language 
drama internationally and local scripted 
content from broadcasters and OTT platforms. 
In recent years we have strengthened our 
position in the European market through 
the acquisitions of Tetra Media Studio in 
France and Cattleya in Italy.

The UK’s revenue was broadly flat at  
£695 million (2017: £692 million). Sales to 
ITV Network grew 5% in 2018 driven by the 
extra weekly episode of Coronation Street, 
the successful return of Dancing on Ice and 
an extended series of Love Island. Drama 
deliveries to ITV Network declined in 2018 
due to the schedule commitment to the 
Football World Cup. ITV Studios’ UK share  
of original content on ITV main channel 
increased to 67% (2017: 66%).

Our off-ITV revenues in the UK declined 7% 
with growth in drama offset by a decline  
in entertainment and comedy deliveries. 
New drama commissions Bodyguard,  
Age Before Beauty and the part delivery of 
War of the Worlds offset the adverse timing 
of Shetland and non-return of The City and 
The City. Comedy deliveries in 2018 were 
impacted by Motherland, Back and Mum  
not returning until 2019, and the non-return 
of Bliss. Entertainment was impacted by  
the loss of The Jump only partly offset by 
new commission This Time Next Year US, 
produced by Twofour Group.

ITV America total revenue declined 21% to 
£245 million (2017: £310 million), and 18%  
to £255 million (2017: £310 million) when 
adjusted for the unfavourable foreign 
exchange impact. We have delivered a lower 
volume of programmes from our 

  The ABC Murders was produced by 
Mammoth Screen (part of ITV Studios UK) 
for the BBC.

 Operating and Performance Review

Scripted

Unscripted

Core ITV

41

  What Would Your Kid Do created and 

distributed by Twofour, has been 
commissioned in eight territories including 
Belgium, Turkey, Hungary and Serbia.

entertainment portfolio with Duck Dynasty 
and American Grit not returning, a reduction 
in the volume of Pawn Stars episodes 
delivered, and no Hell’s Kitchen delivered 
following the delivery of two series in 2017. 
There is growing pressure in the US cable 
market with significant external competition. 
This volume decline was partly offset by 
new series, The Four and Knife or Death,  
and a higher volume of Emmy award 
winning Queer Eye delivered, and a higher 
number of Good Witch episodes. Snowpiercer 
and the remainder of the fifth series of 
Good Witch will deliver in 2019. 

Studios RoW has production bases in 
Australia, Germany, France, the Netherlands, 
the Nordics, Italy and the Middle East  
where we produce original content as well 
as local versions of ITV Studios UK and Talpa 
formats. Revenue grew 32% to £516 million 
(2017: £390 million), driven particularly by 
good growth in France due to The Voice  
of France and The Voice Kids. Across the 
territories our entertainment and format 

deliveries included I’m A Celebrity ...Get Me 
Out of Here!, The Voice, Love Island and  
The Chase in Australia, I’m A Celebrity ...Get Me 
Out of Here!, Come Dine With Me, The Chase 
and Quizduell in Germany, and Love Island,  
The Chase and Four Weddings in Finland. 

The business also benefited from the 2017 
acquisitions of Tetra Media Studio, Cattleya 
and Elk. Demand for drama is growing 
strongly and we have made real progress  
in building a European scripted business  
with the acquisition of Cattleya and Tetra 
Media Studio. These, along with our existing 
European businesses, enable us to benefit 
from the increasing demand for locally 
produced content with global appeal. 
Cattleya is very much at the vanguard of  
the growth of Netflix’s push into non-
English language drama, with the delivery of 
the second series of Suburra in 2018. In 2019, 
Cattleya is set to deliver new drama Zero, 
Zero, Zero to Sky, Canal+ and Amazon, and 
Gomorrah returns for a fourth series to Sky. 
In 2018, Beaubourg, part of Tetra Media 

GovernanceFinancial StatementsAdditional informationStrategic ReportStrategic Report

Operating and Performance Review
continued

Studio, produced Balthazar, one of the year’s 
top ten most watched dramas in France. 
2019 is set to be another strong year for 
Tetra Media Studio, with Vernon Subutex for 
Canal+ and the delivery of Profilage to TF1.

Talpa continues to develop its formats 
including The Voice Senior, Dansing,  
The Wishing Tree, Around the World with  
80 Year Olds and House of Talent.  
Our international scale now enables ITV  
to make these other formats, and in 
particular The Voice, in all our international 
production territories and therefore earn 
the production revenue as well as the 
format fee. 

Expanding our global distribution 
business 
Global Entertainment, the distribution  
arm within ITV Studios, reported revenue 
growth of 14% to £214 million (2017: 
£187 million) as our content continues  
to sell well internationally to both 
broadcasters and OTT platforms.  
Excluding the unfavourable impact of 
currency movements, revenue grew 16%. 

2018 growth is driven by a strong slate  
of drama deliveries with multiple deals  
with Netflix including global distribution  
of Bodyguard, Good Witch, Somewhere 
Between, and the delivery of Robozuna. 
2018 also saw the delivery of period dramas 
Vanity Fair and Harlots to OTT platforms, 
Amazon and Hulu. 

Over 15 of our scripted programmes have 
been sold to more than 100 countries. Our 
entertainment and factual entertainment 
formats are highly demanded and include 
programmes such as The Voice, Love Island, 
The Graham Norton Show, Judge Rinder,  
The Chase, This Time Next Year, Come Dine 
With Me and Four Weddings. 

In 2018 we sold 57 (2017: 62) different 
formats internationally, five of which are 
being produced by ourselves in three or 
more countries. As well as funding and 
creating new content from ITV Studios,  
we also invest in third-party producers  
and their content from all over the world. 

Global Entertainment continues to be a 
strong and expanding business driven by  
our strong pipeline of high-end scripted 
programmes and our valuable library, which 
we sell to our vast network of long-standing 
existing traditional linear broadcasters, the 

global OTTs and new and emerging digital 
platforms, such as FilmRise. The pipeline 
for 2019 is healthy with the international 
distribution of War of the Worlds (pre-sold 
to over 80 territories), Wild Bill, The Bay, 
World on Fire, and Snowpiercer. 

Investing in content with  
international appeal
Polarisation of content demand remains 
a feature of the market. This is driven by  
the growth of viewing platforms looking  
for channel defining content with demand 
for both local adaptations of proven 
entertainment formats and standout 
original scripted content. 

We are continuing to expand our portfolio 
of successful formats and series that return 
and can be distributed internationally. 
Across the business we have grown a robust 
portfolio of high volume and high margin 
formats that travel internationally and that 
we produce locally. For example, in 2018 
we produced Love Island in seven of the 
eight countries in which the format had 
been sold, The Voice in seven countries,  
The Chase in four countries, and I’m  
a Celebrity… Get Me Out of Here! in four 
countries. In 2019, ITV America will produce 
Love Island for CBS.

Demand for drama is growing strongly 
as prominent unique content becomes 
brand-defining for both broadcasters and 
OTT players. To capitalise on this, we are 
investing in our global scripted business. 
We are strengthening our development  
and creative capabilities, growing our 
European business and investing in a number 
of development relationships in the US. 

We finance our large-scale scripted projects, 
and to a limited degree some unscripted 
projects, through our strong underlying 

  Suburra is produced by Cattleya for 
Netflix. The second series was released  
in February 2019. 

cash flows or through co-productions and 
partnerships with broadcasters and OTT 
platforms. The production costs are  
partly funded by the initial sale of the series 
to a broadcaster, while the deficit is 
recovered through distribution revenue 
from selling the finished product globally  
to other broadcasters and platforms.  
Doing more scripted deals and deals with 
OTT platforms will impact our working 
capital going forward. 

We balance our financial exposure through 
building a portfolio of programmes across 
genres and across their content life cycle, 
with successful international dramas 
offsetting the risk that we will not recover 
the full deficit on every show. This efficiently 
uses the rights windows of our content to 
maximise monetisation opportunities.  
We are seeing increasing demand from  
OTT platforms for original long-form 
content and secondary rights. As well  
as distributing library content to OTT 
platforms through Global Entertainment,  
in 2018 we produced and jointly commissioned 
a number of scripted and unscripted 
programmes with OTT platforms, including 
Vanity Fair with Amazon, Queer Eye with 
Netflix and Harlots for Hulu, and original 
commission, Cowboy Bebop, for Netflix.  
We are in development on a number of 
shows for Quibi, the new platform set up  
by Meg Whitman and Jeffrey Katzenberg, 
and in which we are an investor, which is set 
to launch in 2019 with bite-size original 
programming designed for smartphones. 
Original hours supplied to OTTs increased 
over 35% in 2018.

42 

ITV plc   Annual Report and Accounts 2018

 Operating and Performance Review

Broadcast and content technology 
One of the key initiatives in our Broadcast 
business is to improve our processes  
around our content supply chain, which 
includes how we store our content and  
how our content is managed and ultimately 
played out via our transmission centres.  
This project has continued in 2018 and we 
have sought to reduce the time taken from 
live transmission to content being available 
for catch up on the ITV Hub. This year the 
productivity investments meant that  
Love Island was available immediately  
after the linear episode aired on ITV2. 

We are in the process of upgrading our 
advertising sales system and launched  
a new audience forecasting system which 
helped improve productivity by allowing  
us to be more efficient. We also continued 
to investigate how robotic process 
automation may benefit ITV in the future. 
Based on the proofs of concepts we did  
last year, we are now launching three trials 
across our Broadcast business to test if  
our current robots can improve productivity 
in these specific test cases.

During the year we started a number of 
initiatives in our Direct to Consumer 
business, with a focus on data. We intend  
to unify our first-party data by consolidating 
our multiple datasets across ITV, instead  
of relying on manual processes across 
multiple teams thereby improving the 
productivity of the teams.

Production facilities
Following last year’s investments in 
Manchester for Coronation Street and 
Belfast for UTV, during 2018 we relocated 
our Daytime studios to White City where  
we invested in a new state-of-the-art 
facility as part of our London property 
move. Further, we invested in a large 
production facility for our key entertainment 
brands such as Dancing on Ice.

We also seek to use established and 
emerging technology to drive productivity, 
where it makes commercial sense to do so. 
In our Studios business, we installed a suite 
of new high end cameras at Emmerdale  
and continued to roll-out our bespoke  
artist payment system, which has 
significantly reduced duplication of effort 
across the business. Further, we reviewed 
our end-to-end freelancer contracting 
process and reduced complexity and 
administration where it was possible  
to do so.

  ITV Feel Good offers colleagues support 

and advice on having a balanced and 
healthy working lifestyle.

Productivity 

We consistently seek to drive 
productivity across the Group by 
investing in our people, new 
broadcast and production technology 
as well as up-to-date office facilities.

By investing in these areas, we aim 
to transmit our content and 
advertisements more efficiently, 
increase our production output and IP 
rights while improving the user 
experience for viewers.

People
We continued to invest in our people and 
have made significant investments in new 
properties and technology to provide staff 
with upgraded workplace facilities enabling 
better collaboration and communication 
amongst our colleagues. 

Our approach to performance management 
engages managers and colleagues in  
regular reviews of performance and 
objective setting. We continue to invest  
in our management development capability 
to ensure all managers have the skills and 
tools required to sustain high performance 
in their teams. 

Following the results from our last 
engagement survey, we launched our 
wellbeing programme, ITV Feel Good,  
to offer colleagues support and advice  
on having a balanced and healthy working 
lifestyle. ITV Feel Good offers one-off 
activities and experiences to inform and 
inspire everyone to take control of their 
own health and wellbeing, both inside  
and outside of the workplace.

43

GovernanceFinancial StatementsAdditional informationStrategic ReportStrategic Report

Alternative Performance Measures

The Annual Report includes both statutory and adjusted 
measures (Alternative Performance Measures or APMs), 
the latter of which, in management’s view, reflect the 
underlying performance of the business and provide 
a more meaningful comparison of how the business is 
managed and measured on a day-to-day basis. 

Our APMs and KPIs are aligned with our strategy and 
business segments and together are used to measure  
the performance of our business and form the basis  
of the performance measures for remuneration.

Adjusted results exclude certain items because, if 
included, these items could distort the understanding  
of our performance for the year and the comparability 
between periods.

Key adjustments for adjusted EBITA, profit before tax and EPS
Adjusted EBITA is calculated by adding back exceptional items  
and high-end production tax credits to EBITA. Further adjustments, 
which include amortisation and impairment of assets and certain 
net financing costs, are made to remove their effect from adjusted 
profit before tax and EPS. The tax effects of all these adjustments 
are reflected in the adjusted tax charge. These adjustments are 
detailed below. 

Production tax credits
The ability to access tax credits, which are rebates based on 
production spend, is fundamental to our Studios business when 
assessing the viability of investment in green-lighting decisions, 
especially with regards to high-end drama. ITV reports tax credits 
generated in the US and other countries (e.g. Norway, New Zealand, 
Italy, Canada and Spain) within cost of sales, whereas in the UK tax 
credits for high-end drama must be classified as a corporation tax 
item. However, in our view all tax credits relate directly to the 
production of programmes. Therefore, to align treatment, 
regardless of production location, and to reflect the way the 
business is managed and measured on a day-to-day basis, these  
are recognised in adjusted EBITA. Our cash measures including  
profit to cash conversion and free cash flow are also adjusted  
for the impact of production tax credits. Further detail on this  
is included on the following page.

Exceptional items 
These include acquisition-related costs, reorganisation and 
restructuring costs, property costs, non-routine legal costs  
and pension-related costs. These items are excluded to reflect 
performance in a consistent manner and are in line with how  
the business is managed and measured on a day-to-day basis.  
They are typically gains or losses arising from events that are  
not considered part of the core operations of the business or  
are considered to be one-off in nature, though they may cross  
several accounting periods. We also adjust for the tax effect 
of these items. Note 2.2 to the financial statements includes  
further detail.

Acquisition-related costs
We structure our acquisitions with earnouts or put and call  
options, to allow part of the consideration to be based on the  
future performance of the business as well as to lock in and 
incentivise creative talent. Where consideration paid or contingent 

consideration payable in the future is employment-linked, it is 
treated as an expense (under accounting rules) and therefore part 
of our statutory results. However, we exclude all consideration of 
this type from adjusted EBITA, adjusted profit after tax and adjusted 
EPS as, in our view, these items are part of the capital transaction 
and do not form part of the Group’s core operations. The Finance 
Review explains this further. Acquisition-related costs, including 
legal and advisory fees on completed deals or significant deals  
that do not complete, are also treated as an expense (under 
accounting rules) and therefore on a statutory basis form part  
of our reported results. In our view, these items also form part 
of the capital transaction or are one-off in nature and are  
therefore excluded from our adjusted measures.

Restructuring and reorganisation costs
These arise from Group-wide initiatives to reduce the ongoing  
cost base and improve efficiency in the business. We consider  
each project individually to determine whether its size and nature 
warrant separate disclosure. Where there has been a material 
change in the organisational structure of a business area or  
a material Group-wide initiative, these costs are highlighted  
and are excluded from our adjusted measures.

Property costs
In the first half of 2018, we relocated our London headquarters  
from The London Television Centre to three central London 
locations. The fit-out costs of the three new locations were 
capitalised. In October 2018, the Directors reversed their prior 
decision, reported in 2017, and agreed not to redevelop the  
Group’s headquarters at The London Television Centre and the  
site is now for sale. The new London locations give ITV the flexibility 
to continue to grow, while supporting our ambition to be an agile 
and increasingly digital organisation. During the course of the 
relocation project, dual rent, other property costs and move  
related costs have been recognised as exceptional and are  
therefore excluded from our adjusted measures. Rent and other 
property costs for the new offices and studios are being treated  
as operating costs. The costs associated with The London Television 
Centre until disposal will be treated as exceptional. 

Amortisation and impairment 
Amortisation and impairment of assets acquired through business 
combinations and investments are not included within adjusted 
earnings. As these costs are acquisition-related, and in line with our 
treatment of other acquisition-related costs, we consider them to 
be capital in nature as they do not reflect the underlying trading 
performance of the Group. Amortisation of software licences and 
development is included within our adjusted results as management 
consider these assets to be core to supporting the operations of the 
business. 

Net financing costs
Net financing costs are adjusted to reflect the underlying cash  
cost of interest for the business, providing a more meaningful 
comparison of how the business is managed and funded on  
a day-to-day basis. The adjustments made remove the impact  
of mark-to-market on swaps and foreign exchange, imputed 
pension interest and other financial gains and losses, which  
do not reflect the relevant interest cash cost to the business  
and are not yet realised balances. 

A full reconciliation between our adjusted and statutory results  
is provided on the following page.

44 

ITV plc   Annual Report and Accounts 2018

 Alternative Performance Measures

Reconciliation between statutory and adjusted results

Twelve months to 31 December 
EBITA1
Exceptional items (operating)2
Amortisation and impairment3

Operating profit
Net financing costs4
Share of losses on JVs and Associates
Gain / (loss) on sale of non-current assets and subsidiaries 

(non-operating exceptional items)2

Profit before tax
Tax5
Profit after tax
Non-controlling interests
Earnings
Shares (million), weighted average
EPS (p)
Diluted EPS (p)

2018
Statutory
£m
785
(93)
(92)

2018
 Adjustments
£m
25
93
85

203
7
–

(10)
200
(49)
151
–
151
–

600
(43)
–

10
567
(97)
470
(4)
466
3,999
11.7p
11.6p

2018
Adjusted
£m
810
–
(7)

803
(36)
–

–
767
(146)
621
(4)
617
3,999
15.4p
15.4p

2017
Statutory
£m
810
(153)
(102)

2017
 Adjustments
£m
32
153
97

282
17
–

1
300
(67)
233
–
233
–

555
(50)
(4)

(1)
500
(87)
413
(4)
409
4,006
10.2p
10.2p

2017
Adjusted
£m
842
–
(5)

837
(33)
(4)

–
800
(154)
646
(4)
642
4,006
16.0p
16.0p

1.  £25 million adjustment relates to production tax credits which we consider to be a contribution to production costs and working capital in nature rather than a corporate tax item. 
2.   Exceptional items largely relate to acquisition costs, primarily employment linked consideration, as well as restructuring and property costs. £10 million non-operating exceptional 

items mainly relates to the gain on sale of Manchester Quay Street. Further detail is included in the Finance Review.

3.   £85 million adjustment relates to amortisation and impairment of assets acquired through business combinations and investments. We include only amortisation on purchased 

intangibles such as software within adjusted profit before tax.

4.   £7 million adjustment is primarily for non-cash interest cost. This provides a more meaningful comparison of how the business is managed and funded on a day-to-day basis.
5.  Tax adjustments are the tax effects of the adjustments made to reconcile profit before tax and adjusted profit before tax. A full reconciliation is included in the Finance Review.

Net pension deficit 
This is our defined benefit pension deficit under IAS 19 adjusted for 
other pension assets, mainly gilts, which are held by the Group as 
security for future unfunded pension payments for four Granada 
executives and over which that pension scheme holds a charge. 
A full reconciliation is included within note 3.7. 

Profit to cash conversion 
This is our measure of our effectiveness of cash generation used  
for working capital management. It is calculated as our adjusted 
cash flow as a proportion of adjusted EBITA. Adjusted cash flow, 
which reflects the cash generation of our underlying business, is 
calculated on our statutory cash generated from operations and 
adjusted for exceptional items, net of capex on property, plant  
and equipment and intangible assets, and including the cash impact 
of high-end production tax credits. 

Free cash flow
This is our measure of free cash flow after we have met our  
financial obligations. It takes our adjusted cash flow (see above)  
and removes the impact of net interest, adjusted cash tax (which  
is total tax paid adjusted to exclude the receipt of production tax 
credits) and pension funding. A full reconciliation is included in  
the Finance Review.

Other Alternative Performance Measures
Total revenue 
As an integrated producer broadcaster, we look at the total 
revenue generated in the business which includes internal revenue, 
which is the sale of ITV Studios programmes to Broadcast & Online. 
Our broadcast channels are a significant customer for ITV Studios 
and selling programmes to Broadcast & Online is an important part 
of our strategy as an integrated producer broadcaster as it ensures 
we own all the rights to the content.

A reconciliation between external revenue and total revenue is 
provided below.

Twelve months to 31 December

External revenue (Reported)
Internal supply 
Total revenue (Adjusted)

2018
£m

3,211
555
3,766

2017
£m

3,130
525
3,655

Adjusted net debt 
Net debt (as defined in note 4.1 to the financial statements) is 
adjusted for all our financial commitments. This better reflects how 
credit rating agencies look at our balance sheet. A reconciliation 
between net debt and adjusted net debt is provided below.

Twelve months to 31 December 
Net debt 
Expected contingent payments on acquisitions 
Net pension deficit
Operating leases*
Adjusted net debt
Adjusted net debt to adjusted EBITDA
Reported net debt to adjusted EBITDA

2018
£m
(927)
(252)
(38)
(147)
(1,364)
1.6x
1.1x

2017
£m
(912)
(292)
(83)
(143)
(1,430)
1.6x
1.0x

* 

 Excludes transponder costs, which are now treated as service contracts.  
See the Finance Review for further detail. The comparator has not been re-presented.

45

GovernanceFinancial StatementsAdditional informationStrategic ReportStrategic Report

Finance Review

ITV’s strong operating performance in a challenging year 
reflects the underlying strength of the business.

ITV delivered a strong operational 
performance in a challenging year with 
ongoing political and economic uncertainty 
in the UK, which has undoubtedly had an 
impact on the demand for television 
advertising, and therefore on ITV’s financial 
performance. We launched our new strategy 
with clear priorities which we believe will 
deliver growth and strengthen ITV.

Adjusted EBITA declined 4% to £810 million. ITV Studios adjusted 
EBITA was up 5% at £255 million (2017: £243 million) with good 
revenue growth, including the unfavourable impact of currency,  
and the adjusted EBITA margin was flat at 15%. Broadcast & Online 
adjusted EBITA declined 7% to £555 million (2017: £599 million)  
with revenue growth more than offset by a £30 million increase  
in schedule costs with the 2018 Football World Cup, higher variable 
costs attributable to online revenue growth, investment in the  
ITV Hub, ITV Hub+ and ITV Box Office, and property costs associated 
with the new London properties.

Adjusted EBITA tracker

14

16

842

(30)

(10)

12

(34)

810

£m

850

800

750

700

December
2017

Total 
Advertising
Revenue

Network
Schedule

Direct to 
Consumer
Revenue

Other
Broadcast
Revenue

Other
Broadcast
Costs

ITV 
Studios

December
2018

Adjusted financing costs were broadly flat year-on-year and our 
adjusted tax rate was the same year-on-year, at 19%. The net of 
these movements resulted in a 4% decline in adjusted EPS to  
15.4p. Statutory EPS was up 15% to 11.7p due to the reduction  
in operating exceptional items and lower amortisation and 
impairment on acquired assets, which are explained on the 
following pages, more than offsetting the decline in EBITA. 

Our key strengths include our high margins and healthy cash flows, 
which, together with our ongoing focus on costs, place us in a good 
position to continue to invest in growing an even stronger and more 
resilient business going forward, while delivering sustainable returns 
to our shareholders.

Exceptional items

Twelve months to 31 December

Acquisition-related expenses
Restructuring and property-related costs
Insured trade receivables provision
Pension related costs
Other 
Total operating exceptional items
Non-operating exceptional items
Total exceptional items 

2018
£m

(60)
(26)
4
4
(15)
(93)
10
(83)

2017
£m

(90)
(30)
(27)
–
(6)
(153)
(1)
(154)

This Finance Review focuses on the more technical aspects of our 
financial results while the operating and financial performance  
has been discussed within the Operating and Performance Review. 
Our Alternative Performance Measure explain the adjustments  
we make to our statutory results and focus on the key measures 
that we report on internally and use as KPIs across the business. 

ITV delivered 3% external revenue growth to £3,211 million (2017: 
£3,130 million). Total advertising revenue was up 1%. VOD revenue 
was up 36% year-on-year, more than offsetting the decline in  
NAR, which was impacted by political and economic uncertainty. 
Total non-advertising revenue grew 5% to £1,971 million (2017: 
£1,874 million), including the £11 million unfavourable impact  
of currency. ITV Studios total revenue grew 6% to £1,670 million  
(2017: £1,579 million), with growth driven by Studios RoW and  
Global Entertainment, as we continue to build our capabilities  
in key creative markets. Organic revenue grew 4% and our  
portfolio acquisitions continue to deliver a return in excess  
of our cost of capital. Direct to Consumer revenue grew 25%  
to £81 million (2017: £65 million), driven by interactive with  
the success of daytime competitions, an increase ITV Hub+ 
subscriptions, and pay per view boxing events. 

Twelve months to 31 December – 
revenue on a continuing basis 

Total advertising revenue
Total non-advertising revenue 
Total revenue
Internal supply
Group external revenue

Group adjusted EBITA
Group adjusted EBITA margin
Group statutory EBITA

Adjusted EPS
Statutory EPS
Dividend per share
Net debt as at 31 December

2018
£m

1,795
1,971
3,766
(555)
3,211

810
25%
785

15.4p
11.7p
8.0p
(927)

2017
£m

Change
£m

Change
%

1,781
1,874
3,655
(525)
3,130

842
27%
810

16.0p
10.2p
7.8p
(912)

14
97
111
(30)
81

(32)

(25)

(0.6)p
1.5p
0.2p
(15)

1
5
3
(6)
3

(4)

(3)

(4)
15
3
(2)

46 

ITV plc   Annual Report and Accounts 2018

 Finance Review

Total exceptional items in the period were £83 million (2017: 
£154 million). Operating exceptional items principally relate  
to acquisition-related expenses. Acquisition-related expenses 
largely relate to performance based, employment-linked 
consideration to former owners. Restructuring and property-
related costs of £26 million includes £13 million of dual running 
costs and relocation costs as a result of our London property  
move and £13 million of costs from restructuring our business. 
Exceptional items included a net £4 million credit in respect  
of pension-related items. As a result of the purchase of a bulk 
annuity insurance contract (‘Buy-in’), a net £10 million credit  
was recognised for changes to options available to members  
in those schemes. This has been offset by a £6 million past  
service cost for Guaranteed Minimum Pensions (GMP), which 
equalises the benefits between men and women, following  
a recent High Court ruling that set a precedent in this matter.  
Full detail of these costs and a breakdown of the pension  
schemes is included in the notes to the financial statements.

The cash cost of exceptionals in the period was £90 million  
(2017: £126 million).

Profit before tax 
Adjusted profit before tax, after amortisation and impairment  
of assets and financing costs, was down 4% at £767 million  
(2017: £800 million). 

Statutory profit before tax increased by 13% to £567 million  
(2017: £500 million), primarily as a result of a reduction in 
exceptional items, and amortisation and impairments.

Profit before tax (PBT)

Twelve months to 31 December 
Profit before tax 
Production tax credits
Exceptional items 
Amortisation and impairment*
Adjustments to net financing costs
Adjusted profit before tax

2018
£m
567
25
83
85
7
767

2017
£m
500
32
154
97
17
800

* 

In respect of assets arising from business combinations and investments. 

Net financing costs

Twelve months to 31 December
Financing costs directly attributable to loans 

and bonds

Cash-related net financing costs
Amortisation of bonds
Adjusted financing costs
Imputed pension interest
Unrealised foreign exchange and other net 

financial losses
Net financing costs

2018
£m

2017
£m

(30)
(5)
(1)
(36)
(2)

(5)
(43)

(30)
(2)
(1)
(33)
(9)

(8)
(50)

Tax 
Adjusted tax charge
The total adjusted tax charge for the period was £146 million  
(2017: £154 million), corresponding to an effective tax rate on 
adjusted profit before tax (PBT) of 19% (2017: 19%), which is in  
line with the standard UK corporation tax rate of 19% (2017:  
19.25%). We expect this effective tax rate to be sustainable  
over the medium term. On a reported basis, the tax charge of  
£97 million (2017: £87 million) corresponds to an effective tax  
rate of 17% (2017: 17%). The adjustments made to reconcile  
the tax charge with the adjusted tax charge are the tax effects  
of the adjustments made to reconcile PBT and adjusted PBT,  
as discussed earlier.

Adjusted financing costs were broadly flat year-on-year at £36 million 
(2017: £33 million). Net financing costs were £43 million over the 
period, which was down year-on-year (2017: £50 million), largely  
due to a small reduction in net pension interest.

JVs and associates 
The share of losses from JVs and associates has decreased to  
£nil million (2017: £4 million). It is net of losses arising on some  
of our investments, including our new venture BritBox US and 
scripted talent investment, Circle of Confusion, offset with profit  
on a range of investments, including the 2017 ITV Studios 
investment in Blumhouse Television.

Twelve months to 31 December

Tax charge 
Production tax credits
Charge for exceptional items
Charge in respect of amortisation and 

impairment*

Charge in respect of adjustments to net 

financing costs

Adjusted tax charge
Effective tax rate on adjusted profits

2018
£m

(97)
(25)
(9)

2017
£m

(87)
(32)
(12)

(14)

(19)

(1)
(146)
19%

(4)
(154)
19%

* 

 In respect of intangible assets arising from business combinations and investments. 
Also reflects the cash tax benefit of tax deductions for US goodwill. 

47

GovernanceFinancial StatementsAdditional informationStrategic ReportStrategic Report

Finance Review
continued

Cash tax
Cash tax paid in the period was £92 million (2017: £95 million),  
and is net of £27 million of production tax credits received  
(2017: £23 million). The majority of the cash tax payments  
were made in the UK. The cash tax paid is lower than the full  
year tax charge for 2018 of £97 million, largely due to the phasing  
of tax payments in the UK and the treatment of allowable  
pension contributions (cash tax benefit of £14 million in 2018  
and £15 million in 2017). A reconciliation between the tax charge  
for the year and the cash tax paid in the year is shown below. 

Twelve months to 31 December
Tax charge 
Temporary differences recognised through 

deferred tax 

Prior year adjustments to current tax
Current tax, current year
Phasing of tax payments (including in 

respect of pension contribution benefits)

Production tax credits – timing of receipt
Cash tax paid

2018
£m
(97)

(37)
14
(120)

26
2
(92)

2017
£m
(87)

(17)
2
(102)

16
(9)
(95)

Tax strategy
ITV is a responsible business, and we take a responsible attitude  
to tax, recognising that it affects all of our stakeholders. In order  
to allow those stakeholders to understand our approach to tax,  
we have published our Global Tax Strategy, which is available  
on our corporate website.

www.itvplc.com/investors/governance/policies

We have four key strategic tax objectives :
1.  Engage with tax authorities in an open and transparent way  

in order to minimise uncertainty

2.  Proactively partner with the business to provide clear, timely, 
relevant and business focused advice across all aspects of tax
3.  Take an appropriate and balanced approach when considering 

how to structure tax sensitive transactions

4.  Manage ITV’s tax risk by operating effective tax governance  
and understanding our tax control framework with a view  
to continuously adjusting our approach to be compliant with  
our tax obligations 

Our tax strategy is aligned with that of the business and its commercial 
activities, and establishes a clear Group-wide approach based on 
openness and transparency in all aspects of tax reporting and 
compliance, wherever the Company and its subsidiaries operate. 
The strategy confirms that ITV does not engage in or condone tax 
evasion or the facilitation of tax evasion in any form, and that  

48 

ITV plc   Annual Report and Accounts 2018

we have in place reasonable procedures to prevent the facilitation  
of tax evasion. Within our overall governance structure, the 
governance of tax and tax risk is given a high priority by the  
Board and Audit and Risk Committee, including through the 
operation of the Tax and Treasury Committee. The ITV Global  
Tax Strategy as published on the ITV plc website is compliant  
with the UK tax strategy publication requirement set out in  
Part 2 Schedule 19 of the Finance Act 2016.

EPS – adjusted and statutory
Overall, adjusted profit after tax was down 4% at £621 million  
(2017: £646 million). After non-controlling interests of £4 million 
(2017: £4 million), adjusted basic earnings per share was 15.4p  
(2017: 16.0p), down 4%, which is consistent with the decrease in 
adjusted EBITA of 4%. The weighted average number of shares 
declined to 3,999 million (2017: 4,006 million) because ITV bought 
shares during 2018 on behalf of the Employee Benefit Trust and,  
in line with accounting standards, shares held by the Trust are not 
included in the EPS share count. Diluted adjusted EPS in 2018 was 
15.4p (2017: 16.0p) reflecting a weighted average diluted number  
of shares of 4,013 million (2017: 4,017 million). The weighted  
average diluted number of shares was down year-on-year  
because of a decrease in the number of shares expected to vest  
in ITV’s long-term incentive plans in the future.

Statutory EPS grew by 15% to 11.7p (2017: 10.2p) with the decline  
in statutory EBITA more than offset by a reduction in exceptional 
items, amortisation and impairments, and net financing costs. 

A full reconciliation between statutory and adjusted EPS is  
included within the Alternative Performance Measures section.

Dividend per share
ITV continues to deliver a strong operational performance in  
an uncertain economic and political environment. Reflecting  
the Board’s confidence in the business and its strategy, as well  
as the continued strong cash generation, it has proposed a full  
year dividend of 8.0p, up 3% (2017: 7.8p). This is in line with the 
Board’s intention to pay at least an 8p dividend per year in 2018  
and 2019. The Board expects that over the medium term the 
dividend will grow broadly in line with earnings. 

 Finance Review

Acquisitions – between 2012 and 2017 (undiscounted)

Company

Geography

Genre

Total for 2012–2017 
Total 

Various Content & Broadcast TV

Initial
consideration
£m

Additional 
consideration 
paid
£m

Expected 
future 
payments*
£m

Total 
expected

consideration**

£m

Expected 
payment
period

941
941

138
138

252
252

1,331 2019–2024
1,331

Total 
maximum 

consideration** 

£m

2,370
2,370

 Undiscounted and adjusted for foreign exchange. All future payments are performance related. 

* 
**  Undiscounted and adjusted for foreign exchange, including the initial cash consideration and excluding working capital adjustments.

Dividend per share p (ordinary)

8
2 7
7

.

.

p
0
8

.

0
6

.

.

7
4

5
3

.

6
2

.

6
1

.

11

12

13

14

15

16

17

18

+3%
YoY

2018
8.0p

Acquisitions
Since 2012, we have acquired a number of content businesses in  
the UK, US and creative locations across Europe, developing a strong 
portfolio of programmes that return and travel. As we have grown 
in size and expanded our network relationships and distribution 
capability, this has helped to renew and strengthen our creative 
talent and build our reputation as a leading European producer  
and distributor and a leading unscripted independent production 
company in the US.

Our business is performing well and we will consider selective value 
creating M&A and talent deals in both scripted and unscripted to 
obtain further creative talent and IP. However, at this stage, we will 
not be doing any scaled US scripted acquisitions. 

We have strict criteria for evaluating potential acquisitions. 
Financially, we assess ownership of intellectual property,  
earnings growth and valuation based on return on capital  
employed and discounted cash flow. Strategically, we ensure  
an acquisition target has a strong creative track record and  
pipeline in content genres that return and travel, namely drama, 
entertainment and factual, as well as retention and succession 
planning for key individuals in the business.

We generally structure our deals with earnouts or with put and  
call options in place for the remainder of the equity, capping  
the maximum consideration payable. By basing a significant  
part of the consideration on future performance. In this way,  
not only can we lock in creative talent and ensure our incentives  
are aligned, but we also reduce our risk by only paying for  
the actual, not expected, performance delivered over time.  
We believe this is the right way to structure our deals as we  
should not pay upfront for future performance and should 
incentivise and reward delivery by the business over time.

The majority of earnouts or put and call options are dependent  
on the seller remaining within the business. Where future payments 
are directly related to the seller remaining with the business, these 
payments are treated as employment costs and therefore are part 
of our statutory results. However, we exclude them from adjusted 
profits and adjusted EPS as an exceptional item, as in our view,  
for the reasons set out above, these items are part of capital 
consideration reflecting how we structure our transactions and  
do not form part of the core operations. 

The table above sets out the initial consideration payable on  
our acquisitions, our expected future payments based on our 
current view of performance and the total maximum consideration 
payable, which is only payable if exceptional compound earnings 
growth is delivered. 

We closely monitor the forecast performance of each acquisition 
and, where there has been a change in expectations, we adjust  
our view of potential future commitments. 

Expected future payments of £252 million have decreased by  
£40 million since 31 December 2017, due to payments made  
relating to our 2014 and 2015 acquisitions. At 31 December 2018, 
£176 million of expected future payments had been recorded on  
the balance sheet. We have not made any acquisitions in 2018.

49

GovernanceFinancial StatementsAdditional informationStrategic ReportStrategic Report

Finance Review
continued

Cash generation
Profit to cash conversion 

Twelve months to 31 December
Adjusted EBITA 
Working capital movement
Adjustment for production tax credits
Depreciation
Share-based compensation and pension 

service costs

Acquisition of property, plant and equipment 

and intangible assets

Capex relating to redevelopment of  

London headquarters

Adjusted cash flow
Profit to cash ratio

2018
£m
810
(93)
2
28

10

Free cash flow

2017
£m
842
(58)
(9)
30

Twelve months to 31 December
Adjusted cash flow
Net interest paid
Adjusted cash tax*
Pension funding
Free cash flow

2018
£m
712
(42)
(119)
(82)
469

2017
£m
763
(38)
(118)
(80)
527

13

* 

 Adjusted cash tax of £119 million is total cash tax paid of £92 million plus receipt of 
production tax credits of £27 million, which are included within adjusted cash flow 
from operations, as these production tax credits relate directly to the production of 
programmes.

(82)

(71)

37
712
88%

16
763
91%

Our free cash flow after payments for interest, cash tax and  
pension funding remained healthy in the period at £469 million 
(2017: £527 million). 

Overall, after dividends, acquisitions and acquisition-related costs, 
pension and tax payments, we ended the period with net debt of 
£927 million, compared with net debt of £1,034 million at 30 June 
2018 and £912 million at 31 December 2017. 

Net debt tracker 

£m

0

(200)

(400)

(600)

(800)

(1,000)

(912)

(927)

469

(22)

(315)

(5)

(6)

Dec 17
Net debt

Free 
Cash
flow

Acquisi-
tion of 
invest-
ments 
and NCI

Divi-
dends
paid

Purchase 
of shares 
for EBT

FX on 
the 
Euro-
bond

(90)

(37)

Excep-
tional
costs

London
Property
Capex

(9)

Other

Dec 18
Net Debt

Funding and liquidity
Debt structure and liquidity
Our balance sheet strength, together with our healthy free cash 
flow, will enable us to continue to invest in opportunities to grow 
the business in line with our strategic priorities and to make 
sustainable returns to our shareholders. We have a number of 
facilities in place to preserve our financial flexibility. We have  
a £630 million Revolving Credit Facility (RCF) in place until 2023.  
We also have a bilateral financing facility of £300 million, which  
is free of financial covenants and matures in 2021. This provides  
us with sufficient liquidity to meet the requirements of the business 
in the short to medium term. The RCF has the usual financial 
covenants for this type of financing. Of the total £930 million  
of facilities in place, £50 million was drawn down at 31 December 
2018. Our policy is to maintain at least £250 million of available 
liquidity at any point.

Note: Except where disclosed, management views the acquisition of operating property, 
plant and equipment and intangibles as business as usual capex, necessary to the ongoing 
investment in the business. 

One of ITV’s key strengths is its healthy cash flows reflecting  
our ongoing tight management of working capital balances  
and our disciplined approach to cash and costs. This is particularly 
important when there is wider political and economic uncertainty. 
Remaining focused on cash and costs means we are in a good 
position to continue to invest across the business in line with  
our strategic priorities and continue to deliver sustainable  
returns to our shareholders.

In the year, we generated £712 million (2017: £763 million)  
of operational cash from £810 million (2017: £842 million) of 
adjusted EBITA, which equates to a strong profit to cash ratio  
of 88% after capex (2017: 91%). In the year, we saw an increase  
in working capital which was due primarily to an increase in stock 
relating to our programme delivery schedule. 

To facilitate our working capital management, we have a  
£100 million non-recourse receivables purchase agreement  
(free of financial covenants), which gives us the flexibility to  
access additional liquidity when required. At 31 December,  
£100 million of receivables were sold under the purchase 
agreement (2017: £90 million).

50 

ITV plc   Annual Report and Accounts 2018

 Finance Review

Net debt 

At 31 December
Gross cash 
Gross debt 
Net debt

2018
£m
(95)
1,022
927

2017
£m
(126)
1,038
912

Financing – gross debt
We are financed using debt instruments and facilities with a range 
of maturities. Borrowings at 31 December 2018 were repayable  
as follows:

Amount repayable as at 31 December 2018
£630 million Revolving Credit Facility
€600 million Eurobond
€500 million Eurobond
Other loans
Total debt repayable on maturity*

*  Net of £25 million cross-currency swaps.

£m Maturity
50  Various
536 Sep 2022
449 Dec 2023
12 Various

1,047

At 31 December 2018, £580 million of the £630 million RCF  
was undrawn.

Capital allocation and leverage
Our objective is to run an efficient balance sheet and manage  
our financial metrics appropriately. At 31 December 2018 reported 
net debt to adjusted EBITDA was 1.1x (31 December 2017: 1.0x).  
Our priority remains to invest to drive organic growth and we have 
made acquisitions where we have found the right opportunities.  
We will continue to look at opportunities in line with our strategy. 
We will balance this investment with attractive returns to 
shareholders. Our investment decisions are based upon value 
creation and returns analysis. Our returns analysis looks at  
the 360 degree value creation and the long-term future value  
of our investments in Broadcast & Online, Direct to Consumer  
and Studios. 

We also look at an adjusted measure of net debt, taking into 
consideration all of our other debt-like commitments including 
the expected, undiscounted contingent payments on acquisitions, 
the net pension deficit and the undiscounted operating lease 
commitments, which mainly relate to property. This adjusted 
leverage measure better reflects how the credit rating agencies 
look at our balance sheet. This is important to monitor as 
investment grade metrics are a key criteria when considering  
our overall capital allocation. At 31 December 2018, adjusted  
net debt was £1,364 million (adjusted net debt of £1,430 million  
at 31 December 2017) and adjusted net debt to adjusted EBITDA  
was 1.6x (adjusted net debt to adjusted EBITDA was 1.6x at 
31 December 2017). A reconciliation of net debt to adjusted  
net debt is provided in the Alternative Performance Measures.

During 2019 we will revisit the 1.5x reported net debt to adjusted 
EBITDA guidance to ensure it remains appropriate. We will work  
with the ratings agencies as part of this process, but wherever  
we conclude on this our commitment to investment grade metrics 
will underpin the outcome.

Credit ratings
We are rated investment grade by two ratings agencies: BBB- 
(stable outlook) by Standard and Poor’s and Baa3 (stable outlook)  
by Moody’s Investor Services. The factors that are taken into 
account in assessing our credit rating include our degree of 
operational gearing, exposure to the economic cycle, as well  
as business and geographical diversity. Continuing to execute  
our strategy to diversify will strengthen our position against all 
these metrics. 

Foreign exchange 
As ITV continues to grow internationally, we are increasingly 
exposed to foreign exchange on our overseas operations.  
We do not hedge our exposure to revenues and profits generated 
overseas, as this is seen as an inherent risk. We may elect to hedge 
our overseas net assets, where material. To date, we have hedged  
a significant portion of the euro net assets arising from the  
Talpa Media acquisition.

ITV is also exposed to foreign exchange risk on transactions we 
undertake in a foreign currency. Our policy is to hedge a portion  
of any known or forecast transaction where there is an underlying 
cash exposure for the full tenor of that exposure, to a maximum  
of five years forward, where the portion hedged depends on the 
level of certainty we have on the final size of the transaction.

Finally, ITV is exposed to foreign exchange risk on the retranslation 
of foreign currency loans and deposits. Our policy is to hedge such 
exposures where there is an expectation that any changes in the 
value of these items will result in a realised cash movement over  
the short to medium term.

The foreign exchange and interest rate hedging strategy is 
discussed and approved by the ITV plc Board and implemented  
by our internal Tax and Treasury Committee which oversees 
governance, recommends policies for approval by the Board and 
exercises delegated authority to approve certain other tax and 
treasury related policies and procedures within the business. 

Foreign exchange sensitivity
The following table highlights ITV’s sensitivity, on a full year basis, 
to translation resulting from a 10% appreciation/depreciation in 
sterling against the US dollar and euro, assuming all other variables 
are held constant. An appreciation in sterling has a negative effect 
on revenue and adjusted EBITA; a depreciation has a positive effect.

Currency 
US dollar
Euro

Revenue 
£m
±40-50
±45-55

Adjusted
 EBITA
 £m
±7-9
±5-7

51

GovernanceFinancial StatementsAdditional informationStrategic ReportStrategic Report

Finance Review
continued

Pensions 
The net pension deficit for the defined benefit schemes at 
31  December 2018 was £38 million (31 December 2017:  
£83 million deficit). The year-on-year reduction in the deficit  
reflects an increase in bond yields and our deficit funding 
contribution, partly offset by other losses in scheme assets  
and the impact of the purchase of a bulk annuity insurance  
contract (‘Buy-in’) in respect of two sections of our defined  
benefit schemes. 

The net pension assets include £49 million of gilts, which are  
held by the Group as security for future unfunded pension 
payments to four former Granada executives, the liabilities  
of which are included in our pension obligations. 

A full reconciliation is included within note 3.7 in the notes to  
the financial statements.

Net pension deficit tracker

£m

200

150

100

50

0

(50)

(100)

192

82

(83)

(20)

(123)

8

(38)

(94)

Dec 17

Deficit
funding

Increase in
inflation
assumption

Increase 
in bond 
yields

Other 
losses in
scheme 
assets

Adjustment 
due to bulk 
annuity
purchase

Other

Dec 18

Actuarial valuation
The 1 January 2017 actuarial valuation was agreed during the  
year. On the basis agreed with the Trustees, the combined deficits  
of the ITV defined benefit Pension Scheme as at 1 January 2017 
amounted to £470 million.

Deficit funding contributions
The Group continues to make deficit funding contributions in  
line with the most recent actuarial valuation in order to eliminate  
the deficits in each section. The accounting deficit does not drive 
the deficit funding contribution.

The Group’s deficit funding contributions in 2018 were £82 million. 
Further details are included within note 3.7 to the financial 
statements. In 2019, we expect deficit funding contributions  
of around £75 million.

New accounting standards
IFRS 15 ‘Revenue from Contracts with Customers’, was effective 
from 1 January 2018. The new standard requires the Group to 
reclassify various costs attributable to revenue in the income 
statement as well as the change for certain contracts for the 
production of programmes from point-in-time to over-time 
recognition. The prior year comparatives have been restated, 
resulting in a net £2 million decrease to the 2017 reported revenue.

IFRS 16 ‘Leases’, is effective from 1 January 2019. The detailed 
assessment of the impact on the Group’s performance has been 
completed. The Group plans on adopting the modified  
retrospective approach with the right of use asset equal to  
the lease liability at transition date. The likely impact to operating 
costs is expected to be between £3 million to £5 million with  
the likely impact to Profit before tax being between £nil and  
£1 million. Gross liabilities are expected to increase by £90 million  
to £120 million with net assets remaining unchanged. Section 1  
of the notes to the financial statements provides further detail  
on these new accounting standards.

London property
In the first half of 2018, we relocated our London headquarters  
from The London Television Centre to three central London 
locations. The fit-out costs of the three new locations were 
capitalised. In October 2018, the Directors reversed their prior 
decision, reported in 2017, and agreed not to redevelop the  
Group’s headquarters at The London Television Centre and the  
site is now for sale. The new London locations give ITV the flexibility 
to continue to grow, while supporting our ambition to be an agile 
and increasingly digital organisation. During the course of the 
relocation project, dual rent, other property costs and move  
related costs have been recognised as exceptional and are therefore 
excluded from our adjusted measures. Rent and other property 
costs for the new offices and studios are being treated as operating 
costs. The costs associated with The London Television Centre until 
disposal will be treated as exceptional. 

In 2014, ITV established a Pension Funding Partnership with the 
Trustees backed by The London Television Centre which resulted  
in the assets of Section A of the DB pension scheme being increased 
by £50 million. With the planned sale of the asset we have 
commenced discussions with the Trustees around providing  
a suitable equivalent asset. The proceeds of the sale of the  
South Bank site could be used to replace the £50 million asset 
security and the remaining sale proceeds used to reduce  
ITV’s net debt.

52 

ITV plc   Annual Report and Accounts 2018

2019 full year planning assumptions
Profit and Loss impact
•  Total schedule costs are expected to be around £1.1 billion 
•  Total essential investment of around £40 million in 2019, 
increasing to £60 million by 2021 as previously announced
ITV’s net investment in BritBox UK will be up to £25 million  
in 2019, increasing to around £40 million in 2020 and  
expected to decline thereafter

• 

•  £15 million cost savings in 2019 to fund strategic priorities, 

increasing to £35-40 million in 2021 as previously announced 
•  Adjusted interest is expected to be around £35 million, which  

is broadly unchanged from 2018

•  The adjusted effective tax rate is 19%, which is unchanged  
and expected to be sustainable over the medium term

•  The translation impact of foreign exchange, assuming rates 
remain at current levels, is not expected to have an impact  
on revenue or EBITA

•  Exceptional items are expected to be around £65 million,  
mainly due to acquisition accounting and cost of change  
to deliver cost savings. This excludes the sale of The London 
Television Centre.

Cash impact
•  Total capex is expected to be around £65 million of regular  

capex, down on 2018 

•  The cash cost of exceptionals will be around £85 million,  

largely relating to accrued earnouts and excludes the sale  
of The London Television Centre

•  Profit to cash is expected to be around 80%, reflecting  
our continued strong cash generation, investment in  
Studios working capital and BritBox.

•  Total pension deficit funding contribution for 2019 is  

expected to be around £75 million. 

 Finance Review

53

GovernanceFinancial StatementsAdditional informationStrategic ReportStrategic Report

Risks and Uncertainties

As an integrated producer broadcaster ITV’s business carries a number 
of risks which we manage through our risk management framework. 
Our continuing success is dependent on how well we understand and 
manage our risks.

Risk management framework

Risk 
assessment

Risk 
identification

Effectiveness
review

Risk appetite/
tolerance

Monitoring 
and review of 
the framework

Risk 
management 
framework

Sources of 
assurance

Embedding risk 
management

Monitoring 
and reporting

Culture and 
behaviours

We continue to focus on embedding the 
ownership of risks within relevant  
divisions and teams whilst ensuring that  
the appropriate oversight and escalation  
process is in place, delivered through  
a three lines of defence model.

Group operational risks that have an impact 
across the business are owned and considered 
at a strategic level by the Management Board, 
with tactical operational responsibility for 
managing and monitoring the risks with  
the divisional boards.

The central risk team provides a simple risk 
management process aligned to business 
activities and supporting the development  
of a positive risk management culture. Our 
approach to risk management is a cultural, 
people driven process that encourages and 
focuses on prevention rather than reaction  
to failure.

54 

ITV plc   Annual Report and Accounts 2018

Risk management framework

 Risks and Uncertainties

Board
•  Sets strategic objectives.
•  Identifies and evaluates principal  

risks and uncertainties.

•  Sets our strategy on risk and establishes 

•  Continually monitors the risk management 

tolerance levels and risk appetite.

and internal control systems.

•  Ensures a robust and appropriate risk 
management framework is in place.

Management Board
Has responsibility for:
•  The development and operation of the risk management framework and the operation  

of our systems of internal control, including:
 – Risk identification and assessment and establishing controls and procedures to monitor  

and mitigate risks.

 – Assessment and review of financial controls, policies and procedures to ensure risks are  

identified and the processes and procedures are in accordance with and aligned to the strategy.
 – Reviewing and monitoring the effectiveness of internal controls and putting in place remedial 
plans where controls are weak or there are opportunities for improvement. Serious control 
weaknesses (if any) are reported to the Board and action taken as appropriate.

•  Routinely reviewing and challenging risks and mitigations, including relevant reports or other 

performance indicators.

•  Reviewing policies and processes to ensure they remain fit for purpose.
•  Identifying and reporting emerging risks.

Divisional Boards
Have responsibility for ensuring appropriate risk management within their business area including:
•  Routinely reviewing and challenging risks and mitigations, including relevant reports or other 

performance indicators.

•  Reviewing policies and processes to ensure they remain fit for purpose.
•  Monitoring the local implementation of key group policies and procedures.
•  Identifying and reporting emerging risks through the risk management framework.

Audit and Risk Committee
Has responsibility for:
•  Overseeing and advising the Board on risk 
exposures and future mitigation strategy.

•  Reviewing internal controls and  

their effectiveness.

•  Reviewing the effectiveness of  

the risk management framework.

•  Conducting in-depth reviews of  

high-risk business areas or processes.
•  Setting the internal audit plan to ensure 

key risks are covered in respect of 
providing assurance.

•  Reviewing internal audit actions  

and management responsiveness  
to the findings.

Details of risk reviews undertaken during 
the year are set out in the Audit and Risk 
Committee Report on page 80.

Three lines of defence

1  Business divisions
•  The business divisions own the 

management of their risks 
and are responsible for:
 – Identifying and reporting local risks.
 – Maintaining risk registers and business 
continuity plans where appropriate.

 – Reviewing and implementing 

mitigating actions and controls.

2  Group functions
•  Support the business divisions 

in managing risks.

•  Including Group Finance, Legal, 

Human Resources, Group Secretariat, 
Technology, Procurement, Health and  
Safety, Tax , Treasury and Insurance.

3  Internal audit
•  Internal Audit provides objective assurance 

as to the effectiveness of the Group’s 
systems of internal control and risk 
management, reporting to the Management 
Board, Divisional Boards and the Audit and 
Risk Committee.

•  The internal audit plan is driven from ITV’s 

risk management framework. Internal Audit 
reviews the auditable elements of the 
principal and operational risks and this 
review informs the areas and topics that 
Internal Audit focuses on. 

55

GovernanceFinancial StatementsAdditional informationStrategic ReportStrategic Report

Risks and Uncertainties
continued

Principal risks
Through our risk management framework the Divisional  
and Management Boards have reviewed our principal risks  
which have also been reviewed and approved by the Board.  
In presenting these risks below we have provided context  
of the risk, its link to our strategy along with detail on how we 
currently manage the risk and any further plans that we have.  
A number of the risks have been redefined since 2017 although  
the substance has not changed. One risk has been removed  
relating to a potential financial crisis in removing this,  
consideration has been given to the state of the financial  
markets along with our current business position. This will  
be kept under review given the potential impact of Brexit  
on credit availability and therefore our credit status.

Brexit – the Board continues to keep the potential 
implications of Brexit for ITV under review. Workstreams  
are in place across the business to identify, manage and 
mitigate risks across a range of the potential outcomes. 
Particular focus has been given to a no deal scenario as  
this could have an immediate impact across multiple  
business areas and on credit availability. Many of the risks 
pose operational challenges which could cumulatively  
have an impact on our business. The most significant  
risk associated with a no deal is the likely impact on the  
wider advertising market. 

Risk heat map

Low

h
g
H

i

t
c
a
p
m

I

w
o
L

Likelihood

High

3

4

12

6

1

5

2

9

8

11

7

10

1
A significant or unexpected 
change in legislation or 
regulation could lead to 
reduced income or  
operational impact.

2
A financial crisis or 
macroeconomic change  
could impact the value of 
pension scheme investments 
and increase the deficit.

3
A faster than expected shift 
towards non-linear viewing 
could lead to a sustained  
loss of viewing and/or  
a significant reduced demand 
for television advertising.

4
Advertisers could be impacted 
by general or sector economic 
uncertainty and/or voluntary 
advertiser category 
restrictions that could lead  
to a significant reduced 
demand for advertising.

5
A rapidly changing 
marketplace for content  
rights could result in us failing 
to identify or obtain optimal 
rights packages.

6
A failure to create, own  
and protect the rights to  
a sufficient number of hit 
programmes/formats  
across our portfolio of  
content companies. 

7
A failure to continue to evolve 
our organisational structure 
and culture could prevent us 
attracting or retaining key 
creative, commercial and 
management talent to  
deliver our strategy.

8
A major health and safety 
incident on an ITV production 
could result in a loss of human 
life or major injury. 

9
A failure to meet legal  
or publicly expected  
standards could result  
in severe reputational  
and brand impact.

Risks are evaluated taking into 
account management activity 
that is currently in place but 
not planned activity. Many  
of our principal risks have 
increased since 2017. Our 
strategy reflects the changing 
nature of our risk landscape 
and planned activity to deliver 
the strategy will provide 
significant mitigation against 
many of these risks.

10
A major failure in complex 
broadcast system chains could 
result in us being unable to 
continue broadcasting for  
a sustained period of time. 

11
A sustained cyber incident 
could result in system denial  
or loss of data.

12
Legacy technology systems 
could restrict our ability to 
respond to business changes 
and maintain system security. 

56 

ITV plc   Annual Report and Accounts 2018

 Risks and Uncertainties

More than TV

Risk direction (after current mitigations) 

1  Strengthen

Integrated producer broadcaster

Increased risk

2  Grow

UK and global production

3  Create

Direct to Consumer

Risk stayed the same

Reduced risk

Regulation and legislation

Risk ownership: Management Board 

Link to strategy 

1    2   3

Description

Context

How we currently and further plan to manage the risk 

Direction

1. A significant or unexpected 
change in legislation  
or regulation could lead  
to reduced income or 
operational impact.

•  We could be affected if there is a change  
in UK media regulation or legislation; for 
example, if there is a change in advertising 
restrictions in key categories.

•  We regularly communicate with appropriate 

groups, our legal panel and Ofcom to monitor 
potential policy, legal and regulatory 
developments.

•  We could be affected if there is a significant 
change in regulation or legislation in any of 
our key territories that impacts the way in 
which we are able to operate.

•  We put forward alternative actions to regulation 
where such regulation may have adverse impact 
on ITV.

•  We have regular dialogue with government 

•  The outcome of Brexit could lead to changes 

ministers in relevant departments.

in regulation or legislation which would 
impact how we interact with our businesses 
based in other EU countries.

•  We are monitoring closely the Brexit process and 
have plans in place to mitigate the risks in the 
event of a no deal Brexit.

Economic

Risk ownership: Management Board 

Link to strategy 

1    2   3

Description

Context

How we currently and further plan to manage the risk 

Direction

2. A financial crisis or 
macroeconomic change  
could impact the value  
of pension scheme 
investments and increase  
the deficit.

•  Macroeconomic changes could result  
in material movements in the Group’s  
defined benefit pension scheme.

•  A major change in investment values  
or in the discount rate affecting the  
value of liabilities could have a material 
impact on the net pension liability.

•  ITV may need to cover an increase in  

the deficit in such an event and update  
the schedule of contributions .

•  We have regular communication with the 

pension trustees.

•  The pension scheme’s assets are invested  
in a diversified portfolio, with a significant 
amount of the fund held in bonds.

•  We have worked with the pension trustees  
to limit the potential deficit by a series of 
asset-backed arrangements. This includes 
removing some mortality risk from the scheme 
with a longevity swap and hedging a portion  
of inflation and interest rate variability.

•  We have reduced some of our exposure through 

the ‘Buy In’ of two sections of the scheme.

57

GovernanceFinancial StatementsAdditional informationStrategic ReportStrategic Report

Risks and Uncertainties
continued

Advertising market

Risk ownership: Integrated Broadcast Board

Link to strategy 

1 

Description

Context

How we currently and further plan to manage the risk 

Direction

3. A faster than expected 
shift towards non-linear 
viewing could lead to  
a sustained loss of  
viewing and/or significant 
reduced demand for 
television advertising.

•  Content is now available across many 

different devices and platforms which  
is impacting consumer habits with viewers 
shifting from linear television and watching 
more content online.

•  Our strategy focuses on ITV being the pre-
eminent integrated producer broadcaster  
for viewers and brands in the UK.

•  We continue to develop both VOD and SVOD 
propositions as a key part of our strategy. 

•  By developing and managing the rights to 

content we will be able to maximise the value  
of our programme brands across a range of 
revenue streams. 

•  We continue to invest £1 billion annually in  

our programming budget to attract viewers, 
continuing to deliver share of viewing that 
attracts advertisers. 

•  Owning and producing content enables us  
to deliver unique advertising propositions  
and create innovative solutions.

Risk ownership: Integrated Broadcast Board

Link to strategy 

1 

4. Advertisers could be 
impacted by general or  
sector economic uncertainty 
and/or voluntary advertiser 
category restrictions  
that could lead to  
a significant reduced 
demand for advertising.

Content rights 

•  The current overall economic environment  
is uncertain which may impact demand  
for advertising.

•  The current position with Brexit is uncertain 

and could have an impact on the overall 
economic environment and impact demand 
for advertising.

•  There is significant economic uncertainty 
within some of our key advertiser sectors 
which could have a disproportionate effect 
on advertising.

•  Key sectors have opted to voluntarily  

restrict advertising.

•  Our strategy focuses on creating value for 

advertisers through delivering unique scale  
and breadth of demographics as well as more 
targeted opportunities and new innovative  
ways of engaging with consumers around  
quality brands.

•  We are developing our data strategy to support 

value creation for advertisers.

•  We work closely with advertisers to articulate 

the benefits of advertising on our media.

•  We regularly communicate with appropriate 

groups, our legal panel and Ofcom to monitor 
and influence potential policy, legal and 
regulatory developments.

Risk ownership: Integrated Broadcast Board

Link to strategy 

1    2

Description

Context

How we currently and further plan to manage the risk 

Direction

5. A rapidly changing 
marketplace for content 
rights could result in us  
failing to identify or obtain 
optimal rights packages.

•  The landscape for rights is increasingly 

complex due to the multiple ways in which 
content is broadcast.

•  We are developing the rights packages and 
content management processes to meet 
strategic requirements.

•   Our own rights requirements are  

•  By investing in creating and owning quality 

diversifying and changing to support  
the delivery of the strategy.

content we can ensure we have optimal rights 
packages and efficiently manage exploitation.

•  The increasing risk of global piracy of content 

could lead us to lose programme rights.

•  Our rights packages and content management 
processes are focused on both protecting and 
exploiting existing rights and ensuring that 
future rights generated accrue to us. 

58 

ITV plc   Annual Report and Accounts 2018

 Risks and Uncertainties

Generating hit programmes and formats

Risk ownership: Studios Board

Link to strategy 

2

Description

Context

How we currently and further plan to manage the risk 

Direction

6. A failure to create, own  
and protect the rights to  
a sufficient number of hit 
programmes/formats  
across our portfolio of 
content companies. 

For management of rights  
see risk 5.

•  ITV Studios has 50+ labels producing over 

8,900 hours of original content.

•  The competition for creative talent is 

increasing due to the demand for content 
across all platforms.

•  ITV Studios creates for over 200 channels or 
platforms globally that have varying rights 
ownership requirements.

People and culture

Risk ownership: Management Board

•  We maximise opportunities for ITV Studios  
to create successful shows by investing in  
the creative pipeline and focusing on 
programmes and genres that can return  
and travel internationally.

•  Our management approach is creatively led  

and commercially driven to promote an 
environment where creative ideas can  
be nurtured and developed. 

•  We are focused on hiring and retaining key 

creative talent.

•  We manage a proportion of the associated financial 
risk for high-end drama through deficit financing.

•  ITV Studios has built significant scale in key 

creative markets around the world creating  
and producing programmes and formats that 
return and travel.

Link to strategy 

1    2   3

Description

Context

How we currently and further plan to manage the risk 

Direction

7. A failure to continue to 
evolve our organisational 
structure and culture could 
prevent us attracting or 
retaining key creative, 
commercial and management 
talent to deliver our strategy.

Risk ownership: Management Board

8. A major health and safety 
incident on an ITV or ITV 
Studios production could 
result in a loss of human life 
or major injury.

For more information on  
health and safety 
managements see page 115.

•  Employing and retaining the best creative, 
commercial and management talent is key 
to our success.

•  We are strengthening specific teams to deliver 

our strategy through key talent, building 
expertise and market knowledge. 

•  The market for talent is competitive 
especially for those with experience  
in key strategic areas.

•  We need to ensure engagement across the 
business with our More than TV strategy.

•  We need to ensure a culture of creative 

autonomy within ITV Studios.

•  We foster both a commercial and 

entrepreneurial culture that is creatively  
led and commercially driven to attract  
and retain key creative talent.

•  We have a developed network of employee 
Ambassadors to ensure communication  
across the business.

•  We have succession plans in place which include 

nominated deputies. 

•  Employee engagement is critical and we will 

undertake a survey in 2019. 

Link to strategy 

1    2   3

•  As ITV Studios expands there is an increase  

•  We have a central health and safety risk 

in the number of production hours and 
increased potential to produce certain  
types of programming that have higher 
inherent risks.

•  ITV is closely associated with all content  
we broadcast including that produced by 
independent production companies. 

management team to support the business, 
developing and implementing our health  
and safety management system.

•  The central health and safety risk management 
team work with ITV Broadcast to ensure there is 
a process for vetting content suppliers to ensure 
they have appropriate health and safety 
management in place. 

59

GovernanceFinancial StatementsAdditional informationStrategic ReportStrategic Report

Risks and Uncertainties
continued

Brand

Risk ownership: Management Board

Link to strategy 

1    2   3

Description

Context

How we currently and further plan to manage the risk 

Direction

9. A failure to meet legal  
or publicly expected 
standards could result  
in severe reputational  
and brand impact.

•  We operate in a public environment and are 
exposed to a high degree of media interest.

•  Our in house programme compliance 

department advises all producers and  
reviews all pre-recorded editorial content  
before broadcast.

•  We proactively manage our broadcast chain 
partners and suppliers to minimise the risk  
of incidents and regulatory breaches. 

•  Our risk management framework supports a 

culture of encouraging everyone to raise concerns. 

•  We have a crisis management policy and process 

in place and are continuing to increase the 
emphasis on its development and application. 

Broadcast infrastructure

Risk ownership: Management Board

Link to strategy 

1 

Description

Context

How we currently and further plan to manage the risk 

Direction

10. A major failure in  
complex broadcast system 
chains could result in us  
being unable to continue 
broadcasting for a sustained 
period of time.

•  Our broadcast technology chain is complex 
because it operates in multiple regions and 
links to many platforms.

•  We continually review and monitor the 
broadcast operations risks through our 
management and reporting processes.

•  As we broadcast content across an increasing 
number of platforms the infrastructure to 
deliver and broadcast this content becomes 
increasingly complex.

•  We have detailed business continuity and 
recovery plans in place to deliver a rapid  
and flexible response to an incident.

•  We conduct major incident scenario testing at 
least annually and ahead of major live events. 

•  We proactively manage our broadcast chain 
partners and suppliers to ensure the risk of 
incidents is minimised.

60 

ITV plc   Annual Report and Accounts 2018

 Risks and Uncertainties

Cyber security and data protection

Risk ownership: Management Board

Link to strategy 

1    2   3

Description

Context

How we currently and further plan to manage the risk 

Direction

11. A sustained cyber incident 
could result in system denial 
or loss of data.

•  We consider cyber security an increasing risk 

•  We work with specialist security organisations  

as our business develops new revenue 
streams and direct to consumer propositions.

to implement 24/7 monitoring of our  
network traffic.

•  With increasingly sophisticated technology 
and proliferation of cyber hacking tools, 
along with increased amounts of company 
data, the risk of a cyber attack has increased 
across the world.

•  We are a higher risk organisation as a result  
of being a media company and operating in  
a public environment.

•  There is a growing volume of software and 
hardware vulnerabilities being identified by 
technology providers in their own products.

•  We conduct regular cyber simulation exercises 
(including with the Management Board) and 
phishing exercises. Key learnings are reflected  
in our response plans.

•  We have enhanced our risk assessment process 
for third party security as our cyber risk extends 
to our supply chain. 

•  We have disaster recovery and incident 

management plans in place for high risk  
areas of the business. 

Technology resilience

Risk ownership: Management Board

Link to strategy 

1    2   3

Description

Context

How we currently and further plan to manage the risk 

Direction

12. Legacy technology 
systems could restrict  
our ability to respond to 
business changes and 
maintain system security.

•  Our system requirements change as  

we continue to rebalance the business,  
grow new revenue streams and become 
increasingly international.

•  The pace of technological change outstrips 
our capacity to respond and migrate off 
legacy systems.

•  Maintaining the security and performance  

of legacy systems requires ongoing resources 
and investment.

•  Our system requirements are kept under review 
with business growth and system modernisation 
projects implemented as appropriate.

•  We have a modernisation plan in place for legacy 
systems, which remains under constant review 
and development to ensure technology systems 
meet the needs of the business. 

61

GovernanceFinancial StatementsAdditional informationStrategic ReportStrategic Report

Risks and Uncertainties
continued

Viability Statement

What is the process ITV follows?
At the annual strategy meeting the Board assesses ITV’s prospects and risks. Amongst other topics, 
the Board reviews the five year financial plan, which is based on our strategic priorities. In 2018,  
we undertook a strategy refresh to highlight the opportunities for ITV and also the challenges  
we need to address. Pages 24 to 27 of the Annual Report provide detail of ITV’s prospects in the 
Strategy and Business Model sections.

What is the assessment period for viability?
In its assessment of viability, the Board reviewed the planning horizon and is of the view that  
a three year period to 31 December 2021 continues to be most appropriate. The factors the  
Board considered in adopting this timeframe were as follows:

•  Visibility over ITV’s broadcast advertising business is relatively short term, as advertising remains 
cyclical and closely linked to the UK economic growth impacted by Brexit and the uncertain UK 
macroeconomic climate 

•  The commissioning process and life cycle of programming gives the Studios division more  

medium term outlook. However, while non-returning brands are replaced with new commissions, 
over time there is less visibility as programmes can experience changes in viewer demand or come 
to a natural expiration

•  Technology in the media industry continues to change the demand for content and also how  

it is consumed

•  Pension funding, which is one of ITV’s key funding obligations, is also agreed triennially with  

• 

the Trustees of the pension scheme 
ITV’s business model does not necessitate investment in large capital projects that would  
require a longer-term horizon assessment or returns

Assessment of viability
When considering the longer term viability of ITV, the Board robustly reviewed each of ITV’s  
Principal risks and, taking into account current operational and financial performance, has in 
particular analysed the impact of following hypothetical scenarios: 

Scenario modelled

Link to Principal risks (pages 57 to 61)

Scenario 1:
The Broadcast division experiencing a significant 
downturn, based on the 2008/09 financial crisis, 
with advertising revenues declining sharply for 
two years followed by a year of flat revenue. 

Advertising Market: 4) Advertisers could  
be impacted by general or sector economic 
uncertainty and/or voluntary advertiser 
category restrictions that could lead to  
a significant reduced demand for advertising.

Scenario 2:
A number of key programme brands within the 
Studios division are not recommissioned. The 
scheduling decisions of commissioners are made 
in advance, so we have clear sight on 2019, however 
key shows could come to an end at the same time 
in 2020 impacting a quarter of the division’s profits.

Scenario 3:
A significant change in ITV’s pension funding 
obligations, following the triennial valuation in 
2020 resulting in doubling of the current deficit 
funding payments.

Regulation & Legislation: 1) A significant  
or unexpected change in legislation or 
regulation could lead to reduced income  
or operational impact. 

Generating hit programmes and formats:  
6) A failure to create, own and protect the rights 
to a sufficient number of hit programmes/formats 
across our portfolio of content companies.

Economic: 2) A financial crisis or macroeconomic 
change could impact the value of pension 
scheme investments and increase the deficit.

Regulation & Legislation: 1) A significant  
or unexpected change in legislation or 
regulation could lead to reduced income  
or operational impact. 

62 

ITV plc   Annual Report and Accounts 2018

 Risks and Uncertainties

The sale of the London Television Centre has been included in the models. It is expected that a sale 
takes place in 2019 and the Board will continue to monitor the impact of the project as it progresses.

The viability review involved flexing the underlying strategic forecast for the above impacts, both 
individually and concurrently, and no specific mitigations were assumed. The underlying strategic 
forecast assumed: business as usual capital spending; the ongoing availability of the financing 
facilities (as ITV remains within the covenants and there are no major bond repayments due in this 
period); and the Group maintains the stated dividend policy. The current bank facilities are secured 
until June 2021 and December 2023. Our model assumed both facilities will be available for the full 
period under review. 

The scenarios used are hypothetical and severe but plausible and are considered appropriate  
to model risks that could impact the viability of the Group. In addition, there are options at  
the disposal of the Board to maintain liquidity and continue operations in the event of any  
of the scenarios arising, such as reducing M&A activity and non-essential capital expenditure  
as well as reviewing the Group’s dividend policy.

Viability statement
Based on the results of this review, the Board has a reasonable expectation that ITV will be able  
to continue in operation and meet its liabilities as they fall due over the three year period ending  
31 December 2021. The assessment has been made with reference to ITV’s strategy and the  
current position and prospects.

The Strategic Report was approved by the Board and signed on its behalf by:

Carolyn McCall
Chief Executive
27 February 2019

63

GovernanceFinancial StatementsAdditional informationStrategic ReportGovernance

Chairman’s Governance Statement

Sir Peter Bazalgette
Chairman

In the Governance section
This section of the Annual Report 
contains a statement from our 
Chairman and information about  
the Directors and Management 
Board. It explains our governance 
structure, approach to corporate 
governance and the work of the 
Nomination Committee. It includes 
reports from the Audit and Risk,  
and Remuneration Committees,  
and the Directors’ Report.

During 2019 we will  
be focusing on how the 
Board engages with and 
assesses stakeholder 
engagement and the 
culture at all levels 
across the Group.

Dear Shareholder

I am pleased to present our Corporate 
Governance Report for 2018. The report 
provides you with an insight into how 
the Board operates and evaluates its 
effectiveness. In addition, it summarises  
our activities during the year and provides 
information on how we comply with the 
principles of the 2016 UK Corporate 
Governance Code (the Code). 

Board effectiveness
Following the publication of the 2018 UK 
Corporate Governance Code (the 2018 Code) 
we have reviewed compliance and will 
ensure that appropriate refinements to  
our processes are made. The Board is fully 
engaged with these matters and committed 
to ensuring we remain an effective and 
entrepreneurial group and continue to meet 
our obligations under Section 172 of the 
Companies Act 2006 to ensure we promote 
the success of the Company for the benefit 
of shareholders but also with regard to the 
interests of all our stakeholders. 

We believe that a comprehensive induction 
programme is important for all of our  
new Board members as well as a process  
for evaluation for the Board to assess its 
effectiveness. Full details of our evaluation 
and induction processes in the year and 
a summary of the evaluation outcomes  
and actions are set out on page 76.

Board succession
This year has seen a change in Board 
membership, which builds on our already 
diverse Board and brings additional 
experience, ensuring there is an appropriate 
balance of skills and knowledge as the 
business evolves. The current Board 
consists of a strong team with a wide  
range of experience across various 
industries and territories.

Following the departure of Adam Crozier, 
Carolyn McCall joined us as Chief Executive 
in January 2018. Following the decision by 
Ian Griffiths to step down from the Board 
at the end of 2018, Chris Kennedy joined 
us as Group CFO in February this year. 

64 

ITV plc   Annual Report and Accounts 2018

Our stakeholders, 
particularly our 
employees, are very 
important to us and 
we remain committed 
to maintaining 
regular open dialogue 
and effective 
communication 
with them.

 Chairman’s Governance Statement

John Ormerod and Andy Haste stepped 
down from the Board in May 2018 at which 
point Margaret Ewing became Chair of the 
Audit and Risk Committee having served  
as a member of the Committee from 
October 2017. During the year we undertook 
a process to replace John and Andy and 
were pleased that Duncan Painter and 
Edward Bonham Carter agreed to join  
as Non-executive Directors in May and 
October 2018 respectively. Edward is  
also our Senior Independent Director.

•  Provision B.7.1 – Independence –John 
Ormerod had served on the Board for 
more than nine years before he stepped 
down in May 2018.

• 

 Provision A.2.1 – Separation of Chairman 
and CEO – Following Adam Crozier’s 
departure, I was Executive Chairman for  
a six-month period until Carolyn McCall 
joined the business in January 2018.

Further information on corporate 
governance can be found on our website.

Directors’ other commitments are kept under 
review to ensure that they have sufficient 
time to dedicate to our business. Details of 
appointment dates and length of tenure for 
each director can be found on page 71 and 
details of other commitments can be found 
on pages 66 and 67.

Stakeholder engagement
Our stakeholders, particularly our colleagues, 
are very important to us and we remain 
committed to maintaining regular open 
dialogue and effective communication  
with them. Continued engagement is highly 
beneficial to all parties as it helps to build  
a greater understanding of their views, 
opinions and concerns and enables ITV to 
respond accordingly. We have a group of 
Ambassadors in place across the business  
to assist with colleague engagement and 
our Senior Independent Director, Edward 
Bonham Carter, will act as a conduit for  
the Board by regularly attending meetings 
and engaging with this group. Further 
information on how we engage with all of 
our stakeholders can be found on page 78.

During 2019, we will be focusing on how 
the Board engages with and assesses 
stakeholder engagement and responds 
to stakeholder feedback and assesses 
the culture at all levels across the Group.

Compliance with the Code
ITV is required to report on how it has 
complied with the principles of governance 
set out in the Code. The Board considers 
that during 2018 the Company has  
complied with the provisions of the  
Code but notes the following:

www.itvplc.com/investors/governance

A copy of the Code and the 2018 Code are 
available on the FRC website.

www.frc.org.uk/Our-Work/Codes-
Standards/Corporate-governance

Looking ahead
Throughout 2018, we have been developing 
our strategy which we presented to the 
market in July with further information at 
our Capital Markets Day in September 2018. 
2018 was a challenging year economically 
and politically and this is expected to 
continue into 2019 but we are in a strong 
position, supported by an effective Board,  
to face the challenges ahead particularly in 
a competitive and rapidly changing industry. 

I look forward to working with the Board 
and the senior executive team in 2019  
as we continue to develop and implement 
our More than TV strategy. More 
information on our Board programme  
for 2019 is set out on page 73.

Sir Peter Bazalgette
Chairman
27 February 2019

65

Strategic ReportFinancial StatementsAdditional informationGovernanceGovernance

Board of Directors

Carolyn McCall
Chief Executive 

Sir Peter Bazalgette
Chairman 

N   R
Appointed: June 2013  
Key areas of prior experience: Media  
consultant, digital media investor and  
former television producer. 
Current external appointments: Chairman, 
Lovecraft Collective Ltd and Non-executive 
Director of UK Research and Innovation;  
Member of Advisory Board for YouGov plc  
and Bartle Bogle Hegarty. 
Previous experience: President, the Royal 
Television Society; Chairman, the Arts Council 
of England, ENo and Endemol UK Ltd; Non-
executive Director of Nutopia, Rightster, DCMS, 
Critical Information Group plc and Channel Four 
Television Corp; Senior Non-executive Director 
and Chairman of the Remuneration Committee 
and member of the Audit and Risk Committee of 
YouGov plc; Non-executive Director and Chairman 
of Mirriad Ltd; Trustee of DebateMate; Deputy 
Chairman and Director of the National Film  
and Television School; Adviser to Sony Music’s 
television division; Chairman of the UK production 
business of Sony Pictures Television Inc.; Chief 
Creative Officer at Endemol Group BV and 
Endemol Entertainment UK Limited; Non-
executive Director and adviser, Base 79 Ltd.

G  
Appointed: January 2018 
Key areas of prior experience: Strategy  
and change management, media, retail and 
airline industries. 
Current external appointments: Non-executive 
Director and member of the Audit and 
Nominations committees, Burberry Group plc; 
Non-executive director, Department of Business, 
Energy and Industrial Strategy; Trustee of the 
Development Board of the Royal Academy of Arts. 
Previous experience: Chief Executive easyJet plc, 
Guardian Media Group plc and Guardian News  
and Media; Non-executive Director of Lloyds TSB 
Limited, Tesco plc, New Look plc; Director of 
French Chamber of Commerce; Chair,  
Opportunity Now. 

Committee membership
G   General Purpose 

A   Audit and Risk

N   Nomination

R   Remuneration

Full biographies can be found on our website:  
www.itvplc.com/about/board-of-directors

Terms of engagement for the Non-executive 
Directors and job descriptions for the Chairman, 
Chief Executive and Senior Independent Director 
are available on our website: 
www.itvplc.com/investors/governance

Chris Kennedy
Group CFO

G

Appointed: February 2019  
Key areas of prior experience: Corporate finance 
and financial restructuring, media. 
Current external appointments: Non-executive 
Director, Whitbread plc; Director of Great Ormond 
Street Hospital for Children NHS Foundation Trust. 
Previous experience: Chief Financial Officer, 
Micro Focus International plc, Arm Holdings  
and easyJet plc. Various senior management roles 
at EMI Music including UK Chief Financial Officer, 
Chief Operating Officer International, Group  
CFO and Chief Investment Officer.

Margaret Ewing
Non-executive Director, Chair of the Audit and 
Risk Committee 
N   A  
Appointed: October 2017 
Key areas of prior experience: Financial 
accounting, corporate finance, strategic  
and capital planning. 
Current external appointments: Non-executive 
Director and member of the Audit and Risk 
Committee and Corporate Responsibility 
Committee of ConvaTec Group plc; Trustee  
of the Board, Great Ormond Street Hospital 
Children’s Charity. 
Previous experience: External member of the 
Audit and Risk Committees, The Lawn Tennis 
Association and John Lewis Partnership; 
Non-executive Director and member of Audit 
Committees of Standard Chartered plc, 
Whitbread plc and CBI; Managing Partner and  
Vice Chairman, Deloitte LLP; Chief Financial Officer, 
BAA plc and Trinity Mirror plc; Head of Corporate 
Finance Transaction Services and Senior Manager 
and Partner in corporate finance, Deloitte LLP. 

Carolyn McCall

Sir Peter Bazalgette

Chris Kennedy

Margaret Ewing

Edward Bonham Carter

66 

ITV plc   Annual Report and Accounts 2018

 Board of Directors

Edward Bonham Carter
Senior Independent Director 
N   A  
Appointed: October 2018 
Key areas of prior experience: Fund management, 
stock markets and investor relations. 
Current external appointments: Vice Chairman, 
Jupiter Fund Management plc; Senior Independent 
Director, Land Securities Group plc; Board member, 
The Investor Forum; Trustee, The Orchestra of Age 
Enlightenment Trust and The Esmee Fairbairn 
Foundation; Member of the Strategic Advisory 
Board, Livingbridge; Non-executive Director, 
Netwealth Investments Ltd.  
Previous experience: Group Chief Executive, 
Jupiter Fund Management plc; Chief Investment 
Officer, Jupiter Fund Management plc; Fund 
Manager, Jupiter Fund Management and Electra 
Investment Trust; Investment Analyst, Schroders. 

Salman Amin 
Non-executive Director

N   R
Appointed: January 2017 
Key areas of prior experience: General 
management, marketing, advertising and  
media planning. 
Current external appointments: Chief  
Executive Officer, Pladis Global. 
Previous experience: Strategic Advisor, 
4C Insights; Chief Operating Officer, Global 
Commercial Division and Chief Operating  
Officer, North America SC Johnson and Son Inc; 
various positions at Pepsico including: Chief 
Marketing Officer, Purchase; President,  
PepsiCo UK and Ireland; Senior VP Marketing, 
Purchase and Snacks and GM, Quaker; VP 
Marketing, International Snacks; VP Marketing, 
International Beverages; other marketing and 
various positions within brand management, 
personal care, paper products and food in  
the US, Saudi Arabia, Germany and Switzerland  
at Procter & Gamble.

Duncan Painter
Non-executive Director 

N   R
Appointed: May 2018  
Key areas of prior experience: Digital media, 
consumer intelligence.  
Current external appointments: Chief  
Executive Officer, Ascential plc; Non-executive 
Director, Investis Limited. 
Previous experience: Executive at BskyB plc, 
Global Product Leader, Experian plc; Founder  
and Chief Executive Officer, Clarityblue,  
European Systems Integration Director,  
Hitachi Data Systems.

Mary Harris
Non-executive Director, Chair of the 
Remuneration Committee 
N   A   R
Appointed: July 2014 
Key areas of prior experience: Business 
management consulting, sales and marketing, 
mergers and acquisitions, media, television  
and interactive media investments and digital 
rights management. 
Current external appointments: Non-executive 
Director and Chairman of the Remuneration 
Committee, Reckitt Benckiser Group PLC; Member 
of the supervisory board of Unibail Rodamco SE; 
Member of Remuneration Committee, St Hilda’s 
College, Oxford University. 
Previous experience: Non-executive Director 
and Chair of the Remuneration Committee of 
J. Sainsbury plc; Member of the supervisory  
board, TNT Express NV, TNT NV, Scotch and  
Soda NV and Irdeto BV; Partner, McKinsey  
& Company, Amsterdam; various positions 
worldwide with McKinsey & Company, Maxwell 
Entertainment Group, Pepsi Cola Beverages  
and Goldman Sachs & Co. 

Anna Manz
Non-executive Director 
N   A   R
Appointed: February 2016 
Key areas of prior experience: Strategy  
and finance and financial planning. 
Current external appointments: Group  
Finance Director, Johnson Matthey plc. 
Previous experience: Various appointments  
at Diageo plc including: Group Strategy Director, 
Regional Finance Director Asia Pacific, Group 
Treasurer, Finance Director Global Marketing, 
Sales and Innovation; other finance roles at 
Quest International, Unilever and ICI. 

Roger Faxon
Non-executive Director 

N   R
Appointed: October 2012 
Key areas of prior experience: Broad commercial, 
digital and media rights experience, development 
of business strategy and finance. 
Current external appointments: Chairman, 
Mirriad Advertising Ltd; Director, The John  
Hopkins University. 
Previous experience: Non-executive Director, 
Pandora Media Inc; Director, EMI Group Global 
Limited and EMI Group plc; Chief Executive Officer 
of EMI Group Limited; Chairman and CEO of EMI 
Music Publishing; Director, the Songwriters Hall 
of Fame; other appointments at the American 
Society of Composers and Authors and Lancit 
Media Entertainment Ltd in the US; Chairman 
of VIVA Television in Germany and Channel V 
Networks in Asia.

Salman Amin

Duncan Painter

Mary Harris

Anna Manz

Roger Faxon

67

Strategic ReportFinancial StatementsAdditional informationGovernanceGovernance

Management Board

Julian Bellamy 
Managing Director, ITV Studios
Appointed: February 2016
Experience: Julian joined ITV in 2014 as  
Managing Director of ITV Studios in the UK  
and was promoted to Managing Director of  
ITV Studios in February 2016. Julian’s previous 
roles included Creative Director and Head  
of Commissioning at Discovery Networks 
International, Head of Programming at  
Channel 4 and prior to that he ran BBC3  
and E4. He also spent time as Channel 4’s  
Head of Factual Entertainment and was  
a commissioning editor of Channel 4 News  
and Current Affairs. 

David Osborn 
Group HR Director
Appointed: October 2014
Experience: David joined ITV as the HR Director 
for ITV Studios in 2011 and was promoted  
to Group HR Director and appointed to  
the Management Board in 2014. David has  
gained previous experience in both the UK  
and internationally whilst working in a variety  
of businesses including EMI Music, Vodafone, 
Visa Europe and Marks and Spencer. 

Carolyn McCall
Chief Executive
Appointed: January 2018
Experience: Biography on page 66.

Chris Kennedy 
Group CFO
Appointed: February 2019
Experience: Biography on page 66.

Kelly Williams 
Managing Director, Commercial
Appointed: December 2014
Experience: Kelly joined ITV in 2011 as Group 
Commercial Director and joined the Management 
Board in December 2014. He is also Chairman of 
Thinkbox, sits on the BARB Strategy board and  
is Vice Chairman of the Advertising Association. 
Before joining ITV, Kelly was the Sales Director  
at Channel 5 and prior to that held various 
positions at UKTV, Sky and Thames Television.

Kevin Lygo 
Director of Television
Appointed: August 2010
Experience: Kevin joined ITV as Managing  
Director of ITV Studios in 2010 and became 
Director of Television in February 2016. Kevin’s 
previous roles included Director of Television  
and Content at Channel 4, Director of 
Programmes at Channel 5 and a number  
of positions at the BBC, including Head of 
Independent Commissioning for Entertainment.

Rufus Radcliffe
Group Marketing and Research Director
Appointed: April 2017
Experience: Rufus joined ITV in 2011 and was 
promoted to the Management Board in 2017.  
He also sits on the Freeview Board and is  
a Fellow of the Marketing Society. Before  
joining ITV, Rufus spent ten years at Channel 4,  
and prior to that held various positions at  
McCann Erickson and JWT. 

Julian Bellamy

David Osborn

Carolyn McCall

Kevin Lygo

Rufus Radcliffe

Chris Kennedy

68 

ITV plc   Annual Report and Accounts 2018

 Management Board

Julian Ashworth
Director of Strategy and Direct to Consumer
Appointed: February 2018
Experience: Julian joined ITV in 2018 to lead  
the strategy review and development of the 
Direct to Consumer business. Before joining ITV, 
Julian was Global Director of Policy Strategy at 
BT and prior to that held various strategy and 
business development and commercial roles  
at RELX plc, Centrica plc and Bain & Company.  
He has also served as a member of the UK 
Government’s Digital Economy Council, a board 
member of TECHUK, the British Screen Advisory 
Council, the Royal Taskforce against cyberbullying 
and as a member of the UK Council for Child 
Internet Safety.

Mark Smith
Group Chief Technology Officer
Appointed: September 2018
Experience: Mark joined ITV in 2011 as a member 
of the technology management team and was 
promoted to Chief Technology Officer in 2015, 
before taking on the Group Chief Technology 
Officer role in 2018. Prior to joining ITV Mark  
held senior technology positions at the BBC,  
BBC Worldwide and Sky. Over the past 15 years 
Mark has specialised in digital transformation  
and has led the design, build and delivery of 
industry leading VOD platforms. Mark started  
his career as a software engineer at BT.

Kyla Mullins
General Counsel and Company Secretary 
Appointed: January 2019
Experience: Kyla joined ITV in January 2019 as 
General Counsel and Company Secretary. Before 
joining ITV, Kyla held senior legal positions in the 
media, entertainment and strategic outsourcing 
sectors. Kyla was General Counsel and Company 
Secretary at easyJet plc and Mitie Group plc; 
Global General Counsel of EMI Music; and Group 
Legal Director at ITV plc and Granada Media.

Paul Moore
Group Communications and Corporate  
Affairs Director
Appointed: June 2018
Experience: Paul joined ITV in 2018 as Group 
Communications and Corporate Affairs Director. 
Before joining ITV, Paul was the Communications 
and Public Affairs Director at easyJet plc from 
2010 and prior to this worked for FirstGroup 
and also Virgin Atlantic Airways for ten years 
as Director of Corporate Affairs. Paul first started 
his career as a civil servant and worked for the 
Department of Transport. 

Kelly Williams

Julian Ashworth

Mark Smith

Kyla Mullins

Paul Moore

69

Strategic ReportFinancial StatementsAdditional informationGovernanceGovernance

Corporate Governance

Our Governance structure

Board

Audit and Risk Committee
See the Audit and Risk Committee Report 
on page 80.

Remuneration Committee
See the Remuneration Report on page 92.

General Purpose Committee
Executive Directors
Meets as required to conduct business within 
clearly defined limits set by the Board.

Disclosure Committee
Group CFO and other senior managers 
Meets to ensure compliance with the 
continuing obligations under the Market 
Abuse Regulation (MAR) and Disclosure 
Guidance and Transparency Rules (DTRs).

Tax and Treasury Committee
Group CFO and other senior managers 
Meets to consider and approve tax and 
treasury related matters in respect of 
corporate transactions or other activities. 
Monitors compliance with tax and treasury 
related policies and procedures.

Nomination Committee
Chairman and Non-executive Directors
Meets to review the structure, size, and 
composition of the Board, including skills, 
knowledge and experience. Identifies and 
nominates for Board approval candidates 
to fill Board vacancies, and considers 
succession planning for Directors and other 
Senior Executives. Considers and reviews 
any conflicts of interest that may be 
reported by the Directors.

Matters reserved for the Board and Committee 
terms of reference are available on our website:

www.itvplc.com/investors/governance

Management Board
Meets to consider, approve and implement strategy, operational plans, policies, procedures and budgets; monitors operating and financial 
performance; assesses and manages risk; prioritises and allocates resources; monitors competitive forces and HR issues.

Studios Board
Meets to consider and 
approve operational matters. 
Assesses and manages risk  
as well as aspects mentioned 
above for the Management 
Board but in relation to the 
Studios business.

Integrated Broadcast 
Board
Meets to consider and 
approve operational matters. 
Assesses and manages risk  
as well as aspects mentioned 
above for the Management 
Board but in relation to the 
Integrated Broadcast business.

Business Resilience 
Response Team
The tactical response team  
in the event of an incident, 
supporting the Management 
Board in dealing with  
a crisis. Develops business 
area response plans,  
testing programmes and 
incident reporting. 

Corporate 
Responsibility Board
Manages the direction  
and delivery of ITV’s 
Corporate Responsibility 
Strategy including in relation 
to diversity and inclusion, 
environment, communities 
and social causes (see  
page 16). 

Programme Compliance 
Advisory Group
Manages and considers  
issues and risks in relation  
to programme compliance 
and regulation.

Direct to Consumer 
Operational Committee
Assists in assuring the 
successful expansion of ITV’s 
Direct to Consumer business.

70 

ITV plc   Annual Report and Accounts 2018

 Corporate Governance

Board experience

Sector experience

International experience

 Media  

 Retail  

 Investment  

  Finance  

 Digital 

26%

33% 

10%

19%

12%

United Kingdom

United States

Netherlands

Saudi Arabia

Germany

Ireland

Switzerland

Southeast Asia

China

Board tenure  
(as at date of publication)

Board gender diversity  
(as at date of publication)

 0–2 years  

 2–5 years  

 5–9 years 

40%

60%

Board and Committee membership and attendance
Board and Committee membership and attendance at scheduled meetings in 2018 is set out below. 

Status

Notes

Date of appointment
to the Board

Date elected by
shareholders 

Board

Nomination
 Committee

Remuneration 
Committee

Audit and Risk 
Committee

Attendance at meetings

Current 
Peter Bazalgette
Salman Amin
Edward Bonham Carter
Margaret Ewing
Roger Faxon
Mary Harris
Anna Manz 
Carolyn McCall
Duncan Painter

Chairman 
Independent 
Independent SID
Independent
Independent
Independent
Independent 
Executive
Independent

1
2

3
4

1 June 2013
9 January 2017
11 October 2018
31 October 2017
31 October 2012
28 July 2014
1 February 2016
8 January 2018
1 May 2018

14 May 2014 
10 May 2017
–
10 May 2018
15 May 2013
14 May 2015 
12 May 2016
10 May 2018
–

10/10
10/10
2/2
10/10
10/10
10/10
10/10
10/10
6/6

1/1
1/1
1/1
1/1
1/1
1/1
1/1
–
1/1

7/7
4/4
–
–
6/7
7/7
7/7
–
–

–
–
–
5/5
–
5/5
5/5
–
–

1.  Peter Bazalgette acted as Executive Chairman from 1 July 2017 until 8 January 2018.
2.  Salman Amin was appointed to the Remuneration Committee on 1 June 2018. 
3.  Roger Faxon was unable to attend the Remuneration Committee in July due to a prior commitment.
4.  Mary Harris was appointed Interim Senior Independent Director on 10 May 2018 until Edward Bonham Carter’s appointment on 11 October 2018.

Past
Ian Griffiths 
Andy Haste
John Ormerod

Status

Executive
Independent 
Independent

Date of appointment 
to the Board

Date left 
the Board 

Board

Nomination
 Committee

Remuneration 
Committee

Audit and Risk 
Committee

Attendance at meetings

9 September 2008 31 December2018 10/10
4/4
4/4

11 August 2008
18 January 2008

   10 May 2018
10 May 2018

–
–
–

–
–
3/3

–
2/2
2/2

Board and Committee meetings
The number of meetings held during the 
year and attendance of Directors is set  
out in the table above. The Board agrees  
an annual schedule of matters it wishes  
to consider at each of its meetings and 
those of its Committees. The schedule 
ensures that all relevant matters are 
considered and receive appropriate 
attention. Meetings are normally held  
at one of the London sites or one of  
the regional or international offices. 

Board meetings are structured around the 
following areas:

•  Operational and functional updates
•  Financial updates
•  Strategy and strategy implementation
•  Progress against strategy 
•  Business plan and performance 

against plan

•  Risk management framework, key risk 

areas and risk appetite

•  Other reporting and items for approval

Senior executives are regularly invited  
to attend meetings for specific items. In 
addition to formal Board and Committee 
meetings, meetings take place between:

•  Board members and Management 

Board members

•  Chairman and Non-executive Directors
Individual Non-executive Directors and 
• 
members of senior management
•  Senior Independent Director and 

Non-executive Directors (without  
the Chairman present)

71

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Corporate Governance
continued

Key matters considered in 2018

2018 activity

Link to principal risks

Strategy refresh

Strategy day – considered and set refreshed strategy as announced to the market  
in July 2018 and at the Capital Markets Day in September 2018.

Principal risks are set 
out on pages 56 to 61

Succession planning and organisational design – reviewed proposals to reorganise 
resource more efficiently and effectively to enable delivery of the strategy.

Strengthen
Integrated Producer 
Broadcaster

360 recommissioning process – reviewed the process to provide visibility over the total 
valuation of each production to ensure appropriate investment decisions.

Principal risks 5 and 6

Branding and Hub investment – reviewed and approved investment for enhanced  
and improved branding and marketing.

Principal risk 3  

Commercial – reviewed reorganisation of the Commercial team to ensure resource  
was focused on creativity and building relationships.

Principal risk 7  

Grow
UK and global 
production

Create
Direct to Consumer

Reviewed priorities and future improvement plans including leveraging the producer/
broadcaster model to create joint initiatives.

Principal risks 5 and 6

Reviewed proposals to improve structure, direction and integration of acquired businesses.

Principal risk 6 

Team – reviewed proposals for the creation of the Direct to Consumer team.

Principal risk 3  

Business plan – reviewed and approved business plan.

SVOD proposition business plan – reviewed progress on developing SVOD strategy  
and research and considered risks and challenges.

Principal risk 3  

Data and analytics – reviewed plans for enhancing data analytics. A more in-depth data 
strategy will be considered in 2019.

Principal risk 4  

Other

Brexit and regulation – reviewed key policy and regulatory issues, including Brexit, 
Digital Services Tax and advertising restrictions. This will be kept under review together 
with other issues that could have potential long-term impact on the business.

Principal risk 1  

Pensions – reviewed and approved ‘Buy In’ of sections B and C to mitigate future risk.

Principal risk 2  

Property portfolio – reviewed the strategy for the London properties. The Board 
concluded that it was not in the best interests of the Company to continue with  
the proposed development plan and a decision to sell the Southbank site was made.

For further information on risks please see pages 56 to 61 of the Strategic Report and the Audit and Risk Committee Report pages 80 to 91.

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 Corporate Governance

Focus for 2019

Strategy and operations

Governance

Strategy implementation progress

2018 UK Corporate Governance Code compliance

Deep dives on strategic initiatives

Data strategy

Brexit and Regulation

Total viewing and Direct to Consumer

Total advertising

Culture

Stakeholders

Succession planning
The Board recognises that effective succession planning is key to the Company’s ability to achieve its strategic objectives and is also 
integral to maintaining an effective Board. The Board has in place a framework which the Nomination Committee keeps under review  
to ensure that:

•  The Board is refreshed appropriately in order to encourage new ideas;
•  There is a diverse Board with a wide range of skills and experience; and 
•  Board tenure is appropriate and Board members remain independent.

During the year the Board has undergone some changes as set out below.

Group CFO: In June 2018 it was announced that Ian Griffiths would be leaving ITV. The Board commenced the recruitment process  
for a successor. As part of its succession planning process, the Nomination Committee and the Board had already discussed the key skills, 
experience and other requirements of the role. They established a sub-committee comprised of Peter Bazalgette, Margaret Ewing,  
Anna Manz and Roger Faxon to finalise the process and Spencer Stuart were engaged to assist. Face-to-face interviews were held and  
a strong shortlist was agreed. The Board agreed that Chris Kennedy should be asked to join ITV as Group CFO, which was announced  
on 5 November 2018. Ian Griffiths stepped down from the Board on 31 December 2018, and Chris joined the business on 21 February 2019. 

Non-executive Directors: During the year, we welcomed two new Non-executive Directors: Duncan Painter with effect from 1 May 2018 
and Edward Bonham Carter with effect from 11 October 2018. The Nomination Committee engaged Founders Keepers and Spencer Stuart 
respectively to assist with the recruitment following a similar process as that set out above for the Group CFO. 

Duncan Painter has a broad range of experience in digital media, consumer intelligence and targeted advertising, all of which the Board 
considered to complement the More than TV strategy.

When considering the recruitment of Edward Bonham Carter, the Nomination Committee was mindful of the need to secure a Senior 
Independent Director. The Board considered Edward’s broad range of experience, particularly in the understanding of stock markets  
and investor expectations, as well as his position as Senior Independent Director of Land Securities plc, would provide valuable insight  
for the Board.

Both John Ormerod and Andy Haste stepped down from the Board following the AGM in May 2018. 

Committees: The Board also reviewed Committee membership and during 2018 Margaret Ewing succeeded John Ormerod as Chair  
of the Audit and Risk Committee. In addition, Salman Amin and Duncan Painter joined the Remuneration Committee and Edward Bonham 
Carter joined the Audit and Risk Committee.

The Nomination Committee reviews succession planning for the senior executives annually. More information on succession planning  
at ITV can be found in the Directors’ Report on page 110. 

73

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Corporate Governance
continued

Diversity 
The Board has a diversity policy to retain a talented and diverse Board with a mix of expertise, experience, skills and backgrounds reflecting 
the business environment in which we operate. Amongst other things the policy aims to: 

•  Maintain at least 30% female Directors on the Board over the short to medium term;
•  Ensure Non-executive Director shortlists include at least 50% female candidates;
•  Ensure the Non-executive Director search pool is sufficiently wide and covers candidates from BAME backgrounds and candidates  

with a wide range of expertise, skills and backgrounds; and

•  Only use search firms who have signed up to the voluntary code of conduct on gender diversity.

A copy of the policy can be found on our website 

  www.itvplc.com/investors/governance

We believe that the ITV Board is a diverse group in terms of experience, age, gender and educational and professional background.  
We consider diversity as part of our succession planning process but recognise it is important to ensure that the most appropriate  
person is chosen for the relevant position. 

More information on diversity at ITV can be found in the Directors’ Report on page 109. 

Induction
All Directors who join ITV receive a comprehensive induction providing an overview of the industry and important key themes for the 
Company. It is also used to familiarise each Director with the different areas and allow them to meet colleagues from across the business. 

General board induction

All Directors
•  Operational overview 
•  Financial review 
•  Strategic overview
•  Budget and five year plan
•  Director’s duties and responsibilities 
•  Risk management
•  Governance structure 
•  Previous minutes and meeting papers 
•  Meetings with other Board members

Executive
•  Build relationship with Chairman, 

Management Board, Executive Leadership 
Team and Senior Leadership Team
•  Visits to main hub sites, studios and 

regional news teams

Inductions in the year:
•  Carolyn McCall
•  Chris Kennedy 

Non-executive
•  Meetings with internal and external 

advisers (as appropriate)

•  Visits to main hub sites and studios 
•  Meetings with Management and 

Divisional Board members

•  Succession planning
•  Banking and investment
•  Investor relations 
•  Business development

Inductions in the year:
•  Duncan Painter
•  Edward Bonham Carter 

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 Corporate Governance

Training and development
During a director’s period of appointment, they are continually updated on the Group’s different business areas and the competitive  
and regulatory environment in which they operate. This is done through:

•  Updates and papers which cover changes affecting the Group and the market in which it operates and meetings with senior  

executives across the Group and key advisers; 

•  Regular updates on changes to the legal and governance requirements of the Group and in relation to their own position as Directors; 

and

•  Presentations given at Board and Committee meetings on business matters and technical update sessions from external advisers  

where appropriate.

Executive Directors may accept external appointments as Non-executive Directors of other companies and retain any fees paid to them. 
Further details of external positions held by Executive Directors can be found on page 107.

Board evaluation
External 
The Board undertakes an external evaluation every three years to review its effectiveness and consider development. As the last  
external Board evaluation took place in 2016 the process will be undertaken again in 2019.

Internal 
The work of the Board and its Committees is reviewed annually. The evaluation takes the form of a detailed questionnaire and interviews 
with the Board and Committee members eliciting feedback on a wide range of topics. In addition, input is sought from the Executive 
Directors, other relevant senior executives and external advisers. Results are then passed to the relevant Chairman and a report of 
proposed actions is submitted and agreed as appropriate. 

Our three year Board evaluation cycle

2017

Internal evaluation
Questionnaire circulated to the Board, senior executives and external advisers enabling an evaluation of performance in 2017. 
Conclusions presented which were discussed and actions for the forthcoming year agreed (see below). 

Internal evaluation
Questionnaire circulated to the Board, senior executives and external advisers enabling an evaluation of performance in 2018 
and progress against actions agreed following the 2017 evaluation. Conclusions presented which were discussed and actions 
for the forthcoming year agreed (see page 76). 

External evaluation
To engage an independent party to facilitate a formal evaluation. Further details will be provided in next year’s report. 

2018

2019

75

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Corporate Governance
continued

Actions in 2018

Composition

Action: Ensure there is a broad range  
of experience and perspective on the 
Board. In particular, media, technology  
and digital experience. 

Outcome: Duncan Painter was appointed 
in May 2018 due to his experience in the 
media and digital sectors. His biography 
can be found on page 67. 

Action: Consider the successor for the 
Senior Independent Director. 

Outcome: Edward Bonham Carter was 
appointed in October 2018 due to his 
investor experience and his position  
as Senior Independent Director of Land 
Securities Group plc. His biography can  
be found on page 66. 

Actions for 2019

Effectiveness

Stakeholder engagement

Action: Review meeting structure to 
enhance productivity and efficiency and 
allow for greater in-depth discussions. 

Outcome: The meeting timetable was 
altered to be more efficient, particularly 
for those Directors travelling from 
overseas. More time was allocated  
to deep dive on strategic matters and  
risks. The annual programme and agenda 
are kept under constant review to ensure 
sufficient time is available for robust 
discussion and challenge.

Action: Engage more regularly on wider 
stakeholder engagement. Spend more 
time understanding and visiting UK and 
international acquisitions. 

Outcome: The Board is kept up-to- date  
on the progress of acquisition integration. 
Board members undertook visits to 
Cattleya in Italy, Talpa in the Netherlands 
as well to businesses in the US. 

For more information on stakeholder 
engagement see page 78. 

Action: Nomination Committee structure 
and process to be reviewed to enable more 
time to consider succession planning and 
skills gaps for the Board and succession 
planning for the senior executives and  
put appropriate action plans in place.

Action: Review terms of reference  
of the Committees and review the job 
descriptions of the Chairman, Senior 
Independent Director and Chief Executive 
to ensure alignment with the 2018 UK 
Corporate Governance Code.

Action: Review and consider approach  
and programme for continuing 
professional development, as part  
of the external evaluation exercise.

76 

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 Corporate Governance

Assessment
The Board considers and acts upon  
feedback from colleague engagement 
surveys to assess and monitor the 
perception of our culture against our  
values and beliefs. The last global survey 
was undertaken in 2016 and indicated  
that colleagues are broadly aligned with 
ITV’s cultural vision. A full survey will  
be undertaken in 2019 enabling us to  
more formally assess and measure our 
culture and the impact of our More than  
TV strategy.

We believe that an inclusive, effective  
and well embedded corporate culture  
helps create a successful business.  
We will continue to focus on building  
a strong corporate culture and will keep  
this under consideration as part of our  
More than TV strategy. 

77

Culture 
ITV has an open, inclusive and collaborative 
culture across all areas of the business.  
At its core, ITV puts trust and an open and 
honest working environment for all as its 
most important values.

Board engagement 
The Board places a high importance on 
the value of corporate culture within ITV 
and the role it provides in the development 
and retention of fully engaged colleagues  
as well as for ITV’s external reputation. 
When we talk about culture we mean values, 
behaviours and environments that shape  
a colleague’s experience. We want ITV to  
be a great place to work and a fundamental 
part of this is fostering an inclusive culture 
that attracts, develops and retains the best 
talent possible, where everyone is valued 
and empowered. As part of the More than 
TV strategy we have undertaken a review  
of the behaviours expected from our 
leaders, managers and colleagues to 
execute the strategy as well as working  
with them to define and shape culture. 

We also aim for our senior executives and 
Board members to be as visible as possible 
by using open-plan office space across  
the Group to encourage openness and 
collaboration. Our London property  
strategy is a big step to achieve a more 
coherent and joined-up business. 

Openness and communication are key  
and as such it is imperative that the Board  
is visible and approachable throughout  
the organisation. The Board participates  
in site visits to our different locations and  
is in regular communication with senior 
executives and other colleagues. 

The Board recognises that this helps 
ensure they have a greater insight and 
understanding of the business to  
enhance decision-making and debate,  
and to enable consideration of the longer-
term impact of its decisions on our 
colleagues and other stakeholders.

Embedding corporate culture  
We seek to instill an inclusive ‘One ITV’ 
way of working through our global  
network of eighty Ambassadors who 
represent all parts of the business.  
The role of an Ambassador is to represent 
colleague interests, share information  
and help shape our culture by giving 
colleagues a voice. During 2018 
Ambassadors were instrumental in 
providing support to those affected  
by the organisational redesign as part  
of the strategy refresh process and  
office moves.

Our Senior Independent Director, Edward 
Bonham Carter, has been appointed as  
our workforce engagement director acting 
as a conduit between our Ambassador 
network and the Board, and will attend 
Ambassador meetings on a regular basis  
to discuss current issues and listen to 
concerns. Carolyn McCall also regularly 
attends Ambassador meetings as well  
as delivering regular Vod and Podcasts  
to update colleagues on developments  
and encouraging direct contact through  
her Ask Carolyn email address.

ITV has four colleague networks – ITV Pride 
(for LGBT employees), The Women’s 
Network, ITV Balance (to discuss work-life 
balance) and ITV Embrace (for BAME 
employees). These networks are open  
to all colleagues and run a number of 
inspirational talks, events, development 
workshops and also support ITV programme 
makers to ensure we reach the wider 
community. Only by representing our 
audiences within our workforce will we  
be able to authentically reflect and appeal 
to the breadth of viewers that characterise 
modern society. Not only do we want to 
attract the most talented people to work 
for us, but we want to enable our colleagues 
to achieve their best and to develop their 
career at ITV. Making sure our culture and 
working environment is inclusive and 
accessible is key.

All colleagues are required to complete 
mandatory training aligned with the Code  
of Conduct. Systems are in place to enable 
employees to identify and raise issues, 
including suspected wrongdoing, fraud  
or malpractice in the workplace. This  
helps us ensure that the highest standards 
of safety are maintained and good 
ethics and judgement are applied  
when making decisions. 

Strategic ReportFinancial StatementsAdditional informationGovernanceGovernance

Corporate Governance
continued

Stakeholder engagement
The Board has a responsibility to create value for all its stakeholders and we believe it is vital to engage and listen to their views.  
ITV has a wide range of stakeholders. More on how we engage with some of these different groups is detailed below.

Shareholders

Material issues

Engagement

Strategy refresh; long-term 
financial performance; capital 
allocation; succession planning; 
Board composition; policy  
and regulation; Brexit;  
Directors’ remuneration;  
share price; challenges of  
the digital media landscape. 

The Board attaches a high priority to effective communication with investors 
and has regular open dialogue with them. During the year meetings were routinely 
held with institutional investors to keep them updated and the Board is kept 
informed of any feedback from these meetings. In September the management 
team held a Capital Markets Day to bring investors up-to-date on the More than 
TV strategy process. Our investor calendar for 2018 can be found on page 79.  
Our AGM provides a forum for private shareholders to raise questions with the 
Board directly should they wish. They have ample opportunity to ask questions 
during the meeting and before and after the event. The Chairman and Senior 
Independent Director are always available to all shareholders.

Customers

Viewers: access to a varied, 
high-quality programming 
schedule that reflects a  
modern society; ability  
to view on a variety of  
channels; on-screen diversity.

ITV reaches a vast audience across the UK and the Board recognises the 
important role it plays for viewers. Viewers are able to tell us their thoughts 
directly via email or telephone with contact details provided on our website. 
They are also able to use our regulator Ofcom, to raise any concerns they may 
have. The Integrated Broadcast Board receive a monthly compliance report 
detailing viewer or regulator concerns. Our dedicated Viewer Services team  
is on hand to resolve any technical issues or other questions our viewers may 
have. We also provide bespoke support for all of our live daytime shows,  
ITV Box Office events, and the ITV Hub to enhance our viewer experience.

Advertisers, broadcasters  
and platform owners:  
deliver unrivalled commercial 
audiences, scale and reach 
across key demographics on 
our main channel; targeted 
audiences on the ITV Family 
and ITV Hub.

We work closely with both media agencies and advertisers to develop and 
nurture bespoke, integrated commercial and brand partnerships that extend 
beyond pure spot advertising and programme sponsorship. Working with  
them we create innovate ways to engage consumers around brand  
marketing strategies.

Using the full breadth of our global production network we are able to work 
directly with broadcasters and content platform providers to deliver quality 
original programming. We develop key relationships with them to licence 
Global Entertainment’s extensive programme catalogue.

Citizens

Legislators and 
Regulators

Colleagues 

Harness the power of our 
programmes to have a positive 
impact on communities 
and causes; minimise the 
environmental impact of 
our operations.

Maintain the highest standards 
of governance; ensure 
regulatory requirements are 
met at the highest level and 
robust standards reached.

Engagement and culture; 
investment in training and 
development; diversity and 
inclusion; remuneration. 

See our Corporate Responsibility Strategy on page 16 and our  
Corporate Responsibility website 

   www.itvplc.com/responsibility

We actively engage with politicians, policymakers and regulators on  
a continual basis to ensure we deliver on our legal and regulatory obligations 
and help inform new regulatory and legislative initiatives. This ensures our 
regulatory framework remains fit for purpose. 

For information on Culture see page 77. 

For more information on other issues see the Directors’ Report on page 109.

Further information on our stakeholders can be found in the Chairman’s Statement on page 6.

78 

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 Corporate Governance

Our 2018 investor calendar

February/March 
•  Full year results 
published and 
roadshow in London

•  Citi Annual Media 

conference in London

May
•  Q1 Trading Update 

published

•  AGM 

July
•  Interim results 
published and 
roadshow in London

September
•  Interim results 

roadshow in London
•  Capital Markets Day 

in London 

November
•  Q3 Trading Update 

published

•  Morgan Stanley 
TMT conference 
in Barcelona
•  US roadshow 

April
•  Full year results 

June
•  Barclays conference 

August 
•  Interim results 

roadshow in London 

in US 

roadshow in London 

October
•  Capital Markets Day 
– follow up meetings 

Investor profile 
The types of holder by percentage is as follows: 

Investor profile 
The percentage of issued capital by type of holder  
is as follows:

  Institutional shareholders  

0.16%

 Private shareholders  

92.64% 

 Other  

7.20%

  Institutional shareholders   97.27%

 Private shareholders  

 Other  

2.55% 

0.18%

79

Strategic ReportFinancial StatementsAdditional informationGovernanceGovernance

Audit and Risk Committee Report

Margaret Ewing
Chair, Audit and  
Risk Committee

In this report
The purpose of this report is to 
highlight areas that the Committee 
has reviewed during the year. 
We report to shareholders on  
the significant financial reporting  
issues and judgements made in 
connection with the preparation  
of the Company’s financial 
statements. Also highlighted is  
how the Committee has assisted  
the Board in reviewing the Company’s 
internal control and risk environment. 
We explain what the Committee  
has done to review the effectiveness 
of our internal and external auditors. 

The Committee 
continues to provide 
independent and 
robust challenge  
to management and 
our auditors to ensure 
there are effective 
and high-quality 
controls in place 
and appropriate 
judgements taken.

Dear Shareholder

On the following pages we set out the 
Audit and Risk Committee’s Report for  
2018, which provides an overview of the  
role of the Committee and the matters 
considered during the year.

John Ormerod, your previous Audit and Risk 
Committee Chairman, retired from the Board 
in May 2018. I was delighted to take over the 
Chairmanship from John, who was a valuable 
member of the Board and an exceptional 
Audit and Risk Committee Chairman.  
He ensured my transition to the role was 
seamless and I am hugely indebted to him. 
Andy Haste also stepped down from the 
Board and the Committee in May 2018.  
At the end of December 2018 Ian Griffiths 
stepped down from the Board. As CFO and 
COO he worked tirelessly over the past ten 
years for ITV and, with John, helped to 
transform the Committee into the robust 
and challenging committee that it is today. 
On behalf of the Board and the Committee 
I would like to thank them all for the 
enormous contribution they have made to ITV. 

In order to strengthen the Committee 
membership we welcomed Edward  
Bonham Carter as a member with effect 
from 1 January 2019. Edward brings 
significant financial acumen and the 
important investor perspective to the 
Committee’s deliberations. I look forward  

to working with him and with Chris Kennedy, 
our new Group CFO, during 2019.

This is my first report and I would like to 
assure shareholders that the Committee 
is working really well, which I hope this report 
will highlight. The Committee continues to 
provide independent and robust challenge  
to management and our auditors to ensure 
there are effective and high-quality controls 
in place and appropriate judgements taken.

We have the right mix of skills and experience 
on the Committee to provide constructive 
challenge and support to management. 
The Committee continues to play a key role 
in ensuring implementation of and compliance 
with new accounting standards and associated 
guidance. We consider relevant corporate 
governance requirements and give 
considerable focus to the Group’s evolving risk 
management framework and processes.

During 2019, we will be considering the 
requirements of the 2018 UK Corporate 
Governance Code and the impact of various 
regulatory reviews (Kingman, CMA and 
Brydon) into the audit sector. We seek  
to respond to shareholders expectations 
in our reporting and, as always, welcome 
any feedback from shareholders.

Margaret Ewing
Chair, Audit and Risk Committee
27 February 2019

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 Audit and Risk Committee Report

Who is on the 
Committee
The Committee is 
composed entirely 
of independent 
Non-executive Directors.

Our role
Following each meeting, 
the Committee 
communicates its main 
discussion points and 
findings to the Board.

The Committee’s terms of 
reference can be accessed  
on our website. 

www.itvplc.com/
investors/governance

The current members are:
•  Margaret Ewing  

(Chair from 10 May 2018)
•  Edward Bonham Carter  
(from 1 January 2019)

•  Mary Harris
•  Anna Manz

John Ormerod and Andy Haste 
stepped down from the Board and 
the Committee on 10 May 2018.

The Committee members have 
between them a wide range of 
business and financial experience. 
The Committee considers that 
Margaret Ewing and Anna Manz 
have recent and relevant financial 
experience for the purposes of 
the Code. 

Full details of attendance at 
Committee meetings can be 
found on the table on page 71.

Detailed biographies can be 
found on pages 66 and 67.

The main role of the Committee  
is to:
•  Monitor the integrity of 

published financial information 
and review significant  
financial reporting issues  
and judgements.

•  Provide advice to the Board  

on whether the Annual Report  
and Accounts are fair, balanced 
and understandable and the 
appropriateness of the going 
concern statement and the 
longer-term viability statement.

•  Assist the Board to establish 
and articulate overall risk 
appetite and oversee and advise 
the Board on specific strategic 
risk exposures and mitigations.

•  Review the risk identification 
and assessment processes  
and undertake deep dives  
of high-risk business areas  
or processes.

•  Review the effectiveness of  
the internal control and risk 
management processes.

•  Monitor and review the 

effectiveness and independence 
of the internal audit function.

•  Provide advice to the 

Remuneration Committee  
on financial reporting matters 
and related judgements as they 
affect executive remuneration 
performance objectives.

•  Review the quality and 

effectiveness of the external 
audit and the procedures and 
controls designed to ensure 
auditor independence.

Meetings in 2018
In addition to Committee 
members, the Chairman of  
the Board, Executive Directors, 
Director of Group Finance, 
Company Secretary, Head  
of Internal Audit, Director of 
Treasury, Director of Tax  
and external audit partners 
regularly attend meetings.  
The Committee members  
meet regularly with the 
external audit partners and 
Head of Internal Audit  
without executives present.

At each meeting the 
Committee receives a report 
from the Head of Internal 
Audit on the progress of the 
internal audit work plan, issues 
and recommendations arising 
from the audit work and 
management’s progress on 
implementation of internal 
audit findings. In addition to  
the September ‘risk focused’ 
meeting, the Committee also 
considers specific risk topics at 
meetings throughout the year. 

February
•  Year end financial  

reporting issues, estimates  
and judgements
•  Fair, balanced and 

understandable review of the 
Annual Report and Accounts
•  Viability Statement and going 
concern statement verification

•  KPMG audit conclusions 

and findings

July
•  Half year report
•  KPMG review conclusions  

and findings

September
•  Emerging and business specific 

risk reviews

November
•  Year end planning
•  Known full year financial 

•  APMs and exceptional items
•  New regulation and guidelines 

reporting issues  
and judgements

compliance checklist
•  Draft Annual Report 

and Accounts
•  Audit opinion
•  Internal Audit independence
•  Bonus and share plan outcomes

May
•  Known half year financial 

reporting issues  
and judgements

•  External audit strategy

•  Distributable reserves planning
•  KPMG interim controls 

review findings

•  Effectiveness of internal  

audit and the following year’s 
internal audit plan

•  Annual tax and treasury review

For other matters see page 82.

For external audit quality and 
effectiveness see page 91.

Annual review
An annual review of  
the performance of the 
Committee is conducted 
each year. 

For 2018, in addition to feedback 
from members of the Committee, 
input was sought from the 
Executive Directors, Director  
of Group Finance, other senior 
executives, members of the 
external and internal audit teams 
and the Chairman of the Board. 
Overall, the review concluded  
that the Committee is responding 
appropriately to its terms of 

reference and will continue to 
develop its role. Priorities for  
2019 include completing the 
assessment of the appropriate 
model for internal audit; 
undertaking a tender process  
for the appointment of external  
and internal auditors effective  
for the year commencing  
1 January 2021, and supporting  
the enhancement of the risk 

framework, processes and 
reporting. The Committee will also 
amend, where necessary, its terms 
of reference to reflect the 2018  
UK Corporate Governance Code and 
seek to improve its engagement 
with relevant stakeholders.  
The Committee will continue to 
review its membership to ensure 
the skills and experience align with 
the business as it develops. 

81

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Audit and Risk Committee Report
continued

Our focus in 2018
In planning its own agenda, and reviewing the audit plans of the internal and external auditors, the Committee takes account of significant 
issues and risks, both operational and financial, that may have an impact on the Company’s financial statements and/or the Company’s 
execution and delivery of its strategy. The Committee also addresses specific queries referred to it by the Board or Remuneration Committee.

During 2018, after robust challenge and debate, there were no topics where there was significant disagreement between management, 
the external auditor and the Committee, or unresolved issues that needed to be referred to the Board. Set out in the tables below is 
information on the key matters considered during the year.

Regular reviews and recurring transactions
The following table summarises the regular reviews and activities undertaken by the Committee. Some of these areas may require  
the application of judgement by management or have underlying complexity. 

Financial 
disclosure  
and judgements

•  Financial results announcements
•  Annual Report and Accounts
•  Accounting judgements and estimates
•  Developments in financial reporting: 

– revenue recognition (IFRS 15) (page 133)  
– lease accounting (IFRS 16) (page 133)

•  Fair, balanced and understandable 

•  Goodwill impairment (note 3.3, page 155)
•  Tax (note 2.3, page 143)
•  Deal debt (see page 83)
•  Pension accounting (note 3.7, page 163)
•  Deficit financing (see page 83)
•  Acquisition earnout liabilities (see page 83)
•  Appropriateness of Alternative  

assessment

•  Viability Statement – underlying 

assumptions (page 62)
•  Going concern (page 131)

Performance Measures

•  Litigation provisions
•  Property (page 84)

External  
audit

•  Auditor performance, quality  

and effectiveness

•  Plan for and scope of audit resource applied
•  Auditor engagement and fees
•  Auditor independence and objectivity
•  Auditor Independence policy (including 

non-audit fees)

•  Auditor progress and review reports
•  Key areas of judgement 
•  Auditor management reports
•  Audit report 

Internal control

• 

Internal Audit independence  
and effectiveness
Internal Audit plan 
Internal Audit findings and outcomes

• 
• 
•  Effectiveness of internal controls
•  Monitoring acquisition earnouts  

and related accounting
•  Whistleblowing process

Insurance programme

•  Material litigation
• 
•  Fraud controls
•  Anti-bribery and corruption controls
•  Technology controls
•  Tax policy and controls
•  Treasury policy and reports
•  Tax and Treasury Committee review

Risk

•  Principal risks and uncertainties  

and risk mitigations

•  Effectiveness of the risk  
management process
•  Cyber security (page 86)
•  Business resilience
• 
•  Technology modernisation (page 86)
•  Health and safety

Information security and GDPR (page 86)

•  Regulatory and programme compliance
•  Litigation
•  Progress, risks and governance of the  

airtime sales project (page 86)

•  World Cup risk mitigation plans (page 88)

Further information on our risk  
management framework can be found  
on pages 54 and 55.

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 Audit and Risk Committee Report

Most of the topics mentioned on page 82 are relevant to all businesses. However, matters specific to ITV include: 

•  Deal debt: management estimates the over and under delivery of advertising value to agencies. The Committee reviews  
management’s approach and method of determining the provisions required for net under delivery of advertising value.

•  Deficit financing: as part of our strategy to expand our content portfolio, significant investment in high-end drama is made.  

The Committee reviews the accounting implications, including revenue recognition and recoverability of the amounts invested. 
The structure of content deals is becoming increasingly complex and the accounting implications increasingly material.

•  Acquisition earnout liabilities: management estimates the future expected payout for acquisition related liabilities.

Judgement on complex discrete transactions
The Group completed certain significant transactions during the period that were in line with the More than TV strategy, as set  
out below. The Committee carefully reviewed these transactions to ensure that the judgements applied by management were  
reasonable and any complex accounting guidance followed correctly. 

Revenue and cost recognition

Financial reporting and judgement

Action taken by management

Action taken by the Committee and outcome

ITV signed a multi-year agreement for the 
digital distribution of key scripted titles 
including Snowpiercer and Bodyguard. 

Management undertook an exercise to 
consider the appropriate accounting for 
revenue and cost recognition under IFRS.

The Committee assessed management’s 
actions and agreed with the proposed 
accounting treatment.

As the agreement covered multiple titles 
and was across current and future years,  
the financial reporting and judgement 
focused on revenue and cost recognition. 

Also see note 2.1 on page 135.

Management focused on the fulfilment  
of performance obligations under IFRS 15 
and the allocation of costs under IAS 38R. 
As delivery of the scripted series and the 
performance obligations are to be fulfilled 
over the term of the licence, it was 
concluded that revenue should be 
recognised over time.

With regards to cost recognition, 
management proposed that costs  
should be recognised in line with our 
accounting policy for high-value drama.

KPMG also presented their view on  
the matter to the Committee, noting 
consistent conclusions on the appropriate 
accounting treatment and disclosure.

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Audit and Risk Committee Report
continued

Revenue recognition

Financial reporting and judgement

Action taken by management

Action taken by the Committee and outcome

Talpa Media, a wholly owned subsidiary  
of ITV, signed a multi-year licence deal for 
The Voice of Spain and other current and 
future unscripted Talpa Media formats in 
June 2018.

At the time of approving the interim 
financial statements and trading 
announcement, confirmation of the 
availability of the rights for exploitation 
had not been received. 

While this is a typical deal structure for 
Talpa Media, the financial reporting and 
judgement involved:

•  Ensuring the availability of the rights  

for exploitation. 

•  Ensuring that separate components  

of the licence contract were accounted 
for correctly.

Also see note 2.1 on page 135.

Subsequently, management received the 
in-house legal team’s review of the rights 
position; this was also supported by 
external counsel. No significant issues were 
identified and management concluded that 
the rights were available for exploitation.

The intellectual property and production 
know-how for The Voice already exists 
with no further obligations. It was 
concluded that, in line with IFRS 15, 
because the performance considerations 
were met, the multi-year The Voice of 
Spain component of the contract be  
fully recognised in 2018. 

The future related components, such  
as new formats or intellectual property 
rights of the contract, will be recognised 
over time. 

The Committee accepted management’s 
view that the revenue from this contract 
should not be recognised at 30 June 2018. 
Subsequent confirmation of the rights 
allowed revenue recognition during the 
second half of 2018.

KPMG also presented their view on  
the matter to the Committee, noting 
consistent conclusions on the appropriate 
accounting treatment and disclosure.

The Committee asked management  
to ensure that going forward there  
was better clarity on the availability  
of rights where programmes moved 
between broadcasters.

London properties

Financial reporting and judgement

Action taken by management

Action taken by the Committee and outcome

The Committee noted and agreed with the 
revised accounting treatment and impact.

In 2017, the Group announced its intention 
to redevelop its South Bank site and build  
a new London office. As a result, 
management proposed that incremental 
costs incurred across the project over  
the medium term in respect of temporary 
leases and related costs, both capital  
and income statement related, should  
be removed from the underlying results  
in the future. 

However, in 2018, the Board reversed its 
prior decision and agreed not to redevelop 
the Group’s HQ at the London Television 
Centre, South Bank, and the site is now  
for sale. 

Consequently there were no longer any 
temporary leases, and the accounting 
treatment was reviewed. 

Management reviewed the prior 
treatment, as outlined in the 2017  
Audit and Risk Committee Report,  
and concluded that:

•  All lease costs relating to our current 
London offices should, following the 
move date, be treated as business as 
usual costs;

•  The short-term temporary dual running 
costs as a result of the vacant South 
Bank property should be treated as 
exceptional; and

•  The costs associated with the physical 

move, closure and disposal costs should 
continue to be treated as exceptional.

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 Audit and Risk Committee Report

Pensions

Financial reporting and judgement

Action taken by management

Action taken by the Committee and outcome

The Committee was provided with  
a briefing on the terms of the ‘Buy In’ 
transaction from the Director of Reward 
and Pensions and considered the various 
accounting complexities and considered 
management’s approach to be correct.

In November 2018, the Trustee entered in to 
a bulk annuity insurance contract (a ‘Buy In’) 
in respect of the benefits of two sections  
of the ITV Pension Scheme. 

A ‘Buy In’ is where the Trustee purchases  
an insurance policy which is effectively  
a scheme asset that pays the members 
benefits. The ultimate obligation to pay  
the members benefits still remains with  
the scheme.

Management undertook an exercise to 
consider the appropriate accounting  
for this ‘Buy In’ under IAS 19. 

As the acquisition of an insurance contract 
is an investment decision this has been 
accounted for through the Statement  
of Other Comprehensive Income. 

For IAS 19 purposes, the fair value of this 
insurance contract is set equal to the 
valuation of the insured member benefits 
using the IAS 19 assumptions. As these  
two sections of the ITV Pension Scheme 
were in a surplus position under IAS 19,  
this has resulted in a loss within the 
Group’s Statement of Other 
Comprehensive Income.

There are elements of the ‘Buy In’ 
transaction which have been accounted  
for through the Group’s Statement of Profit 
or Losses. Management’s view is that these 
items are not in relation to the underlying 
business and have been highlighted in our 
alternative performance measures.

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Audit and Risk Committee Report
continued

Other matters
In addition the following topics were reviewed:

Cyber security, privacy and GDPR

Issue

Action taken by the Committee

Outcome

Cyber security is an increasing risk as  
our business develops new revenue  
streams and direct to consumer 
propositions. Cyber security is a dynamic 
area due to converging threats and 
technology advancement.

Data privacy and GDPR are high profile 
areas of business risk for all companies. 

The Committee reviewed progress against 
agreed plans for cyber security and data 
privacy. This included:

•  Results from cyber incident  

simulation exercises;

•  Continued programmes to  

educate employees;

•  Actions taken to further embed  

• 

IT controls; and
Improving our detection and response 
capability with assistance from third 
party specialists.

The Committee requested and received  
a frank view of the threats and mitigations 
from BAE Systems (independent cyber  
and wider technology security advisers  
to the Company). 

The Committee also reviewed the status 
of the GDPR readiness programme, which 
has also laid the foundations for ongoing 
business process change. 

The Committee acknowledged the 
continued good progress that had  
been achieved in implementation of  
the cyber security strategy and the 
positive comments of BAE Systems.  
Risk ratings were approved and the 
Committee requested an update on  
the revised cyber security strategy and 
risk appetite during 2019.

The GDPR readiness programme will 
transition to business as usual during 
2019 and this will be kept under review. 

The Committee recommended 
appropriate budget and focus across  
the Group be given to further mitigations 
for both cyber security and GDPR.

These topics continue to feature on 
Internal Audit’s programme of work.

Technology modernisation

Issue

Action taken by the Committee

Outcome

The programme of work to modernise 
our legacy business systems to reduce  
a number of key business risks continues. 

The work undertaken to date is delivering 
significant business benefits and 
reduced risks.

The Committee reviewed and challenged 
the programme of work, including:

• 

• 

• 

• 

 Migration of the majority of our 
modernised applications to the cloud, 
and a programme of work focusing  
on the remaining legacy applications  
to migrate to cloud technology by 2022;
 Development of our end to end content 
supply chain process, from the 
management of the processing  
of content from commissioning or 
acquisition through to distribution;
 Development and migration to  
a bespoke artiste payment system  
in the UK; and
 Progress in the replacement of our 
airtime sales system.

The Committee acknowledged the 
significant progress in modernising the 
Group’s applications and supported the 
plans for the legacy applications migration.

The Committee considered contingencies 
and actions in the event of delay in 
implementing the airtime sales project  
to ensure adequate resource.

Significant progress has been made and 
completed and planned mitigations  
were reviewed and assessed. 

The Committee will continue to keep this 
under review.

Internal Audit’s programme of work  
seeks to incorporate key business  
change programmes.

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 Audit and Risk Committee Report

Broadcast transmission resilience 

Issue

Action taken by the Committee

Outcome

Our broadcast transmission chain is growing 
ever more complex as viewers access 
content in many different ways. 

It relies on the management of the key 
partners who provide the components  
of that chain.

The Committee reviewed the governance 
processes in place, the risks and 
mitigations and disaster recovery 
arrangements around our broadcasting 
transmission processes.

The Committee was impressed with the 
mitigations and planning in place to avoid 
major risks but recognised risks will 
remain. The Committee recommended 
that adequate budget be provided  
to allow certain additional mitigations  
to be implemented. The Committee will 
continue to keep this under review.

Tax – employment status

Issue

Action taken by the Committee

Outcome

Employment status for tax purposes 
continues to be a focus area for businesses 
whose operating models rely on engaging 
individuals on a freelance basis. This model 
is particularly prevalent in television 
production where freelancers are used 
both behind and in front of camera.

Behind camera: the Committee continued 
to receive regular updates to ensure  
ITV continues to follow best practice.

Front of camera: ITV are engaged with 
other producers and broadcasters to 
develop best practice in this area, and  
the Company continues to discuss these 
issues with HMRC. The Committee 
received updates from management  
on developments within ITV and the  
wider media sector. 

Behind camera: the Committee noted 
that improved processes were now  
fully embedded in the business. 
Management will update the Committee 
on the status of proposed new HMRC 
guidance during 2019.

Front of camera: the Committee will  
keep the position under review.

Tax – IR35

Issue

From April 2020 the responsibility for 
undertaking IR35 employment status 
assessments, and where necessary 
withholding PAYE and paying NICs, will  
pass to the engager, rather than remain 
with individuals and their personal  
service companies. 

Action taken by Committee

Outcome

The Committee considered updates from 
management on the implications for ITV.

The Committee will continue to keep this 
under review as the Company prepares  
for the introduction of the new rules.

Internal Audit will attend the  
programme board.

Speak up 

At the heart of our approach 
to risk management is 
ensuring that everyone  
has a voice.

Through strong leadership we successfully manage risk and aim to create a culture  
where everyone can feel they are able to speak up. During 2018, we launched a new 
reporting tool to employees and freelancers of ITV Studios, which will be rolled out 
across the rest of the business around the world during 2019.

This can be used for reporting incidents as well as sharing observations, ideas and 
examples of best practice across the business. We hope that this will help to break  
down barriers and start conversations, leading to better risk management across  
the business.

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Governance

Audit and Risk Committee Report
continued

Anti-bribery and corruption

Issue

Action taken by the Committee

Outcome

Following an internal audit review on the 
implementation of our anti-bribery and 
corruption policies in 2017, actions to 
strengthen implementation of the  
Group programme were recommended  
by Internal Audit.

The Committee continued to review 
management’s progress against agreed 
Internal Audit recommendations. They 
noted that an external legal review had 
confirmed sufficient processes were  
in place.

The Committee will continue to keep  
this under review in 2019 with further 
work needed to fully embed the  
processes in the business, particularly  
our overseas businesses.

Internal Audit will look at the awareness  
of the overseas businesses during any 
overseas reviews.

Whistleblowing

Issue

Action taken by the Committee

Outcome

Work was undertaken with Protect to 
benchmark our policy and processes.

The Committee considered the outcomes 
and management’s proposed actions. 

Protect (formerly Public Concern at Work) 
provide ITV with independent advice on  
our Whistleblowing process and 
confidential helplines for our colleagues 
across the Group.

Football World Cup

Protect will undertake a further review  
at the end of 2019 and Internal Audit  
will include awareness of the Protect 
helpline in the internal audit process  
for international businesses and  
smaller acquisitions.

Issue

Action taken by the Committee

Outcome

ITV broadcast the Football World Cup in 
Russia in July 2018.

The Committee reviewed the consolidated 
risk register for the World Cup, which 
included risks and mitigations relating  
to broadcast transmission, cyber risk, 
anti-bribery and corruption, health and 
safety and business resilience.

Internal Audit also undertook a review  
of the risks identified and the mitigation 
plans developed by management.

The Committee acknowledged that there 
had been significant effort in identifying 
and mitigating the many risks associated 
with the broadcast of this tournament. 
The Committee was impressed with  
the comprehensive assessment of all 
potential key risks and the cooperation 
across the Group and with other 
broadcasters to mitigate the risks  
as far as possible.

Brexit

Issue

Action taken by the Committee

Outcome

The implications for ITV on accounting, 
tax and treasury matters of the UK 
leaving the EU.

The Committee reviewed management’s 
view of the impacts on accounting, tax 
and treasury matters as part of regular 
updates to the Committee.

The overall risks of the Group in respect  
of the potential impact and risks of Brexit 
have been reviewed in detail by the Board 
and the Committee has focused on the 
accounting, tax and treasury risks only.

The Committee will continue to keep this 
under review.

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 Audit and Risk Committee Report

Risk management and internal controls
Risk management
The Committee continued to consider the process for managing risk within the business and assisted the Board in relation to compliance 
with the 2016 UK Corporate Governance Code. Further information on our risk management processes and details of our principal risks  
are set out on pages 56 to 61.

We continue to develop our cultural people-driven approach to risk management, which we believe encourages a focus on prevention 
rather than reaction to failure. 

In 2018, the Committee reviewed a number of risk topics. The Group’s key risks reflect those inherent within the annual budget and  
five year plan.

Internal controls 
The Board has overall responsibility for the Group’s framework for internal control and for regularly reviewing the effectiveness  
of the framework. The Committee assists the Board in reviewing the framework for internal control. The primary responsibility for  
the operation of the framework is delegated to management. The framework can only provide reasonable and not absolute assurance 
against material misstatement or loss. Key control procedures are designed to manage rather than eliminate risk.

The Committee reviews the internal controls framework and management’s approach to reviewing the effectiveness of the Group’s 
internal controls. During 2018, the Committee reviewed the findings and conclusions and noted critical improvements in relation to risk 
management and completion of risk actions. The Committee also reviewed the governance for key projects, simplification of approval 
levels, use of the core international controls framework and assessment of effectiveness through the Group Finance Assurance Plan.  
The Committee noted the continuing improvement of the underlying processes, procedures and controls at the Business Service Centre, 
including the forthcoming implementation of a new consolidation system in 2019. The Committee also reviewed the Fraud Prevention 
Framework and interaction with external and internal audit. 

The Committee satisfies itself that internal controls are operating throughout the year principally based on a programme of internal  
audit reviews, reviews of the effectiveness of internal controls, including fraud and anti-bribery, reviews of balance sheet checklists 
certified by local management, ‘deep dive’ sessions with relevant management on the management of certain key risks and controls  
and through a suite of automated analytics that monitor financial transactions in our systems. In addition to the internal audit  
programme, there are a number of exception reports that cover transaction processing. For those subsidiaries not covered by exception 
reporting software, a monthly self-assessment takes place, which is subject to independent internal review.

As part of our internal control process an annual strategy review and a rolling five year financial planning exercise is undertaken,  
which are reviewed and approved by the Board. The five year plan feeds into the annual budget cycle. The Executive Directors review 
formal forecasts, detailed budgets, strategies and action plans and the Board approves the overall Group budget as part of its normal 
responsibilities. The results of operating units are reported monthly to the Board, along with an update of the Group’s performance  
against strategic KPIs and cash targets. Actual results are compared with budget and forecasts, and key trends and variances are  
explained and analysed and actions taken to address performance variances or emerging issues agreed.

During the year, the Committee Chair met with internal and external litigation advisers on key litigation matters for the Group, such  
as Boxclever, Gurney and the Voice of China. 

The Tax and Treasury Committee is in place to consider and approve tax and treasury related matters in respect of corporate  
transactions or other activities and monitors compliance with tax and treasury related policies. This committee is an important  
part of the governance framework of ITV, minutes of meetings are shared with the Committee and its operation is reviewed annually  
by the Committee. During the year the Committee Chair attended one of the committee meetings.

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Audit and Risk Committee Report
continued

Our auditors
Internal auditor 
The Group’s internal audit activity is outsourced to Deloitte, who report directly to the Committee. The Committee continues to believe 
that outsourcing offers access to the wide range of skills and resources in the various geographies required. However, during 2019 it will 
again consider if this model for internal audit remains optimum for the Group’s strategy. The Committee keeps under review the internal 
audit relationship with Deloitte and the procedures to ensure that appropriate independence of the internal audit function is maintained. 
The effectiveness of internal audit is assessed over the year using a number of measures that include (but are not limited to):

•  An evaluation of each audit assignment completed using feedback from the part of the business that has been audited; and
•  A high level annual review that is completed by obtaining feedback from senior management in each division.

Prior to the start of the year, the Committee considered and approved the internal audit plan, which included audits across the Group  
as well as assurance over live projects, including the airtime sales project, World Cup resilience and finance consolidation systems 
implementation. During the year, the Committee reviewed findings from the internal audit reports, the actions taken to implement  
the recommendations made in the reports and the status of progress against previously agreed actions. All internal audit reports are 
available to the Committee. During the year, Internal Audit visited a number of our international subsidiaries as well as reviewing our 
controls in a number of areas including ITV Hub+, Treasury and non-employee contracting.

External auditor
The Group’s external auditor is KPMG. The table below summarises the process followed to manage the relationship and audit process. 

Engagement

Audit tendering 
and rotation

Independence and 
objectivity

Reappointment

KPMG were appointed as 
auditor of ITV plc in December 
2003 prior to the Company 
becoming the parent company 
of the ITV Group on 2 February 
2004. In 2012 we undertook  
a competitive tender applying 
the BIS guidance on the EU 
Audit rules. The Committee 
intends to undertake a tender 
process during 2019 for the 
appointment of external 
auditors effective from 
1 January 2021. 

The Committee continues to 
monitor audit quality to ensure 
a robust and effective audit.

We comply with the provisions 
of the Statutory Audit Services 
for Large Companies Market 
Investigation (Mandatory  
Use of Competitive Tender  
and Audit Processes and Audit 
and Risk Committee 
Responsibilities) Order 2014. 

The Committee seeks to  
ensure the objectivity and 
independence of our  
auditor through:

•  Focus on the assignment  

and rotation of key personnel
•  The adequacy of audit resource
•  Policies in relation to 

non-audit work

As a result of these strict 
guidelines the Committee 
believes that non-audit 
services do not have a direct or 
material effect on the audited 
financial statements. A copy  
of our Auditor Independence 
policy is available on our 
website at www.itvplc.com.

We monitor relationships with 
other audit firms to ensure we 
have sufficient choice for any 
future appointment.

During the year, the Committee 
considered the performance 
and audit fees of our auditor, 
and the level of non-audit  
work undertaken, and 
recommended to the Board 
that a resolution for the 
reappointment of KPMG for 
a further year as the Company’s 
auditor be proposed to 
shareholders at the AGM in  
May 2018. The resolution  
was passed and KPMG was 
reappointed.

The Committee has 
recommended the 
reappointment of KPMG  
at the AGM on 8 May 2019.

The Committee considers 
carefully the scope of planned 
work and the assessment of 
risk and materiality on which  
it is based. The Committee’s 
aim is to support a robust  
and effective audit with  
strong reporting lines to  
the Committee.

The Committee discusses the 
senior resource employed in 
the audit and the background, 
relevant sector and other 
experience of new members  
of the team and considers 
implications for the audit of 
new reporting, accounting  
and governance guidelines  
and standards.

The Committee agrees the 
terms of engagement, audit 
and non-audit fees and  
reviews progress and results 
throughout the year.

The Committee requested that 
KPMG visit our US subsidiaries 
prior to developing the audit 
strategy to assess the audit 
approach required in the US.

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External audit effectiveness and quality
The Committee follows the review programme below to satisfy itself of external audit effectiveness and quality.

February
•  Audit scope and materiality
•  Confirmation of work 

performed and identification 
of other significant risks

•  Reappointment
•  Independence and objectivity

May
•  Audit plan and strategy
•  Engagement
•  Independence and objectivity

July
•  Fees
•  FRC Audit Quality Review 

focus areas

•  Independence and objectivity

November
•  Auditor Independence policy 
(reviewed every two years)
•  Audit fees – final approval
•  Independence and objectivity

Audit quality is reviewed throughout the year and the Committee continues to use the Financial Reporting Council’s (FRC) Audit Quality 
Practice Aid to structure its review of audit quality. When making its assessment of audit quality, the factors the Committee focused  
on included:

External audit  
quality reports

Auditor interaction  
with management

Auditor’s own view 
of effectiveness

The audit strategy for the year addressed thematic concerns that the FRC had highlighted.

Reviewing the auditor’s understanding of business progress against the strategy and emerging 
industry themes, as well as the auditor’s discussion with and challenge of management on key 
corporate transactions, key judgements and estimates and accounting treatments and disclosures 
with clear indications of scepticism being applied when appropriate.

Enquired with regards to:

•  Audit methodology and its effective application to ITV;
•  Robustness of challenges and findings on areas that require management judgement;
•  Whether there had been an internal peer review of the ITV audit and what the findings were; and
•  The experience of the senior members of the audit team.

In its assessment of audit quality, the Committee also took into account:

•  The detailed audit scope and strategy for the year, including the coverage of emerging risks and recent acquisitions and partnerships  

in all geographies;

•  Group materiality and component materiality;
•  How the auditor communicated any key accounting judgements and conclusions, and
•  Feedback from management of the performance of the auditor.

There were no significant findings from the evaluation this year and the Committee considers the external audit to have been robust  
and effective.

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Remuneration Report

Mary Harris
Chair, Remuneration Committee

In this report
The purpose of this report is to set 
out for shareholders the principles 
and policy we apply to remuneration 
for our Executive Directors and to 
update you on how we have applied 
these for the financial year ended 
31 December 2018. The report  
also aims to demonstrate how  
our Remuneration Policy aligns  
with our strategy, supports the 
retention of the Executive  
Directors and rewards them  
for strong performance.

Committee governance 

page 95

Remuneration Policy  
summary 

Remuneration Policy  
in action 2018 

Remuneration Policy  
application 2018 

 Remuneration Policy  
application 2019 

 Other disclosures 

page 96

page 97

page 98

page 102

page 103

Dear Shareholder

I am pleased to present the 2018 Annual 
Report on Remuneration. This report  
will be subject to an advisory vote by our 
shareholders at the AGM on 8 May 2019. 

During the year John Ormerod stepped 
down from the Committee and I thank  
John for his hard work. We also welcomed 
Salman Amin and Duncan Painter to  
the Committee. The composition and 
activities of the Committee are  
summarised on page 95.

More than TV – a clear vision for ITV 
At the start of 2018 we were delighted to 
see Carolyn McCall join the business as Chief 
Executive. During the year, Carolyn and the 
wider management team completed  
a strategic refresh of the business. This 
process resulted in the articulation of  
a future vision for ITV, which seeks to build 
upon our unique and winning combination 
of creativity and commercial strength. 

The management team is focused on 
executing this strategy to create a stronger, 
structurally sound business, building  
on our strong operating performance.  
The Committee has been mindful of the 
strategic priorities when considering 
remuneration for our Senior Executive 

Group, and we have looked to highlight the 
alignment between the strategy and future 
pay arrangements. 

During 2018, ITV made good initial progress 
towards implementation of the More than 
TV strategy, with investment and cost-
saving programmes on-track. In addition,  
we have recently announced an exciting 
vision for a new SVOD service.

While challenging market conditions and 
political uncertainty persist, during 2018 ITV 
largely performed in line with expectations 
with outperformance in certain areas. 
Viewing across ITV platforms increased  
by 7% supported by a strong schedule  
and ITV Studios delivered growth of 6%.

In 2018 ITV demonstrated its resilience in 
what was a testing year for the UK economy.  
During 2018, there was a further contraction 
in the spot advertising market due to the 
continued economic and political 
uncertainty impacting business confidence. 
Given this backdrop, the EBITA result 
represents a robust outcome. This outcome 
was underpinned by another year of strong 
cash conversion, a record outcome for share 
of viewing of 23.2% (2017: 21.7%) and a 5% 
growth in total non-advertising revenue. 
Overall ITV has delivered another year of 
strong operating performance as well as 

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ITV demonstrated its 
resilience in what was  
a testing year for the  
UK economy. Overall  
ITV has delivered 
another year of strong 
operating performance 
as well as making  
a number of essential 
investments and 
strategic progress 
towards future success.

 Remuneration Report

making a number of essential investments 
towards future success. This underlying 
strength and confidence is reflected in the 
full year dividend for 2018 which is up 3%.

I would like to thank all investors who 
engaged with us for their time and  
I look forward to maintaining this dialogue 
as we review our policy going forward.

For 2019 LTIP awards we intend to  
maintain a similar balance of performance 
measures. However, we will await 
finalisation of our strategic investment 
plans before publishing targets for 2019.

Incentive outcomes for 2018 
The bonus outcomes for 2018 reflect  
the strong performance delivered against 
the targets set at the start of the year. 

In 2018, ITV demonstrated its resilience in 
what was a testing year for the UK economy.  
Overall ITV has delivered another year of 
strong operating performance as well as 
making essential investments and strategic 
progress towards future success.

Notwithstanding the above, the Committee 
was mindful of how current macroeconomic 
uncertainty has recently impacted many  
UK exposed stocks, including ITV. In this 
context, the Committee exercised discretion 
and determined that while the Executive 
Directors had performed well against  
the targets set at the start of the year, 
bonus awards should be scaled back by  
a 10 percentage point reduction to the 
overall payment.

The LTIP award made in 2016 lapsed  
in full, largely reflecting the fact that the 
performance targets were set in a more 
positive economic environment. While  
this outcome is clearly disappointing,  
it does demonstrate our commitment  
to pay-for-performance. 

Shareholders will note that the 2018 single 
figure (page 98) for Carolyn McCall includes 
certain buyout awards agreed on her 
appointment, and disclosed in full in last 
year’s report. These awards directly  
replace awards forfeited from her previous 
employer, and largely relate to legacy 
easyJet incentive plans. They do not form 
part of ITV’s ongoing pay structure. 

Aligning incentives with the strategy 
In last year’s report, we noted that following 
consultation with our largest shareholders 
we had decided to defer the target setting 
process for 2018 LTIP awards until the 
completion of the strategy refresh. This was 
to ensure that the performance conditions 
for the 2018 LTIP awards were closely linked 
to the future strategy. 

Following a detailed review, the Committee 
determined that the 2018 LTIP awards 
should focus on three clear and simple 
performance areas. The metrics selected 
directly align with the More than TV 
strategy and capture performance in  
each of the following three areas:

(1) Strengthen – integrated producer 
broadcaster; 

(2) Grow – UK and global production; and 

(3) Create – Direct to Consumer business. 

We consulted with our largest shareholders 
regarding the proposed targets for 2018 
LTIP awards. During this consultation, it was 
apparent that many of our shareholders 
appreciated the alignment with the strategy 
and were sympathetic to the challenges 
faced by the industry given the uncertain 
macroeconomic environment. Overall, there 
was strong support for the proposals. 

Despite this support, we note that there are 
a diverse range of views from our investors 
regarding the choice of performance 
measures. In light of these differing 
opinions, we have gone forward with an 
approach which the Committee believes  
will motivate management towards the 
successful execution of the strategy over 
the longer term and also has the support  
of the majority of our largest shareholders.

We continue to value the views of all of  
our shareholders, including those who  
put forward alternative viewpoints during 
consultation. All feedback was debated  
at length by the Committee and we  
believe that this resulted in a more robust 
decision-making process. Further details  
of measures and targets for LTIP awards  
are set out on page 101. 

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continued

Strategic alignment of remuneration 
with KPIs for 2018 (pages 28 to 31)

LTIP

  Cumulative adjusted EPS 
Financial KPI

  Total non-advertising revenues 
Financial KPI

  Viewing health – ITV Family SOV  
Strategic KPI

  Viewing health – Online viewing 
Strategic KPI

Performance
weighting

40%

40%

10%

10%

Annual Bonus

  ITV adjusted EBITA 
Financial KPI

  Profit to cash conversion  
Financial KPI

  Individual targets

Performance
weighting

60%

15%

25%

In this year’s report we have provided 
additional detail as to how we currently 
comply with the remuneration provisions 
within the 2018 Corporate Governance  
Code  (2018 Code) which takes effect for 
2019. Whilst ITV is well placed against the 
majority of provisions, we will use the policy 
vote as a further opportunity to review  
how our approach compares with evolving 
market practice at that time.

In line with the 2018 Code, the Committee 
already dedicates considerable time to 
understanding pay in the wider organisation.  
While the review of matters relating to,  
for example, all-colleague pay or gender  
and BAME pay provide important context 
for the Board, these are also matters which 
the Committee considers.

We hope that you find this report to be  
clear and transparent. We remain 
committed to taking a measured approach 
to pay and continue to value the support  
of our shareholders in this approach. 

Mary Harris
Chair, Remuneration Committee
27 February 2019

Board changes 
On 31 December 2018 Ian Griffiths stepped 
down from the Board after ten years.  
During his tenure, ITV underwent a significant 
transformation and the Board would like 
to thank Ian for his sustained contribution  
to the business. 

On departure, Ian’s remuneration 
arrangements were determined in 
accordance with his contractual terms  
and the limits set out in the Remuneration 
Policy approved by shareholders at the  
2017 AGM. All variable incentives continue 
to be performance based and will be 
prorated for time served. Full details of the 
departure terms are set out on page 103. 

In November 2018, we announced that Chris 
Kennedy would join the Board as Group CFO 
during 2019. As announced on appointment, 
the terms of his remuneration package will 
be consistent with the Remuneration Policy. 
One major change agreed was a reduced 
cash allowance for income in retirement of 
9% of salary (below the policy maximum  
of 25%) which aligns with retirement 
benefits offered in the wider organisation. 
Full details of his remuneration arrangements 
are set out on pages 102 and 103. 

Looking ahead 
The current Remuneration Policy was 
approved by shareholders at the 2017 AGM. 
Under the normal three year renewal cycle, 
a new Remuneration Policy will be 
presented at the 2020 AGM. As part of this 
renewal process, the Committee intends 
to undertake a review of current pay 
arrangements to ensure that they remain 
fit-for-purpose. We will once again consult 
with our largest shareholders regarding  
any significant changes in approach. 

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Who is on the 
Committee
The Committee is 
composed entirely of 
Non-executive Directors. 

The current members are:
•  Mary Harris (Chair)
•  Salman Amin (from 1 June 2018)
•  Sir Peter Bazalgette
•  Roger Faxon
•  Anna Manz
•  Duncan Painter (from  

1 February 2019)

John Ormerod stepped down  
from the Board and the 
Committee on 10 May 2018.

Full details of attendance at 
Committee meetings can be 
found on the table on page 71.

Detailed biographies can be 
found on page 66 and 67.

Our role
Following each meeting, the 
Committee communicates 
its main discussion points 
and findings to the Board. 

The Committee’s terms of 
reference can be accessed  
on our website. 

www.itvplc.com/ 
investors/governance

Meetings in 2018
In addition to Committee 
members, the Executive 
Directors, Group HR 
Director, Company 
Secretary, Director of 
Reward & Pensions and 
independent adviser 
Deloitte regularly 
attended meetings.

The main role of the Committee  
is to:
•  Review the ongoing 

appropriateness, relevance  
and effectiveness of the 
Remuneration Policy including 
in relation to retention and 
development.

•  Propose to shareholders 

changes to the Remuneration 
Policy as appropriate.

•  Approve the implementation  

of remuneration arrangements 
for the Executive Directors, 
Management Board and other 
senior executives (together the 
Senior Executive Group) taking 
into account arrangements for 
the wider employee group. 
Details on employee 
remuneration can be found  
on page 109.

•  Approve the design of the 
Company’s annual bonus 
arrangements and long-term 
incentive plans, including the 
performance targets that apply 
for the Senior Executive Group.

•  Determine the award levels  

for the Senior Executive Group 
based on performance against 
annual bonus targets and 
long-term incentive conditions.

November
•  Bonus framework and targets
•  LTIP performance targets and 

shareholder consultation
•  Review of remuneration 

consultants

•  Gender and BAME pay  

gap reporting

•  Annual pay review
•  CEO pay ratio reporting

January
•  Financial performance update 
•  Indicative bonus outcomes and 

payout levels

•  Indicative LTIP performance 

and vesting levels

•  Pay review outcomes and 

changes to Senior  
Executive Group

•  Remuneration Report
•  Adviser independence

February
•  Bonus targets considered 

for current year

•  LTIP awards and targets 

considered for current year 
in conjunction with 
strategic review 

•  Remuneration Report
•  Compliance with  

Remuneration Policy

•  Compliance with shareholding 

guidelines

April
•  Market update 
•  Financial performance update
•  UK Corporate Governance Code 

September
•  Reward framework and 

current trends

•  LTIP performance targets 

and strategic review.

•  Consideration of remuneration 
in the wider employee group

October
•  Bonus payout forecasts
•  Consider operation of  

current incentives

•  LTIP performance targets  

and shareholder consultation

Annual review
An annual review of 
the performance  
of the Committee 
is conducted each year.

For 2018, in addition to feedback 
from members of the Committee, 
input was also sought from 
the Executive Directors and 
Deloitte, the independent adviser 
to the Committee. 

Overall, the review concluded  
that the Committee is responding 
appropriately to its terms of  
reference and will continue to 
develop its role.

During 2019 the Committee will 
review its role in considering 
remuneration for the wider 

workforce to ensure compliance 
with the 2018 Code. 

In addition they will review the 
terms of reference of the 
Committee and consider any 
further actions required to  
ensure full compliance.

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Remuneration Report
continued

Remuneration Policy Summary

The Company’s Remuneration Policy was approved by shareholders at the AGM on 10 May 2017. This Policy will continue to apply for 2019. 
Under the normal three year renewal cycle, the Remuneration Policy will next be submitted for approval by shareholders at the 2020 AGM. 

The Policy aims to balance the need to attract and retain high-quality talent essential to the Company’s success with the need to be 
cost effective and to reward exceptional performance. The Policy seeks to balance these factors, while taking into account prevailing  
best practice and fair outcomes for investors. 

A significant proportion of the package is tied to the achievement of stretching performance conditions that align remuneration with 
our strategy to deliver strong business performance and create shareholder value.

A summary of the Policy is provided below. The full Policy can be found on our website.

  www.itvplc.com/investors/governance

Element

Summary of Policy

2019 Approach

Fixed pay

Base salary

Purpose: To reflect the skills, responsibility and experience and support the  
recruitment and retention of Executive Directors of the calibre required to deliver  
the business strategy.

Operation: Reviewed annually with consideration given to personal and company 
performance, pay levels in relevant market and the wider employee pay review.

Carolyn McCall:  
£922,500 (+2.5%)

Chris Kennedy:  
£660,000  
(on appointment)

Provision for an 
income in retirement

Purpose: To provide competitive post-retirement benefits or cash allowance as a 
framework to save for retirement.

Carolyn McCall:  
15% of salary 

Operation: The maximum contributions or cash allowances for the Executive Directors  
are 25% of base salary.

Chris Kennedy:  
9% of salary 

Benefits

Purpose: Ensures that the package is competitive.

In line with policy

Operation: Set at a level which the Committee considers to be appropriately positioned 
taking into account typical market levels, individual circumstances and the overall cost  
to the business.

Variable performance-related pay

Annual Bonus:  
Cash and Deferred 
Share Award (DSA)

Purpose: To incentivise achievement of key financial measures and objectives to deliver 
the business strategy. Compulsory deferral provides alignment with the shareholder 
experience and supports retention of executives. 

Operation: Maximum opportunity will not exceed 200% of salary. The majority of the 
opportunity is based on corporate and financial measures, the remainder on performance 
against individual and/or strategic objectives. Targets and measures are set annually 
based on business plans at the start of the year. 

Not more than two-thirds delivered in cash with the balance deferred into shares under 
the DSA, normally for a period of three years. Subject to malus and clawback.

Long-Term Incentive 
Plan (LTIP)

Purpose: To incentivise delivery of performance aligned with the business strategy over  
the longer term and the creation of shareholder value.

Operation: The maximum award that may be granted in any financial year is 350%. 

Performance measures are closely linked to financial and strategic priorities. 

Performance period is not less than three years, with awards to be held for  
an additional two year holding period after the end of the performance period.  
Subject to malus and clawback.

Maximum bonus opportunity

Carolyn McCall:  
180% of salary 

Chris Kennedy:  
165% of salary 

Performance measures
(see page 102)

2019 LTIP grant levels

Carolyn McCall:  
265% of salary 

Chris Kennedy:  
225% of salary 

Performance measures
(see page 102)

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Remuneration Policy in action 2018

Time horizons

Year 1

Year 2

Year 3

Year 4

Year 5

Year 6

Fixed pay

Paid over  
financial year

Annual Bonus

Paid in March 2019

Deferral (one-third)

LTIP

Performance period – three years

Holding period – two years

Shareholding

Safeguards  
– LTIP

Safeguards 
– Annual Bonus 

CEO: 400% of salary
CFO: 200% of salary

Malus and Clawback apply

Malus and Clawback apply

How our incentive pay links to our strategy
Our incentive pay structure is designed to align with our strategy. Below we set out how each performance element under our  
incentive pay links to our three strategic areas. 

1 

Strengthen 
Integrated 
producer  
broadcaster

2 

Grow
UK and global  
production

3 

Create 
Direct to 
Consumer

KPI’s are set out on pages 28 to 31

Annual bonus

ITV adjusted EBITA
Key measure of profitability that reflects the underlying performance  
of the business. 

Profit to cash conversion
Our measure of effective cash generation used for working capital management. 

Cost savings
Permanent savings to the business. Managing our cost base is key as we aim to 
run our business as efficiently as possible and fund investments in line with our 
strategic priorities.

Individual strategic
Specific targets for each Executive Director to deliver on strategic priorities. 
These are adjusted annually to reflect strategic need. 

LTIP

Adjusted EPS 
Key measure of overall Group performance, capturing performance across  
all revenue streams.

Total non-advertising revenues 
Strategic objective to deliver a growing and stable production business  
and a new scaled and profitable Direct to Consumer business. 

Viewing health 
ITV Family SOV – keeping our free-to-air proposition strong and our audience 
figures healthy.

Online Viewing – growing ITV VOD viewing via catchup and other devices.

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Remuneration Report
continued

Annual Report on Remuneration

The sections of the Annual Report on Remuneration that have been audited by KPMG are pages 98 to 100, page 103 to 104 (limited  
to Non-executive Directors and payments to past Directors for loss of office sections) and pages 105 to 106.

Remuneration Policy application in 2018
The following section provides details of how the current Remuneration Policy was implemented in 2018.

Executive Directors
The table below sets out in a single figure the total remuneration for both Executive Directors for the financial year. 

Salary
Taxable benefits
Pension
Bonus (cash and shares)
Share awards 
Transitional arrangements
Buy-out awards 

Interim arrangements 
Total
Total (excluding transitional arrangements)

Notes

2, 3

4

5

Carolyn McCall 1

Ian Griffiths

2018
£000

887
17
133
1,175
–

1,483

–
3,695
2,212

2017
£000

–
–
–
–
–

–
–
–

2018
£000

642
15
161
779
–

158
1,755
1,597

2017
£000

608
15
152
979
450

459
2,663
2,204

1.  Carolyn McCall was appointed to the Board on 8 January 2018 and remuneration is prorated from that date.
2.   The 2016 LTIP awards were subject to performance conditions measured to 31 December 2018. As the performance conditions were not achieved, this award will lapse.
3.   In the 2017 Annual Remuneration Report, the amount shown for Ian Griffiths was the indicative vesting value of the 2015 LTIP award that was subject to performance conditions 
measured to 31 December 2017. The figure shown in the table above represents the subsequent value received on the vesting date of 27 March 2018 using the share price on 
that date (145.18 pence).

4.   The figure shown represents awards made to Carolyn McCall in March 2018 to replace awards forfeited on joining ITV. Further details are shown on page 103.
5.   As disclosed in May 2017, interim arrangements were implemented following Adam Crozier’s departure from the Board. The 2018 remuneration for Ian Griffiths includes a 

temporary supplement that consisted of £54k salary, £13k pension and £90k bonus.

The aggregate emoluments for all Directors as required under Schedule 5 (SI 2008/410), is the total remuneration shown in the table above less share awards but including 
gains on exercise of options and amounts receivable under LTIPs, plus the total emolument figures for Non-executive Directors shown on page 100.
Sir Peter Bazalgette was Executive Chairman for the period 30 June 2017 to 8 January 2018. Details of his remuneration arrangements are set out on page 100. 

Further information in relation to each of the elements of remuneration for 2018 set out in the table above is detailed below.  
An explanation for 2017 is set out in detail in our 2017 Annual Report and Accounts, which can be found on our website.

  www.itvplc.com/investors

Salary
Carolyn McCall’s annual salary for the year was £900,000. She was appointed to the Board on 8 January 2018 and the prorated salary 
received in the year was £887,308.

As disclosed in last year’s report, Ian Griffiths received a 2.75% salary increase from 1 January 2018 in line with the wider employee group. 
For 2018, his salary was £642,213. 

Taxable benefits and pension
The benefits provided to the Executive Directors include the cost of private medical insurance and car-related benefits. 

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The Executive Directors were not part of an ITV pension scheme but received a cash allowance in lieu of pension. Carolyn McCall received 
15% and Ian Griffiths received 25% of base salary respectively. The cash allowance does not form part of the base salary for the purpose  
of determining incentives. 

Bonus (cash and shares)
Annual incentives are provided to Executive Directors through the bonus, with one-third of any award usually deferred into shares under 
the Deferred Share Award Plan (DSA). The performance conditions that apply to the bonus are set on an individual basis and are linked 
to the Company’s corporate, financial and strategic priorities. This enables the Committee to reward both annual financial performance 
delivered for shareholders and performance against specific financial, operational or strategic objectives set for each Executive Director. 

The majority of the bonus (75%) was based upon the achievement of corporate and financial targets, with payout determined in 
accordance with pre-set target ranges subject only to the usual adjustments to exclude the impact of acquisitions and currency 
movements. As indicated in the letter from the Chair, the financial targets were set to reflect expected trends in the advertising market 
and planned essential investments in core technologies and capabilities as well as the network programme budget agreed by the Board. 
The targets were considered to be stretching in this context.

The corporate and financial targets used for 2018, together with performance against those targets and the resulting level of payout  
are set out below.

Performance measure

ITV adjusted EBITA 
Profit to cash conversion

Performance required

Weighting

20%

100%

Performance 
achieved

Payout level
(% of maximum)

60% £754.3m
80%
15%

£834.3m
88%

£810m
88%

75.7%
100%

The remainder of the bonus (25%) was based upon the Committee’s assessment of the contribution each Executive Director made to the 
overall strategy through the delivery of specific targets. The Committee applies suitable judgement when assessing performance in this 
regard.  The Executive Directors shared common objectives; completion of the strategy refresh, implementation of the organisational 
re-design, and ensuring communication and engagement with the new strategic priorities.  They delivered well against these objectives – 
the More than TV strategy was announced in July 2018, a Direct to Consumer business was created, and the organisation redesign process 
commenced and will be completed in 2019. The Committee therefore agreed that this element should deliver an outcome of 92.5% of 
maximum for both Directors. 

In 2018, ITV demonstrated its resilience in what was a testing year for the UK economy. During 2018, there was a further contraction  
in the spot advertising market due to continued economic and political uncertainty impacting business confidence. Given this backdrop,  
the EBITA result for 2018 represents a robust outcome. This outcome was underpinned by another year of strong cash conversion,  
a record outcome for share of viewing of 23.2% (2017: 21.7%) and a 5% growth in total non-advertising revenue. Overall ITV has  
delivered another year of strong operating performance as well as making a number of essential investments towards future  
success. This underlying strength and confidence is reflected in the full year dividend for 2018 which is up 3%.

Notwithstanding the above, the Committee was mindful of how current macroeconomic uncertainty has recently impacted many UK 
exposed stocks, including ITV. In this context, the Committee determined that while the executive team had performed well against the 
targets set at the start of the year, the Committee would exercise its discretion and trust. The outcome from the corporate and financial 
elements of the bonus should therefore be scaled back by an amount equivalent to 10 percentage points of the overall award.

Payments and deferrals in respect of the financial year are set out below.

Carolyn McCall
Ian Griffiths

% of maximum
 bonus opportunity 
earned

83.6%
83.6%

Total value

£1,334,423
£988,002

% of bonus 
earned after
discretion applied

73.6%
73.6%

Total value

£1,174,707
£869,792

Value delivered 
in shares under 
the DSA

£391,569
£289,931

Value paid 
in cash

£783,138
£579,861

Of the total bonus shown for Ian Griffiths, £779k relates to his ongoing bonus arrangements while £90k relates to the interim arrangements, see note 5 on page 98. The maximum 
bonus opportunity for Ian Griffiths was increased from 165% to 180% for the period he was in receipt of a temporary salary supplement.  

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Remuneration Report
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Share awards
We are required to show share awards in the single figure table on page 98 according to the year in which the performance period for each 
performance measure ended. 

The awards made in 2016 under the LTIP were subject to performance measured to 31 December 2018. The performance conditions were 
not met and in accordance with the terms of the awards these will now lapse. Further details on the awards and performance measures  
can be found on page 106 and in the 2016 Remuneration Report. 

Transitional arrangements
As a result of joining ITV, Carolyn McCall forfeited various interests under legacy incentive arrangements operated by her previous 
employer, easyJet plc. As explained in last year’s Remuneration Report, the Committee agreed to buyout these arrangements on  
a comparable basis. 

The single figure table for 2018 includes payments relating to: (i) 2015 easyJet deferred bonus (£209k), (ii) 2016 easyJet deferred bonus 
(£92k), (iii) 2016/17 easyJet bonus (£910k); and (iv) 2014 easyJet long-term incentive awards (£271k). In all cases, the level of payout reflected 
the value of awards forfeited. No buyout was made in respect of the 2015 easyJet long-term incentive awards, as the equivalent easyJet 
award lapsed in full. Further details of the outstanding buyout arrangements are set out on page 103.

As noted in last year’s Remuneration Report, following Adam Crozier’s decision to step down from the Board, Ian Griffiths was asked to lead 
the executive team on an interim basis and take on additional responsibilities until a new Chief Executive joined the business. To reflect 
these additional responsibilities, it was agreed in May 2017 that he would receive a temporary salary supplement of £200,000 per annum 
and an increased maximum bonus opportunity of 180% of salary. In order to facilitate a suitable transition, this supplement remained 
payable until 7 April 2018.

Chairman and Non-executive Directors 
The table below sets out in a single figure the total remuneration for Non-executive Directors for the financial year. 

Peter Bazalgette (Chairman)
Salman Amin
Edward Bonham Carter 
Margaret Ewing
Roger Faxon
Mary Harris
Andy Haste
Anna Manz
John Ormerod
Duncan Painter

Notes

2
3
4

5
6, 7

6
8

Fees

2018 
£000

450
68
20
80
70
101
35
76
33
43
976

2017 
£000

450
64
–
12
69
86
103
74
90
–
948

Taxable benefits1

Total

2018 
£000

2017 
£000

3
8
–
1
6
4
–
–
–
–
22

2
4
–
–
9
4
–
–
–
–
19

2018 
£000

453
76
20
81
76
105
35
76
33
43
998

2017 
£000

452
68
–
12
78
90
103
74
90
–
967

1. 

 The amounts disclosed in the table above relate to the reimbursement of taxable relevant travel and accommodation expenses (and associated taxes) for attending Board 
meetings and related business. In addition, Peter Bazalgette receives private healthcare.

2.   Salman Amin joined the Remuneration Committee on 1 June 2018. 
3.   Edward Bonham Carter was appointed to the Board as Senior Independent Director on 11 October 2018. 
4.   Margaret Ewing became Chair of the Audit and Risk Committee on 10 May 2018.
5.   Mary Harris was appointed interim Senior Independent Director from 10 May 2018 to 11 October 2018.
6.   Andy Haste and John Ormerod both stepped down from the Board and Committees on 10 May 2018. 
7. 
8.   Duncan Painter was appointed to the Board on 1 May 2018.

 Andy Haste stepped down from the Remuneration Committee on 10 May 2017.

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LTIP awards made in 2018
On 28 March 2018, an award was made under the LTIP to Carolyn McCall and Ian Griffiths, subject to performance over the period  
to 31 December 2020 as set out below.

% salary 
awarded

Number of share  
options (nil-cost)

Value at 
award date

Performance 
period ends

Holding period

Vesting date

Release date

Carolyn McCall
Ian Griffiths 

265
225

1,641,997
995,134

£2,385,000
£1,445,432

31 December 2020
31 December 2020

2 years
2 years 

28 March 2021
28 March 2021

28 March 2023
28 March 2023

As noted in the letter from the Chair, the performance measures and targets for the 2018 awards were determined following consultation 
with our largest shareholders. For the 2018-2020 performance cycle the performance measures selected are intended to be directly 
aligned to the three pillars of the More than TV strategy communicated to the market during 2018 and as set out on page 24.  
The alignment between the strategy and the performance measures is summarised in the table on page 97.

When setting the performance measures and targets the Committee took into account the More than TV strategy, the planned essential 
investments over the period and current internal and external forecasts for future performance. The targets are reflective of current 
legislative and regulatory frameworks. The Committee views these targets as stretching given the uncertain economic environment. 
Delivery of performance at the top of the range would represent significant outperformance.

The performance measures and targets for 2018 are:

Adjusted EPS
Total non-advertising revenues
Viewing health:
- ITV Family SOV
- Online viewing

KPI

Weightings

see page 28

see page 28

see page 29

see page 30

40%
40%

10%
10%

Threshold
(20% vesting) 

13p
3% growth pa

Maximum
(100% vesting)

17p
6.5% growth pa

21.2%
+200m hours growth

23.1%
+400m hours growth

There will be scaled vesting between the threshold and maximum level. The interim vesting points are closely linked to the strategy and are therefore currently commercially 
sensitive. However, full disclosure of the scale will be provided following the end of the performance period.

The Remuneration Committee will retain the ability to adjust the targets and definitions for exceptional, one-off events or new business 
opportunities, which may arise over the course of the performance period, in order to ensure that the plan continues to operate in line  
with the Committee’s original intentions. 

As a further safeguard, and in line with the 2018 Corporate Governance Code, the Remuneration Committee will continue to have 
discretion to amend the final vesting level should any formulaic assessment of performance not reflect a balanced view of the business 
performance during the performance period. When making this judgement the Committee may consider any such factors it deems 
relevant. The Committee believes that this discretion is an important feature of the plan and mitigates the risk of unwarranted vesting 
outcomes. This provision will apply to all LTIP awards granted from 2018 onwards.

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Remuneration Report
continued

Remuneration Policy in 2019
Executive Directors
The following section provides details of how the Remuneration Policy will be implemented in 2019. The details below include Chris 
Kennedy who joined the Board in February 2019.

Salary
Salaries are paid in line with the Remuneration Policy. On 1 January 2019, Carolyn McCall received an increase of 2.5% in line with the wider 
employee group.

Carolyn McCall
Chris Kennedy 

2019 Salary

£922,500
£660,000

Taxable benefits and pension
These are provided in line with the Remuneration Policy. Both Executive Directors receive private medical cover, car-related benefits,  
and a cash allowance in lieu of participation in any ITV pension scheme. Carolyn McCall’s pension benefits for 2019 will remain unchanged 
(15% of salary). In accordance with the 2018 UK Corporate Governance Code the Committee has determined that Directors who join from  
1 January 2019 will receive pension contributions in line with the wider employee group, therefore Chris Kennedy will receive a cash 
allowance in lieu of pension of 9% of salary.

Bonus (cash and shares)
The maximum bonus opportunity for 2019 remains unchanged: Carolyn McCall – 180% of salary; Chris Kennedy – 165% of salary. Awards 
made to Executive Directors through the bonus will be paid two-thirds in cash and one-third deferred into shares under the DSA.

The performance measures and weightings for 2019 bonuses will be broadly similar to previous years. The target ranges for financial 
measures have been set to reflect planned essential investments and current expectations regarding advertising market performance for 
2019. Overall the Committee is satisfied that the target ranges are realistic but highly stretching in this context. The Board considers the 
actual targets for 2019 to be commercially sensitive at this time, however, we envisage providing retrospective disclosure of these targets 
in next year’s report. Details of the financial performance measures are set out in the table on page 97.

The Committee may adjust bonus targets or outcomes to reflect significant one-off events (e.g. major transactions), foreign exchange 
movements or material changes to assumed plan conditions to ensure that the plan continues to reward performance fairly.  
The Committee may amend the bonus pay-out should any formulaic assessment of performance not reflect the overall business 
performance of the year. 

Share awards
The Committee’s intention is for 2019 LTIP awards to be subject to the same performance measures and weightings as those applicable to 
2018 awards. As noted above, these metrics have been discussed at length with our largest shareholders.

For 2019 LTIP awards we intend to maintain the same balance of performance measures as for 2018. However, we will await finalisation of 
our strategic investment plans before publishing targets for 2019. Once the targets are finalised, the Committee intends to publish them 
on the Company’s website.

Malus and Clawback: malus and clawback provisions may be operated at the discretion of the Committee in respect of any cash and 
deferred share elements of the bonus and awards made under the LTIP. Under malus, unvested share awards (including any LTIP shares 
subject to a post-vesting holding period) can be reduced (down to zero if considered appropriate) or be made subject to additional 
conditions. Clawback allows for repayment of bonuses previously paid and/or shares previously received following vesting. Malus/clawback 
can be operated up to four years following the start of the relevant bonus year for bonuses, and up to six years from the relevant date of 
grant for LTIP awards. The circumstances in which the operation of these provisions would be applied may be considered from time to time 
but currently include material misstatement of results, gross misconduct or fraud. The plan rules have been reviewed and the Committee  
is happy that they provide sufficient scope to exercise discretion and judgement in line with the spirit of the 2018 Corporate Governance 
Code. The Committee is also happy that there is no need to instigate either malus or clawback for any vested or outstanding awards at  
this time.

102 

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 Remuneration Report

Buyout arrangements
Carolyn McCall: In addition to the awards set out in the table on page 100, Carolyn McCall is also entitled to a buyout in respect of an 
easyJet long-term incentive granted in 2016 based on performance to 30 September 2019. The replacement award will be subject  
to ITV performance to 31 December 2019 based on the same performance measures as the 2018 LTIP. The outcome for this award will  
be disclosed in next year’s Remuneration Report. Following the assessment of performance any vested shares will be subject to  
a two year holding period.

Chris Kennedy: In line with the Remuneration Policy, it was agreed that ITV would buyout certain bonus and share awards that  
Chris forfeited by leaving his previous employer, Micro Focus International plc, and joining ITV. Details of forfeited arrangements  
are set out in the Micro Focus International plc Annual Report and Accounts for 2017/18.

In determining the buyout, the Committee has taken into account relevant factors including performance conditions attaching to 
the forfeited awards, the likelihood of the awards vesting and the form and timing of the awards. The awards will be bought out on 
a comparable basis. 

All elements of the buyout package are subject to continued employment. If Chris gives notice to leave the Company within 12 months 
of commencing employment, all awards paid or that vested during this period will be repayable by him.

The buyout arrangements comprise the following:

•  Annual bonus – bonus award forfeited in respect of 2018 will be replaced with an award of equivalent value. This will include a cash 
payment of £372,000 payable in March 2019 and a deferred share award equivalent to £186,000 which will vest in September 2021. 
•  Long-term incentives – the forfeited 2018 long-term incentive award will be replaced with ITV share awards made in March 2019.  
An award with an equivalent value of £210,000 will vest in March 2021 and an award with an equivalent value of £31,000 will vest in 
September 2021. Given the value of the awards, the Committee determined that, for simplicity, the awards would be granted at an 
equivalent value, discounted to reflect performance and vesting subject to continued employment. Full details regarding the buyouts 
denominated in shares will be set out in the relevant stock exchange announcement at the time of grant, and shareholders will also  
be provided with additional detail in next year’s Remuneration Report. 

Non-executive Directors
There has not been an increase to Non-executive Director fees since 2016. Current fees are as set out below.

1 January 2019
£

1 January 2018
£

% Change

Chairman
Board fee
Additional fees for:
Senior Independent Director
Audit and Risk Committee Chairman
Audit and Risk Committee member
Remuneration Committee Chairman
Remuneration Committee member

450,000
65,064

450,000
65,064

25,000
20,000
5,371
20,000
5,371

25,000
20,000
5,371
20,000
5,371

Sir Peter Bazalgette acted as Executive Chairman from June 2017, with no additional fees paid, and resumed his non-executive role from 8 January 2018. In addition to his fee, he 
received private medical insurance and this is disclosed on page 100.

Details of Committee memberships can be found on page 71.

Other disclosures
Payments to past directors
Ian Griffiths stepped down from the Board on 31 December 2018. As announced on the Company’s website on 2 January 2019, salary, 
pension allowance and other contractual benefits will continue to be paid until 31 March 2019 when his employment will cease. In line  
with his contractual arrangements he will also receive a payment in lieu of the remainder of his 12-month notice period totalling  
£408,014. Other benefits will continue until the end of the notice period, 30 September 2019. In addition, Ian received an allowance  
for legal advice and outplacement services totalling £55,000.

–
–

–
–
–
–
–

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continued

The Committee agreed to treat share awards as follows:

•  DSA – for bonus already earned, all outstanding awards will be released on the usual vesting dates. 
•  LTIP – any unvested nil-cost options will be prorated to 31 March 2019 and vest as follows: the 2017 award will vest in March 2020 and 
become exercisable in March 2022 and the 2018 award will vest in March 2021 and become exercisable in March 2023. The 2015 award 
that vested in March 2018 is due to release in two tranches, the first tranche in March 2019 and the second tranche in March 2020.  
It has been agreed however that both tranches will release in March 2019.

In line with contractual arrangements, a bonus payment will be made in March 2019 for the 2018 bonus year. One-third of this will be 
payable in shares in the normal way but the Committee has agreed that these will not be subject to a deferral period. The value of these 
shares is included in the single figure table on page 98 with further details on page 99.

Chief Executive remuneration
The table below provides a summary of the total remuneration received by the Chief Executive over the last ten years, including details 
of the annual bonus payout and long-term incentive award vesting level in each year.

2018
2017

2016
2015
2014
2013
2012
2011
2010

2009

Carolyn McCall
Peter Bazalgette (for the six month period served as Executive Chairman)
Adam Crozier (for the six month period served)
Adam Crozier
Adam Crozier
Adam Crozier
Adam Crozier
Adam Crozier
Adam Crozier
Adam Crozier (for the eight month period served)
John Cresswell (for the four month period served) – interim Chief Executive
Michael Grade – Executive Chairman

Total 
remuneration 
£000

Bonus %
 of maximum

Long-term 
incentive award 
vesting % 
of maximum

 3,695
225
2,050
3,632
3,881
4,842
8,399
2,915
2,158
1,350
661
2,583

 73.6
–
97.9
40
96
94
93
91
88
95
83
94

–
–
63
80
75
75
87
12
–
–
–
–

The long-term incentive award vesting percentage relates to the proportion of the award that met performance conditions in the relevant financial year. 

Comparison of Chief Executive to wider employees
The table below provides details of the percentage change in the base salary, benefits and bonus of the Chief Executive between 
31 December 2017 and 31 December 2018 compared with the average percentage change for other employees.

Chief Executive
All employees

Notes

 1, 2
3, 4

% change in
base salary

% change in
benefits

% change in 
bonus payments

(4.35)
4.76

(0.74)
15.66

(29.2%)
(28.28%)

1. These figures are the annualised amounts received by Adam Crozier for 2017 and Carolyn McCall for 2018.
2. Benefits include the cost of medical insurance and car-related benefits.
3. As the majority of employees are based in the UK and share the same benefits as the Chief Executive, overseas employees have not been included.
4. The percentage change in benefits is the average change for all UK employees (excluding the Chief Executive) with any of the same benefits as the Chief Executive.

The Committee is mindful of pay practices across the Group and during the course of the year regular updates are provided regarding 
remuneration trends for the wider employee population. The Committee considers pay in the wider group from a number of perspectives. 
The Remuneration Committee is also mindful of the new requirements to disclose the ratio between CEO’s remuneration and other 
employees in the organisation. These new disclosure requirements will come into effect for the 2019 Directors’ Remuneration Report. 
During the course of 2019, the Committee will be dedicating time to understanding how the ratio varies across the Group and in different 
performance scenarios. 

Overall, the Committee is keen to ensure pay practices across the Senior Executive Group are fair, reflect the nature of the role and 
align with performance.

104 

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 Remuneration Report

Directors’ share interests
Shareholding guidelines
The Committee continues to recognise the importance of Directors being shareholders so as to align their interests with other shareholders.

Shareholding guidelines are in place, which encourage Executive Directors to build up a holding of ITV plc shares based on a percentage of base 
salary. Normally, 50% of the requirement must be obtained within three years of appointment and the remainder within five years.

Where the value of shares required to be held increases as a result of a salary increase (or an increase in the relevant percentage), 
the Executive Directors will have three years from such increase to achieve compliance. The Committee may change the guidelines 
so long as they are not, overall, in the view of the Committee, less onerous. 

Interests in share awards following departure enable departing Directors to remain aligned with the interest of shareholders for an 
extended period after leaving the company. Deferred Share Awards and LTIP awards subject to a holding period will normally vest (and be 
released from their holding periods) at the normal time. This means that Directors may retain a significant interest in shares for up to five 
years following departure from the Company. The Remuneration Committee intends to further review the Company’s arrangements for 
alignment with shareholders post-cessation of employment as part of the review of the Remuneration Policy that will take place prior to 
the 2020 AGM.

Non-executive Directors are required to build and then maintain a holding of 100% of their base fee over the six years from the date 
of appointment to the Board (unless for some reason they are unable to retain their fees). 

Interests in shares
The figures set out below represent shareholdings in the ordinary share capital of ITV plc beneficially owned by Directors and their 
family interests at 31 December 2018. 

Executive Directors
Carolyn McCall
Ian Griffiths
Non-executive Directors
Salman Amin
Peter Bazalgette 
Edward Bonham Carter
Margaret Ewing
Roger Faxon
Mary Harris 
Anna Manz
Duncan Painter

 Interests in shares

Notes

31 December 
2018

2 January 
2018

31 December 
2017

1

2

3

181,598
1,456,982

–
1,254,554

–
1,254,554

14,795
313,497
–
22,700
40,935
31,078
33,268
–

–
249,095
–
6,700
28,910
19,883
32,993
–

–
236,070
–
6,700
28,910
17,870
32,993
–

 % required
under
shareholding
guidelines

400
200

100
100
100
100
100
100
100
100

1.  Carolyn McCall was appointed to the Board on 8 January 2018. 
2.  Edward Bonham Carter was appointed to the Board on 11 October 2018.
3.  Duncan Painter was appointed to the Board on 1 May 2018. 

The value of shares has been calculated using the share price on 31 December 2018 of 125.7 pence. 
At 31 December 2018 Ian Griffiths had exceeded his shareholding requirement under the shareholding guidelines. Carolyn McCall purchased a significant number of shares in the year, 
and is required to hold 50% of her requirement by 8 January 2021.
Peter Bazalgette and Roger Faxon would have met their requirements under the NED guidelines based on the average share price in 2018.

105

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Remuneration Report
continued

Outstanding interests under share schemes
The following tables provide details of Directors’ interests in outstanding share awards.

At 
1 January
 2018

Notes

Awarded 
in year

Vested 
in year

Exercised 
in year

Lapsed 
in year

At 
31 December
 2018

Share price 
used for 
award 
(pence)

Share price 
at date of 
vesting 
(pence)

Date 
of release/
exercise 
in year

Carolyn McCall
Buy out Awards
28 March 2018
28 March 2018
28 March 2018

LTIP
28 March 2018 

Ian Griffiths
DSA
28 March 2018 
28 March 2017
29 March 2016
27 March 2015

LTIP

28 March 2018
11 May 2017
29 March 2016
27 March 2015

1, 2
1, 2
1, 2

–
–
–

160,406
54,294
209,049

160,406
–
–

160,406
–
–

–
–
–

–
54,294
209,049

145.25
145.25
145.25

130.00
–
–

17 Dec 2018
–
–

3

–

1,641,997

–

–

– 1,641,997

145.25

–

–

4, 2
4
4
4

–
60,472
121,628
112,186

291,882
–
–
–

–
–
–
112,186

–
–
–
112,186

–
–
–
–

291,882
60,472
121,628
–

5

6
7

–
705,730
536,850
491,722

995,134
–
–
–

–
–
–
–

–
–
–
–

–
–
–
181,392

995,134
705,730
536,850
309,784

145.25
209.2
241.0
256.7

145.25
199.3
241.0
256.7

–
–
–

–
–
–
145.18 27 March 2018 

–
–
–
–

–
–
–
–

1.    The buyout awards shown in the table relate to: (i) 2015 easyJet deferred bonus (160,406 ITV shares); (ii) 2016 easyJet deferred bonus (54,294 ITV shares), which will be eligible  

for release in December 2019; and (iii) 2016/17 easyJet bonus – one-third deferred into shares for three years (209,049 shares). In all cases, the values reflect awards forfeited under 
previous easyJet incentive arrangements and will vest and be released over the same time horizons as awards forfeited. The values are included in the single figure table on page 98.

2.  DSA awards made in 2018 for 2017 performance and Buy out awards are included in the single figure table on page 98.
3.  The face value of awards granted in the financial year to Carolyn McCall under the LTIP was £2,920,389.
4.  There are no performance conditions attaching to the DSA. 
5.  The face value of awards granted in the financial year to Ian Griffiths under the LTIP was £1,869,390. 
6.  2016 LTIP performance conditions were not met in December 2018 and accordingly these awards will lapse. 
7.  2015  LTIP performance conditions were met in December 2017 (63%). 

Performance conditions that apply to the unvested awards under the LTIP are summarised in the table below. Full details were provided  
in previous Remuneration Reports. For awards made in 2018 see page 101.

Cumulative adjusted EPS
ITV Family SOV
Annual non-NAR growth
International production revenue growth
Online, Pay & Interactive revenue growth

2016

2017

Weighting

Threshold 
vesting

Threshold

Maximum Threshold

Maximum

50%
20%
10%
10%
10%

20%
20%
20%
20%
20%

54.6p
20.2%
5%
5%
5%

62.4p
21.6%
10%
15%
18%

56.3p
20.2%
5%
5%
5%

64.2p
21.6%
10%
15%
18%

106 

ITV plc   Annual Report and Accounts 2018

 Remuneration Report

External directorships 
With specific approval of the Board, Executive Directors may accept external appointments as Non-executive Directors of other companies 
and retain any related fees paid to them.

During the year, the Executive Directors retained fees for the directorships set out below.

Carolyn McCall
Ian Griffiths (stepped down from the board of DS Smith plc on 28 June 2018)

Company

Burberry Group plc
DS Smith plc

2018
£000

80
28

Service contracts 
The Directors’ service contracts and letters of appointment are available for inspection at the Company’s registered office.

Executive Directors: Executive Directors have rolling service contracts that provide for 12 months’ notice on either side.  
There are no special provisions that apply in the event of a change of control.

Carolyn McCall
Chris Kennedy 

Date of appointment

8 January 2018
   21 February 2019

Nature of 
contract

Rolling
Rolling

Notice period 
from Company

Notice period 
from Director

Compensation for 
early termination

12 months
12 months

12 months
12 months

None
None

A payment in lieu of notice, including base salary, contractual benefits and contractual provision for an income in retirement, may be made if:

•  the Company terminates the employment of the Executive Director with immediate effect, or without notice; or
•  termination is agreed by mutual consent.

With the exception of termination for cause or resignation, Executive Directors will be eligible for a bonus award prorated to reflect 
the proportion of the financial year for which they were employed and subject to performance achieved, provided they have a minimum 
of three months’ service in the bonus year.

Non-executive Directors: Each Non-executive Director, including the Chairman, has a contract of service with the Company. Non-executive 
Directors will serve for an initial term of three years, subject to election and then annual re-election by shareholders, unless otherwise 
terminated earlier by and at the discretion of either party upon one month’s written notice (12 months for the current Chairman). After  
the initial three year term, reappointment is on an annual basis.

All Non-executive Directors are subject to election or re-election at the AGM in 2019. Details of tenure are set out in the table on page 71.

Committee membership and advisers 
The Directors who were members of the Committee when matters relating to the Executive Directors’ remuneration for the year were 
considered are set out on page 95.

The Committee obtains advice from various sources in order to ensure it makes informed decisions. The Executive Directors are invited 
to attend Committee meetings as appropriate. No individual is involved in decisions relating to their own remuneration.

The Group HR Director is the main internal adviser and provides updates on remuneration, employee relations and human resource issues. 
Deloitte LLP acted as the independent adviser on remuneration policy and the external remuneration environment during 2018. Total fees 
for advice provided to the Committee during the year amounted to £146,350 (exclusive of VAT and expenses). 

The Committee has formally reviewed the work undertaken by Deloitte and is satisfied that the advice it has received has been objective 
and independent. Deloitte are members of the Remuneration Consultants Group and abide by its Code of Conduct.

107

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Remuneration Report
continued

Spend on pay
The table below shows pay for all employees compared with other key financial indicators.

Employee pay1
Ordinary dividend
Special dividend
Employee headcount2

2018
£m 

473
315
–
6,281

2017
£m 

449
294
200
6,055

% 
Change

5.3
7.1
–
3.7

1.  Employee pay is the total remuneration paid to all employees across ITV on a full-time equivalent basis. More detail is set out on page 139.
2.  Employee headcount is the monthly average number of employees across ITV on a full-time equivalent basis. More detail is set out on page 139.
There were no share buybacks during either year.

Historic performance
The graph below shows the TSR performance of the Company against the FTSE 100 index over the ten year period to 31 December 2018.

900

800

700

600

500

400

300

200

100

0

)

9
0
0
2
y
r
a
u
n
a
J
1
t
a
0
0
1
o
t
d
e
s
a
b
e
r
(

R
S
T

31/12/2008

31/12/2009

31/12/2010

31/12/2011

31/12/2012

31/12/2013

31/12/2014

31/12/2015

31/12/2016

31/12/2017

31/12/2018

ITV

FTSE 100

Shareholder voting
Votes cast by proxy and at the meeting in respect of the Executive Directors’ remuneration were as follows:

Resolution

Number of 
shares

Voting for 
%

Number of 
shares

Voting 
against 
%

Total votes 
cast

Votes 
withheld

Annual Report on Remuneration (2018 AGM)
Remuneration Policy (2017 AGM)

2,983,205,782
2,945,550,900

98.27
98.75

55,118,246
37,188,567

1.81
1.25

3,038,324,028  5,058,263
2,987,579,168 4,839,701

108 

ITV plc   Annual Report and Accounts 2018

 
 
 
 
 
 
 
Directors’ Report

 Directors’ Report

The Directors present their Annual Report and the audited consolidated and parent company financial statements for the year ended 
31 December 2018, which they approved on 27 February 2019. The Directors’ Report comprises this report and the entire Governance 
section including the Chairman’s Governance Statement.

Colleagues
ITV has a Code of Conduct which sets out the behaviours we expect from all our colleagues and forms part of their terms of employment  
(a copy is available on our website at www.itvplc.com). Our employment and recruitment policies are based on equal opportunities and 
non-discrimination. We have an Equal Opportunities Policy which covers all protected groups of the Equality Act 2010. We have a diversity 
and inclusion strategy with a clear three year plan to amplify inclusion and diverse representation at all levels across the organisation. 

Disability: ITV has been certified a Disability Confident Employer by the Department for Work and Pensions and as part of this 
commitment guarantees an interview to any candidate with a disability who meets the minimum requirement for a role. The Company 
gives full and fair consideration to the employment of people with a disability or long-term health condition. ITV works with a variety of 
partners across its apprentice, early careers, permanent and fixed-term contract recruitment process (including Mencap, MIND, Remploy, 
Scope and Vercida). We provide all colleagues with appropriate measures to ensure they are fully supported and that reasonable 
adjustments are made. We are committed to ensuring that all training, career development and promotion opportunities are accessible 
and inclusive to all colleagues with a disability and that they have the same career opportunities for growth and progression. We continue 
to run a focused programme of activity to raise awareness and dispel myths through a series of lunch and learns and management 
development on mental health.

Diversity: Through our programmes, channels, workforce and services, and by working in partnership with the production community, we 
aim to ensure we are relevant and accessible and reflect modern society. ITV has four network groups open to all colleagues (see page 16) 
that run a number of inspirational talks and events and development workshops. We are a founding member of the Social Mobility 
Business Partnership set up to promote social mobility in business, especially in the legal and accountancy professions. 

We are also pleased to be singled out by the most recent Hampton Alexander report as the sixth best performer in the FTSE100 for gender 
diversity in our combined Executive Committee and Direct Reports team and the fourteenth best performer at Board level.

Engagement: ITV has in place an Ambassador network who represent all parts of our business globally and are elected by their colleagues. 
The role of the Ambassador is to represent colleagues’ interests, share information and shape our culture by giving a voice to all colleagues. 
During 2018, the Ambassadors were instrumental in providing consultation support to colleagues affected by organisation design changes, 
proposed office moves and more generally providing feedback on the experience of working at ITV. 

As a result of the More than TV strategy we have undertaken a review of the behaviours expected from our leaders, managers and 
colleagues to execute the strategy. We have also redefined the role of our Senior Leadership and Executive Leadership teams, giving them 
a clear purpose and remit. 

Carolyn McCall has introduced a regular podcast/vodcast enabling employees globally to hear directly from her providing business updates 
and an insight in to what is happening both internally and externally in the wider media environment. Alongside this is an Ask Carolyn email 
address which allows all colleagues to ask questions and to provide feedback directly to her. 

Remuneration: When the Company reviews pay it takes a number of factors into consideration, including the need to stay competitive. 
Our focus on cash and costs remains incredibly important for the future health of our business. We need to balance our business and 
financial commitments with our continuing investment in programming and people. The Company continues to be committed to ensuring 
colleagues earn at least the Living Wage or greater. Where appropriate we have agreed additional increases. On 1 January 2019, all eligible 
UK colleagues received a pay increase of 2.5% (2018: 2.75%).

In addition, a bonus arrangement extends to all our UK colleagues, providing a comprehensive incentive framework that rewards everybody 
when the Company is successful. The all-colleague bonus award for 2018 was paid at £1,325 (75.7% of maximum) (2017: £1,750). The 
Company also operates a successful and popular all-colleague Save As You Earn scheme that encourages voluntary investment in ITV 
shares and a package of voluntary benefits which provide valuable cost savings for both colleagues and the Company. Information about 
remuneration for the Directors is included in the Remuneration Report on page 92.

Speaking up and Whistleblowing: ITV encourages a culture of open communication and recognises that by encouraging colleagues  
to raise suspected wrongdoing, fraud or malpractice in the workplace we can ensure that the highest standards of safety are maintained 
and good ethics and judgement are applied when making decisions. Systems are in place to enable colleagues to speak up and these are 
reviewed annually by the Audit and Risk Committee. In 2019, we launched a new reporting tool that enables colleagues and freelancers to 
report incidents and share observations and this will be rolled out across the Group during 2019. Our Whistleblowing Policy ensures that 
concerns are investigated properly. Any form of reprisal or victimisation against anyone who raises a genuine concern will not be tolerated. 

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Directors’ Report
continued

Further information can be found in the Audit and Risk Committee Report on page 87. A copy of the Whistleblowing Policy is available on 
our website.

   www.itvplc.com/investors/governance

Succession planning, training and development: When planning succession, consideration is given to emergency cover together with 
medium and long-term succession and this is reviewed annually by the Nomination Committee. The aim of this programme is to build 
breadth in our internal pipeline and accelerate the development of our new high potential leaders, preparing them to move into senior 
positions and building a strong continuation of diverse talent for the future. 

2018 saw continued investment in development for our colleagues. We introduced a refreshed New Manager Induction programme,  
a series of Aspiring Manager masterclasses, and a new High Potential Leadership programme. We also continued with our series of 
Leadership Labs to strengthen our leadership capability, Team Development workshops and also rolled out on-line globally accessible 
training. The majority of our face-to-face leadership and all colleague development was UK focused. However, we have also run leadership 
development sessions in Norway and with the Britbox US management team, focused on developing high performing teams. 

99% of fixed term and permanent colleagues completed our updated suite of mandatory training modules. This covered our Code of 
Conduct, anti-bribery and corruption, cyber security and data protection in light of the updated GDPR regulations. Our freelancers also 
completed the training modules as part of their onboarding experience.

We continue to fund the development of new talent through our apprenticeship programme with the majority of the classroom training 
funded through the apprenticeship levy. Additionally, some colleagues have undertaken qualifications, utilising apprenticeship levy funding.

In 2018, 31% of vacancies were filled by internal candidates and 10% of our colleagues were promoted into larger/different roles 
demonstrating our continued focus on career development. 

Corporate
Articles of Association: Unless expressly specified to the contrary, the Articles of Association may only be amended by special resolution 
of the shareholders. The Articles are available on our website. 

   www.itvplc.com/investors/governance

Auditor: The Audit and Risk Committee considered the performance and audit fees of the external auditor, and the level of  
non-audit work undertaken. It recommended to the Board that a resolution for the reappointment of KPMG LLP for a further year  
as the Company’s auditor be proposed to shareholders at the AGM on 8 May 2019. 

Change of control: No person holds securities in the Company carrying special rights with regard to control of the Company.
All of the Company’s share schemes contain provisions relating to a change of control. Outstanding awards and options would normally 
vest and become exercisable on a change of control, subject to the satisfaction of any performance conditions and proration for 
time where appropriate.

Certain of the Group’s debt and derivative instruments have change of control clauses whereby the counterparty can require ITV to  
repay or redeem the instruments in the event of a change of control although in some cases only if it is accompanied by a credit rating 
downgrade. The Company is not aware of any other significant agreements to which it is a party that take effect, alter or terminate upon  
a change of control of the Company

Dividends: The Board has proposed a final dividend for the year ended 31 December 2018. Details of this and other dividends paid for the 
year are as follows:

Interim dividend
Final dividend
Total ordinary dividend payment

2018

2.6p
5.4p
8.0p

2017

2.52p
5.28p
7.80p

The final dividend for 2018 will be paid on 23 May 2019 to shareholders on the register on 12 April 2019. The ex-dividend date is 11 April 2019.

110 

ITV plc   Annual Report and Accounts 2018

 Directors’ Report

Political contributions: It is the Company’s policy not to make cash contributions to any political party. However, within the normal 
activities of the Company’s national and regional news-gathering operations there may be occasions when an activity might fall within  
the broader definition of ‘political expenditure’ contained within the Companies Act 2006. Shareholder authority for such expenditure  
was given at the 2018 AGM. During 2018 the Group made no payments falling within this definition (2017: nil).

Directors
Appointments: A table showing Directors who served in the year can be found on page 71. Biographies for Directors currently in office 
can be found on pages 66 and 67 and on our website.

   www.itvplc.com/about/board-of-directors

Directors are appointed for an initial three year period and annually thereafter. Each Director will retire and submit themselves for election 
or re-election at the AGM on 8 May 2019. 

Detail on compensation for loss of office can be found in the Remuneration Report on page 103.

Conflicts of interest: The Board has delegated the authorisation of any conflicts to the Nomination Committee and has adopted 
a Conflicts of Interest Policy. The Board has considered in detail the current external appointments of the Directors that may give 
rise to a situational conflict and has authorised potential conflicts where appropriate. This authorisation can be reviewed at any time 
but will always be subject to annual review. 

Contracts of significance: No Director had any interest in any contract with the Company or its subsidiary undertakings.

Powers: The powers of the Directors are set out in the Articles of Association. The Articles and a schedule of Matters Reserved for 
the Board can be found on our website (below).

Insurance and indemnities: The Company maintains liability insurance for its Directors and officers that is renewed on an annual basis. 
The Company has also entered into deeds of indemnity with its Directors and other senior executives. A copy of the indemnity can be  
found on our website.

   www.itvplc.com/investors/governance

Disclosures
Listing rule 9.8.4 disclosures: There are no disclosures to be made other than that the trustee of the Employees’ Benefit Trust (EBT) 
waived its rights to receive dividends on shares it holds which do not relate to restricted shares held under the ITV Deferred Share  
Award Plan.

Financial risk management: The Directors have carried out a robust assessment of the principal risks facing the Company, including in 
relation to its business model, future performance, solvency and liquidity. Details of our risks and associated mitigations, together with 
details of our approach to risk management, are set out on pages 54 to 61.

Note 4.3 to the accounts on page 176 gives details of the Group’s financial risk management policies and related exposures. This note 
is incorporated by reference and deemed to form part of this report.

Future developments: Our strategy is set out in the Strategic Report.

Going concern: The going concern statement is set out on page 131. This note is incorporated by reference and deemed to form 
part of this report.

Subsequent events: There are no post balance sheet events to report.

Research and development: Relevant information is set out in the Strategic Report.

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Directors’ Report
continued

Pensions 
The Company operates a number of pension arrangements which provide retirement and death benefits for colleagues.

The Company pensions arrangements are overseen by a Pensions Steering Committee comprised of senior executives. The Committee 
meets monthly and is supported by a range of specialist advisers.

ITV Pension Scheme (the ‘Scheme’): The Scheme is predominantly a defined benefit (DB) scheme which is closed to future accrual, but 
also includes a defined contribution (DC) section closed to future contributions. Until the end of November 2018, the Scheme comprised 
three sections: A, B and C. On 30 November 2018, as part of effecting a ‘Buy-In’ transaction with an insurance company, Section B’s assets 
and liabilities were merged into Section C. 

ITV Pension Scheme Limited (a wholly owned subsidiary of ITV plc) is a corporate trustee and manages the Scheme under a trust which is 
separate from the Company. Members of the trustee board are formally appointed as directors of ITV Pension Scheme Limited. There are 
nine directors including the chairman — five appointed by the Company and four nominated by the members. The trustee has four 
committees: Investment, Audit and Operations, DC, and Corporate Affairs. The Corporate Affairs Committee is convened as and when 
appropriate for dealing with any corporate activities that may arise.

The trustee board and each committee hold regular meetings throughout the year at which key issues and more routine business matters 
are dealt with and a budget is agreed each year. The trustee board has a risk register, a conflicts of interest policy and a register of interests 
policy, which are reviewed regularly.

It is the responsibility of the trustee to have in place appropriate training for its directors and effective committee structures. The trustee 
directors receive regular training throughout the year and also have the support of various professional advisers. The Group pensions 
department helps identify training opportunities. Training is delivered both by attendance at external courses and with targeted training  
to support specific agenda items at the start of each trustee board meeting. Where appropriate, longer training sessions are organised. 
Comprehensive records are kept of all training completed by each trustee director. The trustee board completes regular assessments  
of its advisers.

The chairman confirms in an annual statement that the trustee meets its legal duties in relation to the DC section as required under the 
Pensions Regulator’s Code of Practice 13.

Full valuations are carried out every three years. The latest completed actuarial valuation of all three sections of the main DB scheme was 
carried out as at 1 January 2017.

ITV Defined Contribution Plan (the ‘Plan’): This trust based Plan was established to accept contributions from 1 March 2017 for ex-DB 
members and DC members who transferred from the Scheme. Eligible colleagues are invited to join the Plan after completing the required 
time in the Company’s auto-enrolment (AE) arrangement – The People’s Pension. These individuals are given the opportunity  
to transfer funds from the AE plan and make backdated contributions within permitted levels.

ITV DC Trustee Limited (a wholly owned subsidiary of ITV plc) is a corporate trustee and manages the DC assets, which are held under trust 
separately from the Company. Members of the trustee board are formally appointed as directors of ITV DC Trustee Limited. There are five 
directors including the chairman — three appointed by the Company and two nominated by the members. It is the responsibility of the 
trustee to have in place appropriate training for its directors.

The governance framework for managing the Plan and developing the board is in line with that in place for the Scheme.

The chairman confirms in an annual statement that the trustee meets its legal duties in relation to the DC Plan as required under the 
Pensions Regulator’s Code of Practice 13.

112 

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 Directors’ Report

Ulster Television Pension and Assurance Scheme (the ‘Ulster Scheme’): The Ulster Scheme provides DB benefits. It closed to new 
members in 2002 but is still open to future accrual. However, a comprehensive 60-day consultation exercise was started on 28 January 
2019 with active members on a proposal to close to future accrual with effect from 31 March 2019. The outcome of the consultation  
will be confirmed in next year’s report.

UTV Pension Scheme Limited (a wholly owned subsidiary of ITV plc) is a corporate trustee and manages the DB assets, which are held  
under trust separately from the Company. Members of the trustee board are formally appointed as directors of UTV Pension Scheme 
Limited. There are five directors including the chairman — three appointed by the Company (including a professional trustee as chairman) 
and two nominated by the members. It is the responsibility of the trustee to have in place appropriate training for its directors.

The governance framework for managing the Ulster Scheme and developing the board is in line with that in place for the Scheme.

Full valuations are carried out every three years. The latest completed actuarial valuation was carried out as at 1 July 2017. The trustee 
board has adopted the Pensions Regulator’s integrated risk management framework — taking a holistic approach and looking at how  
risks around the employer covenant, funding and investment strategy are all linked and inter-dependent. A cashflow driven investment 
strategy was introduced from March 2018.

The People’s Pension: Since 2013, employers within the Group have been required to enrol all eligible individuals into a pension scheme 
automatically. This applies to all eligible individuals who are contracted to work for us, regardless of their contract type or tax status. 
Following a provider review, the plan is now provided by a company called The People’s Pension under a master trust which is run by  
an independent board of trustee directors and eligible individuals are enrolled into this arrangement. 

Pension Scheme indemnities: Qualifying pension scheme indemnity provisions, as defined in Section 235 of the Companies Act 2006, 
were in force for the financial year ended 31 December 2018 and remain in force for the benefit of each of the directors of ITV Pension 
Scheme Limited, ITV DC Trustee Limited and UTV Pension Scheme Limited. These indemnity provisions cover, to the extent permitted  
by law, certain losses or liabilities that may be incurred as a result of being a director or officer of these companies.

Shares
Issued share capital: At the date of this report, there were 4,025,409,194 ordinary shares of 10 pence each in issue, all of which are fully 
paid up and quoted on the London Stock Exchange.

Purchase of own shares: The Directors have the authority to purchase up to 402.5 million of the Company’s ordinary shares.  
The authority remains valid until the AGM in 2019 or 8 August 2019, if earlier.

Restrictions: There are no restrictions on the transfer of ordinary shares in the capital of the Company other than those which may 
be imposed by law from time to time. In accordance with the Disclosure Guidance and Transparency Rules (DTRs), Persons Discharging 
Managerial Responsibility are required to seek approval to deal in ITV shares. The Company is not aware of any agreements between 
shareholders that may result in restrictions on the transfer of securities and/or voting rights.

Rights: The rights attaching to the Company’s ordinary shares are set out in the Articles of Association.

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Directors’ Report
continued

Share schemes: Details of employee share schemes are set out in note 4.7 on page 184. The Company has an EBT funded by loans to 
acquire shares for the potential benefit of colleagues. Details of shares held by the EBT at 31 December 2018 are set out on page 186.  
During the year shares have been released from the EBT in respect of share schemes for colleagues. The trustee of the EBT has the 
power to exercise all voting rights in relation to any investment (including ordinary shares) held within the EBT.

Substantial shareholders: Information regarding interests in voting rights provided to the Company pursuant to the DTRs is published  
on a Regulatory Information Service and on the Company’s website.

As at 26 February 2019, the information in the table below had been received, in accordance with DTR5, from holders of notifiable interests 
(voting rights) in the Company’s issued share capital. It should be noted that these holdings are likely to have changed since notified 
to the Company. However, notification of any change is not required until the next applicable threshold is crossed.

The Capital Group Companies Inc.
Liberty Global Incorporated Limited 

BlackRock Inc. 
Amerprise Financial, Inc and its group 
The Goldman Sachs Group 

% of interest
 in shares 

10.99%
–

5.11%
5.08%
0.03%

Nature of 
interest
 in shares 

Indirect
Indirect

Indirect 
Indirect 
Indirect

% interest 
in financial 
instruments 

–
9.90%
0.39%
0.26%
0.045%
0.17% 
20.41%

Nature of 
interests 
in financial 
instruments 

–
Loaned shares
Securities lending
Contract for difference
Equities swap
Securities Lending 
Swap (cash), Contract
 for difference (cash), 
over the counter option 
(physical or cash)

Total number 
of shares 
or interests 
in shares 

442,468,836
398,515,510

232,006,146
206,179,898
829,368,692

The number of shares is based on announcements made by each relevant shareholder using the Company’s issued share capital at that date.

Regulations
Anti-bribery and corruption: ITV is committed to conducting business in an open and ethical way. We take a zero-tolerance approach to 
bribery and corruption and are committed to acting professionally, fairly and with integrity in all our business dealings and relationships 
wherever we operate, as well as implementing and enforcing effective systems to counter bribery and corruption. Our Anti-Bribery and 
Corruption Policy sets out our responsibilities and how we expect those working for or with us to observe and uphold the policy and 
provides information and guidance on how to deal with bribery and corruption issues. The effectiveness and implementation of the policy 
is regularly reviewed and compliance by colleagues is closely monitored. ITV retains the right to ask associated parties to confirm 
compliance on an annual basis. Further information can be found in the Audit and Risk Committee Report on page 88.

We have in place a Sanctions Policy to ensure the business complies with all relevant international and financial sanctions in force at the 
time by the UN, EU or UK Government. Compliance with the policy is kept under review by the Tax and Treasury Committee.

Data: As a part of our business activity ITV processes large amounts of personal data. In doing this ITV respects the privacy of our viewers, 
customers, contractors, talent and colleagues and seeks to protect personal data by complying with the applicable laws and regulations 
and fully cooperating with the relevant regulatory authorities. ITV has a Privacy and Data Protection Policy and an Information Security 
Policy that govern the processing of data. Compliance with these policies is mandatory and forms part of the Code of Conduct. All 
colleagues undergo regular training to remind them of their responsibilities under these policies. Privacy and data protection is kept under 
review by the Audit and Risk Committee (see page 86).

Environment: ITV recognises that it has a responsibility to understand and minimise our impact on the environment and an opportunity  
to influence positively our industry and audiences. Further information can be found on our Corporate Responsibility website.

   www.itvplc.com/responsibility

ITV is required to report annually on the quantity of carbon dioxide equivalent emissions in tonnes emitted as a result of activities for 
which it is responsible. All data for the financial year ended 31 December 2018 is disclosed overleaf for direct (gas, vehicle fuel, fuel oils and 
refrigerants consumption) and indirect (electricity consumption) emissions. 

114 

ITV plc   Annual Report and Accounts 2018

 Directors’ Report

Indicator

Total gross CO2e emissions
Scope 1: Direct emissions

Scope 2: Indirect emissions
Total Revenue (1) 
Emissions per unit/£m revenue 

2018

20,066
6,770

13,293
£3,766m
5.3 (tCO2e)

2017

22,321 (tCO2e)
6,684 (tCO2e)

15,637 (tCO2e)
£3,665m
6.1 (tCO2e)

The total revenue for 2017 was restated as a result of IFRS 15 Revenue from contracts with customers. This did not result in a change to the emissions calculation.

Source: Mitie Energy analysis of ITV data. The emissions data covers our global operations for which we have operational control. We use the GHG Protocol Corporate Accounting and 
Reporting Standard and the latest conversion factors from the Department for Business, Energy & Industrial Strategy to calculate emissions in tonnes of carbon dioxide equivalents. 
37% of our data set is based on estimated data. Estimates are calculated from previous consumption trends and published benchmarks. 

In 2018, the Company’s greenhouse gas emissions reduced by 10% compared to the previous year. As 85% of our greenhouse gas emissions 
are generated within our UK operations, this is where we focus our efforts. We continued to replace ageing infrastructure with more 
efficient plant, optimise our building management software systems and replace lighting systems with more efficient LED technology. 

Health and safety: The health and safety of our employees, contractors and those participating in our productions is always a high priority. 
The significant loss of human life as the result of a major incident on production has been identified as a principal risk to the organisation. 
ITV has in place a Group Health and Safety policy statement supported by a health and safety management system. In line with our overall 
risk management approach we operate a three lines of defence model with the Company’s professional Health and Safety team occupying 
the second line establishing a safety management system and providing expertise to support the business owner in the first line of 
defence.

The Health and Safety team continue to refine the management system to ensure it meets the specific risk profile of the business. In 2018 
we developed our risk toolkit for productions:

•  Processes were launched to review, manage and escalate risks within production from initial risk analysis to engagement of creatives  

in risk evaluation; 

•  Our education programme was strengthened with the development and roll-out of two new courses that are accredited by the 

International Institute of Risk and Safety Management; and

•  A new reporting tool was developed to support ongoing risk management including health and safety (see page 87).

A key element of the risk toolkit is a set of core statements that act as our global risk language, these have been developed with the 
London School of Economics and reflect what we expect to see from our people, our teams, and our leaders, in a positive risk climate.  
They are focused on how we ensure everyone has a voice and how we listen to that voice.

Within all our health and safety activity we are using new methodology to engage with the business, building our understanding of the 
effectiveness of safety management, enabling us to continually improve and refine our approach. We continue to underpin our health  
and safety management system with three key principles:

•  People are the solution
•  Safety is about positive outcomes
•  Safety is a moral responsibility 

The Audit and Risk Committee reviews health and safety annually.

Modern Slavery: ITV is fully committed to ensure that we do not participate in the violation of human rights and expect the same of our 
suppliers. We are a founding member of the television industry Human Rights Working Group set up to proactively address human rights 
issues in the television industry and raise awareness beyond it. ITV’s Modern Slavery Statement sets out the steps taken by ITV to identify, 
address and prevent modern slavery and human trafficking in our business and supply chain and is reviewed by the Board on an annual 
basis. A copy can be found on our website.

   www.itvplc.com

115

Strategic ReportFinancial StatementsAdditional informationGovernanceGovernance

Directors’ Report
continued

The Directors consider that the Annual 
Report and Accounts, taken as a whole, 
is fair, balanced and understandable and 
provides the information necessary for 
shareholders to assess the Company’s 
and the Group’s position and performance, 
business model and strategy. Each of the 
Directors, whose names and functions are 
listed on pages 66 and 67, confirm that, 
to the best of their knowledge:

•  The Group accounts, which have been 
prepared in accordance with IFRSs 
as adopted by the EU, give a true and 
fair view of the assets, liabilities, financial 
position and profit of the Group; and
•  The Directors’ Report includes a fair 
review of the development and 
performance of the business and the 
position of the Group, together with  
a description of the principal risks and 
uncertainties that it faces.

In accordance with Section 418 of the 
Companies Act 2006, the Directors confirm 
that, so far as they are each aware, there is 
no relevant audit information of which the 
Company’s auditor is unaware; and each 
Director has taken all steps that they 
ought to have taken as a Director in order 
to make themselves aware of any relevant 
audit information and to establish that 
the Company’s auditor is aware of 
that information.

The Board has conducted a review of 
the effectiveness of the Group’s systems 
of internal controls for the year ended 
31 December 2018. In the opinion of the 
Board, the Company has complied with 
the internal control requirements of the 
UK Corporate Governance Code throughout 
the year, maintaining an ongoing process for 
identifying, evaluating and minimising risk.

The Directors are responsible for preparing the Annual Report and the Group 
and parent company financial statements in accordance with applicable law and 
regulations. Company law requires the Directors to prepare Group and parent 
company financial statements for each financial year. Under that law they are 
required to prepare the Group financial statements in accordance with IFRSs as 
adopted by the EU and applicable law and have elected to prepare the parent company 
financial statements in accordance with UK Accounting Standards, including FRS 101 
(Reduced Disclosure Framework).

Under company law, the Directors must not approve the financial statements unless 
they are satisfied that they give a true and fair view of the state of affairs of the Group 
and parent company and of their profit or loss for that period. In preparing each of 
the Group and parent company financial statements, the Directors are required:

•  To select suitable accounting policies and then apply them consistently
•  To make judgements and estimates that are reasonable, relevant, reliable  

and prudent

•  For the Group financial statements, to state whether they have been prepared 

in accordance with IFRSs as adopted by the EU

•  For the parent company financial statements, state whether applicable 

UK Accounting Standards have been followed, subject to any material departures 
disclosed and explained in the parent company financial statements

•  To assess the Group and parent Company’s ability to continue as a going concern, 

disclosing, as applicable, matters relating to the going concern; and

•  To use the going concern basis of accounting unless they either intend to liquidate 

the Group or the parent Company or to cease operations, or have no realistic 
alternative but to do so.

The Directors are responsible for keeping adequate accounting records that are 
sufficient to show and explain the parent company’s transactions and disclose with 
reasonable accuracy at any time the financial position of the parent company and 
enable them to ensure that its financial statements comply with the Companies Act 
2006. They are responsible for such internal control as they determine is necessary 
to enable the preparation of the financial statements that are free from material 
misstatement, whether due to fraud or error, and have general responsibility for taking 
such steps as are reasonably open to them to safeguard the assets of the Group and to 
prevent and detect fraud and other irregularities. Under applicable law and regulations, 
the Directors are also responsible for preparing a Strategic Report, Directors’ Report, 
Annual Remuneration Report and Corporate Governance Statement that comply with 
that law and those regulations.

The Directors are responsible for the maintenance and integrity of the corporate 
and financial information included on the Company’s website. Legislation in the UK 
governing the preparation and dissemination of financial statements may differ 
from legislation in other jurisdictions.

By order of the Board

Carolyn McCall
Chief Executive 
27 February 2019
ITV plc
Registered Number: 4967001

116 

ITV plc   Annual Report and Accounts 2018

Financial Statements 

> Financial Statements 

In this  
section 

The financial statements have been presented in a style that attempts to make them less complex  
and more relevant to shareholders. We have grouped the note disclosures into five sections: ‘Basis of 
Preparation’, ‘Results for the Year’, ‘Operating Assets and Liabilities’, ‘Capital Structure and Financing Costs’ 
and ‘Other Notes’. Each section sets out the accounting policies applied in producing the relevant notes, 
 along with details of any key judgements and estimates used. The purpose of this format is to provide 
readers with a clearer understanding of what drives financial performance of the Group. The aim of the  
text in boxes is to provide commentary on each section, or note, in plain English. 

Keeping  
it simple 

Notes to the financial statements provide information required by statute, accounting standards or  
Listing Rules to explain a particular feature of the financial statements. The notes that follow are a part  
of the financial statements and will also provide explanations and additional disclosure to assist readers’ 
understanding and interpretation of the Annual Report and the financial statements. 

Contents 
Independent Auditor’s Report to the members of ITV plc only 

Primary Statements 
Consolidated Income Statement 
Consolidated Statement of Comprehensive Income 
Consolidated Statement of Financial Position 
Consolidated Statement of Changes in Equity 
Consolidated Statement of Cash Flows 

Section 1: Basis of Preparation 

Section 2: Results for the Year 
2.1 Profit before tax 
2.2 Exceptional items 
2.3 Taxation 
2.4 Earnings per share 

Section 3: Operating Assets and Liabilities 
3.1 Working capital 
3.2 Property, plant and equipment 
3.3 Intangible assets 
3.4 Acquisitions 
3.5 Investments 
3.6 Provisions 
3.7 Pensions 

Section 4: Capital Structure and Financing Costs 
4.1 Net debt 
4.2 Borrowings and finance leases 
4.3 Managing market risks: derivative financial instruments 
4.4 Net financing costs 
4.5 Fair value hierarchy 
4.6 Equity 
4.7 Share-based compensation 

Section 5: Other Notes 
5.1 Related party transactions 
5.2 Contingent assets and liabilities 
5.3 Subsidiaries exempt from audit 

ITV plc Company Financial Statements 

Notes to the ITV plc Company Financial Statements 

118 

125 
125 
126 
127 
128 
130 

131 

135 
135 
142 
143 
146 

148 
148 
153 
155 
160 
161 
162 
163 

172 
172 
174 
176 
180 
181 
183 
184 

186 
186 
187 
188 

189 

191 

117 
117

Strategic ReportAdditional informationFinancial StatementsGovernance 
 
 
 
 
 
 
Financial Statements
Financial Statements 

Independent Auditor’s Report to the 
members of ITV plc 

1. Our opinion is unmodified 
We have audited the financial statements of ITV plc (“the Company”) for the year ended 31 December 2018 which comprise the consolidated 
income statement, consolidated statement of comprehensive income, consolidated statement of financial position, consolidated statement  
of changes in equity, consolidated statement of cash flows, company balance sheet, company statement of changes in equity, and the related 
notes, including the accounting policies. 

In our opinion:  

•  the financial statements give a true and fair view of the state of the Group’s and of the parent Company’s affairs as at 31 December 2018  

and of the Group’s profit for the year then ended  

•  the Group financial statements have been properly prepared in accordance with International Financial Reporting Standards as adopted  

by the European Union  

•  the parent Company financial statements have been properly prepared in accordance with UK accounting standards, including FRS 101 

Reduced Disclosure Framework and  

•  the financial statements have been prepared in accordance with the requirements of the Companies Act 2006 and, as regards the Group 

financial statements, Article 4 of the IAS Regulation  

Basis for opinion 
We conducted our audit in accordance with International Standards on Auditing (UK) (“ISAs (UK)”) and applicable law. Our responsibilities are 
described below. We believe that the audit evidence we have obtained is a sufficient and appropriate basis for our opinion. Our audit opinion  
is consistent with our report to the audit committee.  

We were first appointed as auditor by the directors in December 2003 prior to the company becoming the parent company of the now ITV 
Group on 2 February 2004. The period of total uninterrupted engagement is for the 15 financial years ended 31 December 2018 for the listed 
ITV Group. We have fulfilled our ethical responsibilities under, and we remain independent of the Group in accordance with, UK ethical 
requirements including the FRC Ethical Standard as applied to listed public interest entities. No non-audit services prohibited by that standard 
were provided. 

2. Key audit matters: our assessment of risks of material misstatement 
Key audit matters are those matters that, in our professional judgement, were of most significance in the audit of the financial statements and 
include the most significant assessed risks of material misstatement (whether or not due to fraud) identified by us, including those which had 
the greatest effect on: the overall audit strategy; the allocation of resources in the audit; and directing the efforts of the engagement team.  
We summarise below the key audit matters (unchanged from 2017), in decreasing order of audit significance, in arriving at our audit opinion 
above, together with our key audit procedures to address those matters and, as required for public interest entities, our results from those 
procedures. These matters were addressed, and our results are based on procedures undertaken, in the context of, and solely for the purpose 
of, our audit of the financial statements as a whole, and in forming our opinion thereon, and consequently are incidental to that opinion, and  
we do not provide a separate opinion on these matters. 

118 
118 

ITV plc  Annual Report and Accounts 2018 
ITV plc   Annual Report and Accounts 2018

 
 
 
> Independent Auditor’s Report to the members of ITV plc  

The risk 

Our response 

Total Advertising Revenue: £1,795 million (2017: £1,781 million) Risk vs 2017: ◄►,  
Refer to page 83 (Audit and Risk Committee report), page 135 (accounting policy) and pages 136 to 138 (financial disclosures)  

Our procedures included:  

•  Control operation: testing of controls, assisted by our own IT 
specialists, including those over: segregation of duties, input of 
annual deal terms with agencies, input of individual campaigns’ 
terms and pricing, comparison of those terms and pricing data 
against the related contracts with advertising agencies; link to 
transmission/viewer data; and the system generated calculation  
of deal debt for each campaign. 

•  Test of detail: challenging the year-end deal debt positions based 
on comparison with customers’ correspondence and agreed terms 
of business. 

•  Test of detail: checking that the revenue is recognised post 
transmission. Agreeing revenue recognised by matching the 
transmissions to the corresponding spots and by agreeing invoices 
to subsequent cash receipts on sample basis. 

•  Assessing disclosures: we also assessed the adequacy of the 
Group's disclosures in respect of the accounting policies on  
revenue recognition.  

Our results:  

•  From the evidence we obtained we found the resulting amount  
of recorded spot advertising to be acceptable (2017: acceptable). 

Calculation complexity 
The majority of ITV’s advertising revenue is subject to regulation  
under Ofcom’s Contract Rights Renewal system (‘CRR’). CRR works  
by ensuring that the annual share of TV advertising that will be  
placed with ITV by each advertising agency can change in relation  
to the viewing figures for commercial television that it delivers.  
The CRR system, the pricing of the annual contractual arrangements 
with advertising agencies and the details of each advertising 
campaign, together with the related processes and controls, are 
complex and involve estimation.  

Our risk relates to the largest component of total advertising –  
spot advertising. 

In particular, the complexity of the pricing mechanism means it is 
possible for a difference to arise between the price received by ITV  
for an advertising campaign and the value it delivered, mainly as a 
result of the actual viewing figures differing from the expected level 
for the campaign. Where the Group has over-delivered viewers this is 
referred to as a ‘deal credit’, or a ‘deal debt’ where delivery has fallen 
short. Rather than the price paid for that campaign being adjusted at 
the end of the campaign, these differences are noted for each agency 
and then taken into account when agreeing either future campaigns  
or the annual contract. A net deal debt position with an agency  
is recorded in ITV’s accounts, as a liability. Net deal credit positions  
are not recognised. 

Spot advertising as the main component of total advertising  
is therefore considered a significant risk due to:  

•  The number and complexity of contractual agreements with 

advertising agencies  

•  The complexity of the systems and processes of control used  

to record revenue and  

•  The complexity involved in determining any deal debt liability  

at the period end 

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Financial Statements
Financial Statements 

Independent Auditor’s Report to the 
members of ITV plc continued 

The risk 

Our response 

Non-advertising revenue £1,971 million (2017: £1,874 million) Risk vs 2017: ◄►  
Refer to page 83 (Audit and Risk Committee report), pages 135 to 136 (accounting policy) and pages 135 to 138 (financial disclosures)  

Complex contract accounting  
Non-advertising revenue includes revenue from: programme 
production and the sale of programme rights within the Studios 
segment; transmission supply arrangements and the pay and 
interactive revenue within the Broadcast segment.  

Our risk relates to the non-advertising revenue within the Studios 
segment due to contractual nature of revenue recognition.  

Recognition of revenue is driven by the specific terms of the related 
contracts and is considered to be a significant risk as the terms of  
the contracts are varied and can be complex, with the result that 
accounting for the revenue generated in any given period can require 
judgement. Specifically judgement has been involved with regards to 
determining separate performance obligations and the timing of the 
revenue recognition of each. Due to the contractual nature of these 
revenue streams, the focus of our work is on the risks associated with 
significant one-off contracts. 

Our procedures included:  

•  Accounting analysis: we considered the Group’s revenue 

recognition policies against the relevant accounting standards.  
•  Test of detail: on a sample basis we assessed revenue contracts 

entered into during the year, and considered whether revenue had 
been recognised in accordance with the contractual terms in the 
correct accounting period, given the requirements of the relevant 
accounting policy.  

•  Assessing disclosures: we assessed the adequacy of the  
Group’s disclosures in respect of the accounting policy on  
revenue recognition.  

Our findings: 

•  From the evidence we obtained we found the resulting amount  

of recorded non advertising revenue to be acceptable 
(2017: acceptable). 

Gross defined benefit pension scheme obligations £3,719 million (2017: £3,987 million) Risk vs 2017: ◄►  
Refer to page 85 (Audit and Risk Committee report), pages 163 to 164 (accounting policy) and pages 164 to 171 (financial disclosures)  

Subjective valuation  
Significant estimates are made in determining the key assumptions 
used in valuing the Group's post-retirement defined benefit 
obligations. When making these assumptions the directors take 
independent actuarial advice relating to their appropriateness.  

The valuation of the gross defined benefit obligations is considered  
a significant risk given the quantum of the gross pension obligation 
and that a small change in assumptions can have a material financial 
impact on the Group.  

Our procedures included:  

•  Benchmarking assumptions: challenging the key financial 

assumptions applied in determining the Group's gross pension 
obligations, being the discount rate, inflation rate and mortality/life 
expectancy, with the support of our own actuarial specialists. This 
included a comparison of these key assumptions against externally 
derived data. 

•  Assessing disclosures: considering the adequacy of the Group’s 

disclosures in respect of the sensitivity of the gross defined benefit 
obligations to the assumptions.  

Our findings: 

•  From the evidence we obtained we found the resulting valuation  

of the gross pension obligations to be acceptable (2017: acceptable).  

Recoverability of parent company’s investment in subsidiaries £2,286 million (2017: £2,191 million) Risk vs 2017: ◄► 
Refer to page 191 (accounting policy) and page 193 (financial disclosures)  

Low risk, high value  
The carrying amount of the parent company’s investments in 
subsidiaries represents 35% (2017: 34%) of the company’s total assets. 
Their recoverability is not at a high risk of significant misstatement or 
subject to significant judgement. However, due to their materiality in 
the context of the parent company financial statements, this is 
considered to be the area that had the greatest effect on our overall 
parent company audit. 

Our procedures included:  

•  Test of detail: comparing the carrying amount of 100% of the 

investments balance (2017: 100%) with the relevant subsidiaries’ 
draft balance sheet to identify whether their net assets, being an 
approximation of their minimum recoverable amount, were in 
excess of their carrying amount and assessing whether those 
subsidiaries have historically been profit-making.  

Our results: 

•  We found the Group’s assessment of the recoverability of the 
investment in subsidiaries to be acceptable (2017: acceptable).  

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> Independent Auditor’s Report to the members of ITV plc  

3. Our application of materiality and an overview of the scope of our audit 
Materiality for the Group financial statements as a whole was set at £28 million (2017: £28.4 million), determined with reference to a 
benchmark of Group profit before tax normalised to exclude pension exceptional items disclosed in note 2.2, of £563 million, of which 
materiality represents 4.9% (2017: 5% of group profit before tax normalised to exclude certain exceptional items, of £568 million).  
The group team performed procedures on the items excluded from normalised group profit before tax.  

Materiality for the parent company financial statements as a whole was set as £27 million (2017: £27 million) determined with reference  
to the benchmark of the company’s total assets, of which it represents 0.4% (2017: 0.4%).  

We agreed to report to the Audit and Risk Committee any corrected or uncorrected identified misstatements exceeding £1.4 million  
(2017: £1.4 million), in addition to other identified misstatements that warranted reporting on qualitative grounds.  

Scoping and coverage 
 Revenue

Full scope audit 

82%

Specified risk-based
audit procedures 

Out of scope 

6%

12%

 Profit before tax
Full scope audit 

Specified risk-based
audit procedures 

Out of scope 

94%

1%

5%

 Total assets

Group audited 

89%

Specified risk-based
audit procedures 

Out of scope 

2%

9%

The Group’s principal operations are in the United Kingdom. The Group audit team performed the audit of the core UK operations (comprising 
Broadcast and Online, the UK Studios, Global Entertainment and the central functions) as if they were a single aggregated set of financial 
information using materiality of £25 million (2017: £25 million). Talpa Media B.V. – a significant component of the Group in the Netherlands  
was subject to an audit for Group reporting purposes. The Group audit team instructed the component auditor as to the significant areas to be 
covered, including the relevant risks described above and the determination of the information to be reported back. Specified audit procedures 
were performed by other component auditors, as instructed by the Group audit team, on three entities in the US included in our scope based  
on the relative size of their operations. The Group audit team set the materiality of £5 million (2017: £5 million) for both the audit of the 
component and the specified audit procedures. The Group audit team performed procedures on the items excluded from normalised Group 
profit before tax.  

The Group audit team held several telephone conference meetings with the component audit teams to assess the audit risk and strategy.  
The Group audit team also visited the component in the Netherlands and in the US. At these visits and in these meetings, the findings reported  
to the Group audit team were discussed in more detail, and any further work required by the Group audit team was then performed by the 
component auditor.  

Together the above audit and these specified audit procedures covered 88% (2017: 88%) of Group revenue; 95% (2017: 95%) of Group profit 
before taxation; and 91% (2016: 92%) of total Group assets.  

4. We have nothing to report on going concern 
The Directors have prepared the financial statements on the going concern basis as they do not intend to liquidate the Company or the Group 
or to cease their operations, and as they have concluded that the Company’s and the Group’s financial position means that this is realistic. They 
have also concluded that there are no material uncertainties that could have cast significant doubt over their ability to continue as a going 
concern for at least a year from the date of approval of the financial statements (“the going concern period”).  

Our responsibility is to conclude on the appropriateness of the Directors’ conclusions and, had there been a material uncertainty related to 
going concern, to make reference to that in this audit report. However, as we cannot predict all future events or conditions and as subsequent 
events may result in outcomes that are inconsistent with judgements that were reasonable at the time they were made, the absence of 
reference to a material uncertainty in this auditor's report is not a guarantee that the Group and the Company will continue in operation.  

In our evaluation of the Directors’ conclusions, we considered the inherent risks to the Group’s and Company’s business model and analysed 
how those risks might affect the Group’s and Company’s financial resources or ability to continue operations over the going concern period.  
The risks that we considered most likely to adversely affect the Group’s and Company’s available financial resources over this period were:  

•  The Broadcast division experiencing a significant and sharp decline in advertising revenues due to broader economic downturn 

•  A number of key program brands within the Studios division not being recommissioned 

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Financial Statements
Financial Statements 

Independent Auditor’s Report to the 
members of ITV plc continued 

As these were risks that could potentially cast significant doubt on the Group’s and the Company's ability to continue as a going concern, we 
considered sensitivities over the level of available financial resources indicated by the Group’s financial forecasts taking account of reasonably 
possible (but not unrealistic) adverse effects that could arise from these risks individually and collectively and evaluated the achievability of the 
actions the Directors consider they would take to improve the position should the risks materialise. We also considered less predictable but 
realistic second order impacts, such as the impact of Brexit and the erosion of customer or supplier confidence, which could result in a rapid 
reduction of available financial resources. 

Based on this work, we are required to report to you if: 

•  we have anything material to add or draw attention to in relation to the directors’ statement in Section 1 on page 131 of the financial 

statements on the use of the going concern basis of accounting with no material uncertainties that may cast significant doubt over the 
Group and Company’s use of that basis for a period of at least twelve months from the date of approval of the financial statements or 

•  the related statement under the Listing Rules set out on page 116 is materially inconsistent with our audit knowledge 

We have nothing to report in these respects, and we did not identify going concern as a key audit matter. 

5. We have nothing to report on the other information in the Annual Report 
The directors are responsible for the other information presented in the Annual Report together with the financial statements. Our opinion  
on the financial statements does not cover the other information and, accordingly, we do not express an audit opinion or, except as explicitly 
stated below, any form of assurance conclusion thereon.  

Our responsibility is to read the other information and, in doing so, consider whether, based on our financial statements audit work, the 
information therein is materially misstated or inconsistent with the financial statements or our audit knowledge. Based solely on that work  
we have not identified material misstatements in the other information.  

Strategic Report and Directors’ Report 
Based solely on our work on the other information:  

•  we have not identified material misstatements in the Strategic Report and the Directors’ Report  

•  in our opinion the information given in those reports for the financial year is consistent with the financial statements and  

•  in our opinion those reports have been prepared in accordance with the Companies Act 2006  

Directors’ Remuneration Report  
In our opinion the part of the Directors’ Remuneration Report to be audited has been properly prepared in accordance with the Companies Act 2006.  

Disclosures of principal risks and longer-term viability  
Based on the knowledge we acquired during our financial statements audit, we have nothing material to add or draw attention to in relation to:  

•  the directors’ confirmation within the viability statement on page 62 that they have carried out a robust assessment of the principal risks 

facing the Group, including those that would threaten its business model, future performance, solvency and liquidity  

•  the risks and uncertainties on pages 54 to 61 describing these risks and explaining how they are being managed and mitigated and  

•  the directors’ explanation in the viability statement of how they have assessed the prospects of the Group, over what period they have done 
so and why they considered that period to be appropriate, and their statement as to whether they have a reasonable expectation that the 
Group will be able to continue in operation and meet its liabilities as they fall due over the period of their assessment, including any related 
disclosures drawing attention to any necessary qualifications or assumptions 

Under the Listing Rules we are required to review the viability statement. We have nothing to report in this respect.  

Our work is limited to assessing these matters in the context of only the knowledge acquired during our financial statements audit. As we 
cannot predict all future events or conditions and as subsequent events may result in outcomes that are inconsistent with judgements that 
were reasonable at the time they were made, the absence of anything to report on these statements is not a guarantee as to the Group’s  
and Company’s longer-term viability. 

122 
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> Independent Auditor’s Report to the members of ITV plc  

Corporate governance disclosures  
We are required to report to you if: 

•  we have identified material inconsistencies between the knowledge we acquired during our financial statements audit and the directors’ 
statement that they consider that the annual report and financial statements taken as a whole is fair, balanced and understandable and 
provides the information necessary for shareholders to assess the Group’s position and performance, business model and strategy or  

•  the section of the annual report describing the work of the Audit and Risk Committee does not appropriately address matters communicated 

by us to the Audit and Risk Committee 

We are required to report to you if the Corporate Governance Statement does not properly disclose a departure from the eleven provisions  
of the UK Corporate Governance Code specified by the Listing Rules for our review.  

We have nothing to report in these respects.  

6. We have nothing to report on the other matters on which we are required to report by exception  
Under the Companies Act 2006, we are required to report to you if, in our opinion:  

•  adequate accounting records have not been kept by the parent Company, or returns adequate for our audit have not been received from 

branches not visited by us or  

•  the parent Company financial statements and the part of the Directors’ Remuneration Report to be audited are not in agreement with the 

accounting records and returns or  

•  certain disclosures of directors’ remuneration specified by law are not made or  

•  we have not received all the information and explanations we require for our audit 

We have nothing to report in these respects.  

7. Respective responsibilities  
Directors’ responsibilities  
As explained more fully in their statement set out on page 116, the directors are responsible for: the preparation of the financial statements 
including being satisfied that they give a true and fair view; such internal control as they determine is necessary to enable the preparation  
of financial statements that are free from material misstatement, whether due to fraud or error; assessing the Group and parent Company’s 
ability to continue as a going concern, disclosing, as applicable, matters related to going concern; and using the going concern basis of 
accounting unless they either intend to liquidate the Group or the parent Company or to cease operations, or have no realistic alternative  
but to do so.  

Auditor’s responsibilities  
Our objectives are to obtain reasonable assurance about whether the financial statements as a whole are free from material misstatement, 
whether due to fraud or other irregularities (see below), or error, and to issue our opinion in an auditor’s report. Reasonable assurance is a high 
level of assurance, but does not guarantee that an audit conducted in accordance with ISAs (UK) will always detect a material misstatement 
when it exists. Misstatements can arise from fraud, other irregularities or error and are considered material if, individually or in aggregate, they 
could reasonably be expected to influence the economic decisions of users taken on the basis of the financial statements.  

A fuller description of our responsibilities is provided on the FRC’s website at www.frc.org.uk/auditorsresponsibilities.  

Irregularities – ability to detect  
We identified areas of laws and regulations that could reasonably be expected to have a material effect on the financial statements from our 
general commercial and sector experience, through discussion with the directors and other management (as required by auditing standards), 
from inspection of the group’s regulatory and legal correspondence and discussed with the directors and other management the policies and 
procedures regarding compliance with laws and regulations. We communicated identified laws and regulations throughout our team and 
remained alert to any indications of non-compliance throughout the audit. This included communication from the group to component audit 
teams of relevant laws and regulations identified at group level. 

The potential effect of these laws and regulations on the financial statements varies considerably. 

Firstly, the group is subject to laws and regulations that directly affect the financial statements including financial reporting legislation 
(including related companies legislation), distributable profits legislation, taxation legislation and we assessed the extent of compliance with 
these laws and regulations as part of our procedures on the related financial statement items.  

Secondly, the group is subject to many other laws and regulations where the consequences of non-compliance could have a material effect  
on amounts or disclosures in the financial statements, for instance through the imposition of fines or litigation or the loss of the group’s licence 
to operate. Auditing standards limit the required audit procedures to identify non-compliance with these laws and regulations to enquiry of the 
directors and other management and inspection of regulatory and legal correspondence, if any. These limited procedures did not identify 
actual or suspected non-compliance. 

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Strategic ReportAdditional informationFinancial StatementsGovernance 
Financial Statements
Financial Statements 

Independent Auditor’s Report to the 
members of ITV plc continued 

Owing to the inherent limitations of an audit, there is an unavoidable risk that we may not have detected some material misstatements  
in the financial statements, even though we have properly planned and performed our audit in accordance with auditing standards.  
For example, the further removed non-compliance with laws and regulations (irregularities) is from the events and transactions reflected  
in the financial statements, the less likely the inherently limited procedures required by auditing standards would identify it. In addition,  
as with any audit, there remained a higher risk of non-detection of irregularities, as these may involve collusion, forgery, intentional omissions, 
misrepresentations, or the override of internal controls. We are not responsible for preventing non-compliance and cannot be expected to 
detect non-compliance with all laws and regulations. 

8. The purpose of our audit work and to whom we owe our responsibilities  
This report is made solely to the Company’s members, as a body, in accordance with Chapter 3 of Part 16 of the Companies Act 2006. Our audit 
work has been undertaken so that we might state to the Company’s members those matters we are required to state to them in an auditor’s 
report and for no other purpose. To the fullest extent permitted by law, we do not accept or assume responsibility to anyone other than the 
Company and the Company’s members, as a body, for our audit work, for this report, or for the opinions we have formed.  

Paul Sawdon (Senior Statutory Auditor)  
for and on behalf of KPMG LLP, Statutory Auditor  
Chartered Accountants  
15 Canada Square  
London  
E14 5GL  
27 February 2019 

124 
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ITV plc   Annual Report and Accounts 2018

 
 
 
 
Consolidated Income Statement 

For the year ended 31 December 

Revenue 
Operating costs 
Operating profit 

Presented as: 
Earnings before interest, tax and amortisation (EBITA) before exceptional items 
Operating exceptional items 
Amortisation and impairment 
Operating profit 

Financing income 
Financing costs 
Net financing costs 
Share of losses of joint ventures and associated undertakings 
Gain/(loss) on sale of non-current assets (exceptional items) 
Profit before tax 
Taxation 
Profit for the year 

Profit attributable to: 
Owners of the Company 
Non-controlling interests 
Profit for the year 

Earnings per share 
Basic earnings per share 
Diluted earnings per share 

> Primary Statements 

Note 

2.1 

2.1 
2.2 
3.3, 3.5 

4.4 
4.4 
4.4 
3.5 
2.2 

2.3 

4.6.6 

 2018 
£m 

3,211 
(2,611) 
600 

Restated* 

 2017 
£m 

3,130 
(2,575) 
555 

785 
(93) 
(92) 
600 

3 
(46) 
(43) 
– 
10 
567 
(97) 
470 

466 
4 
470 

810 
(153) 
(102) 
555 

4 
(54) 
(50) 
(4) 
(1) 
500 
(87) 
413 

409 
4 
413 

2.4 
2.4 

11.7p 
11.6p 

10.2p 
10.2p 

*   The Group has applied IFRS 15 ‘Revenue from Contracts with Customers’ and IFRS 9 ‘Financial Instruments’ at 1 January 2018. Under the transition method chosen, the comparative information 

has been restated. See section 1. 

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Strategic ReportAdditional informationFinancial StatementsGovernance 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Financial Statements
Financial Statements 

Consolidated Statement of Comprehensive Income 

For the year ended 31 December 

Profit for the year 

Other comprehensive (loss)/income: 
Items that are or may be reclassified to profit or loss 
Revaluation of financial assets 
Net gain/(loss) on cash flow hedges and costs of hedging  
Share of losses of joint ventures and associated undertakings 
Exchange differences on translation of foreign operations (net of hedging) 
Items that will never be reclassified to profit or loss 
Remeasurement (losses)/gains on defined benefit pension schemes 
Income tax credit/(charge) on items that will never be reclassified 
Other comprehensive (loss)/income for the year, net of income tax 
Total comprehensive income for the year 

Total comprehensive income attributable to: 
Owners of the Company 
Non-controlling interests 
Total comprehensive income for the year 

Note 

4.6.4 
4.6.3 

4.6.3 

3.7 
2.3 

4.6.6 

 2018 
£m 

470 

Restated*  

2017 
£m 

413 

(1) 
7 
(15) 
12 

(52) 
8 
(41) 
429 

425 
4 
429 

(1) 
(3) 
– 
(32) 

172 
(39) 
97 
510 

506 
4 
510 

*   The Group has applied IFRS 15 ‘Revenue from Contracts with Customers’ and IFRS 9 ‘Financial Instruments’ at 1 January 2018. Under the transition method chosen, the comparative information 

has been restated. See section 1. 

126 
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ITV plc   Annual Report and Accounts 2018

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Consolidated Statement of Financial Position 

As at 31 December 

Non-current assets 
Property, plant and equipment 
Intangible assets 
Investments in joint ventures, associates and equity investments 
Derivative financial instruments 
Distribution rights 
Defined benefit pension surplus 
Other pension asset 
Deferred tax asset 

Current assets 
Programme rights 

Trade and other receivables due within one year 
Trade and other receivables due after more than one year 

Trade and other receivables 
Contract assets 
Current tax receivable 
Derivative financial instruments 
Cash and cash equivalents 
Asset held for sale 

Current liabilities 
Borrowings 
Derivative financial instruments 

Trade and other payables due within one year 
Trade payables due after more than one year 

Trade and other payables 
Contract liabilities 
Current tax liabilities 
Provisions 

Net current assets/(liabilities) 

Non-current liabilities 
Borrowings 
Derivative financial instruments 
Defined benefit pension deficit 
Deferred tax liabilities 
Other payables 
Provisions 

Net assets 

Attributable to equity shareholders of the parent company 
Share capital 

Share premium 

Merger and other reserves 

Translation reserve 

Fair value reserve 

Retained earnings 

Total equity attributable to equity shareholders of the parent company 

Non-controlling interests 

Total equity 

> Primary Statements 

 2018 
£m 

191 
1,614 
51 
26 
29 
19 
49 
38 
2,017 

298 
355 
71 
426 
470 
15 
2 
95 
85 
1,391 

(54) 
(4) 
(768) 
(49) 
(817) 
(255) 
(115) 
(16) 
(1,261) 
130 

(993) 
(1) 
(106) 
(64) 
(130) 
(4) 
(1,298) 
849 

403 

174 

206 

60 

5 

(33) 

815 

34 

849 

Restated* 

2017 
£m 

256 
1,645 
74 
10 
19 
16 
38 
31 
2,089 

321 
413 
27 
440 
352 
19 
6 
126 
– 
1,264 

(76) 
(2) 
(810) 
(68) 
(878) 
(219) 
(86) 
(16) 
(1,277) 
(13) 

(982) 
(1) 
(137) 
(111) 
(106) 
(7) 
(1,344) 
732 

403 

174 

199 

41 

6 

(136) 

687 

45 

732 

Note 

3.2 
3.3 
3.5 
4.3 
3.1.2 
3.7 
3.7 
2.3 

3.1.1 
3.1.3 
3.1.3 

3.1.6 

4.3 
4.1 
3.2 

4.1, 4.2 
4.3 
3.1.4 
3.1.5 

3.1.6 

3.6 

4.1, 4.2 
4.3 
3.7 
2.3 
3.1.5 
3.6 

4.6.1 

4.6.1 

4.6.2 

4.6.3 

4.6.4 

4.6.5 

*   The Group has applied IFRS 15 ‘Revenue from Contracts with Customers’ and IFRS 9 ‘Financial Instruments’ at 1 January 2018. Under the transition method chosen, the comparative information 

has been restated. See section 1. 

The accounts were approved by the Board of Directors on 27 February 2019 and were signed on its behalf by:

Chris Kennedy  
Group CFO 

Carolyn McCall 
Chief Executive 

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Financial Statements
Financial Statements 

Consolidated Statement of Changes in Equity  

Attributable to equity shareholders of the parent company 

Note 

Share 
capital 
£m 

403 

Share 
premium 
£m 

Merger 
and other 
reserves 
£m 

Translation 
reserve 
£m 

Fair value 
 reserve 
£m 

Retained 
earnings 
£m 

174 

199 

41 

6 

(136) 

Non- 
controlling 
interests 
£m 

45 

Total 
£m 

687 

Balance at 1 January 2018 (restated*) 
Total comprehensive income/(loss)  
for the year 
Profit for the year 
Other comprehensive income/(loss) 
Revaluation of financial assets 
Net gain on cash flow hedges and costs 
of hedging 
Exchange differences on translation of 
foreign operations (net of hedging) 
Remeasurement loss on defined benefit 
pension schemes 
Share of losses of joint ventures and 
associated undertakings 
Income tax credit on other 
comprehensive income 
Total other comprehensive 
(loss)/income 
Total comprehensive (loss)/income  
for the year 
Transactions with owners, recorded 
directly in equity 
Contributions by and distributions  
to owners 
Equity dividends 
Movements due to share-based 
compensation 
Tax on items taken directly to equity 
Purchase of own shares via employees’ 
benefit trust 
Total transactions with owners 
Changes in non-controlling interests (a) 
Balance at 31 December 2018 

– 

– 

– 

– 

– 

– 

– 

– 

– 

– 

– 
– 

– 

– 

– 

– 

– 

– 

– 

– 

– 

– 

– 
– 

– 

– 

– 

– 

– 

– 

– 

– 

– 

– 

– 
– 

– 
– 
– 
403 

– 
– 
– 
174 

– 
– 
7 
206 

3.7 

2.3 

4.7 
2.3 

4.7 

3.4 
4.6 

– 

– 

7 

12 

– 

– 

– 

19 

19 

– 

– 
– 

– 
– 
– 
60 

Total 
equity 
£m 

732 

470 

(1) 

7 

12 

(52) 

(15) 

8 

(41) 

429 

– 

(1) 

– 

– 

– 

– 

– 

466 

466 

– 

– 

– 

(1) 

7 

12 

(52) 

(52) 

(15) 

(15) 

8 

8 

(1) 

(59) 

(41) 

(1) 

407 

425 

4 

– 

– 

– 

– 

– 

– 

– 

4 

– 

– 
– 

– 

– 
5 

(315) 

(315) 

(8) 

(323) 

10 
6 

(5) 
(304) 
– 
(33) 

10 
6 

(5) 
(304) 
7 
815 

– 
– 

– 
(8) 
(7) 
34 

10 
6 

(5) 
(312) 
– 
849 

(a)  Movements reported in merger and other reserves include a put option for the acquisition of non-controlling interests. 

*   The Group has applied IFRS 15 ‘Revenue from Contracts with Customers’ and IFRS 9 ‘Financial Instruments’ at 1 January 2018. Under the transition method chosen, the comparative 

information has been restated. See section 1. 

128 
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ITV plc   Annual Report and Accounts 2018

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Consolidated Statement of Changes in Equity continued 

> Primary Statements  

Attributable to equity shareholders of the parent company 

Share 
premium 
£m 

Merger 
and other 
reserves 
£m 

Translation 
reserve 
£m 

Available-
for-sale 
 reserve 
£m 

Note 

Share 
capital 
£m 

403 
– 
403 

Balance at 1 January 2017 
Adjustment on application of IFRS 15 * 
Restated balance at 1 January 2017 
Total comprehensive income / (loss)  
for the year 
Restated profit for the year * 
Other comprehensive income / (loss) 
Revaluation of available-for-sale  
financial assets 
Net loss on cash flow hedges and costs 
of hedging 
Exchange differences on translation of 
foreign operations (net of hedging) 
Remeasurement loss on defined benefit 
pension schemes 
Income tax charge on other 
comprehensive income 
Total other comprehensive 
income/(loss) 
Total comprehensive income/(loss)  
for the year 
Transactions with owners, recorded 
directly in equity 
Contributions by and distributions  
to owners 
Equity dividends 
Movements due to share-based 
compensation 
Purchase of own shares via employees’ 
benefit trust 
Total transactions with owners 
Changes in non-controlling interests (a) 
Balance at 31 December 2017 

3.7 

2.3 

4.7 

4.7 

3.4 
4.6 

174 
– 
174 

221 
– 
221 

– 

– 

– 

– 

– 

– 

– 

– 

– 

– 

– 

– 

– 

– 

– 

– 

– 

– 

– 

– 

– 

– 

– 

– 

– 

– 

– 

– 

– 

– 

– 
– 
– 
403 

– 
– 
– 
174 

– 
– 
(22) 
199 

Retained 
earnings 
£m 

(162) 
2 
(160) 

Non- 
controlling 
interests 
£m 

33 
– 
– 

Total 
£m 

722 
2 
724 

Total 
equity 
£m 

755 
2 
757 

409 

409 

– 

– 

– 

(1) 

(3) 

(32) 

172 

172 

(39) 

(39) 

133 

97 

542 

506 

4 

– 

– 

– 

– 

– 

– 

4 

413 

(1) 

(3) 

(32) 

172 

(39) 

97 

510 

(494) 

(494) 

(4) 

(498) 

12 

12 

– 

12 

(36) 
(518) 
– 
(136) 

(36) 
(518) 
(25) 
687 

– 
(4) 
12 
45 

(36) 
(522) 
(13) 
732 

79 
– 
79 

– 

– 

(3) 

(32) 

– 

– 

(35) 

(35) 

– 

– 

– 
– 
(3) 
41 

7 
– 
7 

– 

(1) 

– 

– 

– 

– 

(1) 

(1) 

– 

– 

– 
– 
– 
6 

*   The Group has applied IFRS 15 ‘Revenue from Contracts with Customers’ and IFRS 9 ‘Financial Instruments’ at 1 January 2018. Under the transition method chosen, the comparative information 

has been restated. See section 1. 

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Financial Statements
Financial Statements 

Consolidated Statement of Cash Flows 

For the year ended 31 December 

Note 

£m 

Cash flows from operating activities 
Cash generated from operations before exceptional items 
Cash flow relating to operating exceptional items: 

Operating exceptional items 
Increase/(decrease) in exceptional payables  
Decrease in exceptional prepayments and other receivables 

Cash outflow from exceptional items 
Cash generated from operations 
Defined benefit pension deficit funding 
Interest received 
Interest paid on bank and other loans 
Net taxation paid 

Net cash inflow from operating activities 

Cash flows from investing activities 
Acquisition of subsidiary undertaking, net of cash acquired 
Acquisition of property, plant and equipment 
Acquisition of intangible assets 
Acquisition of investments 
Proceeds from sale of property, plant and equipment 
Acquisition of non-controlling interests 
Purchase of gilts (other pension assets) 
Loans granted to associates and joint ventures 
Net cash outflow from investing activities 

Cash flows from financing activities 
Bank and other loans – amounts repaid 
Bank and other loans – amounts raised 
Capital element of finance lease payments 
Equity dividends paid 
Dividends paid to minority interest 
Purchase of own shares via employees’ benefit trust 
Net cash outflow from financing activities 

Net decrease in cash and cash equivalents 

2.1 

2.2 

3.4 

(93) 
1 
2 

(82) 
10 
(52) 
(92) 

– 
(56) 
(26) 
(13) 
17 
(10) 
(11) 
(4) 

(422) 
400 
– 
(315) 
(8) 
(5) 

Cash and cash equivalents at 1 January 
Effects of exchange rate changes and fair value movements 
Cash and cash equivalents at 31 December 

4.1 

4.1 

2018 
£m 

730 

(90) 
640 

(216) 
424 

2017 
£m 

795 

(126) 
669 

(213) 
456 

£m 

(153) 
(18) 
45 

(80) 
21 
(59) 
(95) 

(35) 
(46) 
(25) 
(19) 
– 
– 
– 
(4) 

(103) 

(129) 

(680) 
465 
(4) 
(494) 
(4) 
(36) 

(350) 

(29) 

126 
(2) 
95 

(753) 

(426) 

561 
(9) 
126 

130 
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ITV plc   Annual Report and Accounts 2018

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Notes to the Financial Statements 
Section 1: Basis of Preparation 

> Section 1: Basis of Preparation 

In this  
section 

This section sets out the Group’s accounting policies that relate to the financial 
statements as a whole. Where an accounting policy is specific to one note, the policy  
is described in the note to which it relates. This section also shows new EU endorsed 
accounting standards, amendments and interpretations, and whether they are 
effective in 2018 or later years. We explain how these changes are expected to  
impact the financial position and performance of the Group. 

The financial statements consolidate those of ITV plc (‘the Company’) and its subsidiaries (together referred to as  
the ‘Group’) and the Group’s interests in associates and jointly controlled entities. The Company is domiciled in the 
United Kingdom. 

As required by European Union law (IAS Regulation EC 1606/2002), the Group’s financial statements have been 
prepared in accordance with International Financial Reporting Standards as adopted by the EU (‘IFRS’), and approved  
by the Directors. 

The financial statements are principally prepared on the basis of historical cost. Where other bases are applied, these 
are identified in the relevant accounting policy. 

The parent company financial statements have been prepared in accordance with Financial Reporting Standard 101 
‘Reduced Disclosure Framework’ (‘FRS 101’). 

Going concern 
At 31 December 2018, the Group was in a financial net debt position with a positive gross cash balance. The Group is in a 
net current asset position with a solid balance sheet. The Group continues to generate significant cash from operations 
which enables the Group to meet its obligations.  

As a part of the going concern test, the Group reviews forecasts of the total advertising market to determine the 
impact on ITV’s liquidity position. The Group’s forecasts and projections, taking account of reasonably possible changes 
in trading performance, show that the Group will be able to operate within the level of its current available funding. 

The Group also continues to focus on development of the non-advertising business, and evaluates the impact of 
further investment against the cash headroom of the business. 

After making enquiries, the Directors have a reasonable expectation that the Group has adequate resources to 
continue in operation for at least 12 months from the date of this report. Accordingly, the Group continues to adopt  
the going concern basis in preparing its consolidated financial statements. 

Subsidiaries, joint ventures, associates and investments  
Subsidiaries are entities that are directly or indirectly controlled by the Group. Control exists where the Group has  
the power to govern the financial and operating policies of the entity in order to obtain benefits from its activities.  
In assessing control, potential voting rights that are currently exercisable or convertible are taken into account. 

A joint venture is a joint arrangement in which the Group holds an interest under a contractual arrangement where  
the Group and one or more other parties undertake an economic activity that is subject to joint control. The Group 
accounts for its interests in joint ventures using the equity method. Under the equity method, the investment in  
the entity is stated as one line item at cost plus the investor’s share of retained post-acquisition profits and other 
changes in net assets. 

An associate is an entity, other than a subsidiary or joint venture, over which the Group has significant influence. 
Significant influence is the power to participate in, but not control or jointly control, the financial and operating 
decisions of an entity. These investments are also accounted for using the equity method. 

Investments where the Group concludes it does not have significant influence. These investments are held at fair  
value unless the investment is a start-up business, in which case it is valued at cost and assessed for impairment. 

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Financial Statements
Financial Statements 

Notes to the Financial Statements 
Section 1: Basis of Preparation continued 

Current/non-current distinction 
Current assets include assets held primarily for trading purposes, cash and cash equivalents, and assets expected to  
be realised in, or intended for sale or use in, the course of the Group’s operating cycle. All other assets are classified  
as non-current assets. 

Current liabilities include liabilities held primarily for trading purposes, liabilities expected to be settled in the course  
of the Group’s operating cycle and those liabilities due within one year from the reporting date. All other liabilities  
are classified as non-current liabilities. 

Classification of financial instruments 
The financial assets and liabilities of the Group are classified into the following financial statement captions in the 
statement of financial position in accordance with IFRS 9 ‘Financial Instruments’: 

•  Loans and receivables – separately disclosed as cash and cash equivalents and trade and other receivables 
•  Financial assets at fair value through OCI – measured at fair value through other comprehensive income 
•  Financial assets/liabilities at fair value through profit or loss – separately disclosed as derivative financial instruments 

in assets/liabilities and included in other payables (contingent consideration) and 

•  Financial liabilities measured at amortised cost – separately disclosed as borrowings and trade and other payables 

Judgement is required when determining the appropriate classification of the Group’s financial instruments.  
Details on the accounting policies for measurement of the above instruments are set out in the relevant note.  
Where unconditional rights to set off financial instruments exist, the Group presents the relevant instruments  
net in the statement of financial position. 

Recognition and derecognition of financial assets and liabilities 
The Group recognises a financial asset or liability when it becomes a party to the contract. Financial instruments  
are no longer recognised in the statement of financial position when the contractual cash flows expire or when  
the Group no longer retains control of substantially all the risks and rewards under the instrument. 

Cash and cash equivalents 
Cash and cash equivalents comprise cash balances, call deposits with a maturity of less than or equal to three months 
from the date of acquisition and cash held to meet certain finance lease commitments. The carrying value of cash  
and cash equivalents is considered to approximate fair value.  

Foreign currencies 
The primary economic environment in which the Group operates is the UK and therefore the consolidated financial 
statements are presented in pounds sterling (‘£’). 

Where Group companies based in the UK transact in foreign currencies, these transactions are translated into pounds 
sterling at the exchange rate on the transaction date. Foreign currency monetary assets and liabilities are translated 
into pounds sterling at the year end exchange rate. Non-monetary assets and liabilities measured at historical cost are 
translated into pounds sterling at the exchange rate on the date of the transaction. Where there is a movement in the 
exchange rate between the date of the transaction and the year end, a foreign exchange gain or loss is recognised in 
the income statement. 

The assets and liabilities of Group companies outside of the UK are translated into pounds sterling at the year end 
exchange rate. The revenue and expenses of these companies are translated into pounds sterling at the average 
monthly exchange rate during the year. Where differences arise between these rates, they are recognised in the 
translation reserve within other comprehensive income.  

The Group’s net investments in companies outside the UK may be hedged where the currency exposure is considered 
to be material. Hedge accounting is implemented on certain foreign currency firm commitments, for which the 
effective portion of any foreign exchange gains or losses is recognised in other comprehensive income (note 4.3). 

Where a forward currency contract is used to manage foreign exchange risk and hedge accounting is not applied,  
any impact of movements in currency for both the forward currency contracts and the assets and liabilities is taken  
to the income statement. 

Exchange differences arising on the translation of the Group’s interests in joint ventures and associates are recognised  
in the translation reserve within other comprehensive income. 

On disposal of a foreign subsidiary, an interest in a joint venture or an associate, the related translation reserve  
is released to the income statement as part of the gain or loss on disposal. 

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ITV plc   Annual Report and Accounts 2018

> Section 1: Basis of Preparation 

Accounting judgements and estimates 
The preparation of financial statements requires management to exercise judgement in applying the Group’s 
accounting policies. It also requires the use of estimates and assumptions that affect the reported amounts of  
assets, liabilities, income and expenses. Actual results may differ from these estimates. 

Estimates and underlying assumptions are reviewed on an ongoing basis, with revisions recognised in the period  
in which the estimates are revised and in any future periods affected. 

The area involving a high degree of estimation, judgement or complexity is set out below and in more detail in  
the related note: 

•  Revenue recognition (note 2.1) 

In addition to the above, the areas involving the most sensitive estimates and assumptions that are significant 
to the financial statements are set out below and in more detail in the related notes: 

•  Defined benefit pension (note 3.7) 
•  Taxation (note 2.3)  
•  Business combinations including earnouts (note 3.3 and note 3.1.5) 

New or amended EU endorsed accounting standards 
The Group has adopted IFRS 9 ‘Financial Instruments’ and IFRS 15 ‘Revenue from Contracts with Customers’ from  
1 January 2018. Neither standard has a material effect on the Group’s financial statements. 

IFRS 9 ‘Financial Instruments’ 
IFRS 9 sets out requirements for recognising and measuring financial assets, financial liabilities and some contracts  
to buy or sell non-financial items. This standard replaces IAS 39 ‘Financial Instruments: Recognition and Measurement’. 
IFRS 9 introduces new models for classification of financial assets and accounting for credit losses. Hedging rules have 
been amended to allow hedge accounting to be applied to more risks.  

The adoption of IFRS 9 did not result in a material adjustment to previously reported results. See 4.3 for further details. 

IFRS 16 ‘Leases’ 
IFRS 16 is effective 1 January 2019 and will change lease accounting for lessees under operating leases. Such 
agreements will require recognition of an asset, representing the right to use the leased item, and a liability, 
representing future lease payments. Lease costs (such as property rent) will be recognised in the form of depreciation 
and interest, rather than as an operating cost.  

The Group plans on adopting the modified retrospective approach with the right of use asset equal to the lease liability 
at transition date, less any lease incentives received. The likely impact to Operating costs is expected to be between  
£3 million to £5 million with the likely impact to Profit before tax being £nil to £1 million. Non-current assets and gross 
liabilities are both expected to increase by £90 million to £120 million with net assets remaining unchanged.  

The Group has elected not to recognise right of use assets and lease liabilities for short-term leases or low-value assets. 
The Group will continue to expense the lease payments associated with these leases on a straight-line basis over the 
lease term.  

IFRS 15 ‘Revenue from Contracts with Customers’ 
IFRS 15 establishes a comprehensive framework for determining whether, how much and when revenue is recognised.  
It replaced IAS 18 ‘Revenue’, IAS 11 ‘Construction Contracts’ and related interpretations.  

The Group has adopted IFRS 15 on a fully retrospective basis.  

The following table summarises the impacts of adopting IFRS 15 on the Group’s Income Statement for the year end  
31 December 2017. 

Impact on the Income Statement 

Revenue 
Operating costs 
Operating profit 

 As reported 
2017 
£m 

Note 

Adjustments 

3,132 
(2,577) 
555 

2 
(2) 
– 

Restated  
2017 
£m 

3,130 
(2,575) 
555 

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Financial Statements 

Notes to the Financial Statements 
Section 1: Basis of Preparation continued 

The following table summarises the impacts of adopting IFRS 15 on the Group’s Statement of Financial Position as at  
31 December 2017.  

Impact on the Statement of Financial Position 

Programme rights 
Trade and other receivables due within one year 
Contract assets 
Trade and other payables due within one year 
Contract liabilities 
Others 
Net assets 

Retained earnings 
Others 
Equity 

 As reported 
2017 
£m 

Note 

Adjustments 

Restated 
 2017 
£m 

570 
514 
– 
(1,029) 
– 
675 
730 

(138) 
868 
730 

(249)  
(101)  
352  
219  
(219)  
–  
2  

2* 
–  
2* 

321 
413 
352 
(810) 
(219) 
675 
732 

(136) 
868 
732 

*  The change in retained earnings relates to the restatement of 2017 opening balances. 

The changes to revenue recognition as a result of IFRS 15 relate to: 

•  Principal versus agent consideration in the Broadcast & Online division resulted in movements between revenue  
and costs. This resulted in an increase to revenue of £1 million with a corresponding increase in operating costs 
•  Certain contracts for production of programmes in ITV Studios meet over-time revenue recognition criteria under 

IFRS 15, compared to point-in-time recognition under the previous standard. This change has resulted in a reduction  
in revenue by £3 million with a corresponding reduction in operating costs. The Statement of Financial Position has 
been adjusted for the impact of this timing difference and the reclassification of contract assets and liabilities from 
other balances 

•  The changes in the Statement of Financial Position relate to the reclass of programme rights and accrued revenue  

to contract assets and deferred revenue to contract liabilities 

There was no impact to the Group’s Statement of Cash Flows. 

Other new or amended accounting standards 
IFRIC 22 ‘Foreign Currency Transactions and Advance Consideration’ and the amendments to IFRS 2 ‘Share-based 
Payment’ on the classification and measurement of share-based payment transactions did not have an impact  
to our results.  

Based on the Directors’ analysis, other than those specifically mentioned, the new or amended accounting standards 
outlined above do not have a material impact on the Group’s financial position or performance for the year ended  
31 December 2018. 

EU endorsed accounting standards effective in future periods 
The Directors considered the impact on the Group of other new and revised accounting standards, interpretations  
or amendments that are currently endorsed but not yet effective. IFRS 16 has been discussed earlier. The Directors  
do not expect any other standards to have a significant impact on the Group’s results. 

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ITV plc   Annual Report and Accounts 2018

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Notes to the Financial Statements 
Section 2: Results for the Year 

> Section 2: Results for the Year 

In this  
section 

This section focuses on the results and performance of the Group. On the following 
pages, you will find disclosures explaining the Group’s results for the year, segmental 
information, exceptional items, taxation and earnings per share. 

2.1 Profit 
before tax  

  Keeping 
it simple 

This section analyses the Group’s profit before tax by reference to the activities 
performed by the Group and an analysis of key operating costs. 

Adjusted earnings before interest, tax and amortisation (EBITA) is the Group’s  
key profit indicator. This reflects the way the business is managed and how  
the Directors assess the performance of the Group. This section therefore  
also shows each division’s contribution to total revenue and adjusted EBITA. 

Accounting policies 
Revenue recognition 
The Group derives revenue from the transfer of goods and services. Revenue recognition is based on the delivery of 
performance obligations and an assessment of when control is transferred to the customer. Revenue is recognised 
either when the performance obligation in the contract has been performed (‘point in time’ recognition) or ‘over time’ 
as control of the performance obligation is transferred to the customer. 

Customer contracts can have a wide variety of performance obligations, from production contracts to format licences 
and distribution activities. For these contracts, each performance obligation is identified and evaluated. Under IFRS 15 
the Group needs to evaluate if a format or licence represents a right to access the content (revenue recognised over 
time) or represents a right to use the content (revenue recognised at a point in time). The Group has determined that 
most format and licence revenues are satisfied at a point in time due to their being limited ongoing involvement in the 
use of the license following its transfer to the customer. 

The transaction price, being the amount to which the Group expects to be entitled and has rights to under the contract 
is allocated to the identified performance obligations. The transaction price will also include an estimate of any variable 
consideration where the Group’s performance may result in additional revenues based on the achievement of agreed 
targets such as audience targets. Variable consideration is not recognised until the performance obligations are met. 

Revenue is stated exclusive of VAT and equivalent sales taxes. 

Complexity in advertising revenue recognition is driven by automated and manual processes involved in measuring the 
value delivered to the customer.  

Revenue recognition criteria for the Group’s key classes of revenue are as follows:  

Segment 

Major classes of revenue 

Payment terms 

Broadcast & Online 
Total advertising 
revenue 

•  Advertising (NAR) is generated from selling spot airtime and is  

recognised at the point of transmission 

Direct to  
Consumer 

•  Video on demand (VOD) is generated from selling advertising on the 

ITV Hub and is recognised at the point of delivery 

•  Revenue from the sponsorship of programmes across ITV linear 

channels and online is recognised over the period of transmission 

•  Revenue from ‘pay’ is generated from the provision of HD channels,  
catch up content and licences to ready-made programmes in the  
form of box sets and is recognised either over the term of the  
contract or per subscriber or download 

•  Revenue from ‘interactive’ is from entries to competitions and is 

recognised as the event occurs 

•  Received in the month 
after transmission 
•  Received in the month 

after campaign is 
delivered 

•  Received prior to 
transmission 

Payment term for ‘pay’ 
and ‘interactive’ is over 
the term of the contracts 

SDN 

•  Revenue is generated from the carriage fee or capacity of the  

digital multiplex and is recognised over the term of the contract 

Payment term is over the 
term of the contract 

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Financial Statements
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Notes to the Financial Statements 
Section 2: Results for the Year continued 

Segment 

Major classes of revenue 

Payment terms 

Studios 
Programme 
production 

Programme 
distribution rights 

•  Revenue generated from the programmes produced for broadcasters 
in the UK and internationally and is recognised at the point of delivery 
of an episode and acceptance by the customer. Producer for hire 
contracts where cost plus a margin is received upon cancellation is 
recognised over time 

•  A licence is granted for the transmission of a programme in a stated 
territory, media and period and revenue is recognised at the point 
when the contract is signed, the content is available for download  
and the licence period has started 

•  Payment term is over 

the term of the 
contract 

•  Payment term is over 

the term of the 
contract 

Format and 
licences 

•  A licence is granted for the exploitation of a format in a stated 

•  Payment term is over 

territory, media and period. These are recognised when the licence is 
granted to the customer (point in time ) 

the term of the 
contract 

Digital: archive 

•  Content sold to broadcasters and is recognised on delivery of  

•  Payment term is over 

content or over the contract period in a manner that reflects the flow 
of content delivered 

the term of the 
contract 

The results for the year aggregate these classes of revenue into the following categories: 

Total advertising revenue 
Direct to consumer 
SDN 
Other 

Total Broadcast & Online 

Studios UK 
ITV America 
Studios RoW 
Global Entertainment 

Total ITV Studios* 
Total revenue  

2018 
£m 

1,795 
81 
73 
147 
2,096 
695 
245 
516 
214 
1,670 
3,766 

2018 
% of total 

48% 

56% 

44% 

2017 
£m 

1,781 
65 
70 
160 
2,076 
692 
310 
390 
187 
1,579 
3,655 

2017 
% of total 

49% 

57% 

43% 

*  Studios UK and ITV America revenues are mainly programme production. Studios RoW revenue is from programme production, programme distribution rights 

and format and licences. Global Entertainment revenue includes programme distribution rights, format and licences and digital archive. 

136 
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ITV plc   Annual Report and Accounts 2018

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
> Section 2: Results for the Year 

Segmental information 
Operating segments, which have not been aggregated, are determined in a manner that is consistent with how the 
business is managed and reported to the Board of Directors. The Board is regarded as the chief operating decision-maker. 

The Board considers the business primarily from an operating activity perspective. The reportable segments for the 
years ended 31 December 2018 and 31 December 2017 are therefore Broadcast & Online and ITV Studios, the results  
of which are outlined in the following tables: 

Total segment revenue 
Intersegment revenue 
Revenue from external customers  

Adjusted EBITA(ii) 

Total segment revenue 
Intersegment revenue 
Revenue from external customers  

Adjusted EBITA(ii) 

Broadcast 
& Online 
2018 
£m 

2,096 
(4) 
2,092 

ITV Studios(i) 
2018 
£m 

Consolidated 
2018 
£m 

1,670 
(551) 
1,119 

3,766 
(555) 
3,211 

555 

255 

810 

Broadcast 
& Online (iii) 
2017 
£m 

2,076 
(2) 
2,074 

ITV Studios (i), (iii) 
2017 
£m 

Consolidated 
2017 
£m 

1,579 
(523)  
1,056 

3,655 
(525) 
3,130 

599 

243 

842 

(i)  Revenue of £354 million (Restated 2017: £393 million) was generated in the US during the year; the US represented £329 million (2017: £330 million)  

of non-current assets at year end. 

(ii)  Adjusted EBITA is before exceptional items and includes the benefit of production tax credits. It is shown after the elimination of intersegment revenue  

and costs.  

(iii) The Group has applied IFRS 15 ‘Revenue from Contracts with Customers’ and IFRS 9 ‘Financial Instruments’ at 1 January 2018. Under the transition method 

chosen, the comparative information has been restated. See section 1. 

The Group’s principal operations are in the United Kingdom. Revenue from external customers in the United Kingdom  
is £2,250 million (Restated 2017: £2,273 million), and revenue from external customers in other countries is £961 million 
(Restated 2017: £856 million). The Operating and Performance Review provides further detail on ITV’s international 
revenues. 

Intersegment revenue, which is earned on arm’s length terms, is mainly generated from the supply of ITV Studios 
programmes to Broadcast & Online for transmission primarily on the ITV network. This revenue stream is a measure 
that forms part of the Group’s strategic priority of building a strong international content business, as producing and 
retaining rights to the shows broadcast on the ITV network benefits the Group further from subsequent international 
content and format sales.  

In preparing the segmental information, centrally managed costs have been allocated between reportable segments  
on a methodology driven principally by revenue, headcount and building occupancy of each segment. This is consistent 
with the basis of reporting to the Board of Directors. 

There is one media buying agency (2017: one) acting on behalf of a number of advertisers that represent the Group’s 
major customers. This agency is the only customer that individually represents over 10% of the Group’s revenue. 
Revenue of approximately £554 million (2017: £561 million) was derived from this customer. This revenue is attributable 
to the Broadcast & Online segment. 

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Financial Statements
Financial Statements 

Notes to the Financial Statements 
Section 2: Results for the Year continued 

Timing of revenue recognition 
The following table includes revenue from contracts disaggregated by the timing of recognition: 

Products transferred at a point in time 
Products and services transferred over time 
Total external revenue 

2018 
£m 

2,709 
502 
3,211 

Restated 
2017 
£m 

2,607 
523 
3,130 

Included in the above ‘Products transferred at a point in time’ is Total advertising revenue, DTC, SDN (2018: £1,802 million, 
2017: £1,766 million), Programme production, programme distribution rights, digital archive (2018: £1,340 million,  
2017: £1,272 million); and Formats and Licences (2018:£122 million, 2017: £95 million). 

Included in the above ‘Products and services transferred over time’ is Total advertising revenue, DTC, SDN (2018:  
£294 million, 2017: £310 million), Programme production, programme distribution rights, digital archive (2018: 
£199 million, 2017: £201 million); and Formats and Licences (2018:£9 million, 2017: £11 million). 

Forward bookings 
The following table includes revenue from contracts signed before the reporting date that is to be recognised in 
periods post the reporting date (i.e. the performance obligations remain unsatisfied or partially unsatisfied at the 
reporting date): 

Broadcast & Online 
ITV Studios 
Revenue 

2019 
£m 

134 
204 
338 

2020 
£m 

113 
96 
209 

2021 
£m 

56 
71 
127 

Beyond 
£m 

34 
15 
49 

The Group applies the practical expedients in IFRS 15 and, therefore, does not disclose information about remaining 
performance obligations that have original expected durations of less than one year or where the price is not yet 
known (e.g. NAR). 

Broadcast & Online  
The Group operates the largest commercial family of channels in the UK and delivers content through multiple 
platforms. In addition to linear television broadcast, the Group delivers its content on the ITV Hub, catch up services  
on pay platforms, and through direct content deals. Content commissioned and scheduled by this segment is funded 
primarily by advertising, where revenue is generated from the sale of audiences for advertising spot airtime, online 
advertising, sponsorship and licencing.  

Other sources of revenue are from: Direct to Consumer revenue (which includes interactive sales from competitions  
as well as ITV Hub+ and Commerce & Ventures); SDN revenue (which generates licence sales for DTT Multiplex A);  
HD digital channels on pay platforms (e.g. Sky and Virgin) and the ITV Choice subscription service in other countries. 

ITV Studios  
ITV Studios is the Group’s international content business, creating and producing programmes and formats that return 
and travel, namely drama, entertainment and factual entertainment. 

ITV Studios UK is the largest commercial producer in the UK and produces programming for the Group’s own channels, 
accounting for 67% of ITV main channel spend on commissioned programming (2017: 66%). Programming is also sold 
to other UK broadcasters such as the BBC, Channel 4 and Sky.  

ITV America is the leading unscripted independent producer of content in the US and is growing its scripted presence  
by increasing investment in high-profile dramas. 

ITV Studios also operates in nine other international locations, being Australia, Germany, France, Italy, the Netherlands 
(primarily Talpa Media), Sweden, Norway, Finland and Denmark where content is produced for local broadcasters. This 
content is either locally created IP or formats that have been created elsewhere by ITV, primarily in the UK and the 
Netherlands. 

Global Entertainment and Talpa Global, ITV’s distribution businesses, license ITV’s finished programmes and formats 
and third-party content internationally. Within this business, we also finance productions both on and off ITV to acquire 
global distribution rights.  

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ITV plc   Annual Report and Accounts 2018

 
 
 
 
 
 
 
 
 
 
 
 
> Section 2: Results for the Year 

Adjusted EBITA 
The Directors assess the performance of the reportable segments based on a measure of adjusted EBITA. The Directors 
use this measurement basis as it excludes the effect of transactions that could distort the understanding of the Group’s 
performance for the year and comparability between periods. See the Operating and Performance Review on pages  
32 to 43 for the detailed explanation of the Group’s use of adjusted performance measures. A reconciliation from 
adjusted EBITA to profit before tax is provided as follows: 

Adjusted EBITA 
Production tax credits 
EBITA before exceptional items  
Operating exceptional items 
Amortisation and impairment 
Net financing costs 
Share of losses of joint ventures and associated undertakings 
Gain/(loss) on sale of non-current assets (exceptional items) 
Profit before tax  

2018 
£m 

810 
(25) 
785 
(93) 
(92) 
(43) 
– 
10 
567 

Cash generated from operations 
A reconciliation from profit before tax to cash generated from operations before exceptional items is as follows: 

Cash flows from operating activities 
Profit before tax 
Add back: 
(Gain)/loss on sale of non-current assets (exceptional items) 
Share of losses of joint ventures and associated undertakings 
Net financing costs 
Operating exceptional items 
Depreciation of property, plant and equipment 
Amortisation and impairment 
Share-based compensation and pension service costs 

Decrease /(increase) in programme rights and distribution rights 
(Increase) /decrease in receivables and contract assets 
(Decrease) / increase in payables and contract liabilities 

Movement in working capital 
Cash generated from operations before exceptional items 

2018 
£m 

567 

(10) 
– 
43 
93 
28 
92 
10 
14 
(103) 
(4) 
(93) 
730 

Operating costs 
The major components of operating costs are Network schedule costs of £1,055 million (2017 £1,025 million),  
Staff costs of £473 million (2017: £449 million), Depreciation, Amortisation and Impairment of £120 million  
(2017: £132 million) and Operating exceptional items of £93 million (2017: £153 million). 

Staff costs 
Staff costs before exceptional items can be analysed as follows: 

Wages and salaries 
Social security and other costs 
Share-based compensation (see note 4.7) 
Pension costs 
Total staff costs 
Less: staff costs allocated to productions 
FTEE staff costs (non-production) 

Exceptional staff costs are disclosed separately in note 2.2.  

2018 
£m 

384 
52 
10 
27 
473 
(189) 
284 

2017 
£m 

842 
(32) 
810 
(153) 
(102) 
(50) 
(4) 
(1) 
500 

2017 
£m 

500 

1 
4 
50 
153 
30 
102 
13 
(94) 
13 
23 
(58) 
795 

2017 
£m 

358 
55 
12 
24 
449 
(166) 
283 

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Financial Statements
Financial Statements 

Notes to the Financial Statements 
Section 2: Results for the Year continued 

The number of full-time equivalent employees (FTEE) (excluding short-term contractors and freelancers who are 
predominantly allocated to the cost of productions), calculated as a weighted average over the year: 

Broadcast & Online 
ITV Studios 

2018 

2,143 
4,138 
6,281 

2017 

2,053 
4,002 
6,055 

The increase in full-time equivalent employees is primarily driven by the full year impact of acquisitions completed in 
2017. Details of Directors’ emoluments, share options, pension entitlements and long-term incentive scheme interests 
are set out in the Remuneration Report. Listed Directors’ gains on share options for 2018 are set out in the ITV plc 
Company financial statements. 

Depreciation  
Depreciation in the year was £28 million (2017: £30 million), of which £12 million (2017: £11 million) relates to Broadcast 
& Online and £16 million (2017: £19 million) to ITV Studios. A further £2 million in respect of accelerated depreciation  
for assets made redundant under restructuring projects. See notes 2.2 and 3.3 for further details.  

Operating leases 
The Group’s operating leases relate to offices, studio properties and other assets such as cars and office equipment. 
Property leases run for terms ranging from five to 20 years, depending on the expected operational use of the site. 
Leases may include break clauses or options to renew (options to renew are not included in the commitments table). 
Lease payments are generally subject to market review every five years to reflect market rentals, but because of the 
uncertainty over the amount of any future changes, such changes have not been reflected in the table below. None  
of the lease agreements include contingent rentals. The total undiscounted future minimum lease payments under 
non-cancellable operating leases are due for payment as follows: 

2018 

Within one year 
Later than one year and not later than five years 
Later than five years 

2017 

Within one year 
Later than one year and not later than five years 
Later than five years 

Property 
£m 

Other 
£m 

27 
83 
31 
141 

3 
3 
– 
6 

Property 
£m 

Other 
£m 

28 
89 
19 
136 

3 
4 
– 
7 

Total 
£m 

30 
86 
31 
147 

Total 
£m 

31 
93 
19 
143 

The total operating lease expenditure recognised during the year was £26 million (2017: £21 million) and total sublease 
payments received were £1 million (2017: £1 million). 

IFRS 16 ‘Leases’ is effective 1 January 2019 and will change lease accounting for lessees under operating leases. The 
impact to the Group has been outlined in Section 1. Non-current assets and gross liabilities are both expected to 
increase by £90 million to £120 million with net assets remaining unchanged. 

140 
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ITV plc   Annual Report and Accounts 2018

 
 
 
 
 
 
 
 
 
 
 
> Section 2: Results for the Year 

Audit fees 
The Group engages KPMG LLP (KPMG) on assignments additional to its statutory audit duties where its expertise and 
experience with the Group are important and are in line with Group’s policy on auditor independence. Fees paid to 
KPMG and its associates during the year are set out below: 

For the audit of the Group’s annual accounts 
For the audit of subsidiaries of the Group 
Audit-related assurance services 
Total audit and audit-related assurance services 
Taxation advisory services 
Other assurance services 
Total non-audit services 
Total fees paid to KPMG 

2018 
£m 

0.7 
0.7 
0.1 
1.5 
– 
– 
– 
1.5 

2017 
£m 

0.6 
0.6 
0.2 
1.4 
– 
– 
– 
1.4 

There were no fees payable in 2018 or 2017 to KPMG and associates for the auditing of accounts of any associate  
or pension scheme of the Group, internal audit, and services relating to corporate finance transactions entered  
into or proposed to be entered into, by or on behalf of the Group or any of its associates. Fees paid to KPMG for audit 
and other services to the Company are not disclosed in its individual accounts as the Group accounts are required to 
disclose such fees on a consolidated basis.  

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Financial Statements
Financial Statements 

Notes to the Financial Statements 
Section 2: Results for the Year continued 

2.2 
Exceptional 
items 

  Keeping 
it simple 

Exceptional items are excluded from management’s assessment of profit because  
by their size or nature they could distort the Group’s underlying quality of earnings. 
They are typically gains or losses arising from events that are not considered part of 
the core operations of the business (e.g. costs relating to capital transactions, such as 
professional fees on acquisitions). These items are excluded to reflect performance in 
a consistent manner and are in line with how the business is managed and measured 
on a day-to-day basis. 

Accounting policies 
Exceptional items as described above are highlighted on the face of the income statement. See the Operating  
and Performance Review on pages 32 to 43 for the detailed explanation of the Group’s use of adjusted performance 
measures. Gains or losses on disposal of non-core assets are also considered exceptional due to their nature and  
impact on the Group’s underlying quality of earnings.  

Exceptional items 
Operating and non-operating exceptional items are analysed as follows: 

(Charge)/credit 

Operating exceptional items: 

Acquisition-related expenses 
Restructuring and property-related costs 
Insured trade receivable provision 
Pension related costs 
Other 

Total operating exceptional items 
Non-operating exceptional items: 

Gain/(loss) on sale of non-current assets 

Total non-operating exceptional items 
Total exceptional items before tax 

Tax on exceptional items 

Total exceptional items net of tax 

Ref. 

A 
B 
C 
D 
E 

F 

2018  
£m 

(60) 
(26) 
4 
4 
(15) 
(93) 

10 
10 
(83) 
9 
(74) 

2017  
£m 

(90) 
(30) 
(27) 
– 
(6) 
(153) 

(1) 
(1) 
(154) 
12 
(142) 

A – Acquisition-related expenses 
Acquisition-related expenses of £60 million includes £54 million (2017: £86 million) relating to performance-based, 
employment-linked costs to former owners. The remaining £6 million (2017: £4 million) is primarily comprised of 
professional fees (mainly financial due diligence and legal costs in respect of potential acquisitions during the year).  
See note 3.4 for further details on acquisitions. 

B – Restructuring and property-related costs 
In October 2018, the Directors reversed their prior decision, reported in 2017 and agreed not to redevelop the Group’s 
headquarters at The London Television Centre and the site is now for sale. £13 million of dual rent, other property costs 
and move related costs have been recognised as exceptional.  

In 2018, we announced our strategy ‘More than TV’ and as a result incurred £13 million of costs from restructuring  
our business. 

In 2017, the Group incurred £30 million of costs in relation to the London property project including the closure of  
The London Studios business. 

C – Insured trade receivable provision 
Refer to section 5.2 for further details. 

D – Pension related costs 
A past service cost of £6 million has been included in the measurement of the Pension scheme liabilities for Guaranteed 
Minimum Pension (‘GMP’) equalisation. This is to equalise the benefits between men and women following a High Court 
ruling around equalisation of GMP.  

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ITV plc   Annual Report and Accounts 2018

 
 
 
 
 
 
 
 
 
 
 
 
 
> Section 2: Results for the Year 

In November 2018, the Pension Trustee entered into a bulk annuity insurance contract in respect of the benefits of two 
sections of the ITV Pension Scheme. This type of deal is also known as a ‘Buy-in’, which resulted in recognition of a loss 
of £94 million in other comprehensive income as explained in section 3.7. Further, as part of the buy-in transaction, 
certain amendments were made to the scheme. As a result, a past service cost of £5 million has been included in the 
measurement of the pension scheme liabilities for the pension increase exchange option no longer being available  
to members of these schemes. Certain members of the sections also had a change of rate of pension increases. This 
change resulted in a credit of £15 million which has also been recognised as an exceptional past service cost.  

E – Other 
Other relates to ongoing litigation costs outside the normal course of business. 

F – Gain/(loss) on sale of non-current assets 
The gain on sale of non-current assets arose primarily as a result of the sale of freehold land and buildings in 
Manchester and Belfast. 

2.3  
Taxation 

  Keeping 
it simple 

This section sets out the Group’s tax accounting policies, the current and deferred  
tax charges or credits in the year (which together make up the total tax charge  
or credit in the income statement), a reconciliation of profit before tax to the tax  
charge for the period and the movements in deferred tax assets and liabilities. 

Accounting policies 
The tax charge for the period is recognised in the income statement, the statement of comprehensive income and 
directly in equity, according to the accounting treatment of the related transactions. The tax charge comprises both 
current and deferred tax. The calculation of the Group’s tax charge involves a degree of estimation and judgement in 
respect of certain items whose tax treatment cannot be fully determined until a resolution has been reached by the 
relevant tax authority.  

Current tax 
Current tax is the expected tax payable or receivable on the taxable income or loss for the year and any adjustment  
in respect of previous years.  

The Group recognises liabilities for anticipated tax issues based on estimates of the additional taxes that are likely  
to become due, which require judgement. Amounts are accrued based on management’s interpretation of specific tax 
law and the likelihood of settlement. Where the final tax outcome of these matters is different from the amounts that 
were initially recorded, such differences will impact the current tax and deferred tax provisions in the period in which 
such determination is made. 

Deferred tax  
Deferred tax arises due to certain temporary differences between the carrying amounts of assets and liabilities for 
financial reporting purposes and those for taxation purposes.  

The following temporary differences are not provided for: 

•  The initial recognition of goodwill 
•  The initial recognition of assets or liabilities that affect neither accounting nor taxable profit other than in a business 

combination and 

•  Differences relating to investments in subsidiaries to the extent that they will probably not reverse in the 

foreseeable future 

The amount of deferred tax provided is based on the expected manner of realisation or settlement of the carrying 
amount of assets and liabilities. Deferred tax is calculated using tax rates that are enacted or substantively enacted  
at the balance sheet date.  

A deferred tax asset is recognised only to the extent that it is probable that sufficient taxable profit will be available  
to utilise the temporary difference. Recognition of deferred tax assets, therefore, involves judgement regarding the 
timing and level of future taxable income.  

Deferred tax assets and liabilities are disclosed net to the extent that they relate to taxes levied by the same authority 
and the Group has the right of set-off. 

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Financial Statements
Financial Statements 

Notes to the Financial Statements 
Section 2: Results for the Year continued 

Taxation – Income statement 
The total taxation charge in the income statement is analysed as follows: 

Current tax: 

Current tax charge on profit before exceptional items 
Current tax credit on exceptional items 

Adjustments to prior periods 

Deferred tax: 

Origination and reversal of temporary differences 
Deferred tax credit on exceptional items 
Impact of changes to statutory tax rates 

Adjustments to prior periods 

Total taxation charge in the income statement 

2018 
£m 

(123) 
3 
(120) 
(14) 
(134) 

5 
6 
1 
12 
25 
37 
(97) 

2017 
£m 

(110) 
8 
(102) 
(2) 
(104) 

13 
4 
(6) 
11 
6 
17 
(87) 

In order to understand how, in the income statement, a tax charge of £97 million (2017: £87 million) arises on a profit 
before tax of £567 million (2017: £500 million), the taxation charge that would arise at the standard rate of UK 
corporation tax is reconciled to the actual tax charge as follows: 

Profit before tax 
Notional taxation charge at UK corporation tax rate of 19% (2017: 19.25%) on  
profit before tax 
Non-taxable income/non-deductible expenses 
Prior year adjustments 
Other taxes 
Previously unrecognised deferred tax assets 
Current year losses not recognised 
Impact of overseas tax rates 
Impact of changes in tax rates 
Production tax credits 
Total taxation charge in the income statement 

2018 
£m 

567 

(108) 
(30) 
11 
(1) 
3 
– 
2 
1 
25 
(97) 

2017 
£m 

500 

(96) 
(35) 
4 
– 
11 
(4) 
7 
(6) 
32 
(87) 

Non-deductible expenses are expenses that are not expected to be allowable for tax purposes. Similarly, non-taxable 
income is income that is not expected to be taxable. 

Adjustments to prior periods primarily arise where an outcome is obtained on certain tax matters, which differs from 
expectations held when the related provision was made. Where the outcome is more favourable than the provision 
made, the difference is released, lowering the current year tax charge. Where the outcome is less favourable than  
our provision, an additional charge to current year tax will occur. The current tax charge includes a £14 million charge 
relating to prior years, and the deferred tax credit includes a £25 million credit relating to prior years. These 
adjustments largely represent a movement between current tax and deferred tax, however differences have also 
arisen following changes in estimates of taxes that have already become due, or will become due in the future. 

Previously unrecognised deferred tax assets are in relation to capital losses utilised against gains on sale of property. 

The impact of overseas tax rates reflects the fact that some of our profits are earned in territories other than the  
UK and taxed at rates different from the UK corporation tax rate. This year, losses arising in higher taxed jurisdictions, 
which we recognise through deferred tax, give rise to a reconciling benefit. 

The UK corporation tax rate fell from 20% to 19% from 1 April 2017 and has been enacted to fall further to 17% from  
1 April 2020. These rates were enacted at the previous balance sheet date, and the carrying value of UK temporary 
differences were adjusted accordingly. To the extent that temporary differences have unwound in the current year,  
this has given rise to a credit of nil (2017: charge of £6 million) of which £1 million is recognised as a credit in the  
income statement and £1 million as a debit in other comprehensive income. 

144 
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ITV plc   Annual Report and Accounts 2018

 
 
 
 
 
 
 
 
 
 
 
> Section 2: Results for the Year 

The production tax credits included within the reconciliation above are UK High-End Television (HETV) tax credits and 
Children’s Television tax credits, which are part of a group of incentives provided to support the creative industries in 
the UK. The ability to access these tax credits is fundamental when assessing the viability of investment decisions in the 
production of high-end drama and children’s programmes. Under IFRS, these production tax credits are reported within 
the total taxation charge in the income statement. However, ITV considers them to be a contribution to production 
costs, and therefore working capital in nature, and excludes them from its adjusted tax charge, including them instead 
within Adjusted EBITA. 

The effective tax rate is 17.1% (2017: 17.4%), and is the tax charge on the face of the income statement expressed as  
a percentage of the profit before tax. As explained in the Finance Review, the Group uses an adjusted tax rate to show 
how tax impacts total adjusted earnings in a way that is more aligned with the Group’s cash tax position. 

This year, the current year movement on origination and reversal of temporary differences (excluding exceptional 
items) is a credit of £5 million, compared with a credit of £13 million in 2017.  

Taxation – Other comprehensive income and equity 
As analysed in the table below, a deferred tax credit of £8 million on actuarial movements on pensions has been 
recognised in other comprehensive income (2017: £39 million charge). A deferred tax credit of £6 million has been 
recognised in equity in respect of share-based payments (2017: charge of £1 million).  

There is no current tax recognised in equity in relation to share-based payments (2017: credit of £1 million). 

Taxation – Statement of financial position 
The table below outlines the deferred tax assets/(liabilities) that are recognised in the statement of financial position, 
together with their movements in the year: 

Tangible assets 
Intangible assets 
Programme rights 
Pension scheme deficits 
Tax losses 
Share-based compensation 
Other temporary differences 

Tangible assets 
Intangible assets 
Programme rights 
Pension scheme deficits 
Tax losses 
Share-based compensation 
Other temporary differences 

At 
1 January 
2018 
£m 

Other 
movements 
£m  

Recognised in 
the income 
statement 
£m 

Recognised in 
OCI and equity 
£m 

Business 
 acquisitions 
£m 

Foreign 
exchange 
£m 

At 
31 December 
2018 
£m 

– 
(80) 
1 
(18) 
21 
(5) 
1 
(80) 

– 
– 
– 
– 
– 
– 
1 
1 

5 
14 
(1) 
4 
15 
(1) 
1 
37 

– 
– 
– 
8 
– 
6 
– 
14 

– 
– 
– 
– 
– 
– 
– 
– 

– 
– 
– 
– 
1 
– 
1 
2 

5 
(66) 
– 
(6) 
37 
– 
4 
(26) 

At 
1 January 
2017 
£m 

Other 
movements 
£m 

Recognised in 
the income 
statement 
£m 

Recognised in 
OCI and equity 
£m 

Business 
 acquisitions 
£m 

Foreign 
exchange 
£m 

At 
31 December 
2017 
£m 

– 
(94) 
1 
34 
30 
(4) 
(20) 
(53) 

3 
– 
– 
– 
– 
– 
(2) 
1 

(3) 
22 
–  
(13) 
(6) 
– 
17 
17 

– 
– 
– 
(39) 
– 
(1) 
– 
(40) 

– 
(6) 
– 
– 
– 
– 
4 
(2) 

– 
(2) 
– 
– 
(3) 
– 
2 
(3) 

– 
(80) 
1 
(18) 
21 
(5) 
1 
(80) 

At 31 December 2018, total deferred tax assets are £46 million (2017: £23 million) and total deferred tax liabilities  
are £72 million (2017: £103 million). After netting off balances within countries, there is a deferred tax liability of  
£64 million and a deferred tax asset of £38 million (2017: deferred tax liability of £111 million and deferred tax asset  
of £31 million) recognised in the Consolidated Statement of Financial Position. 

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Financial Statements
Financial Statements 

Notes to the Financial Statements 
Section 2: Results for the Year continued 

The deferred tax balances relate to: 

•  Property, plant and equipment temporary differences arising on assets qualifying for tax depreciation 
•  Temporary differences on intangible assets, including those arising on business combinations 
•  Programme rights – temporary differences on intercompany profits on stock 
•  Pension scheme deficit temporary differences on the IAS 19 pension deficit 
•  Temporary differences arising from the timing of the use of tax losses 
•  Share-based compensation temporary differences on share schemes and 
•  Other temporary differences on provisions and other items 

The deferred tax balance associated with the pension deficit reflects the current tax benefit obtained in the current 
year following the employer contributions of £89 million to the Group’s defined benefit pension scheme. The 
adjustment in other comprehensive income to the deferred tax balance primarily relates to the actuarial loss 
recognised in the period.  

A deferred tax asset of £375 million (2017: £377 million) in respect of capital losses of £2,205 million (2017: £2,217 million) 
has not been recognised due to uncertainties as to whether capital gains will arise in the appropriate form and relevant 
territories against which such losses could be utilised. For the same reasons, deferred tax assets of £19 million (2017:  
£13 million) in respect of overseas losses that time expire between 2019 and 2026 have not been recognised. 

In line with our accounting policy on current tax, provisions are held on the balance sheet within current tax liabilities  
in respect of uncertain tax positions where management believe that it is probable that future payments of tax will  
be required. At the balance sheet date, these tax provisions were not material for the Group. 

2.4  
Earnings 
per share  

  Keeping 
it simple 

Earnings per share (‘EPS’) is the amount of post-tax profit attributable to each  
share.  

Basic EPS is calculated on the Group profit for the year attributable to equity 
shareholders of £466 million (2017: £409 million) divided by 3,999 million  
(2017: 4,006 million), being the weighted average number of shares in issue  
during the year, which excludes EBT shares held in trust (see note 4.7). 

Diluted EPS reflects any commitments made by the Group to issue shares in the 
future and so it includes the impact of share options.  

Adjusted EPS is presented in order to show the business performance of the Group  
in a consistent manner and reflect how the business is managed and measured on  
a day-to-day basis. Adjusted EPS reflects the impact of operating and non-operating 
exceptional items on Basic EPS. Other items excluded from Adjusted EPS are 
amortisation and impairment of intangible assets acquired through business 
combinations; net financing cost adjustments; and the tax adjustments relating  
to these items. Each of these adjustments is explained in detail in the section below. 

The calculation of Basic EPS and Adjusted EPS, together with the diluted impact on each, is set out below: 

Basic earnings per share 

Profit for the year attributable to equity shareholders of ITV plc 
Weighted average number of ordinary shares in issue – million 
Basic earnings per ordinary share  

2018  
£m 

466 
3,999 
11.7p 

2017  
£m 

409 
4,006 
10.2p 

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> Section 2: Results for the Year 

Ref. 

A 

B 
C 

2018  
£m 

466 
3,999 
14 
4,013 
11.6p 

2018 
£m 

466 
74 
540 
71 
6 
617 
3,999 
15.4p 

2018  
£m 

617 
3,999 
14 
4,013 
15.4p 

2017  
£m 

409 
4,006 
11 
4,017 
10.2p 

2017 
£m 

409 
142 
551 
78 
13 
642 
4,006 
16.0p 

2017  
£m 

642 
4,006 
11 
4,017 
16.0p 

Diluted earnings per share 

Profit for the year attributable to equity shareholders of ITV plc  
Weighted average number of ordinary shares in issue – million 
Dilution due to share options 
Total weighted average number of ordinary shares in issue – million 
Diluted earnings per ordinary share  

Adjusted earnings per share  

Profit for the year attributable to equity shareholders of ITV plc 
Exceptional items (net of tax) 
Profit for the year before exceptional items  
Amortisation and impairment of acquired intangible assets 
Adjustments to net financing costs 
Adjusted profit  
Total weighted average number of ordinary shares in issue – million 
Adjusted earnings per ordinary share  

Diluted adjusted earnings per share 

Adjusted profit  
Weighted average number of ordinary shares in issue – million 
Dilution due to share options 
Total weighted average number of ordinary shares in issue – million 
Diluted adjusted loss per ordinary share  

Details of the adjustments to earnings are as follows: 

A. Exceptional items (net of tax) £74 million (2017: £142 million)  
•  Exceptional items of £83 million (2017: £154 million), net of related tax credit of £9 million (2017: £12 million).  

See note 2.2 for the detailed composition of exceptional items 

B. Amortisation and impairment of acquired intangible assets of £71 million (2017: £78 million) 
•  Amortisation and impairment of assets acquired through business combinations and investments of £92 million 

(2017: £102 million), excluding amortisation of software licences and development of £7 million (2017: £5 million),  
net of related tax credit of £14 million (2017: £19 million)  

C. Adjustments to net financing costs £6 million (2017: £13 million) 
•  Mark-to-market movements on derivative instruments, foreign exchange and imputed pension interest charges  

of £7 million (2017: £17 million), net of related tax credit of £1 million (2017: £4 million) 

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Financial Statements 

Notes to the Financial Statements 
Section 3: Operating Assets and Liabilities  

In this  
section 

This section shows the assets used to generate the Group’s trading performance  
and the liabilities incurred as a result. On the following pages, there are notes  
covering working capital, non-current assets and liabilities, acquisitions and  
disposals, provisions and pensions. 

Liabilities relating to the Group’s financing activities are addressed in section 4. 
Deferred tax assets and liabilities are shown in note 2.3. 

3.1  
Working 
capital 

Keeping 
it simple 

Working capital represents the assets and liabilities the Group generates through  
its trading activity. The Group therefore defines working capital as distribution  
rights, programme rights, trade and other receivables, trade and other payables and 
contract assets and liabilities. 

Careful management of working capital ensures that the Group can meet its trading 
and financing obligations within its ordinary operating cycle.  

Working capital is a driver of the profit to cash conversion ratio, a key performance 
indicator for the Group. For those subsidiaries acquired during the year, working 
capital at the date of acquisition is excluded from the profit to cash calculation so  
that only subsequent working capital movements in the period controlled by ITV are 
reflected in this metric. 

In the following section, you will find further information regarding working capital 
management and analysis of the elements of working capital. 

3.1.1 Programme rights and commitments 
Accounting policies 
Rights are recognised when the Group controls the respective rights and the risks and rewards associated with them.  

Programme rights not yet utilised are included in the statement of financial position at the lower of cost and net 
realisable value. In assessing net realisable value for programmes in production, judgement is required when 
considering the contracted sales price and estimated costs to complete.  

Broadcast programme rights 
Acquired programme rights (which include films) and sports rights are purchased for the primary purpose of 
broadcasting on the ITV family of channels, including VOD and SVOD platforms. These are recognised within  
current assets as payments are made or when the rights are ready for broadcast. The Group generally expenses  
these rights through operating costs over a number of transmissions reflecting the pattern and value in which  
the right is consumed. 

Commissions, which primarily comprise programmes purchased, based on editorial specification and over which  
the Group has some control, are recognised in current assets as payments are made and are generally expensed  
to operating costs in full on first transmission. Where a commission is repeated on any platform, incremental costs 
associated with the broadcast are included in operating costs.  

The net realisable value assessment for acquired and commissioned rights is based on estimated airtime value,  
with consideration given to whether the number of transmissions purchased can be efficiently played out over  
the licence period.  

The Broadcast programme rights and other inventory at the year end are shown in the table below: 

Acquired programme rights 
Commissions 
Sports rights 

2018 
£m 

154 
99 
45 
298 

Restated* 

2017 
£m 

177 
86 
58 
321 

*  The Group has applied IFRS 15 ‘Revenue from Contracts with Customers’ at 1 January 2018. Under the transition method chosen, the comparative information 

has been restated. See section 1. 

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> Section 3: Operating Assets and Liabilities 

Broadcast programme and transmission commitments 
Transmission commitments are the contracted future payments under transmission supply agreements that require 
the use of transponder assets for a period of up to ten years with payments increasing over time, limited by specific  
RPI caps.  

Programming commitments are transactions entered into in the ordinary course of business with programme 
suppliers, sports organisations and film distributors in respect of rights to broadcast on the ITV network.  

Commitments in respect of these transactions, which are not reflected in the statement of financial position, are due 
for payment as follows: 

2018 

Within one year 
Later than one year and not more than five years 
More than five years 

2017 

Within one year 
Later than one year and not more than five years 
More than five years 

Transmission 
£m 

Programme 
£m 

34 
135 
5 
174 

471 
610 
50 
1,131 

Transmission 
£m 

Programme 
£m 

32 
132 
58 
222 

455 
709 
47 
1,211 

Total 
£m 

505 
745 
55 
1,305 

Total 
£m 

487 
841 
105 
1,433 

3.1.2 Distribution rights 
Accounting policies 
Distribution rights are programme rights the Group buys from producers to derive future revenue, principally through 
licensing to other broadcasters. These are classified as non-current assets as these rights are used to derive long-term 
economic benefit for the Group. 

Distribution rights are recognised initially at cost and charged through operating costs in the income statement  
over a period not exceeding five years, reflecting the value and pattern in which the right is consumed. Judgement is 
required when estimating future patterns of consumption. Advances paid for the acquisition of distribution rights are 
disclosed as distribution rights as soon as they are contracted. These advances are not expensed until the programme 
is available for distribution. Up to that point, they are assessed annually for impairment through the reassessment  
of the future sales expected to be earned from that title.  

The net book value of distribution rights at the year end is as follows: 

Distribution rights 

During the year, £56 million was charged to the income statement (2017: £35 million). 

2018 
£m 

29 

2017 
£m 

19 

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Notes to the Financial Statements 
Section 3: Operating Assets and Liabilities continued 

3.1.3 Trade and other receivables 
Accounting policies 
Trade receivables are recognised initially at the value of the invoice sent to the customer and subsequently at the 
amounts considered recoverable (amortised cost). Where payments are not due for more than one year, they are 
shown in the financial statements at their net present value to reflect the economic cost of delayed payment.  
The Group provides goods and services to substantially all of its customers on credit terms. 

Estimates are used in determining the level of receivables that will not, in the opinion of the Directors, be collected. 
These estimates include such factors as historical experience, the current state of the UK and overseas economies  
and industry specific factors. A provision for impairment of trade receivables is established when there is sufficient 
evidence that the Group will not be able to collect all amounts due. We have applied the expected loss model and  
the impact was not material. 

The carrying value of trade receivables is considered to approximate fair value. Trade and other receivables can be 
analysed as follows: 

Due within one year: 
Trade receivables 
Other receivables 
Prepayments 

Due after more than one year: 

Trade receivables 
Other receivables 

Total trade and other receivables 

2018 
£m 

261 
48 
46 
355 

36 
35 
71 
426 

Restated* 
2017 
£m 

311 
51 
51 
413 

19 
8 
27 
440 

*  The Group has applied IFRS 15 ‘Revenue from Contracts with Customers’ at 1 January 2018. Under the transition method chosen, the comparative information 

has been restated. See section 1. 

£297 million (2017: £330 million) of total trade receivables, stated net of provisions for impairment, are aged as follows.  

Current 
Up to 30 days overdue 
Between 30 and 90 days overdue 
Over 90 days overdue 

2018 
£m 

265 
24 
6 
2 
297 

2017 
£m 

275 
28 
16 
11 
330 

Movements in the Group’s provision for impairment of trade receivables and contract assets can be shown as follows: 

At 1 January 
Charged during the year – insured trade receivable provision 
Charged during the year 
Unused amounts reversed 
At 31 December 

2018 
£m 

35 
– 
9 
(5) 
39 

2017 
£m 

4 
30 
5 
(4) 
35 

Of the provision total, £21 million relates to balances overdue by more than 90 days (2017: £4 million) and less than  
£1 million relates to current balances (2017: £1 million). £26 million of the provision relates to the overdue Talent 
receivable which includes £10 million of trade receivables and £16 million of contract assets (accrued income). The 
provision for these insured receivables, net of insurance excess, was recognised as an exceptional expense in 2017  
(see note 2.2). 

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> Section 3: Operating Assets and Liabilities 

3.1.4 Trade and other payables due within one year 
Accounting policies 
Trade payables are recognised at the value of the invoice received from a supplier. The carrying value of current and 
non-current trade payables is considered to approximate fair value. Trade and other payables due within one year  
can be analysed as follows: 

Trade payables 
VAT and social security 
Other payables 
Acquisition-related liabilities – employment-linked contingent consideration 
Acquisition-related liabilities – payable to sellers under put options agreed on acquisition 
Accruals 

3.1.5 Trade and other payables due after more than one year 
Trade and other payables due after more than one year can be analysed as follows: 

Trade payables 

Other payables 
Acquisition-related liabilities – employment-linked contingent consideration 
Acquisition-related liabilities – payable to sellers under put options agreed on acquisition 

Total Trade and other payables due after more than one year 

2018 
£m 

62 
56 
226 
13 
42 
369 
768 

2018 
£m 

49 

9 
94 
27 
130 
179 

Restated* 

2017 
£m 

63 
67 
233 
34 
42 
371 
810 

2017 
£m 

68 

21 
54 
31 
106 
174 

Trade payables due after more than one year, relate primarily to film creditors of £24 million and royalties of £25 million. 

Acquisition-related liabilities or performance-based employment-linked earnouts are estimated payable to previous 
owners. The estimated future payments of £252 million are sensitive to forecast profits as they are based on a multiple. 

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Notes to the Financial Statements 
Section 3: Operating Assets and Liabilities continued 

3.1.6 Contract assets and liabilities 
Contract assets (accrued income) primarily relate to the Group’s right to consideration for work completed but not 
billed at the reporting date. Contract liabilities (deferred income) primarily relate to the consideration received from 
customers in advance of transferring a good or service. The following table provides significant changes to contract 
assets and liabilities in the period: 

Balance at 1 January  
Decrease due to balance transferred to trade receivables 
Increases as a result of the changes in the measure of progress 
Decreases due to revenue recognised in the period 
Increase due to cash received 
Business combination 
Balance at 31 December 

Contract 
assets 
£m 

2018 

Contract 
liabilities 
£m 

Contract 
assets 
£m 

352 
(115) 
233 
– 
– 
– 
470 

(219) 
– 
– 
216 
(252) 
– 
(255) 

261 
(88) 
126 
– 
– 
53 
352 

Restated*  

2017   

Contract   
liabilities   
£m   

(205)  
–  
–  
196  
(179)  
(31)  
(219 ) 

*  The Group has applied IFRS 15 ‘Revenue from Contracts with Customers’ and IFRS 9 ‘Financial Instruments’ at 1 January 2018. Under the transition method 

chosen, the comparative information has been restated. See section 1. 

3.1.7 Working capital management 
Cash and working capital management continues to be a key focus. During the year, the cash outflow from working 
capital was £93 million (2017: outflow of £58 million) derived as follows: 

Decrease/(increase) in programme rights, and distribution rights 
(Increase)/decrease in receivables and contract assets 
(Decrease)/increase in payables and contract liabilities 
Working capital outflow 

2018 
£m 

14 
(103) 
(4) 
(93) 

2017 
£m 

(94) 
13 
23 
(58) 

The working capital outflow for the year excludes the impact of balances acquired on the acquisition of subsidiaries 
during the year (see note 3.4). 

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> Section 3: Operating Assets and Liabilities 

3.2  
Property, 
plant and 
equipment 

  Keeping 
it simple 

The following section shows the physical assets used by the Group to operate the 
business, generating revenues and profits. These assets include office buildings and 
studios, as well as equipment used in broadcast transmission, programme production 
and support activities. 

The cost of these assets is the amount initially paid for them. A depreciation expense  
is charged to the income statement to reflect annual wear and tear and the reduced 
value of the asset over time. Depreciation is calculated by estimating the number of 
years the Group expects the asset to be used (useful economic life). If there has been  
a technological change or decline in business performance, the Directors review the 
value of the assets to ensure they have not fallen below their depreciated value.  
If an asset’s value falls below its depreciated value, an additional impairment charge  
is made against profit. 

This section also explains the accounting policies followed by ITV and the specific 
estimates made in arriving at the net book value of these assets. 

Accounting policies 
Property, plant and equipment 
Property, plant and equipment are stated at cost less accumulated depreciation and impairment losses. Certain  
items of property, plant and equipment that were revalued to fair value prior to 1 January 2004 (the date of transition 
to IFRS) are measured on the basis of deemed cost, being the revalued amount less depreciation up to the date of 
transition. 

Assets held for sale
 
Non-current assets classified as held for sale are measured at the lower of carrying amount and fair value less costs  
to sell. An asset is held for sale if its carrying amount will be recovered through a sale transaction rather than through 
continuing use. This condition is regarded as met only when the sale is highly probable and the asset is available for 
immediate sale in its present condition. Management must be committed to the sale which should be expected to 
qualify for recognition as a completed sale within one year from the date of classification. 

Depreciation 
Depreciation is provided to write off the cost of property, plant and equipment less estimated residual value, on a 
straight-line basis over their estimated useful lives. The annual depreciation charge is sensitive to the estimated useful 
life of each asset and the expected residual value at the end of its life. The major categories of property, plant and 
equipment are depreciated as follows: 

Asset class 

Freehold land 
Freehold buildings 
Leasehold improvements 
Vehicles, equipment and fittings* 

*  Equipment includes studio production and technology assets. 

Depreciation policy 

not depreciated 
up to 60 years 
shorter of residual lease term or estimated useful life 
3 to 20 years 

Assets under construction are not depreciated until the point at which the asset comes into use by the Group.  

Impairment of assets 
Property, plant and equipment that is subject to depreciation is reviewed for impairment whenever events or changes 
in circumstances indicate that the carrying amount may not be recoverable. Indicators of impairment may include 
changes in technology and business performance.  

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Notes to the Financial Statements 
Section 3: Operating Assets and Liabilities continued 

Property, plant and equipment 
Property, plant and equipment can be analysed as follows: 

Cost 
At 1 January 2017 
Additions 
Acquisitions 
Foreign exchange 
Disposals and retirements 
At 31 December 2017 
Additions 
Reclassifications 
Foreign exchange 
Classified as held for sale 
Disposals and retirements 
At 31 December 2018 

Depreciation 
At 1 January 2017 
Charge for the year 
Foreign exchange 
Disposals and retirements 
At 31 December 2017 
Charge for the year 
Reclassifications 
Foreign exchange 
Classified as held for sale 
Disposals and retirements 
At 31 December 2018 
Net book value 
At 31 December 2018 
At 31 December 2017 

Freehold 
land and 
buildings 

£m 

92 
– 
7 
– 
– 
99 
2 
(1) 
– 
(87) 
(4) 
9 

7 
8 
– 
– 
15 
1 
(1) 
– 
(15) 
– 
– 

9 
84 

Improvements to 
leasehold land and 
buildings 

Long 
 £m 

Short 

 £m   

Vehicles, 
equipment  
and fittings 

Owned 
 £m 

66 
6 
– 
– 
(2) 
70 
8 
6 
1 
(13) 
(3) 
69 

16 
2 
– 
(2) 
16 
4 
3 
– 
– 
(2) 
21 

48 
54 

20   
–   
–   
–   
–   
20   
8   
(2)  
–   
–   
–   
26   

16   
–   
–   
–   
16 
–   
–   
–   
–   
–   
16   

10   
4   

272 
40 
4 
(3) 
(30) 
283 
35 
(3) 
1 
– 
(79) 
237 

167 
31 
(1) 
(28) 
169 
25 
(2) 
– 
– 
(79) 
113 

124 
114 

Total 

£m 

450 
46 
11 
(3) 
(32) 
472 
53 
– 
2 
(100) 
(86) 
341 

206 
41 
(1) 
(30) 
216 
30 
– 
– 
(15) 
(81) 
150 

191 
256 

Included within property, plant and equipment are assets in the course of construction of £14 million (2017: £41 million). 

Included within the depreciation charge for the year of £30 million is £2 million in respect of accelerated depreciation 
for assets made redundant as a result of restructuring. This accelerated depreciation has been recorded as an 
exceptional item in 2018. Refer to note 2.2 for further details. 

Included in disposals and retirements for the year are assets written off with nil net book value that are not expected 
to generate any future economic benefits. This is mainly due to our departure from the London Television Centre and 
premises in Northern Ireland previously occupied by UTV.  

In 2018, management committed to a plan to sell the London Television Centre. Accordingly, the related assets have 
been presented at its carrying value ‘Asset held for sale’ in the Consolidated Statement of Financial Position. The Group 
acquired the freehold for the London Television Centre in 2013 for £58 million, although the Directors’ view is that the 
fair value of the property would be significantly higher than the carrying value. 

Capital commitments 
There are £4 million of capital commitments at 31 December 2018 (2017: £15 million). 

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> Section 3: Operating Assets and Liabilities 

3.3  
Intangible 
assets 

  Keeping 
it simple 

The following section shows the non-physical assets used by the Group to generate 
revenue and profits. 

These assets include formats and brands, customer contracts and relationships, 
contractual arrangements, licences, software development, film libraries and 
goodwill. The cost of these assets is the amount that the Group has paid or, where 
there has been a business combination, the fair value of the specific intangible assets 
that could be sold separately or which arise from legal rights. In the case of goodwill, 
its cost is the amount the Group has paid in acquiring a business over and above the 
fair value of the individual assets and liabilities acquired. The value of goodwill is the 
‘intangible’ value that comes from, for example, a uniquely strong market position  
and the outstanding productivity of its employees. 

The value of intangible assets, with the exception of goodwill, reduces over the 
number of years the Group expects to use the asset, the useful economic life,  
via an annual amortisation charge to the income statement. Where there has been  
a technological change or decline in business performance, the Directors review  
the value of assets, including goodwill, to ensure they have not fallen below their 
amortised value. Should an asset’s value fall below its amortised value, an additional 
impairment charge is made against profit. 

This section explains the accounting policies applied and the specific judgements  
and estimates made by the Directors in arriving at the net book value of these assets. 

Accounting policies 
Goodwill 
Goodwill represents the future economic benefits that arise from assets that are not capable of being individually 
identified and separately recognised. The goodwill recognised by the Group has all arisen as a result of business 
combinations. Goodwill is stated at its recoverable amount being cost less any accumulated impairment losses  
and is allocated to the business to which it relates. 

Due to changes in accounting standards, goodwill has been calculated using three different methods depending on  
the date the relevant business was purchased. 

Method 1: All business combinations that have occurred since 1 January 2009 were accounted for using the acquisition 
method. Under this method, goodwill is measured as the fair value of the consideration transferred (including the 
recognition of any part of the business not yet owned (non-controlling interests)), less the fair value of the identifiable 
assets acquired and liabilities assumed, all measured at the acquisition date. Any contingent consideration expected to 
be transferred in the future will be recognised at fair value at the acquisition date and recognised within other payables. 
Contingent consideration classified as an asset or liability that is a financial instrument is measured at fair value with 
changes in fair value recognised in the income statement. The determination of fair value is based on discounted cash 
flows. The key assumptions take into consideration the probability of meeting each performance target and the 
discount rate. 

Where less than 100% of a subsidiary is acquired, and call and put options are granted over the remaining interest,  
a non-controlling interest is initially recognised in equity at fair value, which is established based on the value of the put 
option. A call option is recognised as a derivative financial instrument, carried at fair value. The put option is recognised 
as a liability within other payables, carried at the present value of the put option exercise price, and a corresponding 
charge is included in merger and other reserves. Any subsequent remeasurement of the put option liability is 
recognised within finance income or cost. 

Subsequent adjustments to the fair value of net assets acquired can only be made within 12 months of the acquisition 
date, and only if fair values were determined provisionally at an earlier reporting date. These adjustments are 
accounted for from the date of acquisition. 

Acquisitions of non-controlling interests are accounted for as transactions with owners and therefore no goodwill is 
recognised as a result of such transactions. Transaction costs incurred in connection with those business combinations, 
such as legal fees, due diligence fees and other professional fees, are expensed as incurred. The Directors consider these 
costs to reflect the cost of acquisition and to form a part of the capital transaction, and highlight them separately as 
exceptional items. 

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Method 2: All business combinations that occurred between 1 January 2004 and 31 December 2008 were accounted  
for using the purchase method in accordance with IFRS 3 ‘Business Combinations’ (2004). Goodwill on those combinations 
represents the difference between the cost of the acquisition and the fair value of the identifiable net assets acquired 
and did not include the value of the non-controlling interest. Transaction costs incurred in connection with those 
business combinations, such as legal fees, due diligence fees and other professional fees, were included in the cost  
of acquisition. 

Method 3: For business combinations prior to 1 January 2004, goodwill is included at its deemed cost, which represents 
the amount recorded under UK GAAP at that time less accumulated amortisation up to 31 December 2003. The 
classification and accounting treatment of business combinations occurring prior to 1 January 2004, the date of 
transition to IFRS, has not been reconsidered, as permitted under IFRS 1.  

Other intangible assets 
Intangible assets other than goodwill are those that are distinct and can be sold separately or which arise from legal rights. 

The main intangible assets the Group has valued are formats, brands, licences, contractual arrangements, customer 
contracts and relationships and libraries. 

Within ITV, there are two types of other intangible assets: those assets directly purchased by the Group for day-to-day 
operational purposes (such as software licences and development) and intangible assets identified as part of an 
acquisition of a business.  

Intangible assets acquired directly by the Group are stated at cost less accumulated amortisation. Those separately 
identified intangible assets acquired as part of an acquisition or business combination are shown at fair value at the 
date of acquisition less accumulated amortisation. 

Each class of intangible assets’ valuation method on initial recognition, amortisation method and estimated useful  
life is set out in the table below: 

Class of intangible asset  Amortisation method  Estimated useful life  Valuation method 

Brands 

Straight-line 

8 to 14 years 

up to 8 years 
up to 6 years  

5 to 10 years 

up to 10 years 
depending on  
the contract  
terms 

11 to 29 years 
depending on  
term of licence 

up to 20 years 

Applying a royalty rate to the expected future revenue over 
the life of the brand. 
Expected future cash flows from those assets existing at the 
date of acquisition are estimated. If applicable, a contributory 
charge is deducted for the use of other assets needed to 
exploit the cash flow. The net cash flow is then discounted 
back to present value. 

Expected future cash flows from those contracts existing  
at the date of acquisition are estimated. If applicable, a 
contributory charge is deducted for the use of other assets 
needed to exploit the cash flow. The net cash flow is then 
discounted back to present value. 
Start-up basis of expected future cash flows existing at the 
date of acquisition. If applicable, a contributory charge is 
deducted for the use of other assets needed to exploit the 
cash flow. The net cash flow is then discounted back to 
present value. 

PSB licences are valued as a start-up business with only the 
licence in place. 
Initially at cost and subsequently at cost less accumulated 
amortisation. 

1 to 10 years 

Initially at cost and subsequently at cost less accumulated 
amortisation. 

Formats 
Customer  
contracts  

Customer 
relationships 
Contractual 
arrangements 

Straight-line 
Straight-line or 
reducing balance 
as appropriate 
Straight-line 

Straight-line 

Licences 

Straight-line 

Libraries and other  Sum of digits or 
straight-line as 
appropriate 
Straight-line 

Software licences 
and development 

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Determining the fair value of intangible assets arising on acquisition requires judgement. The Directors make estimates 
regarding the timing and amount of future cash flows derived from exploiting the assets being acquired. The Directors 
then estimate an appropriate discount rate to apply to the forecast cash flows. Such estimates are based on current 
budgets and forecasts, extrapolated for an appropriate period taking into account growth rates, operating costs and 
the expected useful lives of assets. Judgements are also made regarding whether, and for how long, licences will be 
renewed; this drives our amortisation policy for those assets. 

The Directors estimate the appropriate discount rate using pre-tax rates that reflect current market assessments of 
the time value of money and the risks specific to the assets or businesses being acquired. 

Amortisation 
Amortisation is charged to the income statement over the estimated useful lives of intangible assets unless such lives 
are judged to be indefinite. Indefinite life assets, such as goodwill, are not amortised but are tested for impairment at 
each year end. 

Impairment 
Goodwill is not subject to amortisation and is tested annually for impairment and when circumstances indicate that  
the carrying value may be impaired. 

Other intangible assets are subject to amortisation and are reviewed for impairment whenever events or changes in 
circumstances indicate that the amount carried in the statement of financial position is less than its recoverable amount. 

Determining whether the carrying amount of intangible assets has any indication of impairment requires judgement. 
Any impairment is recognised in the income statement. 

An impairment test is performed by assessing the recoverable amount of each asset, or for goodwill the cash-
generating unit (‘CGU’), or group of CGUs, related to the goodwill. Total assets (which include goodwill) are grouped  
at the lowest levels for which there are separately identifiable cash flows. 

The recoverable amount is the higher of an asset’s fair value less costs to sell and value in use. The value in use is based 
on the present value of the future cash flows expected to arise from the asset.  

In testing for impairment, estimates are used in deriving cash flows and the discount rates. Such estimates reflect 
current market assessments of the risks specific to the asset and the time value of money. The estimation process  
is complex due to the inherent risks and uncertainties associated with long-term forecasting. If different estimates  
of the projected future cash flows or a different selection of an appropriate discount rate or long-term growth rate were 
made, these changes could materially alter the projected value of the cash flows of the asset, and as a consequence 
materially different amounts would be reported in the financial statements. 

Impairment losses in respect of goodwill cannot be reversed. In respect of assets other than goodwill, an impairment 
loss is reversed if there has been a change in the estimates used to determine the recoverable amount. An impairment 
loss is reversed only to the extent that the asset’s carrying amount does not exceed the carrying amount that would 
have been determined, net of depreciation or amortisation, if no impairment loss had been recognised. 

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Notes to the Financial Statements 
Section 3: Operating Assets and Liabilities continued 

Intangible assets 
Intangible assets can be analysed as follows: 

Formats 
and brands 
£m 

Customer 
contracts and  
relationships 
£m 

Contractual 
arrangements 
£m 

Goodwill 
£m 

Libraries 
and other 
£m 

Software 
licences and 
development 
£m 

Licences 
£m 

Cost 
At 1 January 2017 
Additions 
Acquisitions 
Foreign exchange 
Disposals, retirements 
and impairment 
At 31 December 2017 
Additions 
Acquisitions 
Foreign exchange 
Disposals, retirements 
and impairment 
At 31 December 2018 
Amortisation and 
impairment 
At 1 January 2017 
Charge for the year 
Foreign exchange 
Disposals, retirements 
and impairment 
At 31 December 2017 
Charge for the year 
Foreign exchange 
Disposals, retirements 
and impairment 
At 31 December 2018 
Net book value 
At 31 December 2018 
At 31 December 2017 

3,835 
– 
85 
(21) 

(10) 
3,889 
– 
– 
15 

– 
3,904 

2,654 
– 
– 

– 
2,654 
– 
– 

– 
2,654 

1,250 
1,235 

535 
– 
– 
9 

– 
544 
– 
– 
7 

– 
551 

254 
46 
3 

– 
303 
43 
3 

– 
349 

202 
241 

420 
– 
21 
(4) 

(1) 
436 
– 
– 
2 

– 
438 

387 
17 
(4) 

(1) 
399 
16 
3 

– 
418 

20 
37 

11 
– 
– 
– 

– 
11 
– 
– 
– 

– 
11 

10 
1 
– 

– 
11 
– 
– 

– 
11 

– 
– 

176 
– 
– 
– 

– 
176 
– 
– 
– 

– 
176 

100 
6 
– 

– 
106 
6 
– 

– 
112 

64 
70 

103 
– 
– 
(2) 

– 
101 
– 
– 
2 

– 
103 

76 
7 
(1) 

– 
82 
4 
3 

– 
89 

14 
19 

117 
23 
– 
– 

(5) 
135 
27 
– 
2 

– 
164 

92 
5 
– 

(5) 
92 
7 
1 

– 
100 

64 
43 

Total 
£m 

5,197 
23 
106 
(18) 

(16) 
5,292 
27 
– 
28 

– 
5,347 

3,573 
82 
(2) 

(6) 
3,647 
76 
10 

– 
3,733 

1,614 
1,645 

Gurney Productions LLC has been treated as if it would have been wound down, with no further results to be recognised 
in the accounts. A provision of £13 million was recognised in 2017 against onerous contracts and various assets and 
liabilities relating to Gurney Productions LLC, which included £3 million write-off of goodwill. 

Goodwill impairment tests 
The carrying amount of goodwill for each CGU is represented as follows: 

Broadcast & Online 
SDN 
ITV Studios 

2018  
£m 

386 
76 
788 
1,250 

2017  
£m 

386 
76 
773 
1,235 

There has been no impairment charge for any CGU during the year (2017: £nil). 

When assessing impairment, the recoverable amount of each CGU is based on value in use calculations. These calculations 
require the use of estimates, specifically: pre-tax cash flow projections; long-term growth rates; and a pre-tax market 
discount rate. Cash flow projections are based on the Group’s current five year plan. Beyond the five year plan, these 
projections are extrapolated using an estimated nominal long-term growth rate of 1.5% (2017: 1.5%). The growth rate 
used is consistent with the long-term average growth rates for both the industry and the countries in which the CGUs 
are located and is appropriate because these are long-term businesses. 

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> Section 3: Operating Assets and Liabilities 

The discount rate has been revised for each CGU to reflect the latest market assumptions for the risk-free rate, the 
equity risk premium and the net cost of debt. There is currently no reasonably possible change in discount rate that 
would reduce the headroom in any CGU to zero. 

Broadcast & Online 
The goodwill in this CGU arose as a result of the acquisition of broadcasting businesses since 1999, the largest of  
which was the merger of Carlton and Granada in 2004 to form ITV plc, which was treated as an acquisition of Carlton 
for accounting purposes. Broadcast & Online goodwill also includes the goodwill arising on acquisition of UTV Limited  
in February 2016. 

The main assumptions on which the forecast cash flow projections for this CGU are based include: the performance and 
share of the television advertising market; share of commercial impacts; programme and other costs; and the pre-tax 
market discount rate. 

The key assumption in assessing the recoverable amount of Broadcast & Online goodwill is the size of the television 
advertising market. In forming its assumptions about the television advertising market, the Group has used a 
combination of long-term trends, industry forecasts and in-house estimates, which place greater emphasis on recent 
experience. No impairment was identified. Also as part of the impairment review, a sensitivity of up to -10% of growth 
was applied to 2020 and -3% to 2021 with no subsequent recovery, with no impairment identified. The Directors believe 
that currently no reasonably possible change in these assumptions would reduce the headroom in this CGU to zero. 

An impairment charge of £2,309 million was recognised in the Broadcast & Online CGU in 2008, as a result of the 
downturn in the short-term outlook for the advertising market. The current year impairment review, set out above, 
results in significant headroom in excess of the 2008 impairment amount. Even though the advertising market has 
improved since then and the impaired assets are still owned and operated by the Group, due to accounting rules the 
impairment cannot be reversed.  

A pre-tax market discount rate of 8.5% (2017: 9.5%) has been used in discounting the projected cash flows. 

SDN 
Goodwill was recognised when the Group acquired SDN (the licence operator for DTT Multiplex A) in 2005. It 
represented the wider strategic benefits of the acquisition specific to the Group, principally the enhanced ability  
to promote Freeview as a platform, business relationships with the channels which are on Multiplex A and additional 
capacity available from 2010. 

The main assumptions on which the forecast cash flows are based are: income to be earned from renewals of medium-
term contracts; the market price of available multiplex video streams; and the pre-tax market discount rate. These 
assumptions have been determined by using a combination of current contract terms, recent market transactions  
and in-house estimates of video stream availability and pricing. No impairment was identified.  

As part of the impairment review, sensitivity was applied to the main assumptions with no impairment identified  
(2020: -10% growth, 2021: 0% growth). The Directors believe that currently no reasonably possible change in the 
cash flow and availability assumptions would reduce the headroom in this CGU to zero. 

A pre-tax market discount rate of 10.2% (2017: 11.4%) has been used in discounting the projected cash flows. 

ITV Studios 
The goodwill for ITV Studios has arisen as a result of the acquisition of production businesses since 1999. Significant 
balances were created from the acquisition by Granada of United News and Media’s production businesses in 2000  
and the merger of Granada and Carlton in 2004 to form ITV plc. ITV Studios goodwill also includes the goodwill arising 
from recent acquisitions since 2012, with the largest acquisitions being Leftfield in 2014, followed by Talpa in 2015.  

The key assumptions on which the forecast cash flows for the whole CGU were based include revenue (including 
international revenue and the ITV Studios share of ITV output, growth in commissions and hours produced),  
margins and the pre-tax market discount rate. These assumptions have been determined by using a combination  
of extrapolation of historical trends within the business, industry estimates and in-house estimates of growth  
rates in all markets. No impairment was identified.  

As part of the impairment review, sensitivity was applied to the main assumptions with no impairment identified  
(2020: -10% growth, 2021: 0% growth). The Directors believe that currently no reasonably possible change in the  
cash flow assumptions would reduce the headroom in this CGU to zero. 

A pre-tax market discount rate of 9.5% (2017: 10.8%) has been used in discounting the projected cash flows. 

Following the acquisitions made by ITV Studios in 2017, the Directors considered how assets and resources are shared 
across the ITV Studios division and the level of integration within the management structure for the purposes of 
reporting and strategic decision-making. They concluded that a single ITV Studios CGU continues to remain appropriate. 

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Financial Statements
Financial Statements 

Notes to the Financial Statements 
Section 3: Operating Assets and Liabilities continued 

3.4 
Acquisitions 

  Keeping 
it simple 

The following section outlines what the Group has acquired in the year.  

Most of the deals are structured so that a large part of the payment made to the 
sellers (‘consideration’) is determined based on future performance. This is done so 
that the Group can both align incentives for growth, while reducing risk so that total 
consideration reflects actual performance, not expected.  

IFRS accounting standards require some of this consideration to be included in the 
purchase price used in determining goodwill (‘contingent consideration’). Examples  
of contingent consideration include top-up payments and recoupable performance 
adjustments. Any remaining consideration is required to be recognised as a liability  
or expense outside of acquisition accounting (put option liabilities and employment-
linked contingent payments known as ‘earnout’ payments). 

The Group considers the income statement impact of all consideration to be capital in 
nature and so excludes it from adjusted profit. Therefore, for each acquisition below, 
the distinction between the types of consideration has been explained in detail. 

Acquisitions in the current year – 2018 
The Group did not make any acquisitions in the current year. 

Acquisitions in the prior year – 2017 
In 2017, the Group made payments totalling £54 million for five acquisitions within the ITV Studios operating segment. 
The businesses fit with the strategy of strengthening the Group’s existing position as a producer for major television 
networks in the UK, Europe, US and OTT platforms.  

Tetra Media Studio SAS 
On 28 February 2017, the Group purchased 65.04% of the share capital of Tetra Media Studio SAS, a French television 
production group which specialises in drama, including flagship crime series Profilage, and political crime thriller Les 
Hommes de l’Ombre.  

Tomorrow ITV Studios LLC 
On 1 April 2017, the Group gained control of Tomorrow ITV Studios LLC due to the conversion of its 75% preference 
share capital into 75% ordinary share capital. The company produced Aquarius, a US period crime series, which aired  
on NBC, and is producing Snowpiercer, an action sci-fi drama series, expected to be released in the US in 2019. 

World Productions Limited 
On 30 April 2017, the Group purchased 92% of the share capital of World Productions Limited, a company which 
specialises in producing drama series with titles including Line of Duty, an award-winning British police crime drama,  
and Born to Kill, a British thriller television mini-series. 

Elk Production AB 
On 21 June 2017, the Group acquired 96% of the share capital of Elk Production AB. Elk is one of the leading 
independent production companies in Sweden. Key titles produced by the company include Ninja Warrior, an obstacle 
course competition series, Dessertmästarna, a dessert cooking competition, and award-winning TV series Wahlgrens 
and Parneviks.  

Cattleya S.r.l. 
On 11 October 2017, the Group purchased 51% of the share capital of Cattleya Srl, an Italian scripted production 
company behind international hit TV dramas Gomorrah, Romanzo Criminale and Suburra, Netflix’s first Italian original 
TV series. 

Acquisition accounting: 
Put and call options have been granted over the non-controlling interest of all five acquisitions, exercisable over  
the next two to seven years. The total maximum consideration for the acquisitions is capped at £418 million 
(undiscounted). All future payments are dependent on future performance of the business and linked to ongoing 
employment. 

The Group paid total consideration of £35 million with the fair value of previously held preference shares of £29 million, 
non-controlling interests of £25 million and acquired net assets with a fair value of £4 million resulting in goodwill  
of £85 million. The present value of the expected liability on put options was £23 million and the present value  
of the expected earnout payment at acquisition was £11 million. As disclosed in 2017, the contribution to the  
Group’s performance from the date of acquisition to the end of 2017 was Revenue of £59 million and EBITA before 
exceptionals £nil. The proforma contribution to the Group’s performance from January to December 2017 was  
Revenue £131 million and EBITA before exceptionals £nil.  

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> Section 3: Operating Assets and Liabilities 

3.5  
Investments 

  Keeping 
it simple 

The Group holds non-controlling interests in a number of different entities. 
Accounting for these investments, and the Group’s share of any profits and losses, 
depends on the level of control or influence the Group is granted via its interest.  
The three principal types of non-consolidated investments are: joint arrangements 
(joint ventures or joint operations), associates and equity investments. 

A joint arrangement is an investment where the Group has joint control, with one  
or more third parties. An associate is an entity over which the Group has significant 
influence (i.e. power to participate in the investee’s financial and operating decisions). 
Any other investment is an equity investment. 

Accounting policies 
For joint ventures and associates, the Group applies equity accounting. Under this method, it recognises the investment 
in the entity at cost and subsequently adjusts this for its share of profits or losses, which are recognised in the income 
statement within non-operating items and included in adjusted profit. Where the Group has invested in associates by 
acquiring preference shares or convertible debt instruments, the share of profit recognised is usually £nil as no equity 
interest exists. Equity investments are held at fair value unless the investment is a start-up business, in which case it is 
valued at cost and assessed for impairment.  

The carrying amount of each category of our investments is represented as follows: 

Joint ventures 
Associates 
Equity investments 

2018  
£m 

1 
41 
9 
51 

2017 
£m 

2 
68 
4 
74 

Equity investments have increased during the year due to an investment in Quibi, a US venture aimed at delivering high-
quality content to mobile devices. Further smaller investments have been made in line with Group’s strategy to grow 
the international content business.  

In the current year, the carrying amount of certain short-form content investments was written down following an 
impairment review. 

Please refer to page 198 for the list of principal investments held at 31 December 2018. 

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Notes to the Financial Statements 
Section 3: Operating Assets and Liabilities continued 

3.6  
Provisions 

  Keeping 
it simple 

A provision is recognised by the Group where an obligation exists relating to events  
in the past and it is probable that cash will be paid to settle it. 

A provision is made where the Group is not certain how much cash will be required  
to settle a liability, so an estimate is required. The main estimates relate to the cost  
of holding properties that are no longer in use by the Group, the likelihood of settling 
legal claims and contracts the Group has entered into that are now unprofitable. 

Accounting policies 
A provision is recognised in the statement of financial position when the Group has a present legal or constructive 
obligation arising from past events, it is probable cash will be paid to settle it and the amount can be estimated  
reliably. Provisions are determined by discounting the expected future cash flows by a rate that reflects current  
market assessments of the time value of money and the risks specific to the liability. The unwinding of the discount  
is recognised as a financing cost in the income statement. The value of the provision is determined based on 
assumptions and estimates in relation to the amount and timing of actual cash flows, which are dependent  
on future events. 

Provisions 
The movements in provisions during the year are as follows: 

At 1 January 2018 
Additions 
Utilised 
Released 
At 31 December 2018 

Contract 
provisions 
£m 

Property 
provisions 
£m 

Legal and Other 
provisions 
£m 

3 
– 
(1) 
– 
2 

4 
1 
– 
(3) 
2 

16 
– 
– 
– 
16 

Total 
£m 

23 
1 
(1) 
(3) 
20 

Provisions of £16 million are classified as current liabilities (2017: £16 million). Unwind of the discount is £nil in 2018  
and 2017. 

Contract provisions comprise onerous commitments on playout and related services that are not expected to be 
utilised over the remaining contract period. 

Property provisions primarily relate to expected dilapidation costs at rental properties. 

Legal and Other provisions totalling £16 million (31 December 2017: £16 million) primarily relate to potential liabilities 
that may arise as a result of Boxclever having been placed into administrative receivership, most of which relate to 
pension arrangements. In 2011, the Determinations Panel of the Pensions Regulator determined that Financial Support 
Directions (FSD) should be issued against certain Group companies, which would require those companies to put in 
place financial support for the Boxclever Pension Scheme. An FSD does not set out what form any financial support 
should take, nor its amount. The Group challenged the Regulator’s decision in the Upper Tribunal. However, in May 2018, 
the Upper Tribunal reached a decision to allow the Pension Regulator to issue an FSD. Subsequently the Upper Tribunal 
gave ITV permission to appeal its decision to the Court of Appeal. Such appeal was made in July 2018 and the appeal 
has been fixed for May 2019. During the period of the appeal, an FSD cannot be issued. 

The Directors, having taken advice, believe that they continue to have a strong case. There are significant points of legal 
principle at issue and consequently any potential liability may take a considerable period to resolve. While any potential 
liability might be significant, the Directors continue to believe that the provision held is appropriate 

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3.7  
Pensions 

  Keeping 
it simple 

> Section 3: Operating Assets and Liabilities 

In this note, we explain the accounting policies governing the Group’s pension 
schemes, followed by analysis of the components of the net defined benefit pension 
deficit, including assumptions made, and where the related movements have been 
recognised in the financial statements. In addition, we have placed text boxes to 
explain some of the technical terms used in the disclosure.  

What are the Group’s pension schemes?  
There are two types of pension schemes. A ‘Defined Contribution’ scheme that  
is open to ITV employees, and a number of ‘Defined Benefit’ schemes that have  
been closed to new members since 2006 and closed to future accrual in 2017.  
In 2016, on acquisition of UTV Limited, the Group took over the UTV Defined Benefit 
Scheme, which remains open to future accrual. 

What is a Defined Contribution scheme? 
The Defined Contribution scheme is where the Group makes fixed payments into  
a separate fund on behalf of those employees participating in saving for their 
retirement. ITV has no further obligation to the participating employee and the risks 
and rewards associated with this type of scheme are assumed by the members rather 
than the Group. Although the Trustee of the scheme makes available a range of 
investment options, it is the members’ responsibility to make investment decisions 
relating to their retirement benefits. 

What is a Defined Benefit scheme?  
In a Defined Benefit scheme, members receive payments during retirement, the  
value of which is dependent on factors such as salary and length of service. The Group 
makes contributions to the scheme, a separate trustee-administered fund that is not 
consolidated in these financial statements, but is reflected on the defined benefit 
pension deficit line on the consolidated statement of financial position. 

It is the responsibility of the Trustee to manage and invest the assets of the Scheme 
and its funding position. The Trustee, appointed according to the terms of the 
scheme’s documentation, is required to act in the best interest of the members  
and is responsible for managing and investing the assets of the scheme and its  
funding position.  

The Group has a Pension Steering Committee, which liaises with the Trustee and  
has oversight of the management of the pension schemes and underlying risks. 

In the event of poor returns, the Group may need to address this through a 
combination of increased levels of contribution or by making adjustments to the 
scheme. Schemes can be funded, where regular cash contributions are made by  
the employer into a fund which is invested, or unfunded, where no regular money  
or assets are required to be put aside to cover future payments but in some cases 
security is required. 

The accounting defined benefit pension deficit (IAS 19) is different from the actuarial 
valuation deficit as they are calculated on the basis of different assumptions, such  
as discount rate. The accounting defined benefit pension deficit (IAS 19) figure  
is calculated as at the balance sheet date, and the actuarial deficit was calculated  
for the last triennial valuation as of 1 January 2017 for the ITV Pension Scheme and  
30 June 2017 for the UTV Pension Scheme. 

Accounting policies 
Defined contribution scheme 
Obligations under the Group’s defined contribution schemes are recognised as an operating cost in the income 
statement as incurred. For 2018, total contributions expensed were £21 million (2017: £18 million). 

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Notes to the Financial Statements 
Section 3: Operating Assets and Liabilities continued 

Defined benefit scheme 
The Group’s obligation in respect of the Defined Benefit Scheme (the ‘Scheme’) is calculated by estimating the  
amount of future retirement benefit that eligible employees (‘members’) have earned during their services. That 
benefit payable in the future is discounted to today’s value and then the fair value of scheme assets is deducted  
to measure the defined benefit pension position.  

The liabilities of the Scheme are measured by discounting the best estimate of future cash flows to be paid using  
the ‘projected unit’ method. These calculations are complex and are performed by a qualified actuary. There are many 
judgements and estimates necessary to calculate the Group’s estimated liabilities, the main assumptions are set out 
later in this section. Movements in assumptions during the year are called ‘actuarial gains and losses’ and these are 
recognised in the period in which they arise through the statement of comprehensive income.  

The latest triennial valuation of the ITV Pension Scheme was undertaken as at 1 January 2017 by an independent 
actuary appointed by the Trustee of the Scheme and agreed in early 2018. The combined funding deficits of the ITV 
Pension Scheme as at 1 January 2017 amounted to £470 million. The deficit funding contributions for the ITV main 
scheme will be £60 million per annum. The next triennial valuation will be as at 1 January 2020. This will drive 
subsequent contribution rates. 

An unfunded scheme in relation to four former Granada executives is accounted for under IAS 19 and the Group  
is responsible for meeting the pension obligations as they fall due. The unfunded scheme has additional security 
compared with the ITV main scheme, in the form of a charge over gilts held by the Group. Therefore, the £49 million 
securitised gilts have been classified as other pension assets to reflect the Group’s net pension deficit. 

Due to the size of the UTV Pension Scheme, the Directors present the results and position of the UTV Scheme within 
this note combined with the existing ITV Schemes. The latest triennial valuation was undertaken as at 30 June 2017  
and was agreed during the second half of 2018. The next triennial valuation will be as at 30 June 2020. 

Unless otherwise stated, references to ‘the Schemes’ within this note refer to the ITV Pension Scheme, the unfunded 
scheme and the UTV Scheme combined. The sponsoring company of the ITV Pension Scheme is ITV Services Limited, 
the unfunded scheme is Granada Group Limited and the UTV Scheme is sponsored by UTV Limited. 

The defined benefit pension deficit 
Net pension deficit of £38 million at 31 December 2018 (2017: £83 million) is stated after including the unfunded 
scheme security asset of £49 million (2017: £38 million). 

The totals recognised in the current and previous years are: 

Total defined benefit scheme obligations 
Total defined benefit scheme assets 
Defined benefit pension deficit (IAS 19) 

Presented as: 
Defined benefit pension surplus* 
Defined benefit pension deficit 
Defined benefit pension deficit (IAS 19) 

Other pension asset 
Net pension deficit 

2018 
£m 

(3,719) 
3,632 
(87) 

19 
(106) 
(87) 

49 
(38) 

2017 
£m 

(3,987) 
3,866 
(121) 

16 
(137) 
(121) 

38 
(83) 

*  The defined benefit pension surplus relates solely to the UTV Scheme. The defined benefit scheme assets in the UTV Scheme were £126 million as at  

31 December 2018 (2017: £130 million) and the defined benefit scheme obligations were £107 million (2017: £114 million). 

The remaining sections provide further detail of the value of the Scheme’s assets and liabilities, how these are 
accounted for and the impact on the financial statements. 

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> Section 3: Operating Assets and Liabilities 

Defined benefit scheme obligations 

Keeping 
it simple 

What causes movements in the defined benefit pension obligations? 
The areas that impact the defined benefit obligation (the pension scheme liabilities) 
position at the year end are as follows: 

•  Current service cost – the cost to the Group of the future benefits earned 

by members that relates to the members’ service in the current year. This is charged 
to operating costs in the income statement 

•  Past service cost – is a change in present value of the benefits built up by the 

members in the prior periods; can be positive or negative resulting from changes  
to the existing plan as a result of an agreement between ITV and employees or 
legislative change (including legal rulings) or as a result of significant reduction by 
ITV in the number of employees covered by the plan (curtailment) 

•  Interest cost – the pension obligations payable in the future are discounted to the 
present value at year end. A discount factor is used to determine the current value 
today of the future cost. The interest cost is the unwinding of one year’s movement 
in the present value of the obligation. It is broadly determined by multiplying the 
discount rate at the beginning of the period by the updated present value of the 
obligation during the period. The discount rate is a key assumption explained later  
in this section. This interest cost is recognised through net financing costs in the 
income statement (see note 4.4) 

•  Actuarial gains or losses – there are broadly two causes of actuarial movements: 
‘experience’ adjustments, which arise when comparing assumptions made when 
estimating the liabilities and what has actually occurred, and adjustments resulting 
from changes in actuarial assumptions e.g. movements in corporate bond yields or 
change in mortality. Key assumptions are explained in detail later in this section. 
Actuarial gains or losses are recognised through other comprehensive income 

•  Benefits paid – any cash benefits paid out by the Scheme will reduce the obligation 
•  One-off events – for example, the acquisition of UTV Limited 

The movement in the present value of the Group’s defined benefit obligation is analysed below: 

Defined benefit obligation at 1 January 

Current service cost 
Past service cost 
– GMP equalisation 
– Changes in relation to pension increases 
– Pension increase exchange option 
Interest cost 
Actuarial gain 
Benefits paid 

Defined benefit obligation at 31 December 

2018 
£m 

3,987 
– 

6 
(15) 
5 
97 
(166) 
(195) 
3,719 

2017 
£m 

4,200 
2 

– 
– 
– 
107 
(121) 
(201) 
3,987 

Of the above total defined benefit obligation at 31 December 2018, £56 million relates to unfunded schemes (2017:  
£58 million), including the scheme in relation to the four former Granada executives.  

On 26 October 2018, a High Court ruling (‘the Lloyds Case’) determined that pension schemes need to address 
inequalities between men and women in Guaranteed Minimum Pension (GMP) earned between 17 May 1990 and 5 April 
1997. This is to comply with sex discrimination legislation known as ‘GMP equalisation’. In previous years, given the legal 
uncertainty on the treatment of GMP equality, no allowance had been made in the IAS 19 defined benefit obligation. 
The court ruling has now clarified how GMPs should be equalised and as a result, a past service cost of £6 million has 
been recognised in the current period.  

In November 2018, the Pension Trustee entered into a bulk annuity insurance contract in respect of the benefits of two 
sections of the ITV Pension Scheme. This type of deal is also known as a ‘Buy-in’. As a result of the buy-in, a past service 
cost of £5 million has been included in the measurement of the pension scheme liabilities. This is due to the pension 
increase exchange (‘PIE’) option no longer being available to members of these schemes. PIE is an option to give up 
future increases on your pension, in exchange for a higher immediate pension with lower (or no) further increases. 
Certain members of the sections also had a change of rate of pension increases. This change resulted in a credit of  
£15 million which has also been recognised as an exceptional past service cost. 

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Notes to the Financial Statements 
Section 3: Operating Assets and Liabilities continued 

Assumptions used to estimate the Scheme obligations 

Keeping 
it simple 

What are the main assumptions used to estimate the Scheme obligations? 
The main assumptions are: 
•  An estimate of increases in pension payments 
•  The life expectancy of members 
•  The effect of inflation on all these factors  
•  The discount rate used to estimate the present day fair value of these obligations 
•  Future salary levels for the UTV Scheme and 
•  Future pensionable salary levels for the UTV Scheme 

How do we determine the appropriate assumptions?  
The Group takes independent actuarial advice relating to the appropriateness  
of the assumptions used. 

IFRS requires that we estimate a discount rate by reference to high-quality  
fixed income investments in the UK that match the estimated term of the  
pension obligations.  

The inflation assumption has been set by looking at the difference between the  
yields on fixed and index-linked Government bonds. The inflation assumption is  
used as a basis for the remaining financial assumptions, except where caps have  
been implemented. 

The discount rate has therefore been obtained using the yields available on AA rated 
corporate bonds, which match projected cash flows. The Group’s estimate of the 
weighted average term of the liabilities is 15 years (2017: 15 years). 

The principal assumptions used in the Scheme’s valuations at the year end were: 

Discount rate for: 

Past service liabilities 
Future service liabilities 

Inflation assumption for: 
Past service liabilities 
Future service liabilities 

Rate of pensionable salary increases 

UTV Pension Scheme 

Rate of increase in pension payment (LPI1 5% pension increases) 
Rate of increase to deferred pensions (CPI) 

1.  Limited Price Index. 

2018  

2017  

2.85% 
2.85% 

3.20% 
3.20% 

3.70% 
3.05% 
2.20% 

2.50% 
2.50% 

3.15% 
3.15% 

3.65% 
2.95% 
2.15% 

The table below reflects published mortality investigation data in conjunction with the results of investigations into  
the mortality experience of Scheme members. The assumed life expectations on retirement are: 

Retiring today at age 
Males 
Females 
Retiring in 20 years at age 
Males 
Females 

2018 

60 
27.2 
29.3 
60 
28.8 
30.9 

2018 

65 
22.5 
24.5 
65 
24.0 
26.0 

2017 

60 
27.1 
29.2 
60 
28.7 
30.8 

2017 

65 
22.5 
24.4 
65 
23.9 
25.9 

The net pension deficit is sensitive to changes in assumptions. Those are disclosed further in this section. 

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> Section 3: Operating Assets and Liabilities 

Total defined benefit scheme assets 

Keeping 
it simple 

The Scheme holds assets across a number of different classes, which are managed  
by the Trustee, who consults with the Group on changes to its investment policy. 

What are the pension Scheme assets? 
At 31 December 2018, the Scheme’s assets were invested in a diversified portfolio  
that consisted primarily of equity and debt securities and insurance policies matching 
the pensions due to certain members. The tables below set out the major categories 
of assets. 

Financial instruments are in place in order to provide protection against changes  
in market factors (interest rates and inflation), which could act to increase the net 
pension deficit. 

One such instrument is the longevity swap, which the Scheme transacted in 2011  
to obtain protection against the effect of increases in the life expectation of the 
majority of pensioner members at that date. Under the swap, the Trustee agreed  
to make pre-determined payments in return for payments to meet the specified 
pension obligations as they fall due, irrespective of how long the members and  
their dependants live. The difference in the present values of these two streams of 
payments is reflected in the Scheme assets. The swap had a nil valuation at inception 
and, using market-based assumptions, is subsequently adjusted for changes in the 
market life expectancy and market discount rates, in line with its fair value. 

How do we measure the pension Scheme assets? 
Defined benefit scheme assets are measured at their fair value and can change due  
to the following: 

•  Interest income on scheme assets – this is determined by multiplying the fair  

value of the Scheme assets by the discount rate, both taken as of the beginning of  
the year. This is recognised through net financing costs in the income statement 

•  Return on assets arise from differences between the actual return and  
interest income on Scheme assets and are recognised through other  
comprehensive income 

•  Employer’s contributions are paid into the Scheme to be managed  

and invested and 

•  Benefits and administrative expenses paid out by the Schemes will lower the  

fair value of the Scheme’s assets 

The movement in the fair value of the defined benefit scheme’s assets is analysed below: 

Fair value of Scheme assets at 1 January 

Interest income on Scheme assets 
Return on assets, excluding interest income 
Employer contributions 
Benefits paid 
Administrative expenses paid 

Fair value of Scheme assets at 31 December 

2018 
 £m 

3,866 
95 
(218) 
90 
(195) 
(6) 
3,632 

2017  
£m 

3,833 
98 
51 
90 
(201) 
(5) 
3,866 

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Notes to the Financial Statements 
Section 3: Operating Assets and Liabilities continued 

How are the Scheme’s assets invested?  
At 31 December 2018, the Scheme’s assets were invested in a diversified portfolio that consisted primarily of equity  
and debt securities and insurance policies matching pensions due to certain members. The Trustee is responsible for 
deciding the investment strategy for the scheme’s assets, although changes in investment policies require consultation 
with the Group. The assets are invested in different classes to hedge against unfavourable movements in the funding 
obligation. When selecting the mix of assets to hold, and considering their related risks and returns, the Trustee will 
weigh up the variability of returns against the target long-term rate of return on the overall portfolio. 

The fair value of the Scheme’s assets is shown in the following table by major category: 

Liability hedging assets 
Fixed interest gilts 
Index-linked interest gilts 
Interest rate and inflation hedging derivatives (swaps and 
repos) 

Other bonds 

Return seeking investments 
Quoted equities 
Infrastructure 
Property 
Hedge funds/alternatives 

Other investments 
Cash and cash equivalents 
Insurance policies 
Longevity swap fair value 

Total Scheme assets 

Market value 
2018 
£m 

Market value 
2017 
£m 

475 
1,067 

230 
1,772 

834 

169 
171 
106 
172 
618 

183 
530 
(305) 
408 
3,632 

49% 

23% 

17% 

11% 
100% 

633 
1,456 

279 
2,368 

865 

260 
88 
109 
193 
650 

240 
41 
(298) 
(17) 
3,866 

61% 

22% 

17% 

– 
100% 

Included in the above are overseas assets of £725 million (2017: £978 million), comprised of quoted equities of  
£68 million (2017: £244 million) and bonds of £657 million (2017: £734 million). 

In November 2018, the Pension Trustee entered into a bulk annuity insurance contract in respect of the benefits of two 
sections of the ITV Pension Scheme. This type of deal is also known as a ‘Buy-in’. A buy-in is where the Trustee purchases 
an insurance policy which is effectively a scheme asset which pays the members benefits. The ultimate obligation to 
pay the members benefits still remains with the scheme. 

As the acquisition of the insurance contract is an investment decision and this has been accounted for through the 
Statement of Other Comprehensive Income. For IAS 19 purposes, the fair value of this insurance contract is set equal  
to the valuation of the insured member benefits using the IAS 19 assumptions. As these two sections of the ITV Pension 
Scheme were in a surplus position under IAS 19, this has resulted in an investment loss of £94 million within the Group’s 
Statement of Other Comprehensive Income. 

The Trustee entered a longevity swap in 2011, which provides cash flow certainty by hedging the risk of increasing life 
expectancy over the next 70 years for 11,700 of current pensioners at inception covering £1.7 billion of the pension 
obligation. The fair value of the longevity swap equals the discounted value of the projected net cash flows resulting 
from the contract and has reduced in value in 2018. 

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> Section 3: Operating Assets and Liabilities 

Defined pension deficit sensitivities 

Keeping 
it simple 

Which assumptions have the biggest impact on the Scheme? 
It is important to note that comparatively small changes in the assumptions used  
may have a significant effect on the consolidated income statement and statement  
of financial position. This ‘sensitivity’ to change is analysed below to demonstrate  
how small changes in assumptions can have a large impact on the estimation of the 
defined benefit pension deficit. The Trustee manages the investment, mortality and 
inflation risks to ensure the pension obligations are met as they fall due.  

The investment strategy is aimed at the valuation obligation rather than IAS 19 
defined pension deficit value. As such, the effectiveness of the risk hedging strategies 
on a valuation basis will not be the same as on an accounting basis. Those hedging 
strategies have significant impact on the movement in the net pension deficit as 
assumptions change, offsetting the impacts on the obligation disclosed below. 

In practice, changes in one assumption may be accompanied by offsetting changes in 
another assumption (although this is not always the case). Changes in the assumptions 
may occur at the same time as changes in the market value of Scheme assets, which 
may or may not offset the changes in assumptions. 

Changes in assumptions have a different level of impact as the value of the net 
pension deficit fluctuates, because the relationship between them is not linear. 

The analysis below considers the impact of a single change in principal assumptions on the defined benefit obligation 
while keeping the other assumptions unchanged and does not take into account any risk hedging strategies: 

Assumption 

Discount rate 

Rate of inflation (Retail Price Index) 

Rate of inflation (Consumer Price Index) 

Life expectations 

Change in assumption 

Impact on defined benefit obligation 

Increase by 0.1% 
Decrease by 0.1% 
Increase by 0.1% 
Decrease by 0.1% 
Increase by 0.1% 
Decrease by 0.1% 
Increase by one year 

Decrease by £60 million 
Increase by £60 million 
Increase by £30 million  
Decrease by £30 million 
Increase by £10 million 
Decrease by £10 million 
Increase by £100 million 

The sensitivity analysis has been determined by extrapolating the impact on the defined benefit obligation  
at the year end with changes in key assumptions that might reasonably occur.  

While the Scheme’s risk hedging strategy is aimed at a valuation basis, the Directors estimate that on an accounting 
basis it would significantly reduce the above impact on the defined benefit obligation.  

In particular, an increase in assumption of life expectations by one year would benefit from an estimated increase  
of the value of the longevity swap by £100 million and the value of the bulk annuity insurance contracts by £15 million, 
resulting in a net reduction in the defined pension deficit of £15 million.  

Further, the ITV Pension Scheme invests in UK Government bonds and interest rate and inflation swap contracts  
and therefore movements in the defined benefit obligation are typically offset, to an extent, by asset movements.  

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Notes to the Financial Statements 
Section 3: Operating Assets and Liabilities continued 

Keeping 
it simple 

What was the impact of movements on the Scheme’s assets and liabilities? 
The sections above describe how the Scheme obligations and assets are comprised 
and measured. The following section sets out the impact of various movements and 
expenses on the Scheme on the Group’s financial statements. 

Amounts recognised through the income statement 
Amounts recognised through the income statement are as follows: 

Amount charged to operating costs: 

Current service cost 
Scheme administration expenses 

Amount charged to exceptional costs: 

Past service credit 

Amount charged to net financing costs: 

Net interest on defined benefit obligation 

Total charged in the consolidated income statement 

Amounts recognised through the consolidated statement of comprehensive income 
The amounts recognised through the consolidated statement of comprehensive income/(cost) are: 

Remeasurement gains/(losses): 

Return on scheme assets excluding interest income 
Actuarial gains/(losses) on liabilities arising from change in: 
– experience adjustments 
– financial assumptions 
– demographic assumptions 

Total recognised in the consolidated statement of comprehensive income 

2018  
£m 

2017  
£m 

– 
(6) 
(6) 

4 

(2) 

(4) 

2018  
£m 

(218) 

(6) 
172 
– 
166 
(52) 

(2) 
(5) 
(7) 

– 

(9) 

(16) 

2017 
£m 

51 

138 
12 
(29) 
121 
172 

The £166 million actuarial gain on the Scheme’s liabilities was principally due to changes in bond yields. The £218 million 
loss on the Scheme’s assets primarily results from increase bond yields and the purchase of the bulk annuity insurance 
contracts which have led to assets underperforming expectations.  

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> Section 3: Operating Assets and Liabilities 

Addressing the defined benefit pension deficit 

Keeping 
it simple 

The Group works closely with the Trustee to agree appropriate levels of funding  
for the Scheme. This involves agreeing a Schedule of Contributions at each triennial 
valuation, which specifies the contribution rates for the employer and, where relevant, 
scheme members and the date these contributions are due. A recovery plan setting 
out the steps that will be taken to address a funding shortfall is also agreed. 

In the event that the Group’s defined benefit scheme is in a net liability position,  
the Directors must take steps to manage the size of the deficit. Apart from the 
funding agreements mentioned above, this could involve pledging additional assets  
to the Scheme, as was the case in the SDN and London Television Centre pension 
funding partnerships. 

The levels of ongoing contributions to the Scheme are based on the current service costs (as assessed by the Scheme 
Trustee) and the expected future cash flows of the Scheme. Normal employer contributions in 2019 for UTV Scheme 
current service and administration expenses are expected to be in the region of £6 million (2018: £6 million) and deficit 
funding contributions for the main ITV scheme in 2019 are expected to be £60 million (2018: £66 million), assuming 
current contribution rates continue as agreed with the Trustee.  

The Group has two asset-backed pension funding agreements with the Trustee and makes annual payments of 
£11 million for 12 years from 2011, and also £3 million, increasing by 5% per annum until 2038. In 2019, a payment  
of £14 million is expected as a result of those agreements.  

With the London Television Centre held for sale, we will be reviewing the asset-backed structures. 

IFRIC 14 clarifies how the asset ceiling rules should be applied if the Schemes are expected to be in surplus, for example 
as a result of deficit funding agreements. The Group has determined that it has an unconditional right to a refund of 
any surplus assets if the Schemes are run off until the last member dies. On this basis, IFRIC 14 rules do not cause any 
change in the pension deficit accounting or disclosures. 

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Financial Statements
Financial Statements 

Notes to the Financial Statements 
Section 4: Capital Structure and Financing Costs  

In this  
section 

This section outlines how the Group manages its capital structure and related 
financing costs, including its balance sheet liquidity and access to capital markets. 

The Directors determine the appropriate capital structure of ITV; specifically how 
much is raised from shareholders (equity) and how much is borrowed from financial 
institutions (debt) in order to finance the Group’s activities both now and in the future. 
Maintaining capital discipline and balance sheet efficiency remains important to the 
Group. Any potential courses of action will take into account the Group’s liquidity 
needs, flexibility to invest in the business, pension deficit initiatives and impact on 
credit ratings. 

The Directors consider the Group’s capital structure and dividend policy at least twice 
a year ahead of announcing results and do so in the context of its ability to continue  
as a going concern, to execute the strategy and to invest in opportunities to grow  
the business and enhance shareholder value. 

A Tax and Treasury Committee, which oversees governance, recommends policies for 
approval by the Board and exercises delegated authority to approve certain other tax 
and treasury related policies and procedures within the business 

Net debt is the Group’s key measure used to evaluate total cash resources  
net of the current outstanding debt. 

Adjusted net debt is also monitored by the Group and more closely reflects  
how credit agencies see the Group’s gearing. To arrive at the adjusted net debt 
amount, we add our total undiscounted expected contingent payments on 
acquisitions, our net pension deficit and our undiscounted operating lease 
commitments. A full analysis and discussion of adjusted net debt is included  
in the Operating and Performance Review. 

The tables below analyse movements in the components of net debt during 
the year: 

4.1  
Net debt 

  Keeping 
it simple 

Cash 
Cash equivalents 

Total cash and cash equivalents 

Loans and facilities due within one year 
Finance leases due within one year 
Loans and facilities due after one year 

Total debt 

Currency component of swaps held against  
euro denominated bonds 

Net debt 

1 January 
2018 
£m 

121 
5 
126 
(76) 
– 
(982) 
(1,058) 

20 
(912) 

Net cash flow 

£m 

(37) 
5 
(32) 
22 
– 
1 
23 

– 
(9) 

Currency and 
non-cash 
movements 
£m 

31 December 
2018 
£m 

1 
– 
1 
– 
– 
(12) 
(12) 

5 
(6) 

85 
10 
95 
(54) 
– 
(993) 
(1,047) 

25 
(927) 

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> Section 4: Capital Structure and Financing Costs 

Cash 
Cash equivalents 

Total cash and cash equivalents 

Loans and facilities due within one year 
Finance leases due within one year 
Loans and facilities due after one year 

Total debt 

Currency component of swaps held against 
euro denominated bonds 

Net debt 

*   Balances as at acquisition date. 

1 January 
2017 
£m 

549 
12 
561 
(161) 
(4) 
(1,035) 
(1,200) 

2 
(637) 

Net cash flow 

Acquisitions* 

£m 

(438) 
(7) 
(445) 
115 
4 
100 
219 

– 
(226) 

£m   

19  
–  
19  
(26)  
–  
(9)  
(35)  

–  
(16)  

Currency and 
non-cash 
movements 
£m 

31 December 
2017 
£m 

(9) 
– 
(9) 
(4) 
– 
(38) 
(42) 

18 
(33) 

121 
5 
126 
(76) 
– 
(982) 
(1,058) 

20 
(912) 

Loans and facilities due within one year 
At various periods during the year, the Group drew down on the £630 million Revolving Credit Facility (‘RCF’) to meet 
short-term funding requirements. At 31 December 2018, the Group had drawings of £50 million under the RCF (2017: 
£60 million), leaving £580 million available to draw down at year end. The maximum draw down of the RCF during the 
year was £400 million (2017: £390 million). 

Loans and loan notes due after one year  
The Group has issued the following Eurobonds: 

•  A seven year €600 million Eurobond at a fixed coupon of 2.125%, which matures in September 2022; and 
•  A seven year €500 million Eurobond at a fixed coupon of 2.0%, which will mature in December 2023. The bond  

issued in December 2016 has been swapped back to sterling using a cross-currency interest rate swap. The resulting  
fixed rate payable in sterling is c. 3.5% 

In June 2017, the Group repaid in full a £100 million bilateral loan facility. 

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Financial Statements
Financial Statements 

Notes to the Financial Statements 
Section 4: Capital Structure and Financing Costs continued 

4.2 
Borrowings 
and finance 
leases 

  Keeping 
it simple 

The Group borrows money from financial institutions in the form of bonds, bank 
facilities and other financial instruments. The interest payable on these instruments  
is shown in the net financing costs note in note 4.4. 

There are Board-approved policies in place to manage the Group’s financial risks. 
Macroeconomic market risks, which impact currency transactions and interest rates, 
are discussed in note 4.3. Credit and liquidity risks are discussed below. 

•  Credit risk: the risk of financial loss to the Group if a customer or counterparty fails 

to meet its contractual obligations and  

•  Liquidity risk: the risk that the Group will not be able to meet its financial obligations 

as they fall due 

The Group is required to disclose the fair value of its debt instruments. The fair value  
is the amount the Group would pay a third party to transfer the liability. It is sourced  
in the capital markets. This estimation of fair value is consistent with instruments 
valued under level 1 in note 4.5. 

Accounting policies 
Borrowings 
Borrowings are recognised initially at fair value less directly attributable transaction costs, with subsequent 
measurement at amortised cost using the effective interest rate method. Under the amortised cost method,  
the difference between the amount initially recognised and the redemption value is recorded in the income  
statement over the period of the borrowing on an effective interest rate basis. 

Managing credit and liquidity risk 
Credit risk 
The Group’s maximum exposure to credit risk is represented by the carrying amount of derivative financial assets  
(see note 4.3), trade receivables (see note 3.1.3), and cash and cash equivalents (see note 4.1).  

Trade and other receivables 
The Group’s exposure to credit risk is influenced mainly by the individual characteristics of each customer. The majority 
of trade receivables relate to airtime sales contracts with advertising agencies and advertisers. Credit insurance has 
been taken out against these companies to minimise the impact on the Group in the event of a possible default. The 
Group also reviews other significant receivables and will seek to take out credit insurance on an individual basis where 
appropriate. 

In 2016, the Group signed a £100 million non-recourse receivables purchase agreement. As at 31 December 2018,  
this was fully utilised with £nil remaining available under the agreement (2017: £10 million).  

The receivables in relation to the invoices sold were derecognised and the Group collects cash on behalf of the 
counterparty as payments fall due. 

Cash  
The Group operates investment guidelines with respect to surplus cash that emphasise preservation of capital.  
The guidelines set out procedures and limits on counterparty risk and maturity profile of cash placed. Counterparty 
limits for cash deposits are largely based upon long-term ratings published by the major credit rating agencies. 
Deposits longer than 12 months require the approval of the Board. 

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> Section 4: Capital Structure and Financing Costs 

Borrowings 
ITV is rated as investment grade by Moody’s and S&P. ITV’s credit ratings, the cost of credit default swap hedging  
and the absolute level of interest rates are key determinants in the cost of new borrowings for ITV.  

Liquidity risk 
The Group’s financing policy is to fund itself for the medium to long-term by using debt instruments with a range  
of maturities and to ensure access to appropriate short-term borrowing facilities with a minimum of £250 million  
of undrawn facilities available at all times.  

Long-term funding comes from the UK and European capital markets, while any short to medium-term debt 
requirements are provided through bank credit facilities totalling £930 million (see below). Management monitors 
rolling forecasts of the Group’s liquidity reserve (comprising undrawn bank facilities and cash and cash equivalents)  
on the basis of expected cash flows. This monitoring includes financial ratios to assess any possible future impact  
on credit ratings and headroom and takes into account the accessibility of cash and cash equivalents.  

The Group has a £630 million Revolving Credit Facility with a group of relationship banks. This facility, which was 
extended in October 2018, matures in 2023 and is committed with leverage and interest cover financial covenants.  
In addition, the Group has £300 million of financial covenant free financing, which runs to 2021.  

Fair value versus book value 
The tables below provide fair value information for the Group’s borrowings: 

Loans due within one year 
£630 million Revolving Credit Facility 
Other short-term loans 

Loans due in more than one year 

€600 million Eurobond 
€500 million Eurobond 
Other long-term loans 

Maturity 

Various 
Various 

Sept 2022 
Dec 2023 
Various 

2018 
£m 

50 
4 
54 

536 
449 
8 
993 
1,047 

Book value 

2017 
£m 

60 
16 
76 

529 
444 
9 
982 
1,058 

2018 
£m 

50 
4 
54 

555 
456 
8 
1,019 
1,073 

Fair value 

2017 
£m 

60 
16 
76 

560 
461 
9 
1,030 
1,106 

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Financial Statements
Financial Statements 

Notes to the Financial Statements 
Section 4: Capital Structure and Financing Costs continued 

  Keeping 
it simple 

4.3  
Managing  
market risks: 
derivative 
financial 
instruments 

What is a derivative? 
A derivative is a type of financial instrument typically used to manage risk.  
A derivative’s value changes over time in response to underlying variables such  
as exchange rates or interest rates and is entered into for a fixed period. A hedge 
is where a derivative is used to manage exposure in an underlying variable. 

The Group is exposed to certain market risks. In accordance with Board-approved 
policies, which are set out in this note, the Group manages these risks by using 
derivative financial instruments to hedge the underlying exposures. 

Why do we need them? 
The key market risks facing the Group are: 

•  Currency risk arising from:  

i.  Translation risk, that is the risk in the period of adverse currency fluctuations  

in the translation of foreign currency profits, assets and liabilities (‘balance sheet 
risk’) and non-functional currency monetary assets and liabilities (‘income 
statement risk’) and  

ii.  Transaction risk, that is the risk that currency fluctuations will have a negative 
effect on the value of the Group’s non-functional currency trading cash flows.  
A non-functional currency transaction is a transaction in any currency other  
than the reporting currency of the subsidiary  

•  Interest rate risk to the Group arises from significant changes in interest rates  

on borrowings issued at or swapped to floating rates 

How do we use them? 
The Group mainly employs three types of derivative financial instruments when 
managing its currency and interest rate risk: 

•  Foreign exchange swap contracts are derivative instruments used to hedge  

income statement translation risk arising from short-term intercompany loans 
denominated in a foreign currency 

•  Forward foreign exchange contracts are derivative instruments used to hedge 

transaction risk so they enable the sale or purchase of foreign currency at a known 
fixed rate on an agreed future date and 

•  Cross-currency interest rate swaps are derivative instruments used to exchange the 
principal and interest coupons in a debt instrument from one currency to another 

Analysis of the derivatives used by the Group to hedge its exposure and the various 
methods used to calculate their respective fair values are detailed in this section. 

Accounting policies 
Derivative financial instruments are initially recognised at fair value and are subsequently remeasured at fair  
value with the movement recorded in the income statement, except where derivatives qualify for cash flow hedge 
accounting. In this case, the effective portion of a cash flow hedge is recognised in other comprehensive income  
and presented in the hedging reserve within equity. The cumulative gain or loss is later reclassified to the income 
statement in the same period as the relevant hedged transaction is realised. Derivatives with positive fair values  
are recorded as assets and negative fair values as liabilities. 

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> Section 4: Capital Structure and Financing Costs 

Determining fair value 
The fair value of forward foreign exchange contracts is determined by using the difference between the contract 
exchange rate and the quoted forward exchange rate at the reporting date from third parties. The fair value of interest 
rate swaps is the estimated amount that the Group would receive or pay to terminate the swap at the reporting date, 
taking into account current interest rates and our current creditworthiness, as well as that of our swap counterparties. 

Third-party valuations are used to fair value the Group’s interest rate derivatives. The valuation techniques use inputs 
such as interest rate yield curves and currency prices/yields, volatilities of underlying instruments and correlations 
between inputs. 

How do we manage our currency and interest rate risk? 
Currency risk 
As the Group expands its international operations, the performance of the business becomes increasingly sensitive  
to movements in foreign exchange rates, primarily with respect to the US dollar and the euro.  

The Group’s foreign exchange policy is to use forward foreign exchange contracts to hedge material non-functional 
currency denominated costs or revenue for up to five years forward.  

The Group ensures that its net exposure to foreign currency denominated cash balances is kept to a minimal level by 
using foreign currency swaps to exchange balances back into sterling or by buying or selling foreign currencies at spot 
rates when necessary. 

The Group also utilises foreign exchange swaps and cross-currency interest rate swaps both to manage foreign 
currency cash flow timing differences and to hedge foreign currency denominated monetary items.  

The Group’s net investments in overseas subsidiaries may be hedged where the currency exposure is considered  
to be material. The Group designated a portion of its euro borrowings into a net investment hedge against its euro 
denominated assets following the acquisition of Talpa Media. 

The following table highlights the Group’s sensitivity to translation risk resulting from a 10% strengthening/weakening 
in sterling against the US dollar and euro, assuming all other variables are held constant: 

US dollar  
Euro 

2018 – post- 
tax profit 

2018 – equity 

£nil million  £25 million 
£2 million  £16 million 

2017 – post- 
tax profit 

£1 million 
£3 million 

2017 – equity 

£23 million 
£17 million 

The Group’s sensitivity to translation risk for revenue and adjusted EBITA is disclosed in the Finance Review on page 51. 
The key difference between the foreign currency sensitivity for adjusted EBITA and profit after tax is the impact  
on the US dollar and euro denominated exceptional costs, including acquisition-related costs, acquired intangible 
amortisation and net financing cost. 

Interest rate risk 
The Group’s interest rate policy is to allow fixed rate gross debt to vary between 20% and 100% of total gross debt  
to accommodate floating rate borrowings under the Revolving Credit Facility.  

At 31 December 2018, the Group’s fixed rate debt represented 99% of total gross debt (2017: 98%). Consequently,  
a 1% movement in interest rates on floating rate debt would impact the 2018 post-tax profit for the year by less than  
£1 million (2017: £1 million).  

For financial assets and liabilities classified at fair value through profit or loss, the movements in the year relating to 
changes in fair value and interest are not separated. 

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Notes to the Financial Statements 
Section 4: Capital Structure and Financing Costs continued 

What is the value of our derivative financial instruments? 
The following table shows the fair value of derivative financial instruments analysed by type of contract. Interest rate 
swap fair values exclude accrued interest. 

At 31 December 2018 

Current 
Foreign exchange forward contracts and swaps – cash flow hedges 
Foreign exchange forward contracts and swaps – fair value through profit or loss 
Non-current 
Cross-currency interest swaps – cash flow hedges 
Foreign exchange forward contracts and swaps – cash flow hedges 
Foreign exchange forward contracts and swaps – fair value through profit or loss 

At 31 December 2017 

Current 
Foreign exchange forward contracts and swaps – cash flow hedges 
Foreign exchange forward contracts and swaps – fair value through profit or loss 
Non-current 
Cross-currency interest swaps – cash flow hedges 
Foreign exchange forward contracts and swaps – cash flow hedges 

Assets  
£m 

Liabilities  
£m  

1 
1 

26 
– 
– 
28 

(2) 
(2) 

– 
(1) 
– 
(5) 

Assets  
£m 

Liabilities  
£m  

4 
2 

10 
– 
16 

(1) 
(1) 

– 
(1) 
(3) 

Cash flow hedges 
The Group applies hedge accounting for certain foreign currency firm commitments and highly probably cash flows 
where the underlying cash flows are payable within the next seven years. In order to fix the sterling cash outflows 
associated with the commitments and interest payments – which are mainly denominated in AUD or euros – the  
Group has taken out forward foreign exchange contracts and cross-currency interest rate swaps for the same foreign 
currency amount and maturity date as the expected foreign currency outflow.  

The amount recognised in other comprehensive income during the period all relates to the effective portion of the 
revaluation loss associated with these contracts. There was less than £1 million (2017: £1 million) ineffectiveness taken 
to the income statement and £6 million cumulative gain (2017: £20 million gain) recycled to the income statement in 
the year.  

In 2016, on issuing the 2023 Eurobond, the Group entered into a portfolio of cross-currency interest rate swaps, which 
swapped the euro principal and fixed euro interest rate coupons into fixed sterling interest rate. As a result, the Group 
makes sterling interest payments at a fixed rate. 

Under IFRS 9, the Group has adopted the ‘cost of hedging’ approach which allows the recognition of the value of the 
currency basis at inception of the hedge to be recorded on the Consolidated Statement of Financial Position and 
amortised through net financing costs in the Consolidated Income Statement over the life of the bond. Any mark-to-
market change in fair value of the currency basis is recognised in ‘cost of hedging’ in the Consolidated Statement of 
Comprehensive Income.  

Net investment hedges 
The Group uses euro denominated debt to partially hedge against the change in the sterling value of its euro 
denominated net assets due to movements in foreign exchange rates. The fair value of debt in a net investment  
hedge was £176 million (2017: £177 million). A foreign exchange loss of £2 million (2017: £6 million) relating to the  
net investment hedges has been netted off within exchange differences on translation of foreign operations as 
presented on the consolidated statement of comprehensive income. 

178 
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> Section 4: Capital Structure and Financing Costs 

Undiscounted financial liabilities 

Keeping 
it simple 

The Group is required to disclose the expected timings of cash outflows for each of  
its financial liabilities (including derivatives). The amounts disclosed in the table are the 
contractual undiscounted cash flows (including interest), so will not always reconcile 
with the amounts disclosed on the Statement of Financial Position.  

At 31 December 2018 

Non-derivative financial liabilities 
Borrowings 
Trade and other payables 
Contract liabilities 
Other payables – non-current 
Other payables – commitments on acquisitions 
Derivative financial instruments 
Foreign exchange forward contracts and swaps – 
cash flow hedges 

Inflow 
Outflow 

Cross-currency swaps – cash flow hedges 

Inflow 
Outflow 

Foreign exchange forward contracts and swaps –  
fair value through profit or loss 

Inflow 
Outflow 

At 31 December 2017 

Non-derivative financial liabilities 
Borrowings 
Trade and other payables 
Contract liabilities 
Other payables – non-current 
Other payables – commitments on acquisitions 
Derivative financial instruments 
Foreign exchange forward contracts and swaps – 
cash flow hedges 

Inflow 
Outflow 

Cross-currency swaps – cash flow hedges 

Inflow 
Outflow 

Foreign exchange forward contracts and swaps –  
fair value through profit or loss 

Inflow 
Outflow 

Carrying 
value 
£m 

Total   
contractual   
cash flows   
£m   

Less than 
1 year 
£m 

Between 
1 and 2 years 
£m 

Between 
2 and 5 years 
£m 

Over 
5 years 
£m 

(1,047) 
(762) 
(255) 
(9) 
(176) 

(1,170)     
(762)     
(255)     
(9)     
(252)*   

1 
(3) 

26 
– 

220   
(222)     

524   
(502)     

(76) 
(713) 
(255) 
– 
(55) 

121 
(122) 

10 
(15) 

(20) 
(43) 
– 
(7) 
(148) 

(1,069) 
(6) 
– 
(2) 
(46) 

54 
(55) 

8 
(16) 

45 
(45) 

506 
(471) 

1 
(2) 
(2,226) 

238   
(239)     
(2,429)     

225 
(225) 
(1,105) 

11 
(11) 
(227) 

2 
(3) 
(1,089) 

(5) 
– 
– 
– 
(3) 

– 
– 

– 
– 

– 
– 
(8) 

Carrying 
value 
£m 

Total   
contractual   
cash flows   
£m   

(1,058) 
(802) 
(219) 
(21) 
(161) 

(1,171)   
(802)   
(219)   

(21)     
(292)*   

4 
(2) 

10 
– 

206   
(204)   

557   
(513)   

Less than 
1 year 
£m 

Between 
1 and 2 years 
£m 

Between 
2 and 5 years 
£m 

Over 
5 years 
£m 

(97) 
(734) 
(219) 
– 
(78) 

148 
(146) 

11 
(15) 

(21) 
(47) 
– 
(19) 
(19) 

58 
(58) 

11 
(15) 

(595) 
(16) 
– 
(1) 
(190) 

(458) 
(5) 
– 
(1) 
(5) 

– 
– 

– 
– 

32 
(44) 

503 
(439) 

2 
(1) 
(2,248) 

136   
(135)   
(2,458)   

124 
(123) 
(1,129) 

7 
(7) 
(110) 

5 
(5) 
(814) 

– 
– 
(405) 

*  Undiscounted expected future payments depending on performance of acquisitions; the total maximum consideration is discussed in the Finance Review. 

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Notes to the Financial Statements 
Section 4: Capital Structure and Financing Costs continued 

4.4  
Net financing 
costs 

  Keeping 
it simple 

This section details the interest income generated on the Group’s cash and other 
financial assets and the interest expense incurred on borrowings and other  
financial liabilities.  

In reporting ‘adjusted profit’, the Group adjusts net financing costs to exclude 
unrealised mark-to-market movements on interest rate and foreign exchange 
derivatives, gains/losses on bond buybacks, net pension interest, interest and fair 
value movements in acquisition-related liabilities and other financing costs. 

Our rationale for adjustments made to financing costs is set out in the  
Finance Review. 

Accounting policies 
Net financing costs comprise interest income on funds invested, gains / losses on the disposal of financial instruments, 
changes in the fair value of financial instruments, interest expense on borrowings and finance leases, unwinding  
of the discount on provisions, unwinding of the discount on liabilities to non-controlling interest, foreign exchange 
gain/losses, and imputed interest on pension assets and liabilities. Interest income and expense is recognised as it 
accrues in profit or loss, using the effective interest method. 

Net financing costs 
Net financing costs can be analysed as follows: 

Financing income 
Interest income 

Financing costs 

Interest expense on financial liabilities measured at amortised cost 
Net pension interest (see note 3.7) 
Change in fair value of instruments classified at fair value through profit or loss 
Foreign exchange loss 
Other finance expense 

Net financing costs 

2018 
£m 

3 

(30) 
(2) 
– 
(2) 
(12) 
(46) 
(43) 

2017 
£m 

4 

(30) 
(9) 
– 
(3) 
(12) 
(54) 
(50) 

Interest on financial liabilities relates to the interest incurred on the Group’s borrowings in the year. 

Other finance expense includes the amortisation of facility commitment and upfront fees as well as movements  
in the estimated value of acquisition-related contingent liabilities. This is where estimates of the future performance 
against stretch targets is reassessed, resulting in adjustments to the related put option liabilities. 

180 
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> Section 4: Capital Structure and Financing Costs 

4.5  
Fair value 
hierarchy 

  Keeping 
it simple 

The financial instruments included on the ITV statement of financial position  
are measured at either fair value or amortised cost. The measurement of this fair  
value can in some cases be subjective, and can depend on the inputs used in the 
calculations. ITV generally uses external valuations using market inputs or market 
values (e.g. external share prices). The different valuation methods are called 
‘hierarchies’ and are described below. 

Level 1 
Fair values are measured using quoted prices (unadjusted) in active markets for 
identical assets or liabilities. 

Level 2 
Fair values are measured using inputs, other than quoted prices included within  
Level 1, which are observable for the asset or liability either directly or indirectly. 

Interest rate swaps and options are accounted for at their fair value based upon 
termination prices. Forward foreign exchange contracts are accounted for at the 
difference between the contract exchange rate and the quoted forward exchange 
rate at the reporting date. 

Level 3 
Fair values are measured using inputs for the asset or liability that are not based  
on observable market data. 

The tables below set out the financial instruments included on the ITV statement of financial position at ‘fair value’. 

Assets measured at fair value 
Financial instruments 

Other pension assets – gilts (see note 3.7) 
Equity investments (see note 3.5) 

Financial assets at fair value through profit or loss 
Foreign exchange forward contracts and swaps 

Financial assets at fair value through reserves 

Cash flow hedges 

Liabilities measured at fair value 
Financial liabilities at fair value through profit or loss 
Foreign exchange forward contracts and swaps 
Acquisition-related liabilities – payable to sellers under 
put options agreed on acquisition 

Financial liabilities at fair value through reserves 

Cash flow hedges 

Fair value 
31 December 
2018 
£m 

Level 1 
31 December 
2018 
£m 

Level 2 
31 December 
2018 
£m 

Level 3 
31 December 
2018 
£m 

49 
9 

1 

27 

49 
– 

– 

– 

– 
– 

1 

27 

– 
9 

– 

– 

Fair value 
31 December 
2018 
£m 

Level 1 
31 December 
2018 
£m 

Level 2 
31 December 
2018 
£m 

Level 3 
31 December 
2018 
£m 

(2) 

(69) 

(3) 

– 

– 

(2) 

– 

(3) 

– 

(69) 

– 

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Financial Statements
Financial Statements 

Notes to the Financial Statements 
Section 4: Capital Structure and Financing Costs continued 

Assets measured at fair value 
Financial instruments 

Other pension assets – gilts (see note 3.7) 
Equity investments (see note 3.5) 

Financial assets at fair value through profit or loss 
Foreign exchange forward contracts and swaps 

Financial assets at fair value through reserves 

Cash flow hedges 

Liabilities measured at fair value 
Financial liabilities at fair value through profit or loss 
Foreign exchange forward contracts and swaps 
Acquisition-related liabilities – payable to sellers under 
put options agreed on acquisition 

Financial liabilities at fair value through reserves 

Cash flow hedges 

Fair value 
31 December 
2017 
£m 

Level 1 
31 December 
2017 
£m 

Level 2 
31 December 
2017 
£m 

Level 3 
31 December 
2017 
£m 

38 
4 

2 

14 
58 

38 
– 

– 

– 
38 

– 
– 

2 

14 
16 

– 
4 

– 

– 
4 

Fair value 
31 December 
2017 
£m 

Level 1 
31 December 
2017 
£m 

Level 2 
31 December 
2017 
£m 

Level 3 
31 December 
2017 
£m 

(1) 

(73) 

(2) 
(76) 

– 

– 

– 
– 

(1) 

– 

(2) 
(3) 

– 

(73) 

– 
(73) 

Refer to note 4.3 for how we value interest rate swaps and forward foreign currency contracts. The equity investments 
are valued at cost and assessed for impairment. 

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> Section 4: Capital Structure and Financing Costs 

4.6  
Equity 

  Keeping 
it simple 

This section explains material movements recorded in shareholders’ equity, presented 
in the Consolidated Statement in Changes in Equity, which are not explained 
elsewhere in the financial statements.  

Accounting policies 
Fair value reserve 
Financial assets are stated at fair value, with any gain or loss recognised directly in the fair value reserve in equity, unless 
the loss is a permanent impairment, when it is then recorded in the income statement. 

Dividends 
Dividends are recognised through equity on the earlier of their approval by the Company’s shareholders or their payment. 

4.6.1 Share capital and share premium 
The Group’s share capital at 31 December 2018 of £403 million (2017: £403 million) and share premium of £174 million 
(2017: £174 million) is the same as that of ITV plc. Details of this are given in the ITV plc Company financial statements 
section of this Annual Report.  

4.6.2 Merger and other reserves 
Merger and other reserves at 31 December include the following reserves: 

Merger reserves  
Capital reserves 
Capital redemption reserves 
Revaluation reserves 
Put option liabilities arising on acquisition of subsidiaries 
Total 

4.6.3 Translation reserve 
The translation reserve comprises: 

2018 
£m 

98 
112 
36 
2 
(42) 
206 

2017 
£m 

98 
112 
36 
2 
(49) 
199 

•  All foreign exchange differences arising on the translation of the accounts of, and investments in, foreign operations 
•  The gains or losses on the portion of cash flow hedges that have been deemed effective and costs of hedging under 

IFRS 9 (see note 4.3). 

4.6.4 Fair value reserve 
The fair value reserve comprises all movements arising on the revaluation of gilts accounted for fair value through 
OCI financial instruments (see note 3.7). 

4.6.5 Retained earnings 
The retained earnings reserve comprises profit for the year attributable to owners of the Company of £466 million  
(2017: £409 million) and other items recognised directly through equity as presented in the consolidated statement  
of changes in equity. Other items include the credit for the Group’s share-based compensation schemes and the charge 
for the purchase of ITV shares via the ITV Employees’ Benefit Trust, which are described in note 4.7. 

The distributable reserves of ITV plc are disclosed in note viii to the ITV plc Company financial statements. See details 
on distributable reserves on page 196. 

The Directors of ITV plc propose a final dividend of 5.4 pence per share, which equates to a full year dividend of 8 pence 
per share. In 2018, £315 million of dividend payments were made (2017: £494 million). 

4.6.6 Non-controlling interests 
Non-controlling interest (NCI) represents the share of non-wholly owned subsidiaries’ net assets that are not directly 
attributable to the shareholders of the ITV Group. The movement for the year comprises: 

•  The share of profits attributable to NCI of £4 million (2017: £4 million) 
•  The distributions made to NCI of £8 million (2017: £4 million) 
•  The share of net assets attributable to NCI relating to subsidiaries acquired or disposed of in the year of £nil  

(2017: £25 million) 

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Financial Statements
Financial Statements 

Notes to the Financial Statements 
Section 4: Capital Structure and Financing Costs continued 

4.7 
Share-based 
compensation 

  Keeping 
it simple 

The Group utilises share award schemes as part of its employee remuneration 
packages, and therefore operates a number of share-based compensation schemes, 
namely the Deferred Share Award (DSA), Performance Share Plan (PSP), Long Term 
Incentive Plan (LTIP) and Save As You Earn (SAYE) schemes. The share-based 
compensation is not pensionable. 

A transaction will be classed as share-based compensation where the Group receives 
services from employees and pays for these in shares or similar equity instruments.  
If the Group incurs a liability linked to the price or value of the Group’s shares, this will 
also fall under a share-based transaction.  

A description of each type of share-based payment arrangement that existed at any 
time during the period is set out in the Annual Remuneration Report. 

Accounting policies 
For each of the Group’s share-based compensation schemes, the fair value of the equity instrument granted is 
measured at grant date and spread over the vesting period via a charge to the income statement with a corresponding 
increase in equity. 

The fair value of the share options and awards is measured using either market price at grant date or, for the SAYE 
scheme, a Black–Scholes model, taking into account the terms and conditions of the individual scheme.  

Vesting conditions are limited to service conditions and performance conditions. For performance-based schemes,  
the relevant Group performance measures are projected to the end of the performance period in order to determine 
the number of options expected to vest. The estimate is then used to determine the option fair value, discounted  
to present value. The Group revises its estimates of the number of options that are expected to vest, including an 
estimate of forfeitures at each reporting date. The impact of the revision to original estimates, if any, is recognised  
in the income statement, with a corresponding adjustment to equity. 

Exercises of share options granted to employees can be satisfied by market purchase or issue of new shares. No new 
shares may be issued to satisfy exercises under the terms of the DSA. During the year, all exercises were satisfied by 
using shares purchased in the market and held in the ITV Employees’ Benefit Trust. 

Share-based compensation charges totalled £10 million in 2018 (2017: £12 million). 

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> Section 4: Capital Structure and Financing Costs 

Share options outstanding 
The table below summarises the movements in the number of share options outstanding for the Group and their 
weighted average exercise price: 

Outstanding at 1 January 
Granted during the year – nil priced 
Granted during the year – other 
Forfeited during the year 
Exercised during the year 
Expired during the year 
Outstanding at 31 December 
Exercisable at 31 December 

2018 
Weighted 
average 
exercise price 
(pence) 

69.17 
– 
126.23 
156.99 
18.39 
– 
49.33 
54.32 

Number 
of options 
(‘000) 

36,155 
14,450 
8,561 
(8,452) 
(4,510) 
(2,182) 
44,022 
1,736 

2017 
Weighted 
average 
exercise price 
(pence) 

67.86 
– 
145.66 
121.37 
44.87 
– 
69.17 
110.17 

Number 
of options 
(‘000) 

36,533 
7,996 
7,911 
(5,614) 
(9,883) 
(788) 
36,155 
2,808 

The average share price during 2018 was 158.29 pence (2017: 185.15 pence). 

Of the options still outstanding, the range of exercise prices and weighted average remaining contractual life of these 
options can be analysed as follows: 

Range of exercise prices (pence) 

Nil 
20.00 – 49.99 
50.00 – 69.99 
70.00 – 99.99 
100.00 – 109.99 
110.00 – 119.99 
120.00 – 149.99 
150.00 – 199.99 
200.00 – 249.99 

Weighted 
average 
exercise price 
(pence) 

– 
– 
– 
– 
– 
– 
129.51 
165.20 
206.83 

Number 
of options 
(‘000) 

28,619 
– 
– 
– 
– 
– 
10,966 
3,993 
444 

2018 
Weighted 
average 
remaining 
contractual life 
(years) 

Weighted 
average 
exercise price 
(pence) 

1.62 
– 
– 
– 
– 
– 
3.08 
0.89 
0.14 

–  
–  
66.60 
–  
–  
–  
138.99 
168.21 
206.83 

2017 
Weighted 
average 
remaining 
contractual life 
(years) 

1.65 
–  
–  
–  
–  
–  
3.06 
1.39 
0.39 

Number 
of options 
(‘000) 

20,417 
–  
34 
–  
–  
–  
5,672 
9,447 
585 

Assumptions 
DSA, LTIP and PSP options are valued directly by reference to the share price at date of grant.  

The options granted in the year for the SAYE scheme, an HMRC approved SAYE scheme, are valued using the  
Black–Scholes model, using the assumptions below: 

Scheme name 

Date of grant 

Share price 
at grant 
(pence) 

Exercise price 
(pence) 

Expected 
volatility 
% 

Expected life 
(years) 

Gross dividend 
yield 
% 

Risk-free 
rate 
 % 

3 Year 
5 Year 
3 Year 
5 Year 
3 Year 
5 Year 
3 Year 
5 Year 

29 March 2017 
29 March 2017 
16 Sept 2017 
16 Sept 2017 
29 March 2018 
29 March 2018 
6 Sept 2018 
6 Sept 2018 

218.90 
218.90 
156.20 
156.20 
144.15 
144.15 
158.75 
158.75 

164.22 
164.22 
138.99 
138.99 
123.82 
123.82 
135.20 
135.20 

30.02 
28.61 
29.35 
28.55 
29.54 
27.87 
29.65 
27.89 

3.25 
5.25 
3.25 
5.25 
3.25 
5.25 
3.25 
5.25 

3.00 
3.00 
3.00 
3.00 
5.55 
5.55 
5.04 
5.04 

0.58 
1.28 
0.51 
1.12 
1.54 
1.68 
1.54 
1.68 

Fair value 
(pence) 

58.50 
60.36 
30.80 
33.88 
26.4 
25.06 
31.02 
29.94 

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Financial Statements
Financial Statements 

Notes to the Financial Statements 
Section 5: Other Notes  

Employees’ Benefit Trust 
The Group has investments in its own shares as a result of shares purchased by the ITV Employees’ Benefit Trust (‘EBT’). 
Transactions with the Group-sponsored EBT are included in these financial statements and primarily consist of the 
EBT’s purchases of shares in ITV plc, which is accounted for as a reduction to retained earnings. 

The table below shows the number of ITV plc shares held in the EBT at 31 December 2018 and the purchases/(releases) 
from the EBT made in the year to satisfy awards under the Group’s share schemes: 

Scheme 

LTIP releases 
DSA releases 
PSP releases 
SAYE releases 
Shares purchased 

Shares held at 

1 January 2018 

31 December 2018 

Number of shares 
(released) / purchased 

26,989,521 
(623,191) 
(715,817) 
(729,742) 
(561,128) 
2,571,890 
26,931,533 

Nominal value 
£ 

2,698,952 

2,693,153 

The total number of shares held by the EBT at 31 December 2018 represents 0.67% (2017: 0.67%) of ITV’s issued share 
capital. The market value of own shares held at 31 December 2018 is £34 million (2017: £45 million). 

The shares will be held in the EBT until such time as they may be transferred to participants of the various Group share 
schemes. Rights to dividends have been waived by the EBT in respect of shares held that do not relate to restricted 
shares under the DSA. In accordance with the Trust Deed, the Trustees of the EBT have the power to exercise all voting 
rights in relation to any investment (including shares) held within that trust. 

5.1  
Related 
party 
transactions 

  Keeping 
it simple 

The related parties identified by the Directors include joint ventures, associated 
undertakings, fixed asset investments and key management personnel. 

To enable users of our financial statements to form a view about the effects  
of related party relationships on the Group, we disclose the Group’s transactions with 
those related parties during the year and any associated year end trading balances. 

Transactions with joint ventures and associated undertakings 
Transactions with joint ventures and associated undertakings during the year were: 

Sales to joint ventures 
Sales to associated undertakings 
Purchases from joint ventures 
Purchases from associated undertakings 

2018  
£m 

12 
13 
29 
67 

2017  
£m 

15 
10 
28 
70 

The transactions with joint ventures primarily relate to sales and purchases of digital multiplex services with Digital  
3&4 Limited and distribution revenue from BritBox LLC.  

Sales to associated undertakings include airtime sales to DTV Services Limited. Purchases from associated undertakings 
primarily relate to the purchase of news services from ITN Limited.  

All transactions with associated undertakings and joint ventures arise in the normal course of business on an arm’s 
length basis. None of the balances are secured. 

The amounts owed by and to these related parties at the year end were: 

Amounts owed by joint ventures 
Amounts owed by associated undertakings 
Amounts owed to joint ventures 
Amounts owed to associated undertakings 

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ITV plc   Annual Report and Accounts 2018

2018  
£m 

6 
7 
3 
5 

2017  
£m 

6 
6 
– 
4 

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
> Section 5: Other Notes 

Amounts owed by joint ventures primarily relate to trading with BritBox LLC. Balances owed by associated undertakings 
largely relate to loan notes and trading balances with Monumental TV Limited. Balances owed to associated 
undertakings primarily relate to trading with ITN Limited. 

Amounts paid to the Group’s retirement benefit plans are set out in note 3.7.  

Transactions with key management personnel 
Key management consists of ITV plc Executive and Non-executive Directors and the ITV Management Board. Key 
management personnel compensation is as follows: 

Short-term employee benefits 
Share-based compensation 

2018  
£m 

12 
3 
15 

2017  
£m 

10 
1 
11 

5.2  
Contingent 
assets and 
liabilities 

  Keeping 
it simple 

A contingent asset or liability is a liability that is not sufficiently certain to qualify  
for recognition as an asset or provision where uncertainty may exist regarding the 
outcome of future events.  

Contingent assets 
In 2017 Talpa Media took back the licence for The Voice of China due a breach of the agreement by the customer, 
Talent, for not fulfilling their payment obligations. The Group is pursuing Talent vigorously for the £26 million still  
due under the agreement, which was recognised as an exceptional cost in 2017. Further, the Group has credit insurance 
in place and a claim is in progress. 

Whilst the Directors are confident of recovering the remaining amounts due, accounting standards set very specific 
requirements for the recognition of contingent assets, which is how the recovery of the amount due has been 
accounted for. As discussions with the insurers and the claim against Talent are still in progress, the Group is not able  
to demonstrate sufficient certainty to be able to recognise a cash receivable at the year end.  

Contingent liabilities 
In late 2016, the Group initiated legal proceedings against the minority owners of Gurney Productions LLC for alleged 
breaches of contracts and their fiduciary duties, as well as self-dealing and fraudulent concealment. The minority 
owners dispute the allegations and they have counter-claimed for damages of at least $150 million. The action is 
ongoing and, having taken legal advice, the Directors believe this counter-claim is completely without merit. 

There are contingent liabilities in respect of certain litigation and guarantees, broadcasting issues, and in respect  
of warranties given in connection with certain disposals of businesses. None of these items are expected to have  
a material effect on the Group’s results or financial position. 

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Financial Statements
Financial Statements 

Notes to the Financial Statements 
Section 5: Other Notes continued 

5.3 
Subsidiaries 
exempt  
from audit 

  Keeping 
it simple 

Certain subsidiaries of the Group can take an exemption from having an audit. Strict 
criteria must be met for this exemption to be taken, and it must be agreed by the 
Directors of that subsidiary entity. 

Listed below are subsidiaries controlled and consolidated by the Group, where the Directors have taken the exemption 
from having an audit of its financial statements. This exemption is taken in accordance with Companies Act s479A.] 

Company number  Company name 

Company number  Company name 

10058419 
10404493 
10496857 
10528766 
11081338 
10528952 
11109753 
11109596 
11723899 
11109572 
11109865 
01891539 
02285229 
05078683 
04159249 
00301188 
01692483 
03984490 
03053908 
03210452 
03307790 
02625225 
03210363 
02280048 
04257248 
02852812 
11723731 
10500295 
03209058 
00290076 
03962410 
03106798 
05344772 
00733063 
06914987 
11423826 
11423730 
11667230 
11107990 
10058008 
10494684 
11723800 
10671435 
04159210 
04207680 
04206925 
11107681 
04033106 

Back Productions Limited 
Big Talk Bliss Limited 
Big Talk Cold Feet Limited 
Big Talk Diana Limited 
Big Talk Guilty Limited 
Big Talk Living the Dream Limited 
Big Talk Mum Limited 
Big Talk Goes Wrong Limited 
Big Talk NEWCO 5 Limited 
Big Talk Peacock Limited 
Big Talk Time Limited 
Broad Street Films Limited 
Campania Limited 
Carbon Media Limited 
Carlton Content Holdings Limited 
Carlton Film Distributors Limited 
Carlton Finance Limited 
Carlton Food Network Limited 
Carlton Programmes Development Ltd 
Carlton Screen Advertising (Holdings) Ltd 
Carltonco 103 
Carltonco Forty Investments 
Carltonco Ninety-Six 
Castlefield Properties Limited 
Channel Television Holdings Limited 
Cosgrove Hall Films Limited 
COTR (NEWCO 1) Limited 
Denipurna Limited 
DTV Limited 
Granada Group Limited 
Granada Limited 
Granada Media Limited 
Granada Screen (2005) Limited 
Granada Television Overseas Limited 
ITV (HC) Limited 
ITV (Victor) Limited 
ITV Bancroft 2 Limited 
ITV Barking Limited 
ITV Confession Limited 
ITV Dark Heart Limited 
ITV Enterprises Limited 
ITV F&B Limited 
ITV HG Limited 
ITV Holdings Limited 
ITV Home Fires Limited 
ITV Investments Limited 
ITV Leila Limited 
ITV Mr Selfridge Limited 

00603471 
03799828 
01565625 
08554937 
11723826 
11723842 
11723851 
11723881 
08516153 
11107934 
10602705 
08586211 
09498177 
11107431 
11108813 
05518785 
00920028 
11108285 
10528851 
10528827 
11109917 
11062257 
10491117 
10062923 
10646873 
09660486 
10031005 
10528763 
11108289 
09646520 
11108327 
11204836 
10528702 
11108322 
10043079 
11108320 
10973979 
04201477 
10789616 
06469484 
06469482 
10796122 
11109437 
11109929 
11109744 
11109287 
04145307 

ITV Pension Scheme Limited  
ITV Play Limited 
ITV Properties (Developments) Limited 
ITV Shetland Limited 
ITV Studios NEWCO 14 Limited 
ITV Studios NEWCO 15 Limited 
ITV Studios NEWCO 16 Limited 
ITV Studios NEWCO 17 Limited 
ITV Text Santa Limited 
ITV The Bay Limited 
ITV The Man Limited 
ITV Thunderbirds Limited 
ITV Top Class Limited 
ITV Vera Limited 
ITV Wild Bill Limited 
Juice Music UK Limited 
Link Electronics Limited 
Mammoth Screen (ABC) Limited 
Mammoth Screen (City) Limited 
Mammoth Screen (END5) Limited 
Mammoth Screen (END6) Limited 
Mammoth Screen (NC) Limited 
Mammoth Screen (NOK) Limited 
Mammoth Screen (NW) Limited 
Mammoth Screen (OBI) Limited 
Mammoth Screen (Pol2) Limited 
Mammoth Screen (Pol3) Limited 
Mammoth Screen (Pol4) Limited 
Mammoth Screen (Pol5) Limited 
Mammoth Screen (QV) Limited 
Mammoth Screen (Serpent) Limited 
Mammoth Screen (SG) Limited 
Mammoth Screen (VF) Limited 
Mammoth Screen (VIC3) Limited 
Mammoth Screen (WFTP) Limited 
Mammoth Screen (WOF) Limited 
Mammoth Screen (WOTW) Limited 
Morning TV Limited 
The Garden Production (Films) Limited 
VOD Member (ITVA) Limited 
VOD Member (ITVB) Limited 
WP BodyGuard Limited 
WP (NEWCO 3) Limited 
WP (NEWCO 4) Limited 
WP Anne Limited 
WP LOD5 Limited 
12 Yard Productions Limited 

188 
188 

ITV plc  Annual Report and Accounts 2018 
ITV plc   Annual Report and Accounts 2018

 
 
 
 
 
ITV plc Company Financial Statements 

> Notes to the ITV plc Company Financial Statements 

Company Balance Sheet 

As at 31 December 

Non-current assets 
Investments in subsidiary undertakings 
Derivative financial instruments 
Deferred tax asset 

Current assets 
Amounts owed by subsidiary undertakings 
Derivative financial instruments 
Other receivables 
Cash and cash equivalents 

Current liabilities 
Bank overdrafts 
Borrowings 
Amounts owed to subsidiary undertakings 
Accruals and deferred income 
Current tax liabilities 
Derivative financial instruments 

Net current assets 
Total assets less current liabilities 

Non-current liabilities 
Borrowings 
Derivative financial instruments 

Net assets 

Capital and reserves 
Share capital 
Share premium 
Other reserves 
Retained earnings 
Total equity 

2017 
£m 

4,230 
7 
5 
17 
4,259 

– 
(60) 
(3,237) 
(8) 
(2) 
(7) 
(3,314) 

(973) 
(1) 
(974) 

Note 

2018 
£m 

4,167 
4 
5 
4 
4,180 

(5) 
(50) 
(3,209) 
(13) 
(1) 
(4) 
(3,282) 

(985) 
– 
(985) 

iii 
vi 

iv 
vi 

v 
iv 

vi 

v 
vi 

vii 
viii 
viii 
viii 

2018 
£m 

2,286 
26 
1 
2,313 

898 
3,211 

2,226 

403 
174 
37 
1,612 
2,226 

The accounts were approved by the Board of Directors on 27 February 2019 and were signed on its behalf by: 

Chris Kennedy  
Director 

Carolyn McCall 
Director 

2017 
£m 

2,191 
11 
1 
2,203 

945 
3,148 

2,174 

403 
174 
26 
1,571 
2,174 

189 
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Strategic ReportAdditional informationFinancial StatementsGovernance 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Financial Statements
Financial Statements 

ITV plc Company Financial Statements continued 

Company Statement of Changes in Equity 

Balance at 1 January 2018 
Total comprehensive income for the year 
Profit 
Net loss on cash flow hedges and cost of hedging 
Total comprehensive income for the year 
Transactions with owners recorded directly in equity 
Contributions by and distributions to owners 
Equity dividends 
Movements due to share-based compensation 
Tax on items taken directly to equity 
Total transactions with owners 
Balance at 31 December 2018 

Balance at 1 January 2017 
Total comprehensive income for the year 
Profit 
Net loss on cash flow hedges and cost of hedging 
Total comprehensive income for the year 
Transactions with owners recorded directly in equity 
Contributions by and distributions to owners 
Equity dividends 
Movements due to share-based compensation 
Total transactions with owners 
Balance at 31 December 2017 

Note 

vii/viii 

Note 

vii/viii 

Share 
capital 
£m 

403 

– 
– 
– 

– 
– 
– 
– 
403 

Share 
Capital 
£m 

403 

– 
– 
– 

– 
– 
– 
403 

Share 
premium 
£m 

174 

– 
– 
– 

– 
– 
– 
– 
174 

Other 
reserves 
£m 

26 

– 
11 
11 

– 
– 
– 
– 
37 

Share 
Premium 
£m 

174 

Other 
Reserves 
£m 

28 

– 
– 
– 

– 
– 
– 
174 

– 
(2) 
(2) 

– 
– 
– 
26 

Retained 
earnings 
£m 

1,571 

344 
– 
344 

(315) 
10 
2 
(303) 
1,612 

Retained 
Earnings 
£m 

1,702 

351 
– 
351 

(494) 
12 
(482) 
1,571 

Total 
£m 

2,174 

344 
11 
355 

(315) 
10 
2 
(303) 
2,226 

Total 
£m 

2,307 

351 
(2) 
349 

(494) 
12 
(482) 
2,174 

190 
190 

ITV plc  Annual Report and Accounts 2018 
ITV plc   Annual Report and Accounts 2018

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Financial Statements 

Notes to the ITV plc Company Financial Statements  

Note i  
Accounting 
policies 

In this  
section 

This section sets out the notes to the ITV plc Company only financial statements. 
Those statements form the basis of the dividend decisions made by the  
Directors, as explained in detail in note viii below. The notes form part of the 
financial statements. 

Basis of preparation 
The Company is a qualifying entity as it is a member of the ITV plc Group where ITV plc, the ultimate parent prepares 
publicly available consolidated financial statements. These financial statements were prepared in accordance with 
Financial Reporting Standard 101 ‘Reduced Disclosure Framework’ (‘FRS 101’) as adopted by the EU. The amendments  
to FRS 101 (2014/15 Cycle) issued in July 2015 and FRS 101 (2015/16) issued in July 2016 have been applied. 

Exemptions applied 
The Company is taking advantage of the following disclosure exemptions under FRS 101: 

•  Presentation of a Statement of Cash Flows and related notes 
•  Disclosure in respect of capital management 
•  Disclosure of related party transactions between wholly-owned subsidiaries and parents within a group 
•  Disclosures required under IFRS 2 ‘Share Based Payments’ in respect of group settled share based payments 
•  Disclosures required by IFRS 7 ‘Financial Instrument: Disclosure’ 
•  Certain disclosures required under IFRS 13 ‘Fair Value Measurement’  
•  Disclosure of information in relation to new standards not yet applied 

As permitted by section 408 (3) of the Companies Act 2006, a separate income statement dealing with the results  
of the parent company has not been presented. 

Subsidiaries 
Subsidiaries are entities that are directly or indirectly controlled by the Company. Control exists where the Company 
has the power to govern the financial and operating policies of the entity so as to obtain benefits from its activities.  
The investment in the Company’s subsidiaries is recorded at cost.  

Foreign currency transactions 
Transactions in foreign currencies are translated into sterling at the rate of exchange ruling at the date of the 
transaction. Foreign currency monetary assets and liabilities at the balance sheet date are translated into sterling  
at the rate of exchange ruling at that date. Foreign exchange differences arising on translation are recognised in  
the profit and loss account. Non-monetary assets and liabilities measured at historical cost are translated into sterling  
at the rate of exchange on the date of the transaction. 

Borrowings 
Borrowings are recognised initially at fair value including directly attributable transaction costs, with subsequent 
measurement at amortised cost using the effective interest rate method. The difference between initial fair value  
and the redemption value is recorded in the profit and loss account over the period of the liability on an effective 
interest basis. 

Derivatives and other financial instruments 
The Company uses a limited number of derivative financial instruments to hedge its exposure to fluctuations in interest 
and other foreign exchange rates. The Company does not hold or issue derivative instruments for speculative purposes. 

Derivative financial instruments are initially recognised at fair value and are subsequently remeasured at fair value  
with the movement recorded in the profit and loss account within net financing costs, except where derivatives qualify  
for cash flow hedge accounting. In this case, the effective portion of cash flow hedge is recognised in retained profits 
within equity. The cumulative gain or loss is later reclassified to the profit and loss account in the same period as the 
relevant hedged transaction is realised. Derivatives with positive fair values are recorded as assets and negative fair 
values as liabilities. 

The fair value of foreign currency forward contracts is determined by using the difference between the contract 
exchange rate and the quoted forward exchange rate at the balance sheet date. 

191 
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Financial Statements
Financial Statements 

Notes to the ITV plc Company Financial Statements continued 

The fair value of interest rate swaps is the estimated amount that the Company would receive or pay to terminate  
the swap at the balance sheet date, taking into account current interest rates and the current creditworthiness of  
swap counterparties. 

Third-party valuations are used to fair value the Company’s derivatives. The valuation techniques use inputs such as 
interest rate yield curves and currency prices/yields, volatilities of underlying instruments and correlations between 
inputs. For financial assets and liabilities classified at fair value through profit or loss, the fair value change and interest 
income/expense are not separated.  

Current tax 
Current tax is the expected tax payable or receivable on the taxable income or loss for the year and any adjustment  
in respect of previous years.  

The Company recognises liabilities for anticipated tax issues based on estimates of the additional taxes that are likely 
to become due, which require judgement. Amounts are accrued based on management’s interpretation of specific tax 
law and the likelihood of settlement. Where the final tax outcome of these matters is different from the amounts that 
were initially recorded, such differences will impact the current tax and deferred tax provisions in the period in which 
such determination is made. 

Deferred tax 
The tax charge for the period is recognised in the income statement or directly in equity according to the accounting 
treatment of the related transaction. 

Deferred tax arises due to certain temporary differences between the carrying amount of assets and liabilities for 
financial reporting purposes and those for taxation purposes. The amount of deferred tax provided is based on the 
expected manner of realisation or settlement of the carrying amount of assets and liabilities. A deferred tax asset is 
recognised only to the extent that it is probable that sufficient taxable profit will be available to utilise the temporary 
difference. Recognition of deferred tax assets therefore involves judgement regarding timing and level of future 
taxable income.  

Share-based compensation 
The Company utilises share award schemes as part of its employee remuneration packages, and therefore operates  
a number of share-based compensation schemes, namely the Deferred Share Award (DSA), Performance Share Plan 
(PSP), Long Term Incentive Plan (LTIP) and Save As You Earn (SAYE) schemes. 

A transaction will be classed as share-based compensation where the Company receives services from employees  
and pays for these in shares or similar equity instruments. If the Company incurs a liability based on the price or value  
of the shares, this will also fall under a share-based transaction. The Company recognises the retained earnings impact 
of the share-based compensation for the Group as awards are settled in ITV plc shares. The cost of providing those 
awards is recognised as a cost of investment to the subsidiaries that receive the service from employees. 

The fair value of the equity instrument granted is measured at grant date and spread over the vesting period via  
a charge to the income statement with a corresponding increase in equity. The fair value of the share options and 
awards is measured using either market price at grant date or, for the SAYE scheme, a Black–Scholes model, taking  
into account the terms and conditions of the individual scheme.  

Vesting conditions are limited to service conditions and performance conditions. For performance-based schemes,  
the relevant performance measures are projected to the end of the performance period in order to determine the 
number of options expected to vest. The estimate is then used to determine the option fair value, discounted to 
present value. The Company revises its estimates of the number of options that are expected to vest, including an 
estimate of forfeitures at each reporting date. The impact of the revision to original estimates, if any, is recognised  
in the income statement, with a corresponding adjustment to equity. 

Exercises of share options granted to employees can be satisfied by market purchase or issue of new shares. No new 
shares may be issued to satisfy exercises under the terms of the DSA. During the year, all exercises were satisfied by 
using shares purchased in the market and held in the ITV Employees’ Benefit Trust. The Trust is accounted for as a 
separate entity and therefore is only accounted for in the consolidated financial statements. 

Dividends 
Dividends are recognised through equity on the earlier of their approval by the Company’s shareholders or their payment. 

192 
192 

ITV plc  Annual Report and Accounts 2018 
ITV plc   Annual Report and Accounts 2018

 
 
> Notes to the ITV plc Company Financial Statements 

Two (2017: two) Directors of ITV plc were employees of the Company during the year, one of whom remains employed 
at the year end. The costs relating to these Directors are disclosed in the Remuneration Report.  

Share-based payments 
The weighted average share price of share options exercised during the year was 18.39 pence (2017: 44.87 pence).  
The options outstanding at the year end have an exercise price in the range of nil to 206.83 pence (2017: nil to 206.83 
pence) and a weighted average contractual life of one year (2017: two years) for all the schemes in place for the Group. 

The principal subsidiary undertakings are listed on page 198. The carrying value at 31 December 2018 was £2,286 million 
(2017: £2,191 million). 

In 2018, the Company increased investment in subsidiaries by £95 million mainly due to a subscription of one ordinary 
share in Carlton Communications Limited for £76 million and a capital contribution of £19 million (€22 million) to ITV 
(Europe) Holdings BV. 

The Company operates an intra-group cash pool policy with certain 100% owned UK subsidiaries. The pool applies  
to bank accounts where there is an unconditional right of set off and involves the daily closing cash position for 
participating subsidiaries whether positive or negative, being cleared to £nil via daily bank transfers to/from ITV plc. 
These daily transactions create a corresponding intercompany creditor or debtor, which can result in significant 
movements in amounts owed to and from subsidiary undertakings in the Company balance sheet. 

Note ii 
Employees 
and share-
based 
payments 

Note iii 
Investments 
in subsidiary 
undertakings 

Note iv 
Amounts 
owed 
(to)/from 
subsidiary 
undertakings 

Note v 
Borrowings 

Keeping 
it simple 

The Directors manage the Group’s capital structure as disclosed in section 4  
to the consolidated financial statements. Borrowings, cash and derivative  
financial instruments are mainly held by ITV plc and disclosed in these Company 
financial statements. 

Loans and facilities due within one year 
At various periods during the year, the Group drew down on the £630 million Revolving Credit Facility (‘RCF’)  
to meet short-term funding requirements. At 31 December 2018, the Group had drawings of £50 million under  
the RCF (2017: £60 million), leaving £580 million available to draw down at year end. The maximum draw down  
of the RCF during the year was £400 million (2017: £390 million). 

Loans and loan notes due after one year  
The Company has issued the following Eurobonds: 

•  A seven year €600 million Eurobond at a fixed coupon of 2.125%, which matures in September 2022 and 
•  A seven year €500 million Eurobond at a fixed coupon of 2.0%, which will mature in December 2023. The bond  

issued in December 2016 has been swapped back to sterling using a cross-currency interest rate swap. The resulting  
fixed rate payable in sterling is c. 3.5%  

In June 2017, the Company repaid in full a £100 million bilateral loan facility. 

193 
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Strategic ReportAdditional informationFinancial StatementsGovernance 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Financial Statements
Financial Statements 

Notes to the ITV plc Company Financial Statements continued 

Note vi 
Managing 
market risks: 
derivative 
financial 
instruments 

  What is the value of our derivative financial instruments? 

Current 
Foreign exchange forward contracts and swaps – cash flow hedges 
Foreign exchange forward contracts and swaps – fair value through profit or loss 
Non-current 
Cross-currency interest swaps – cash flow hedges 
Foreign exchange forward contracts and swaps – fair value through profit or loss 
Foreign exchange forward contracts and swaps – cash flow hedges 

Current 
Foreign exchange forward contracts and swaps – cash flow hedges 
Foreign exchange forward contracts and swaps – fair value through profit or loss 
Non-current 
Cross-currency interest swaps – cash flow hedges 
Foreign exchange forward contracts and swaps – cash flow hedges 

Assets  
2018 
£m  

Liabilities  
2018 
£m 

3 
1 

26 
– 
– 
30 

(3) 
(1) 

– 
– 
– 
(4) 

Assets  
2017 
£m  

Liabilities  
2017 
£m 

5 
2 

10 
1 
18 

(5) 
(2) 

– 
(1) 
(8) 

The Company mainly employs three types of derivative financial instruments when managing its currency and interest 
rate risk: 

•  Foreign exchange swap contracts are derivative instruments used to hedge income statement translation risk  

arising from short-term intercompany loans denominated in a foreign currency 

•  Forward foreign exchange contracts are derivative instruments used to hedge transaction risk so they enable the 

sale or purchase of foreign currency at a known fixed rate on an agreed future date and 

•  Cross-currency interest rate swaps are derivative instruments used to exchange the principal and interest coupons  

in a debt instrument from one currency to another 

Currency risk 
The Company’s foreign exchange policy is to use forward foreign exchange contracts to hedge material non-functional 
currency denominated costs or revenue for up to five years forward. The Company also utilises foreign exchange swaps 
and cross-currency interest rate swaps both to manage foreign currency cash flow timing differences and to hedge 
foreign currency denominated monetary items. 

Cash flow hedges 
The Company applies hedge accounting for certain foreign currency firm commitments and highly probably cash flows 
where the underlying cash flows are payable within the next seven years. In order to fix the sterling cash outflows 
associated with the commitments and interest payments – which are mainly denominated in AUD or euros – the  
Company has taken out forward foreign exchange contracts and cross-currency interest rate swaps for the same 
foreign currency amount and maturity date as the expected foreign currency outflow.  

The amount recognised in other comprehensive income during the period all relates to the effective portion of the 
revaluation loss associated with these contracts. There was less than £1 million (2017: £1 million) ineffectiveness taken 
to the income statement and £5 million cumulative gain (2017: £17 million gain) recycled to the income statement in 
the year.  

In 2016, on issuing the 2023 Eurobond, the Company entered into a portfolio of cross-currency interest rate swaps, 
which swapped the euro principal and fixed euro interest rate coupons into fixed sterling interest rate. As a result,  
the Company makes sterling interest payments at a fixed rate. 

Under IFRS 9, the Company has adopted the ‘cost of hedging’ approach which allows the recognition of the value  
of the currency basis at inception of the hedge to be recorded on the Consolidated Statement of Financial Position  
and amortised through net financing costs in the Consolidated Income Statement over the life of the bond. Any mark-
to-market change in fair value of the currency basis is recognised in ‘cost of hedging’ in the Consolidated Statement of 
Comprehensive Income.  

194 
194 

ITV plc  Annual Report and Accounts 2018 
ITV plc   Annual Report and Accounts 2018

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
> Notes to the ITV plc Company Financial Statements 

Undiscounted financial liabilities   
The Company is required to disclose the expected timings of cash outflows for each of its derivative financial liabilities. 
The amounts disclosed in the table are the contractual undiscounted cash flows (including interest), so will not always 
reconcile with the amounts disclosed on the statement of financial position. 

At 31 December 2018 

Non-current and current 
Foreign exchange forward contracts 
and swaps – cash flow hedges 

Inflow 
Outflow 

Cross-currency swaps – cash flow 
hedges 

Inflow 
Outflow 

Foreign exchange forward contracts 
and swaps – fair value through profit 
or loss 

Inflow 
Outflow 

Restated * 

At 31 December 2017 

Non-current and current 
Foreign exchange forward contracts 
and swaps – cash flow hedges 

Inflow 
Outflow 

Cross-currency swaps – cash flow 
hedges 

Inflow 
Outflow 

Foreign exchange forward contracts 
and swaps – fair value through profit 
or loss 

Inflow 
Outflow 

Carrying 
value 
£m 

Total 
contractual 
 cash flows 
£m 

 Less than 
1 year 
£m 

Between 
1 and 2 years 
£m 

Between 
2 and 5 years 
£m 

Over 5 years 
£m 

3 
(3) 

26 
– 

1 
(1) 
26 

441 
(441) 

524 
(502) 

386 
(386) 
22 

243 
(243) 

109 
(109) 

10 
(15) 

362 
(362) 
(5) 

8 
(16) 

19 
(19) 
(8) 

89 
(89) 

506 
(471) 

5 
(5) 
35 

– 
– 

– 
– 

– 
– 
– 

Carrying 
value 
£m 

Total 
contractual 
 cash flows 
£m 

 Less than 
1 year 
£m 

Between 
1 and 2 years 
£m 

Between 
2 and 5 years 
£m 

Over 5 years 
£m 

6 
(6) 

10 
– 

2 
(2) 
10 

399 
(399) 

501 
(513) 

193 
(193) 
12 

283 
(283) 

116 
(116) 

– 
– 

– 
– 

10 
(15) 

168 
(168) 
(5) 

10 
(15) 

15 
(15) 
(5) 

30 
(44) 

451 
(439) 

10 
(10) 
(14) 

– 
– 
12 

*  The company re-analysed contractual cash-flows to present them in the correct categories of derivate instruments. There has been no impact on the 

carrying value of the financial liabilities 

195 
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Strategic ReportAdditional informationFinancial StatementsGovernance 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
Financial Statements
Financial Statements 

Notes to the ITV plc Company Financial Statements continued 

Note vii 
Share capital 

Authorised ordinary shares of 10 pence each 
Allotted, issued and fully paid ordinary shares of 10 pence each 
Total 

8,000,000,000 
4,025,409,194 

Authorised 
2018 & 2017 
£m 

800 

Allotted, issued 
and fully paid 
2018 & 2017 
£m 

403 

The Company’s ordinary shares give shareholders equal rights to vote, receive dividends and to the repayment of capital. 

Note viii 
Equity and 
dividends 

Keeping  
it simple 

ITV plc is a non-trading investment holding company and derives its profits from 
dividends paid by subsidiary companies.  

The Directors consider the Company’s capital structure and dividend policy at least 
twice a year ahead of announcing results and do so in the context of its ability to 
continue as a going concern, to execute the strategy and to invest in opportunities 
to grow the business and enhance shareholder value.  

The dividend policy is influenced by a number of the principal risks as identified  
on pages 56 to 61 that could have a negative impact on the performance of 
the Company. 

In determining the level of dividend in any year, the Directors follow the dividend 
policy and also consider a number of other factors that influence the proposed 
dividend, including: 

•  The level of retained distributable reserves in ITV plc the Company 
•  Availability of cash resources (as disclosed in note 4.1 to the consolidated 

financial statements) and 

•  Future cash commitments and investment plans, in line with Company’s  

strategic plan  

Equity 
The retained earnings reserve includes profit after tax for the year of £344 million (2017: £351 million), which includes 
dividends of £400 million from subsidiaries in 2018 (2017: £426 million). Other reserves of £37 million (2017: £26 million) 
relate to share buybacks in prior periods and foreign currency translation net of cash flow hedging. 

Dividends 
The Directors of the Company propose a final dividend of 5.4 pence per share, which equates to a full year dividend  
of 8 pence per share. 

Distributable reserves 
The distributable reserves of ITV plc approximate to the balance of the retained earnings reserve of £1,612 million 
(2017: £1,571 million) as at 31 December 2018.  

Note ix 
Contingent 
liabilities 

Keeping  
it simple 

A contingent liability is a liability that is not sufficiently certain to qualify  
for recognition as a provision where uncertainty may exist regarding the  
outcome of future events. 

Under a Group registration, the Company is jointly and severally liable for VAT at 31 December 2018 of £39 million  
(31 December 2017: £45 million). The Company has guaranteed certain finance and operating lease obligations of 
subsidiary undertakings. 

196 
196 

ITV plc  Annual Report and Accounts 2018 
ITV plc   Annual Report and Accounts 2018

 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
> Notes to the ITV plc Company Financial Statements 

Note x 
Capital and 
other 
commitments 

There are contingent liabilities in respect of certain litigation and guarantees, broadcasting issues, and in respect  
of warranties given in connection with certain disposals of businesses. None of these items are expected to have  
a material effect on the Company’s results or financial position. 

Where the Company enters into financial guarantee contracts to guarantee the indebtedness of other companies 
within its Group, the Company considers these to be insurance arrangements, and accounts for them as such. In this 
respect, the Company treats the guarantee contract as a contingent liability until such time as it becomes probable 
that the Company will be required to make a payment under the guarantee. 

There are no capital commitments at 31 December 2018 (2017: none). 

Note xi 
Related party 
transactions  

Keeping  
it simple 

The related parties identified by the Directors include solely key management,  
as ITV plc is a holding company with no commercial activity. 

To enable the users of the financial statements to form a view about the effects  
of related party relationships on the Company, we disclose the Company’s 
transactions with those during the year. 

Transactions with key management personnel 
Key management consists of ITV plc Executive Directors. 

Key management personnel compensation, on an accounting basis, is as follows: 

Short-term employee benefits 
Share-based compensation 

2018  
£m 

5 
1 
6 

Total emoluments and gains on share options received by key management personnel in the year were: 

Emoluments 
Gains on exercise of share options 
Gains on release of restricted share awards 

2018  
£m 

4 
– 
1 
5 

2017  
£m 

4 
– 
4 

2017  
£m 

2 
1 
2 
5 

197 
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Strategic ReportAdditional informationFinancial StatementsGovernance 
 
 
 
 
 
 
 
 
 
 
 
Financial Statements

Notes to the Financial Statements
continued

Subsidiary undertakings and investments
Principal subsidiary undertakings

The principal subsidiary undertakings of the Company at 27 February 2019, all of which are wholly owned (directly or indirectly) 
and incorporated and registered where stated.

Company Name

Country

Principal Business Activity

% Holding

Carlton Communications Limited (1)(a)(d)

ITV Broadcasting Limited (1)(a) 

ITV Consumer Limited (1)(a)

ITV Digital Channels Limited (1)(a)

ITV Global Entertainment Limited (1)(a)

ITV Network Limited (1)(i)

ITV Rights Limited (1)(a)

ITV Services Limited (1)(a)(e)

ITV Studios Limited (1)(a)

ITV2 Limited (1)(a)

SDN Limited (1)(a)

Talpa Media B.V. (52)(a)

ITV America Inc. (63)(j)

ITV Global Entertainment, Inc. (63)(j)

Southbank Studios Inc. (63)(j)

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

Holding company

Broadcast of television programmes

Development of platforms, broadband, transactional and mobile services

Operation of digital television channels

Rights ownership and distribution of television programmes and films

Scheduling and commissioning of television programmes

Rights ownership

Provision of services for other companies within the Group

Production of television programmes

Operation of digital television channels

Operation of Freeview Multiplex A

Netherlands

Production of television programmes

USA

USA

USA

Production of television programmes

Rights ownership and distribution of television programmes and films

Production of television programmes

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

Subsidiary undertakings
Company Name

12 Yard (North) Productions Limited (1)(a)

12 Yard Limited (1)(a)

12 Yard Productions (Investments) Limited (1)(a)

12 Yard Productions Limited (1)(a)

A.C.E. (1988) Limited (1)(a)

Back Productions Limited (7)(a)

BGSS Limited (1)(a)

Big Talk Bliss Limited (1)(a)

Big Talk Cold Feet Limited (1)(a)

Big Talk Diana Limited (1)(a)

Big Talk Investments Limited (1)(a)

Big Talk JL Limited (1)(a)

Big Talk Living the Dream Limited (1)(a)

Big Talk Mum Limited (1)(a)

Big Talk NEWCO 4 Limited (1)(a)

Big Talk NEWCO 5 Limited (1)(a)

Big Talk Peacock Limited (1)(a)

Big Talk Pictures Limited (1)(a)

Big Talk Productions Limited (1)(a)

Big Talk Time Limited (1)(a)

Boom Cymru TV Ltd (5)(a)

Broad Street Films Limited (1)(a)

Campania Limited (1)(a)(k)

Carbon Media Limited (1)(a)

Carlton Active Limited (1)(a)

Carlton Cinema Limited (1)(a)

Carlton Content Holdings Limited (1)(a)

Carlton Entertainment (1)(a)

Carlton Film Distributors Limited (1)(a) 

Carlton Films Limited (1)(a)

Carlton Finance Limited (1)(a)

Carlton Food Network Limited (1)(a)

Country

% Holding

Company Name

Country

% Holding

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

Carlton Productions Limited (1)(a)

Carlton Programmes Development Limited (1)(a)

Carlton Screen Advertising (Holdings) Limited (1)(a)

Carltonco 103 (1)(a)

Carltonco 99 Limited (1)(a)

Carltonco Eighty-One Limited (1)(a)(b)

Carltonco Fifty Limited (1)(a)(k)

Carltonco Forty Investments (1)(a)

Carltonco Forty-Five Limited (1)(a)

Carltonco Ninety-Six (1)(a)(f)

Carltonco Seventeen Limited (1)(a)

Castlefield Properties Limited (1)(a)

Cat’s on the Roof Media Limited (1)(a)

Central Television Limited (1)(a)

Channel Television Holdings Limited (1)(a)

Cosgrove Hall Films Limited (1)(a)

COTR (NEWCO) Limited (1)(a)

Cynhyrchiadau Boomerang Cyf (2)(a)

Denipurna Limited (1)(a)

DTV Limited (1)(a)

Electronic Rentals Group (1)(a)

EQ Pictures Limited (1)(a)

GIL Limited (1)(a)

Gorilla TV Group Limited (5)(a)

Gorilla TV Limited (5)(a)

Granada AV Solutions Limited (1)(a)

Granada Film (1)(a)

Granada Film Productions Limited (1)(a)

Granada Group Limited (1)(a)

Granada Limited (1)(a)

Granada Media Limited (1)(a)(l)

Granada Productions Limited (1)(a)

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

198 

ITV plc   Annual Report and Accounts 2018

 List of subsidiaries

Country

% Holding

Company Name

Country

% Holding

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

ITV T&B Limited (1)(a)

ITV Tennison Limited (1)(a)

ITV Text Santa Limited (1)(a)

ITV The Bay Limited (1)(a)

ITV The Man Limited (1)(a)

ITV Thunderbirds Limited (1)(a)

ITV Top Class Limited (1)(a)

ITV Trauma Limited (1)(a)

ITV Ventures Limited (1)(a)

ITV Vera Limited (1)(a)

ITV (Victor) Limited (1)(a)

ITV Wales & West Group Limited (1)(a)

ITV Wales & West Limited (1)(a)

ITV Wild Bill Limited (1)(a)

ITV3 Limited (1)(a)

ITV4 Limited (1)(a)

Juice Music UK Limited (1)(a)

London News Network (1)(a)

London Weekend Television Limited (1)(a)

LWT (Holdings) Limited (1)(a)(c)

LWT Productions Limited (1)(a)

Mammoth Screen (ABC) Limited (1)(a)

Mammoth Screen (AR) Limited (1)(a)

Mammoth Screen (ATTWN) Limited (1)(a)

Mammoth Screen (Bouquet) Limited (1)(a)

Mammoth Screen (BW) Limited (26)(a)

Mammoth Screen (City) Limited (1)(a)

Mammoth Screen (End) Ltd (1)(a)

Mammoth Screen (End2) Limited (1)(a)

Mammoth Screen (End5) Limited (1)(a)

Mammoth Screen (End6) Limited (1)(a)

Mammoth Screen (Falcon) Limited (1)(a)

Mammoth Screen (Fearless) Limited (1)(a)

Mammoth Screen Ltd (1)(a)

Mammoth Screen (Monroe) Limited (1)(a)

Mammoth Screen (NC) Limited (1)(a)

Mammoth Screen (NE) Limited (1)(a)

Mammoth Screen (NI) Limited (35)(a)

Mammoth Screen (NOK) Limited (1)(a)

Mammoth Screen (NW) Limited (1)(a)

Mammoth Screen (OBI) Limited (1)(a)

Mammoth Screen (PE) Limited (1)(a)

Mammoth Screen (Pol2) Limited (1)(a)

Mammoth Screen (Pol3) Limited (1)(a)

Mammoth Screen (Pol4) Limited (1)(a)

Mammoth Screen (Pol5) Limited (1)(a)

Mammoth Screen (Poldark) Limited (1)(a)

Mammoth Screen (QV) Limited (1)(a)

Mammoth Screen (RM) Limited (1)(a)

Mammoth Screen (Serpent) Limited (1)(a)

Mammoth Screen (SG) Limited (1)(a)

Mammoth Screen (VF) Ltd (1)(a) 

Mammoth Screen (Vic3) Limited (1)(a)

Mammoth Screen (WFTP) Limited (1)(a)

Mammoth Screen (WH) Limited (1)(a)

Mammoth Screen (WOF) Limited (1)(a)

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

199

Company Name

Granada Properties (1)(a)

Granada Screen (2005) Limited (1)(a)

Granada Television International (1)(a)

Granada Television Limited (1)(a)

Granada Television Overseas Limited (1)(a)

Granada Television Productions Limited (1)(a)

Granada UK Rental and Retail Limited (1)(a)(e)

Indus Films Limited (2)(a)

Interactive Telephony Limited (1)(a)

UK

UK

UK

UK

UK

UK

UK

UK

UK

International Television Enterprises London Limited (1)(a)(d) UK

ITC Distribution (1)(a)

ITC Entertainment Group Limited (1)(a)

ITC Entertainment Holdings Limited (1)(a)

ITV 112 Limited (9)(a)

ITV (HC) Limited* (1)(a)

ITV (Scotland) Limited (30)(a)

ITV Bancroft Limited (1)(a)

ITV Bancroft 2 Limited (1)(a)

ITV Barking Limited (1)(a)

ITV Border Limited (1)(a)

ITV Breakfast Broadcasting Limited (1)(a)

ITV Breakfast Limited (1)(a)

ITV Central Limited (1)(a)

ITV Channels Limited (1)(a)

ITV Confession Limited (1)(a)

ITV Dark Heart Limited (1)(a)

ITV DC Trustee Limited (1)(a)

ITV Digital Holdings Limited (1)(a)

ITV Enterprises Limited (1)(a)

ITV Global Content Limited (1)(a)

ITV HG Limited (1)(a)

ITV Holdings Limited (1)(a)

ITV Home Fires Limited (1)(a)

ITV International Channels (Asia) Limited (1)(a)

ITV Investments Limited* (1)(a)

ITV Leila Limited (1)(a)

ITV Little Boy Blue Limited (1)(a)

ITV Loch Ness Limited (1)(a)

ITV LTVC (Scotland) Limited (30)(a)

ITV Meridian Limited (1)(a)

ITV Moorside Limited (1)(a)

ITV Mr Selfridge Limited (1)(a)

ITV News Channel Limited (1)(a)(k)

ITV Pension Scheme Limited (1)(a)(b)

ITV Play Limited (1)(a)

ITV Productions Limited (1)(a)

ITV Properties (Developments) Limited (1)(a)

ITV Shetland Limited (1)(a)

ITV Sport Channel Limited (1)(a)

ITV Studios (Israel) Limited (1)(a)

ITV Studios NEWCO 13 Limited

ITV Studios NEWCO 14 Limited

ITV Studios NEWCO 15 Limited

ITV Studios NEWCO 16 Limited

ITV Studios NEWCO 17 Limited

ITV Supplementary Pension Scheme Limited (1)(a)

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

Strategic ReportGovernanceAdditional informationFinancial StatementsFinancial Statements

Notes to the Financial Statements
continued

Company Name

Country

% Holding

Company Name

Mammoth Screen (WOTW) Limited (1)(a)

Millbank Studios (1)(a)

Morning TV Limited (1)(a)

Moving Picture Company Films Limited (1)(a)

New Providence Productions Limited (1)(a)

Pickwick Packaging Limited (1)(a)

Sightseers Film Limited (1)(a)

So Television Developments Limited (1)(a)

So Television Limited (1)(a)

Television Music Limited (1)(a)

The CITV Channel Limited (1)(a)

The Garden Productions (Film) Limited (1)(a)

The Garden Productions Limited (1)(a)

The London Studios Limited (1)(a)

UTV Limited (34)(a)

UTV Pension Scheme Limited (100)(a)

VOD Member (ITVA) Limited (1)(a)

VOD Member (ITVB) Limited (1)(a)

World of Sport Wrestling Limited (1)(a)

Westcountry Television Limited (1)(a)

Yorkshire Television Limited (1)(a)

Yorkshire-Tyne Tees Productions Limited (1)(a)

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

Yorkshire-Tyne Tees Television Enterprises Limited (1)(a) UK

Zebedee Productions Limited (1)(a)

Artist Services Cable Pty Ltd (36)(a)

Artist Services Investments Pty Limited (36)(a)

Artist Services Productions Pty Ltd (36)(a)

UK

Australia

Australia

Australia

Granada Media International (Australia) Pty Ltd (36)(a)

Australia

Granada Media Investments (Australia) Pty Ltd (36)(a)

Australia

Granada Productions Pty Ltd (36)(a)

ITV Global Entertainment Pty Limited (36)(a)

ITV Services Pty Ltd (36)(a)

ITV Studios Australia Pty Limited (36)(a)

Talpa Cabo Verde SA (a) (113)

Australia

Australia

Australia

Australia

Cape Verde

Totally Full Frontal Productions Pty Limited (36)(a)

Australia

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

Granada December Eight Limited (38)(a)

Granada December Nine Limited (38)(a)

ITV Holdings (Cayman) Limited (38)(a)

Talpa Chile SpA (94)(a)

ITV Studios Denmark Holdings Aps (104)(a)

United Productions ApS (42)(a)

ITV Studios Finland Oy (43)(a)

Beaubourg Audiovisuel (50)(a)

ITV Studios France Holdings SAS (95)(a)

ITV Studios France SAS (95)(a)

ITV Studios Talpa France

Phara Prod International (105)(a)

Tetra Media Studio SAS (105)(a)

ITV Studios Germany GmbH (46)(a)

ITV Studios Germany Holdings GmbH (46)(a)

Talpa Germany Fiction GmbH (96)(a)

Talpa Germany Gmbh & Co KG (47)(a)

Talpa Germany Verwaltungs GmbH (47)(a)

Elecrent Insurance Limited (31)(a)

Cayman Islands 100

Cayman Islands 100

Cayman Islands 100

Chile

Denmark

Denmark

Finland

France

France

France

France

France

France

Germany

Germany

Germany

Germany

Germany

Guernsey

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

ITV Global Entertainment (Hong Kong) Limited (49)(a)

Hong Kong

Talpa China Limited (48)(a)

Hong Kong 

200 

ITV plc   Annual Report and Accounts 2018

North America Studios Investments DAC (110)(a)

Channel Television Limited (32)(a)

ITV London Properties Limited (33)(a)

ITV Properties (Jersey) Limited (33)(a)

April, May en June BV (57)(a) 

Global Music & Talent Agency B.V. (90)(a)

ITV (Europe) Holdings B.V.* (55)(a)

ITV Studios Netherlands B.V. (52)(a) 

MasMedia B.V. (56)(a)

Stitchting ‘Derdengelden’ TV Producties (52)(a)

Talpa Content B.V. (52)(a)

Talpa Fictie B.V. (53)(a)

Talpa Germany Holding B.V. (90)(a)

Talpa Global B.V. (90)(a)

Talpa Non-Spot B.V. (52)(a)

Talpa Producties B.V. (52)(a)

Utopia B.V. (57)(a)

Vorst Media B.V. (99)(a)

Wardour Street Films B.V. (59)(a)

ITV Studios Norway AS (73)(a)

ITV Studios Nordic AB (74)(a)

ITV Studios Scandinavia Holdings AB (74)(a)

Talpa Asia Pte. Ltd. (93)(a)

ITV Studios Germany GmbH, Köln, Zweigniederlassung 
Zürich (75)(m)

ALB1819 Productions Inc. (63)(j) 

Anglia Television, Inc. (68)(j)

Cardinal Productions of Ohio, Inc. (63)(j)

Carlton Media Company, Inc. (63)(j) 

Chad Alan Productions, LLC (63)(j)

Critical Productions Inc (63)(j)

DGK 5, LLC (63)(h)

Double Down Films, LLC (63)(h) 

Electric Farm Entertainment Holdings Inc. (63)(j)

Film Productions Rentals, LLC (68)(h)

Fourth State Productions Inc (108) (j)

Gear Shop Inc. (63)(j)

Granada Cracker US Productions (68)(j)

Granada Television International, Inc. (63)(j)

Gritty Productions, LLC (63)(h)

GWC Enterprises Inc. (63)(j) 

Hamdon Entertainment, Inc. (63)(j)

Highball Music Group, LLC (63)(h)

ITC Distribution, LLC (63)(j)

ITC Entertainment Group, Inc (63)(j)

ITC Films, LLC (63)(j)

ITC Productions, LLC (63)(j)

ITV Believe Holding, Inc. (63)(j)

ITV Blumhouse Holding Inc (63)(j)

ITV Diga Holding, Inc (63)(j)

ITV Entertainment Services Inc.(63)(j)

ITV Gritty Holding Inc. (63)(j)

ITV Gurney Holding Inc. (63)(j)

ITV HN Holding Inc. (63)(j)

ITV International Corporation (63)(j)

ITV Leftfield Holding Inc. (63)(j)

Country

Ireland

Jersey

Jersey

Jersey

Netherlands

Netherlands

Netherlands

Netherlands

Netherlands

Netherlands

Netherlands

Netherlands

Netherlands

Netherlands

Netherlands

Netherlands

Netherlands

Netherlands

Netherlands

Norway 

Sweden

Sweden

Singapore

Switzerland

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

% Holding

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

 List of subsidiaries

Country

% Holding

Company Name

Country

% Holding

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

100

Cloth Cat LBB Limited (5)(a)

Thud Media Limited (5) (a)

Malacara Limited (2)(a)

Box Clever Technology Limited (8)(a)

British Film-Makers Limited (1)(a)

Digital 3 and 4 Limited (16)(a)

Freesat (UK) Limited (18)(a)

Harlequin Agency Limited (5)(a)

Noho Film and Television Limited (28)(a)

Pink Rose Bud Limited (2)(a)

Possessed Limited (1)(a)

Standard Music Limited (29)(a)

Second Act Productions Limited (1)(a)

Gameface Productions Limited (1)(a)

Crook Productions Limited (1)(a)

Bait Studio Limited (5)(a)

Cirkus Limited (13)(a)

Boom Pictures Limited (1)(a)

Double Double Limited (1)(a)

ITV TFG Holdings Limited (1)(a)

TwoFour Broadcast Limited (3)(a)

Twofour Group Holdings Limited (1)(a)

TwoFour Group Limited (3)(a)

3sixtymedia Limited (1)(a)

OSF (Wales) Limited (5)(a)

Oxford Scientific Films Limited (5)(a)

WP Anne Limited (1)(a)

WP Bodyguard Limited (1)(a)

WP LOD5 Limited (1)(a)

WP (NEWCO 3) Limited (1)(a)

WP (NEWCO 4) Limited (1)(a)

World Productions Limited (1)(a)

World Productions (BTK) Limited (1)(a)

World Productions (Dark Angel) Limited (1)(a)

World Productions (Gone) Limited (1)(a)

World Productions (Northern Ireland) Limited (1)(a)

GC Films Pty Limited (36)(a)

Think Factory Productions Canada Ltd (77)(j)

LTP Productions Inc. (109)(h)

Country

% Holding

Apple Tree Productions ApS (101)(a)

Talpa Nordic ApS (41)(a)

15.15 Productions (59)(a)

Beaubourg Audiovisuel (50)(a)

Beaubourg Fiction (50)(a)

Beaubourg Stories (50)(a)

SCI MD 60 (105)(a)

Gedesel (107)(a)

Funny Corp (105)(a)

Macondo Productions Audiovisueles (105)(a)

Tangaro (105)(a)

Tetra Media Fiction (105)(a)

Shoot Again Productions (105)(a)

Phara Prod International (105)(a)

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

20

20

20

24.9

24.92

25

25

25

28

28.58

38.25

38.25

38.25

38.25

40

41.25

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

UK

Australia

Canada

Canada

Denmark

Denmark

France

France

France

France

France

France

France

France

France

France

France

France

Imago TV Film und Fernsehproduktion GmbH (45)(a)

Germany

The Lab Television 2013 Limited Partnership (78)(a)

Cattleya Srl (103)(a)

Israel

Italy

41.25

41.25

49

50

50

50

50

50

50

50

51

50

50.001

50.01

50.01

55

55.67

75

75

75

75

75

75

80

85

85

92

92

92

92

92

92

92

92

92

92

49

65

75

25

51

32.52

32.52

32.52

32.52

32.52

33.17

33.17

33.17

42.28

50.7

61.79

65.04

80

50

51

201

Company Name

ITV New Form Holding Inc. (63)(j)

ITV NewTV Holding Inc. (63)(j)

ITV Popco Holding Inc. (63)(j)

ITV Southpoint Holding Inc (63)(j)

ITV Studios America Inc. (63)(j)

ITV Studios, Inc. (68)(j)

ITV SVOD Holding Inc. (63)(j)

ITV Thinkfactory Holding Inc. (63)(j)

ITV Tomorrow Holding, Inc. (63)(j)

ITV US Holdings, Inc. (63)(j)

ITV Videology Inc. (63)(j)

JB Entertainment Holding Company, Inc. (63)(j)

Kirkstall Road Enterprises, Inc. (63)(j)

Krewed Inc (63)(j)

Leftfield Entertainment, LLC (63)(h)

Leftfield Pictures of NY Holdings, LLC (63)(j)

Leftfield Pictures of NY, LLC (63)(j)

Leftfield Ventures, LLC (63)(j)

LWT Enterprises Inc. (63)(j)

Marriage Boot Camp Reality Stars, LLC (63)(h)

Moving Pictures Services Inc. (63)(j)

Over the Pond Productions, Inc. (63)(j)

Post 460 Inc (63)(j)

Quay Street Enterprises, Inc. (63)(j)

Signal Post Facilities, LLC (63)(h)

Sirens Media, LLC (63)(h)

Solowe Productions Inc (63)(j)

Sound and Stage Studios, LLC (63)(h)

Southsquare Productions Inc. (63)(j)

Talpa Media USA, Inc. (68)(j)

Talpa North America Inc. (63)(j)

Thinkfactory Group, LLC (63)(h)

Thinkfactory Media, LLC (63)(h)

Trailer Park Productions, Inc (63)(j)

Upper Ground Enterprises, Inc. (63))(j)

Web Legal, LLC (63)(h)

Westside Film Partners, LLC (63)(h)

Joint ventures and Investments
Company Name

Absolutely Rights Limited (6)(f)

DTV Services Limited (17)(a)

That Mitchell and Webb Company Limited (7)(a)

Route 24 Limited (24)(a)

Monumental Television Limited (76)(a)

Clearcast Limited (14)(a)

Genial Productions Limited(a)(111)

Koska Limited (105)(a)

Cirkus International Limited (13)(a)

Thinkbox TV Limited (23)(a)

Age Before Beauty Limited (4)(a)

Gold Digger Productions Limited (4)(a)

Mainstreet Pictures Limited (4)(a)

Unforgotten 3 Limited (4)(a)

Independent Television News Limited (20)(a)

Cloth Cat Animation Limited (5)(a)

Strategic ReportGovernanceAdditional informationFinancial StatementsFinancial Statements

Notes to the Financial Statements
continued

Company Name

Radio Cattleya Srl (103)(a)

Talpa Italia Srl (79)(a)

Think Cattleya Srl (103)(a)

Pomper & Linders B.V. (98)(a)

Identity Mansion B.V. (92)(a)

Appletree Productions AB (74)(a)

ITV Studios Sweden AB (74)(a)

Maximum Media Production FZ-LLC (81)(a)

Talpa Arabia Holding Ltd (81)(a)

Talpa Middle East FZ-LLC (81)(a)

Country

% Holding

Italy

Italy

Italy

Netherlands

Netherlands

Sweden

Sweden

UAE

UAE

UAE

Memberships, Partnerships and Companies Limited 
by Guarantee

Company Name

Country

% Holding

ITV LTVC Scottish Limited Partnership (30)(h)

ITV Scottish Limited Partnership (30)(h)

Digital Production Partnership Limited (1)(i)

Producers Rights Agency Limited (25)(i)

DTT Multiplex Operators Limited (17)(i)

Digital UK Limited (17)(i)

UK

UK

UK

UK

UK

UK

100

100

50

50

25

25

51

50

25.5

20

25

25

95

90

90

90

90

10

45

49

49

50

50

51

60

60

61.5

61.5

61.5

61.5

61.5

61.5

75

75

75

75

75

80

Talpa Middle East Lebanon S.A.R.L (81)(a)

Lebanon

Electric Farm Entertainment LLC (63)(h)

Blumhouse TV Holdings LLC (63)(h)

Circle of Confusion Television Studios LLC (63)(h)

South Circle Productions LLC (63)(a)

BB Rights, LLC (63)(h)

Britbox, LLC (89)(h)

Jaffe/Braunstein Entertainment, LLC (67)(h)

High Noon Group, LLC (69)(h) 

High Noon Productions, LLC (69)(h)

Feeding Time Productions, LLC (86)(h)

FT Productions, LLC (63)(h)

Gurney Productions, LLC (68)(h)

Hollywood Camera and Lighting, LLC (68)(h)

RICMA, LLC (68)(h)

Yukon RAFT Productions, LLC (88)(h)

East Olive Productions LLC (68)(h)

Twofour America, LLC (68)(h)

Loud Television, LLC (63)(h)

Next Steps Productions, LLC (63)(h)

Tomorrow Studios LLC (63)(h)

Outpost Entertainment, LLC (63)(h)

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

USA

202 

ITV plc   Annual Report and Accounts 2018

 List of subsidiaries

(64) 

(65) 

(66) 

 Corporation Service Company, 2711 Centreville Road (Suite 400), Wilmington, 
Newcastle DE 19808, USA
 The Corporation Trust Company, 311 South Division Street,  
Carston City NV 89703, USA
 United Corporate Services, Inc., 874 Walker Road (Suite C), Dover,  
Kent DE 19904, USA

(67)  321 Southern Beverly Drive, Suite M, Beverly Hills, CA 90212, USA
(68) 

 CT Corporation System, 818 West Seventh Street, Suite 930, Los Angeles, 
CA 90017, USA

 CT Corporation System, 28 Liberty Street, New York, NY 10005, USA

(69)  The Hodson Law Firm, 1129, East 17th Avenue, Denver, CO 80014, USA
(70) 
(71)  21 Holborn Viaduct, London, EC1A 2DY, United Kingdom
(72)  120 West 3rd Avenue #201, Vancouver, BC VSY 1EG, Canada
(73)  Lars Hilles Gate 30, 5008, Bergan, Norway
(74)  Soder Malarstrand 65, 11825, Stockholm, Sweden
(75)  Scharenmoosstrasse 105, 8052, Zurich, Switzerland
(76)  9 St. Peters Street, London, N1 8JD, United Kingdom
(77) 

 Bucchil Goldstein LLP, 662 King Street West, Suite 304, Toronto ON  
M5V 1M7, Canada

(78)  23 Habarzel Street, Tel Aviv, 69710, Israel
(79)  Via Enrico, Tazzoli 6, Rome, Italy
(80) 

 Gonzales Carillo, SC Abogados, Montes Urales no 632, Piso 3, 
Lomas de Chapaltpec, DF 11000, Mexico
(81)  Building 2, Dubai Media City, Dubai, UAE
(82)  3035 South Parker Road, Suite 500, Denver, CO 80014, USA
(83) 
(84)  1640 South Sepulveda Boulevard, Suite 300, Los Angeles, CA 90025, USA
(85) 
(86) 

 CT Corporation System, 306 Main Street, Suite 512, Frankfort, KY 40601, USA
 CT Corporation System, 3867 Plaza Tower Drive East Baton Rouge Parish,  
Baton Rouge, LA 70816, USA

 eResident Acent Inc. 12121 Wilshire Boulevard ~1201, Los Angeles, CA 90025, USA

(87)  24955 Pacific Coast Highway, Suite C302, Malibu, CA 90265, USA
(88) 

 Incorp Services Inc, 101 E. 9th Avenue, Suite 12-B, Anchorage,  
AK99501-3651, USA

(89)  1120 Avenue of Americas, 5th Floor, New York, NY10036, USA
(90)  Family de Mollaan 1, 1217 ZB Hilversum, Netherlands
(91)  15000 Ventura Blvd, Suite 202, Sherman Oaks, CA 91403, USA
(92)  Westersingel 108, 3015 LD Rotterdam, Netherlands
(93)  198A Telok Ayer Street, Singapore 068637, Singapore
(94) 

 calle Cerro El Plomo 5855, oficina 1605, comuna de Las Condes, 
Region Metropolitana, Chile

(95)  38 quai du Point du Jour, 92100 Boulogne-Billancourt, France
(96)  Gethiner Strasse 5, 10785, Berlin, Germany
(97)  August-Bebel Strasse 58, 15711, Konigs Wusterhausen, Germany
(98)  Keizersgracht 149a, 1015CL, Amsterdam, Netherlands
(99)  Hollandse Kade 34, 1391JM, Abcoude, Netherlands
(101)  Aumento Advokatfirma, Ny Osteragde 3,4, 1101, Kobenhavn, Denmark
(103)  Piazzale Valerio Massimo, 7, 00162, Roma, Italy
(104)  DLA Piper Denmark, Radhuspladsen 4, 1550 Kobenhavn V, Denmark
(105)  60 rue Marcel Dassault, 92100, Boulogne-Billancourt, France
(106)   Jessop House, Jessop Avenue, Cheltenham, Gloucestershire GL50 3WG, 

United Kingdom 

(107)  4 rue de Commaille, 75007, Paris, France
(108)  CT Corporation System, 289 S. Culver Street, Lawrenceville, GA, 30046-4805, USA
(109)  Orange Tower, Media City UK, Salford M50 2HF
(110)  4th Floor, 76 Lower Baggot Street, Dublin, Dublin 2, Republic of Ireland
(111)  39 Long Acre, London, WC2E 9LG, United Kingdom
(112) 

 Chandler Fogden Aldous Law Corporation, #201-120 West 3rd Ave. Vancouver,  
BC V5Y 1E9 Canada
 Avenida Cidade de Lisboa, Frente Sucupira, 2° andar, Cidade de Praia, Cape Verde

(113) 

Interest key
Ordinary
(a) 
(b)  Deferred
(c) 
(d) 
(e) 
(f) 
(g) 

Special deferred
Redeemable preference
Cumulative preference
Cumulative redeemable preference
Convertible preference

Guarantee
Common 
preference
Part preference

(h)  Membership/Partnership
(i) 
(j) 
(k) 
(l) 
(m)  Branch
*  Direct subsidiary

203

Address key
(1) 
(2) 
(3) 
(4) 
(5)  Gloworks, Porth Teigr Way, Cardiff, Wales, CF10 4GA, United Kingdom
(6) 

 2 Waterhouse Square, 140 Holborn, London, EC1N 2AE, United Kingdom
218 Penarth Road, Cardiff, CF11 8NN, United Kingdom
Twofour Studios, Estover, Plymouth, Devon, PL6 7RG, United Kingdom
 Kingsbourne House, 229–231 High Holborn, London, WC1V 7DA, United Kingdom

 18 The Glasshouse Studios, Fryern Court Road, Fordingbridge, Hampshire, 
SP6 1NG, United Kingdom
26 Nassau Street, London, W1W 7AQ, United Kingdom
5 New Street Square, London, EC4A 3TW, United Kingdom
20 Cathedral Road, Cardiff, CF11 9LJ, United Kingdom

(7) 
(8) 
(9) 
(10)  9 Mansfield Street, London, W1M 9FH, United Kingdom
(11)  20 Orange Street, 3rd Floor, London, WC2H 7EF, United Kingdom
(12)  21 Hatton Gardens (Room 9), London, EC1N 9BA, United Kingdom
(13)  The Met Building, 22 Percy Street, London, W1T 2BU, United Kingdom
(14)  4 Roger Street, 2nd Floor, London, WC1X 2JX, United Kingdom
(15) 

 c/o Creative Skillset, 1-3 Grosvenor Place, Fifth floor (Suite 5B), London, 
SW1X 7HJ, United Kingdom

(16)  124 Horseferry Road, London, SW1P 2TX, United Kingdom
(17)  27 Mortimer Street, London, W1T 3JF, United Kingdom
(18)  23-24 Newman Street, London, W1T 1PJ, United Kingdom
(19) 

 Unit 8 Acorn Production Centre, R/O 105 Blundell Street, London, N7 9BN, 
United Kingdom

(20)  200 Gray’s Inn Road, London, WC1X 8HF, United Kingdom
(21) 

 Clay Barn, Ipsley Court, Berrington Close, Redditch, Worcestershire, B98 0TD, 
United Kingdom
 10 Lower Thames Street, (Third Floor), London, EC3R 6YT, United Kingdom

(22) 
(23)  Manning House, 22 Carlisle Place, London, SW1P 1JA, United Kingdom
(24) 
(25) 

 York House, Empire Way, Wembley, Middlesex, HA9 0FQ, United Kingdom
 Fitzrovia House, (3rd Floor), 153-157 Cleveland Street, London, W1T 6QW, 
United Kingdom
 Round Foundry Media Centre, Foundry Street, Leeds, LS11 5QP, United Kingdom

(26) 
(27)  c/o Archery Pictures, 3 Archery Close, London, W2 2BE, United Kingdom
(28)  59 Charlotte Street, (Third Floor), London, W1T 4PE, United Kingdom
(29) 
(30) 

 Roundhouse, 212 Regent’s Park Road, London, NW1 8AW, United Kingdom
 Quartermile One, 15 Lauriston Place, Edinburgh, Scotland, EH3 9EP, 
United Kingdom
 P.O. Box 308, St. Peter Port House, Union Street, St. Peter Port, 
GY1 3TA, Guernsey
 Le Capelain House, Castle Quay, St. Helier, JE2 3EH, Jersey 

(32) 
(33)  Ogier House, The Esplanade, St. Helier, JE4 9WG, Jersey 
(34)  City Quays 2, 8th Floor, 2 Clarendon Road, Belfast, BT1 3YD, United Kingdom
 5 Cromac Avenue, The Gasworks, Belfast, Northern Ireland, BT7 2JA, 
(35) 
United Kingdom
 Level 5, Building 61, Fox Studios Australia, 38 Driver Avenue, Moore Park 
NSW 2021, Australia
 c/o Addisons, Level 12, 60 Carrington Street, Sydney NSW 2000, Australia
 c/o Estera Trust (Caymen) Limited, Clifton House, 75 Fort Street, PO Box 1350, 
Grand Cayman, KY1-1108

(37) 
(38) 

(36) 

(31) 

(41)  Mosedalvej 14, 2500, Valby, Copenhagen, Denmark
(42)  Finsensvej 6E, 2000, Frederiksberg, Denmark
(43)  Elimaenkatu 9 A, Helsinki, 00510, Finland
(44)  23 rue Montorgueil, 75001, Paris, France
(45)  Keplerstrasse 4-6, 10589, Berlin, Germany
(46)  Agrippastraße, 87-93, 50676, Köln, Germany
(47)  Jenfelder Allee 80, 22039, Hamburg, Germany
(48) 
(49) 

 11/F, Unit B, Winbase Centre, 208 Queen’s Road Central, Sheung Wan, Hong Kong
 Rooms 517–520, 5th Floor, Sun Hung Kai Centre, 30 Harbour Road, Wan Chai, 
Hong Kong

(50)  5–7 rueSaint-Augustin, 75002, Paris, France
(51)  Mayor Street Upper, Dublin , DUBLIN 1, Ireland
(52)  Familie de Mollaan 1, 1217 ZB, Hilversum, Netherlands
(53)  Haarlemmer Houttuinen, 21 1013 GL, Amsterdam, Netherlands
(54)  Heemraadssingel 180, 3021 DL, Rotterdam, Netherlands
(55)  Hoogoorddreef 15, 1101 BA, Amsterdam, Netherlands
(56)  Noorderweg 8, 1221 AA, Hilversum, Netherlands
(57)  Zevenend 45, 1251 RL, Laren, North Holland, Netherlands
(58)  Voorstraat 61, 4797 BE, Willemstad, Netherlands
(59)  10 rue Maître Jacques, 92100 Boulogne, Billancourt, France
(60)  121 West Lexington Drive, Suite 401, Glendale CA 91203, USA
(61)  1633 Bayshore Highway, Suite 320, Burlingame CA 94010, USA
(62)  3867 Plaza Tower, 1st Floor, Baton Rouge, Los Angeles CA 70816, USA
(63) 

 The Corporation Trust Company, Corporate Trust Center, 1209 Orange Street, 
Wilmington, Newcastle, DE 19801, USA

Strategic ReportGovernanceAdditional informationFinancial StatementsAdditional Information

Glossary

Advertiser funded platform – platforms 
that include advertising as part of the user 
experience e.g. itv.com, iOS, and Android

AVOD – ad-funded service where 
subscribers have access to a wide range  
of content whenever they request it  
without charge

Broadcasters’ Audience Research  
Board (BARB) – organisation owned by 
broadcasters and advertisers providing  
data on linear and online television  
viewing statistics by UK households

Catch up viewing – non-live viewing 
of recently broadcast television 
programmes, either via a recording device 
(often called a PVR or DTR) such as Sky+ 
or through a Video on Demand service 
such as the ITV Hub, BBC iPlayer, All 4 or My5 

Channel 3 licences – the 15 regional 
licences and one national licence awarded 
to transmit Channel 3 across the UK. All are 
owned by ITV with the exception of two 
of the regional licences which are owned 
by STV

Contract Rights Renewal (CRR) – the 
remedy agreed by Carlton and Granada 
in 2003 as a pre-condition of the merger, 
which governs the way in which ITV airtime 
is sold by ITV to its advertising customers

Free-to-Air (FTA) television – viewing  
of television through devices not requiring  
a subscription such as the Freeview or  
Freesat services

High Definition (HD) – channels or services 
broadcast in substantially higher resolution 
than standard, providing improved  
picture quality

Intellectual Property – intangible property 
that is the result of creativity

Inventory – Advertising inventory is the 
number of advertisements, or amount of 
advertising space, we have available to sell 
to advertisers

Impact or Commercial Impact – one 
Commercial Impact is defined as one 
viewer watching one 30-second  
television commercial

ITV Family – the ITV family of channels  
which includes ITV, ITV2, ITV3, ITV4, ITVBe,  
ITV Encore, CITV, ITV Breakfast, CITV 
Breakfast and all associated +1 and  
HD equivalents. 

Key demographics – ITV monitors viewing 
performance across a group of audiences 
that constitute the majority of our targeted 
advertising revenue. In addition to 
individuals and adults, we also consider 
16-34 year-olds, social grades ABC1 and 
house-persons with children 

Linear television – television service where 
the viewer has to watch a scheduled TV 
programme at the particular time it’s 
offered, and on the particular channel  
it’s presented on

Long-form video requests – measured 
across all platforms, based on data from 
comScore Digital Analytix, Crocus, Virgin, BT, 
iTunes, Netflix, Amazon Video and Sky and 
include simulcast (in November 2017 we 
moved from comScore Digital Analytix 
to Crocus, an in-house analytics system). 
A long-form video is a programme that 
has been broadcast on television and is 
available to watch online and on demand 
in its entirety

Long-form online viewing (consumption) 
– total number of hours ITV VOD content 
is viewed on ad funded platforms (such as 
on mobile, tablet and PC), based on data 
from ComScore Digital Analytix and Crocus 

Media sales commission – commission 
earned by ITV plc on sales of airtime on  
behalf of the non-consolidated licensees 

Net Advertising Revenue (NAR) – the 
amount of money received by a broadcaster 
as payment for television spot advertising  
net of any commission paid to agencies 

Total Schedule Costs/Total Network 
Programme Budget (NPB) – the budget 
spent on programming broadcast on the  
ITV family of channels, including spend on 
regional programming and ITV Breakfast

Non-consolidated licensees – the 
two regional channel 3 licences which ITV 
does not own. These licences are owned  
by STV and revenues received from these 
licences for ITV programming content are 
referred to as minority revenues

Ofcom – communications regulator in the 
UK who regulate the TV, radio and video- 
on-demand sectors, fixed-line telecoms 
(phones), mobiles and postal services, 
plus the airwaves over which wireless 
devices operate

204 

ITV plc   Annual Report and Accounts 2018

Over-the-top (OTT) – delivery  
of audio, video, and other media over 
the internet, this includes content 
from providers such as Netflix, Amazon  
and Hulu and also our own on demand 
service, the ITV Hub

SDN – multiplex operator owned by ITV,  
which operates one of the eight national 
multiplex licences in the UK on Freeview

Share of Broadcast (SOB) – ITV’s share  
of UK television advertising revenue (NAR),  
a measure of market share

Share of Commercial Impacts (SOCI) –  
the term used to define the share of 
total UK television commercial impacts 
delivered by one channel or group of 
channels. This measure excludes viewing 
of BBC channels as they do not generate 
commercial impacts. Unless stated 
otherwise, SOCI figures cited throughout 
this report are based on BARB data and 
are based on the universe of Adults (16+)

Share of Viewing (SOV) – the share of  
the total viewing audience during a defined 
period gained by a programme or channel. 
This measure includes viewing of BBC 
channels. Unless stated otherwise, SOV 
figures cited throughout this report are  
based on BARB data and are based on 
the universe of individuals

Simulcast – streaming live TV channels via 
a broadcaster’s on demand service, at the 
same time as broadcast on linear TV

Spot advertising – linear television 
advertising occupying a short break during 
or between programmes

Subscription Video on Demand (SVOD) –  
a paid for service where subscribers have 
access to a wide range of content whenever 
they request it

Video on Demand (VOD) – the ability 
to deliver video content to a customer’s 
television set, computer or device when  
the customer requests it

YouView – a joint venture (with the BBC, 
Channel 4, Channel 5, BT, TalkTalk, and Arqiva) 
to operate and promote a hybrid television 
platform combining Freeview channels with 
catch up and on demand services

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ITV plc
2 Waterhouse Square
140 Holborn
London
EC1N 2AE

  www.itv.com 

Investors: 
www.itvplc.com  Stock code: ITV